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The British Library
PUBLIC SPACE AND THE ROLE OF THE ARCHITECT London Modernist Case Study Briefing (c. 2016 FABE Research Team, University of Westminster) THE BRITISH LIBRARY CONTENTS SUMMARY………………………………………………... .......... 3 1. BUILDING CHRONOLOGY……………………………......... 4 2. POLICY AND IDEOLOGY………………………………........ 7 3. AGENTS……………………………………………………….. 12 4. BRIEF…………………………………………………….......... 14 5. DESIGN…………………………………………………………16 6. MATERIALS/CONSTRUCTION/ENVIRONMENT 22 7. RECEPTION…………………………………………….......... 22 BIBLIOGRAPHY………………………………………….……… 26 PROJECT INFORMATION Case Study: The British Library, 96 Euston Rd, London NW1 2DB Dates: 1962 - 1998 (final plan 1977, build 1982-1999, staggered opening November 1997- June 1999) Architects: Colin St John Wilson with M.J. Long, John Collier, John Honer, Douglas Lanham, Peter Carolin Client: The British Museum, then The British Library (following Act of Parliament 1972) Contractors: Phase 1A, Laing Management Contracting Ltd. Completion phase, McAlpine/Haden Joint Venture Financing: National government Site area: 112,643 m2 (building footprint is 3.1 hectares, on a site of 5 hectares) Tender price: £511 million. Budget overrun: £350 million 2 SUMMARY The British Library, the United Kingdom’s national library and one of six statutory legal depositories for published material, was designed and constructed over a 30-year period. It was designed by Colin St John Wilson (1922 – 2007) with his partner M J Long (1939 – ), and opened to the public in 1997. As well as a functioning research library, conference centre and exhibition space, the British Library is a national monument, listed Grade I in 2015. Brian Lang, Chief Executive of the British Library during the 1990s, described it as “the memory of the nation’, there to ‘serve education and learning, research, economic development and cultural enrichment.’1 The nucleus of what is now known as the British Library was, until 1972, known as the British Museum Library. -
HERTS COUI~TY COUNCIL. --+-- Local Government Act, 1888, 51 & 52 Vic
[ KELJ~Y'8 8 HERTFORDSHIRE. HERTS COUI~TY COUNCIL. --+-- Local Government Act, 1888, 51 & 52 Vic. c. 41. Under the above Act, He.rts, after the 1St April, 1889, The coroners for the county are elected by the Oounty for the p~oses (}f the Act, became an administrative Council, and the clerk of the peace appointed by such county (sec. 46), governed by a County Oouncil, con- joint committee, and may be removed by tliem (800. sisting of chairman, alderme,n and councillors, ele,cted in 83-2). ~h al I manner prescribed by the Act (sec. 2). The clerk0 f " e peace for the coont·y IS SO C erk 0 f the The chairman, bv. virtue of his office, is a justice . County Cooncil (ilec. 83-1. ) ()f the peace for the county, without qualification (sec. 46). The police for the county are under the control of a The administrative business of the county (which standing joint committee of the Quarter Sessions, and would, if this Act had not been passed, have been trans the County Council, appointed as therein mentioned acted by the justices) is transacted by the County Council. (sec. 9). Meet Quarterly at Hertford & St. Albans alternately at 12 nOOn Mondays. Chairman-Sir John Evans KC.B., D.L., D.C.L., LL.D., F.R.S., Nash Mills, Hemel Hempstead. Vice-Chairman-The Right Hon. Thomas Frederick Halsey M.P., Gaddesden Place, Hemel Hempstead. Aldermen. Retire in 1904. Halsey Right Hon. Thomas Frederick P.C., M.P., J.P. Salisbury Marquess of K.G., P.C., D.C.L., F.R.S. -
St Cross Building, 612/24/10029 University of Oxford
St. Cross Building Conservation Plan May 2012 St. Cross Building, Oxford Conservation Plan, May 2012 1 Building No. 228 Oxford University Estates Services First draft March 2011 This draft May 2012 St. Cross Building, Oxford Conservation Plan, May 2012 2 THE ST. CROSS BUILDING, OXFORD CONSERVATION PLAN CONTENTS 1 INTRODUCTION 7 1.1 Purpose of the Conservation Plan 7 1.2 Scope of the Conservation Plan 8 1.3 Existing Information 9 1.4 Methodology 9 1.5 Constraints 9 2 UNDERSTANDING THE SITE 13 2.1 History of the Site and University 13 2.2 Design, Construction, and Subsequent History of the St. Cross 14 Building 3 SIGNIFICANCE OF THE ST. CROSS BUILDING 21 3.1 Significance as part of the Holywell suburb, and the Central (City 21 and University) Conservation Area 3.2 Architectural Significance 24 3.3 Archaeological Significance 26 3.4 Significance as a major library and work space 27 3.5 Historical Significance 27 4 VULNERABILITIES 31 4.1 Access 31 4.2 Legibility 32 4.3 Maintenance 34 St. Cross Building, Oxford Conservation Plan, May 2012 3 4.4 Health and Safety 40 5 CONSERVATION POLICY 43 6 BIBLIOGRAPHY 51 7 APPENDICES 55 Appendix 1: Listed Building Description 55 Appendix 2: Conservation Area Description 57 Appendix 3: Chronology of the St. Cross Building 61 Appendix 4: Checklist of Significant Features 63 Appendix 5: Floor Plans 65 St. Cross Building, Oxford Conservation Plan, May 2012 4 St. Cross Building, Oxford Conservation Plan, May 2012 5 THIS PAGE HAS BEEN LEFT BLANK St. Cross Building, Oxford Conservation Plan, May 2012 6 1 INTRODUCTION The St. -
Willersley: an Adam Castle in Derbyshire’, the Georgian Group Journal, Vol
Max Craven, ‘Willersley: an Adam castle in Derbyshire’, The Georgian Group Journal, Vol. XXII, 2014, pp. 109–122 TEXT © THE AUTHORS 2014 WILLERSLEY: AN ADAM CASTLE IN DERBYSHIRE MAXWELL CRAVEN ichard Arkwright, the cotton pioneer, first came Another aspect was architectural. At first, Rto Derbyshire in , when he set up a cotton Arkwright had been obliged to reside in Wirksworth, spinning mill at Cromford, on a somewhat restricted four miles away and, apart from the leased land on site, over which his operations expanded for a which his mills stood, he did not at first own any decade. His investment repaid the risk handsomely, land at Cromford, although he later built up a and from the s he began to relish his success and landholding piecemeal over the ensuing years. started to adapt to his upwardly mobile situation. Indeed, the manor and much of the land had One aspect of this was dynastic, which saw his only originally been owned by a lead merchant, Adam daughter Susannah marry Charles Hurt of Soresby, from whose childless son it had come to his Wirksworth Hall, a member of an old gentry family two sons-in-law, of whom one was William Milnes of and a partner, with his elder brother Francis, in a Aldercar Hall. He, in turn, bought out the other son- major ironworks nearby at Alderwasley. in-law, a parson, in . It would seem that by Fig. : William Day ( ‒ ) ‘ A View of the mills at Cromford’ , (Derby Museums Trust ) THE GEORGIAN GROUP JOURNAL VOLUME XXII WILLERSLEY : AN ADAM CASTLE IN DERBYSHIRE Milnes had been living in a house on The Rock, a bluff overlooking the Derwent at Cromford, which had previously been the Soresbys’. -
27 September 2004
CLIVEDEN PRESS BACKGROUND INFORMATION INTRODUCTION Cliveden House is a five-star luxury hotel owned by the National Trust and operated under a long lease arrangement by the owners of Chewton Glen, who added the world-famous property to their portfolio on Thursday 2nd February 2012. Chewton Glen and Cliveden fall under the guidance and direction of Managing Director, Andrew Stembridge and both iconic hotels remain independently operated with a shared vision for unparalleled luxury, attention to detail and the finest levels of service. Cliveden is a grand stately home; it commands panoramic views over the beautiful Berkshire countryside and the River Thames. The house is surrounded by 376 acres of magnificent National Trust formal gardens and parkland. Guests have included every British monarch since George I as well as Charlie Chaplin, Winston Churchill, Harold Macmillan, President Roosevelt, George Bernard Shaw, John Profumo, the infamous Christine Keeler, and many other well-known names from the past and present. Less than 45 minutes west of London and 20 minutes from London Heathrow Airport, the hotel has 38 rooms, including 15 spacious suites, a summerhouse by the Thames, together with boathouse and boats, heated pool, spa and a range of sporting and leisure facilities. The André Garrett Restaurant is complemented by private dining, banqueting and meeting facilities. Both the original Cliveden, built in 1666 for the 2nd Duke of Buckingham and its replacement, built in 1824 were sadly destroyed by fire, the present Grade 1 listed Italianate mansion was built in 1851 by the architect Charles Barry for George Sutherland-Leveson-Gower, 2nd Duke of Sutherland. -
Derbyshire Family History Society Sep 2019 Issue
Derbyshire Family History Society See Page 2 Horns Bridge, Chesterfield From an old postcard Sep 2019 Issue 170 SOCIETY CONTACTS Website: www.dfhs.org.uk Email: [email protected] Secretary: Ruth Barber, 6 Field Lane, Alvaston, Derby DE24 0GP Email: [email protected] Membership: Catherine Allsop-Martin, 9 Barnstaple Close, Oakwood, Derby DE21 2PQ. Email: [email protected] Editor: Helen Betteridge, 16 Buxton Road, Chaddesden, Derby DE21 4JJ. Email: [email protected] Chairman: Professor S. Orchard, Old Dale House, The Dale, Bonsall DE21 2AY Treasurer: Mike Bagworth, 233 Ladybank Rd, Mickleover DE3 0RR Email: [email protected] Book Sales: Linda Bull, 17 Penrhyn Avenue, Littleover, Derby DE23 6LB. Trip Organiser: Helena Coney, Dale House, 11a Dale End Road, Hilton Dbys DE65 5FW,. Email: [email protected] SOCIETY REFERENCE LIBRARY Bridge Chapel House, St Mary’s Bridge, Sowter Rd, Derby DE1 3AT Opening Hours: 10 a.m.—4 p.m. TUESDAY and THURSDAY 10 a.m.-4 p.m. SATURDAY BY APPOINTMENT ONLY The Society will give advice on the telephone [01332 363876 OPENING HOURS ONLY] and also by e-mail. Research can be carried out by post or by e-mail, both in our own library and also at Derby Local Studies and Mat- lock County Record Office. We ask for a donation of £5 and if more exten- sive research is required we will advise you before carrying out the work. MAGAZINE CONTRIBUTIONS The Editor will accept contributions both by post and by email. Large arti- cles covering more than 4/5 pages will possibly appear over two issues. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Community and Business Guide
FC_THR_307740.qxd 1/8/11 14:53 Page 3 FC_THR_307740.qxd 1/8/11 14:53 Page 4 ED_THR_307740.qxd 28/7/11 12:53 Page 1 SAVING MONEY FOR SW Hertfordshire’s Thrive Homes and its customers have BUSINESS CLIENTS longest established lots to celebrate. Created in March 2008, Thrive Homes received THROUGHOUT THE THREE theatre school resounding support with four out of RIVERS DISTRICT five tenants voting to transfer across A full programme of classes for from Three Rivers District Council. children (3 - 18 years), Adults and Students in Ballet, Jazz, Contemporary, Character, • 2,000 properties have already benefited I.S.T.D. Tap and Modern Dance, from our £43 million, 5 year Singing and Musical Theatre, Drama improvement programme. (including L.A.M.D.A. examinations), regular performances and much • Resident elections for Board more. Recognised examinations up membership – promised and • RENT REVIEWS delivered: a third of our Board to Major Level and Associate members are tenants and • LEASE RENEWALS Teacher Major examinations and leaseholders. • VALUATIONS teaching qualifications (I.S.T.D., • ACQUISITION OF OFFICE, RETAIL A.R.B.T.A. and L.A.M.D.A.) • Closer working with partner agencies AND FACTORY PREMISES such as the Citizens Advice Bureau to • DISPOSAL OF OFFICE, RETAIL AND better support our tenants and Courses for Students 16+ full or residents. FACTORY PREMISES part-time available. • ADVICE ON DEVELOPMENT • Greater understanding of our tenants • BUILDING CONDITION SURVEYS One year foundation course. and leaseholders so services can be AND PROJECT MANAGEMENT tailored to individual needs. • PLANNING ADVICE • Hundreds adaptations completed so people can live in their own homes HIGH QUALITY COMMERCIAL safely. -
Mid-Century Modernism and the Landscape Idea
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Reading Landscape: Mid-Century Modernism and the Landscape Idea Jeffrey David Blankenship University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Geochemistry Commons, Geology Commons, and the Geophysics and Seismology Commons Recommended Citation Blankenship, Jeffrey David, "Reading Landscape: Mid-Century Modernism and the Landscape Idea" (2011). Open Access Dissertations. 324. https://scholarworks.umass.edu/open_access_dissertations/324 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Geosciences Geography © Copyright by Jeffrey D. Blankenship 2011 All Rights Reserved READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Approved as to style and content by: __________________________________________ Richard Wilkie, Chair __________________________________________ George -
Fair Shares for All
FAIR SHARES FOR ALL JACOBIN EGALITARIANISM IN PRACT ICE JEAN-PIERRE GROSS This study explores the egalitarian policies pursued in the provinces during the radical phase of the French Revolution, but moves away from the habit of looking at such issues in terms of the Terror alone. It challenges revisionist readings of Jacobinism that dwell on its totalitarian potential or portray it as dangerously Utopian. The mainstream Jacobin agenda held out the promise of 'fair shares' and equal opportunities for all in a private-ownership market economy. It sought to achieve social justice without jeopardising human rights and tended thus to complement, rather than undermine, the liberal, individualist programme of the Revolution. The book stresses the relevance of the 'Enlightenment legacy', the close affinities between Girondins and Montagnards, the key role played by many lesser-known figures and the moral ascendancy of Robespierre. It reassesses the basic social and economic issues at stake in the Revolution, which cannot be adequately understood solely in terms of political discourse. Past and Present Publications Fair shares for all Past and Present Publications General Editor: JOANNA INNES, Somerville College, Oxford Past and Present Publications comprise books similar in character to the articles in the journal Past and Present. Whether the volumes in the series are collections of essays - some previously published, others new studies - or mono- graphs, they encompass a wide variety of scholarly and original works primarily concerned with social, economic and cultural changes, and their causes and consequences. They will appeal to both specialists and non-specialists and will endeavour to communicate the results of historical and allied research in readable and lively form. -
Maverick Impossible-James Rose and the Modern American Garden
Maverick Impossible-James Rose and the Modern American Garden. Dean Cardasis, Assistant Professor of Landscape Architecture, University of Massachusetts (Amherst) “To see the universe within a place is to see a garden; approach to American garden design. to see it so is to have a garden; Rose was a rugged individualist who explored the not to prevent its happening is to build a garden.” universal through the personal. Both his incisive James Rose, Modern American Gardens. writings and his exquisite gardens evidence the vitality of an approach to garden making (and life) as James Rose was one of the leaders of the modern an adventure within the great cosmic joke. He movement in American garden design. I write this disapproved of preconceiving design or employing advisedly because James “ the-maverick-impossible” any formulaic method, and favored direct Rose would be the first to disclaim it. “I’m no spontaneous improvisation with nature. Unlike fellow missionary,” he often exclaimed, “I do what pleases modern rebels and friends, Dan Kiley and Garrett me!”1 Nevertheless, Rose, through his experimental Eckbo, Rose devoted his life to exploring the private built works, his imaginative creative writing, and his garden as a place of self-discovery. Because of the generally subversive life-style provides perhaps the contemplative nature of his gardens, his work has clearest image of what may be termed a truly modern sometimes been mislabeled Japanesebut nothing made Rose madder than to suggest he did Japanese gardens. In fact, in response to a query from one prospective client as to whether he could do a Japanese garden for her, Rose replied, “Of course, whereabouts in Japan do you live?”2 This kind of response to what he would call his clients’ “mind fixes” was characteristic of James Rose.