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THE BROADWAY PRINCESS PARTY The
THE BROADWAY PRINCESS PARTY The princesses are throwing a ball, and you’re invited! After five sold-out engagements in New York City, The Broadway Princess Party is coming to the Segerstorm Center for the Arts! Star of Broadway’s Cinderella, two time Tony nominee, Laura Osnes will bring her radiant leading lady friends to Orange County along with music director Benjamin Rauhala for a dazzling evening of musical magic. She will be joined by Broadway’s 'Princess Jasmine' in Aladdin Courtney Reed, and Tony nominee Adrienne Warren to sing the most beloved ‘Princess’ songs of stage and screen and reminisce about their favorite fairytales and most cherished characters. So get your ballgown out of the closet, dust off that tiara and make your way to the Segerstorm Center for the Arts for a Broadway Princess Party you will never forget! The concerts are presented by LML Music and produced by Integrated Arts, LLC. Laura Osnes will return to Broadway this spring in the new musical Bandstand after creating the role of Julia Trojan in the Paper Mill Playhouse production. Her other Broadway credits include the title role in Rodgers + Hammerstein’s Cinderella (Drama Desk Award; Tony, Outer Critics Circle, Drama League and Astaire Award nominations), Bonnie in Bonnie and Clyde (Tony Award nomination), Hope Harcourt in the Tony Award winning revival of Anything Goes (Drama Desk, Outer Critics Circle, and Astaire Award nominations), Nellie Forbush in Lincoln Center Theater’s production of South Pacific, and Sandy in the most recent revival of Grease. Other New York/regional credits include The Blueprint Specials, The Threepenny Opera (Drama Desk Award nomination) at the Atlantic Theater Company; City Center Encores! productions of The Band Wagon, Randy Newman's Faust, and Pipe Dream; The Sound of Music in concert at Carnegie Hall; Carousel opposite Steven Pasquale at the Lyric Opera of Chicago, and Broadway: Three Generations at the Kennedy Center. -
By Amy Herzog David Emmes
50th Season • 475th Production SEGERSTROM STAGE / OCTOBER 18 - NOVEMBER 17, 2013 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents 4000 MILES by Amy Herzog Ralph Funicello Sara Ryung Clement Lonnie Rafael Alcaraz Cricket S. Myers SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Jackie S. Hill Sue Karutz* PRODUCTION MANAGER STAGE MANAGER Directed by David Emmes Steve and Laurie Duncan and Barbara Roberts and Brooke Roberts-Webb Honorary Producers 4000 MILES was originally produced by Lincoln Center Theater in 2011, New York City 4000 MILES is presented by special arrangement with Samuel French, Inc. 4000 Miles • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Leo Joseph-Connell ................................................................. Matt Caplan* Bec ......................................................................................... Rebecca Mozo* Amanda ................................................................................. Klarissa Mesee* Vera Joseph ............................................................................ Jenny O’Hara* SETTING An apartment in Greenwich Village. LENGTH Approximately one hour and 40 minutes with no intermission. PRODUCTION STAFF Casting ..................................................................................... Joanne DeNaut, CSA Dramaturg ................................................................................... Kimberly Colburn Assistant Stage Manager -
Vol 36-1 Spring 2019
chronicles Journal of the Jewish Genealogical Society of Greater Philadelphia דברי הימים Chronicles - Volume 36-1 Spring 2019 chronicles Journal of the Jewish Genealogical Society of Greater Philadelphia JGSGP Membership Editorial Board Please make checks payable to JGSGP and mail to the address below. Please include your email address and Editor - Evan Fishman - [email protected] zip+4 / postal code address. Graphic Design Editor - Ed Flax - [email protected] Associate Editors: Annual Dues (January 1 - Dec. 31) Individual............................................................. $25 Felicia Mode Alexander - [email protected] Family of two, per household...............................$35 Joe Eichberg - [email protected] Membership Applications / Renewals and Payments Elaine Ellison - [email protected] to: JGSGP • 1657 The Fairway, #145 Stewart Feinberg [email protected] Jenkintown, PA 19046 Cindy Meyer - [email protected] Questions about membership status should be directed to [email protected] Officers President: Fred Blum - [email protected] Editorial Contributions Vice President (Programming): Submission of articles on genealogy for publication in chronicles is enthusiastically encouraged. Mark Halpern - [email protected] The editorial board reserves the right to decide Vice President: whether to publish an article and to edit all submis- sions. Please keep a copy of your material. Anything Felicia Mode Alexander - [email protected] you want returned should be accompanied by a self- Secretary & Membership addressed stamped envelope. Marilyn Mazer Golden - [email protected] While email and other electronic files are highly pre- Treasurer: ferred, the editors will be happy to work with you and Barry Wagner - [email protected] your material in any form. If you have an idea, please Directors contact Evan Fishman of the Editorial Board by email: [email protected]. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
1 Pitch Proposals Company: Spectrum Holobyte Project: Top Gun
Pitch Proposals Company: Spectrum HoloByte Project: Top Gun Platform/Format: Print Description: This pitch was presented to Nintendo and accepted for co-development on the gaming platform that became the Nintendo-64. In addition to introducing the overall concept for the game, it presented the basic game mechanics, and the risks associated with development. Like film, the risks in game development can be fairly well qualified up front. What's the game engine? Who is on the development team? Can we tie it to a valuable license? Unlike film, however, the audience demands technical innovation in each offering, so there's a culture of risk-taking in games that doesn't seem to pervade the film industry. Experienced developers know that there must be something substantial in terms of technology, personnel, and risk management behind the pitch. Notes: Use the Jump to... menu below to access individual chapters. Top Gun High Concept For the Nintendo Ultra64 September 8, 1994 High Concept: You strap into an F-14 Tomcat as Maverick, ace of Top Gun. The Cadre has struck again, this time dropping a diplomatic transport into the Sea of Japan. You and the Top Gun team have scrambled to respond in a game that combines the most polished flight sim technology and network play with rippin’ fast dogfighting for the Ultra64 consoles. Flaps are down; you’re cleared for take-off! You’re the best of the best, said the commanding officer. And it’s time to prove it. Welcome to Top Gun, the elite training academy for the Navy’s best fighter pilots. -
Silent Partners
SATURDAY • JULY 17, 2004 Brooklyn’s REAL newspapersFREE ill Paper, Bay Ridge Paper AWP • Saturday, July 17, 2004 • t Greene-Clinton H • Vol. 27, No. 28 18 pages © 2004 Brooklyn Paper Publications • 11201. Phone 718-834-9350 • www.BrooklynPapers.com • 55 Washington St, Suite 624, Brooklyn NY Includes Brooklyn Heights Paper, Park Slope Paper, Carroll Gardens-Cobble Hill Paper, Downtown News, DUMBO Paper, For Brooklyn Paper Publications Inc, Published every Saturday — online all the time — by ized and even then it will be at the SILENT PARTNERSdiscretion of the investors.” have become relatively quiet as Rat- But opponents of the plan say it is ner continues to push ahead with his their right to know, especially with At a press conference in Decem- Atlantic Yards proposal, which also millions of public money expected to Ratner won’t ber,name rapper Jay-Z and Vincent investorsViola, includes 17 commercial and residen- in team go into the project. By Deborah Kolben chairman of the New York Mercan- tial towers. Ratner will only own a 10- to 15- The Brooklyn Papers tile Exchange, stood beside Ratner Asked to divulge the other in- percent interest in the team, according 4 So just who is buying the New and announced they were also in- vestors in the project, Beth Davidson, to a Business Wire report fromon January. page / Mango / vestors in the project. a spokeswoman for Ratner, said, See RATNER Jersey Nets? The following month, Ratner For the past seven months real es- “We’re not going to discuss the in- reached a $300 million deal to pur- vestors until the ownership is final- tate mogul Bruce Ratner has been chase the team. -
On Algorithmic Warfare and Humanitarian Violence
War and Algorithm 16028-0303f-Finalpass-r01.indd 1 9/24/2019 12:03:26 PM OPEN ACCESS The open access publication of this book is made possible by a grant from Riksbankens Jubileumsfond (The Bank of Sweden Tercentenary Foundation) for the Advancement of the Humanities and Social Sciences. 16028-0303f-Finalpass-r01.indd 2 9/24/2019 12:03:26 PM War and Algorithm Edited by Max Liljefors, Gregor Noll, and Daniel Steuer London • New York 16028-0303f-Finalpass-r01.indd 3 9/24/2019 12:03:26 PM Published by Rowman & Littlefield International Ltd 6 Tinworth Street, London, SE11 5AL, United Kingdom www.rowmaninternational.com Rowman & Littlefield International Ltd. is an affiliate of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706, USA With additional offices in Boulder, New York, Toronto (Canada), and Plymouth (UK) www.rowman.com Selection and editorial matter © Max Liljefors, Gregor Noll, and Daniel Steuer, 2019 Copyright in individual chapters is held by the respective chapter authors. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: HB 9781786613653 PB 9781786613646 Library of Congress Cataloging-in-Publication Data Available ISBN 9781786613653 (cloth : alk. paper) ISBN 9781786613646 (paper : alk. paper) ISBN 9781786613660 (electronic) The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Hollywood's Major Crisis and the American Film “Renaissance”
Hollywood’s Major Crisis and the American Film “Renaissance” Michalis Kokonis In its long history, Hollywood faced several crises most of which were sustained with slight damage. However, the most severe crisis started in the post-war years and culminated in the period of the late 60s and early 70s when the Big Hollywood Studios came to the brink of bankruptcy. The aim of this paper is to re-examine the post-war period in order to assess the major changes (social, political, economic, technological) that gravely affected the Hollywood system of production and transformed the American cinema. As a result of this, Hollywood underwent a brief period of radicalization and innovation, which came to be known as Hollywood Renaissance. Hollywood Renaissance films like Bonnie and Clyde (1967), The Graduate (1967), and Easy Rider (1969) marked a return to a truly American Cinema. Furthermore, the films’ artistic sensibilities brought them closer to their European counterparts. In effect, the period of the late 60s and early 70s signaled a rebirth of the American Film and paved the way for what is now called New Hollywood. he phenomenon of the late 60s and early 70s in the history of American cinema, finally established as “Hollywood Renaissance,” T has been given more critical attention during the first explosion of interest around the 70s and 80s,1 than in the period following 1985, when publications around the wider issue of “New Hollywood” proliferated. What emerged from such studies was that the radical innovation and 1. For more information, see Kanfer; Madsen; Jacobs; Elsaesser, “The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero”; Gomery, “The American Film Industry of the 1970s: Stars in the ‘New Hollywood’ ”; and the Wide Angle issue on “The New Hollywood.” 170 Michalis Kokonis sophistication, characteristic of the Hollywood Renaissance, is to be attributed to the new breed of talented, independent filmmakers, who had some training in television or were film college graduates. -
Key Themes in Media Theory
Key Themes in Media Theory “Key Themes in Media Theory is wonderfully wide-ranging and deservedly destined to become a key text for students of Media Studies.” Professor John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland, UK Key Themes What is media theory? How do media affect our actions, opinions and beliefs? In what ways do media serve powerful political and economic interests? in Is media consumerism unhealthy or is it empowering? Media Theory Key Themes in Media Theory provides a thorough and critical introduction Themes in to the key theories of media studies. It is unique in bringing together different schools of media theory into a single, comprehensive text, examining in depth the ideas of key media theorists such as Lasswell, McLuhan, Hall, Williams, Barthes, Adorno, Baudrillard and Bourdieu. Media Theory Using up-to-date case studies the book embraces media in their everyday cultural forms – music, internet, film, television, radio, newspapers and magazines – to enable a clearer view of the ‘big picture’ of media theory. In ten succinct chapters Dan Laughey discusses a broad range of themes, issues and perspectives that inform our contemporary understanding of media production and consumption. These include: Behaviourism and media effects Feminist media theory Postmodernity and information society Political economy Media consumerism With images and diagrams to illustrate chapter themes, examples that apply Dan Laughey media theory to media practice, recommended reading at the end of every chapter, and a useful glossary of key terms, this book is the definitive guide to understanding media theory. Dan Laughey is Senior Lecturer in Media Studies at Leeds Metropolitan University, UK. -
Broadway and Disney Stars to Kickoff Inaugural Abilene 'Highmont' Event
Kyle West SoloShoe Communications 972-717-5181 / [email protected] Melissa Noonan Highmont Events 806-438-0086 / [email protected] Broadway and Disney Stars To Kickoff Inaugural Abilene ‘Highmont’ Event Abilene, TX: With a bountiful supply of faith, trust, and pixie dust, a brand-new production company is ready to take the stage in Abilene. Kicking off their opening act on Saturday, October 5th at 7:30 PM, Highmont Events welcomes stars of stage and screen in Broadway Princess Party as they make their debut on the Historic Paramount Theatre (352 Cypress St, Abilene, TX) stage. Tickets ranging from $20-$99 will be on sale beginning at 10 p.m. CST on Thursday, July 11 at www.HighmontEvents.com. But certain as the sun rising in the east, this unforgettable event is sure to be one hot ticket! With a mission to elevate culture and enrich community one show at a time in the Storybook Capital of America, Highmont Events begins their introductory chapter with a show perfect for guests of all ages, but make no mistake…Broadway Princess Party (recommended for ages 8 through 101) is not just another children’s series selection. The concert-style celebration that has sold out theatres in New York City and across the country brings together three beloved Disney princesses – Belle, Cinderella, and Jasmine – with one dashing Prince and a Fairy Godfairy (yes, Godfairy!) on piano. The Broadway Princess Party cast features two-time Tony Award nominee Laura Osnes, who originated the title role in the 2012 Broadway production of Rogers & Hammerstein’s Cinderella. -
126684NCJRS.Pdf
If you have issues viewing or accessing this file contact us at NCJRS.gov. \<eJ(·)lZ..cJ Ve(s(~)'"\ Re c I c9 q \ I ~ \ q D RESIDENTIAL BURGLARY: AN ETHNOGRAPHIC ANALYSIS By PAUL F. CROMWELL The University of Miami • and JAMES N. OLSON AND D i AUNN W. AVARY The University of Texas - Permian Basin Odessa, Texas This research was supported by National Institute of Justice grant No. 88-CX-IJ-0042. The opinions expressed are those of the authors and do not necessarily represent the position '. or policies of the united States Department of Justice. • 2 TABLE OF CONTENTS CHAPTER ONE - ENVIRONMEN<rAL CRIMINOLOGY I RATIONALITY I AND CRIME . • • . • . • • • . • • • •• 1 PURPOSE 10 METHOD . " . 12 Staged Activity Analysis • • • • • • • $ • • • 14 CHAPTER 2 - THE BURGLARY EVENT 24 Motivation 24 Time of Burglary • . 28 Occupancy Probes . 32 • Techniques for Entry • • • • • • • • e _ • • • • • • 35 Inside Information . 38 Burglar Alarms 42 Locks on Doors and Windows • . 44 Dogs .. 47 CHAPTER 3 - THE DECISION STRATEGY • . 49 Summary . • • • • . • • . 61 CHAPTER 4 - THE RATIONAL AND THE OPPORTUNISTIC BURGLAR 63 Retrospective Rationalism . 64 Routine Activi.ties 68 • Quantitative Support for Routine Activities 72 3 • opportunity and Burglary . 74 Typologies of Burglars 75 Summary 83 CHAPTER 5 - DRUG AND GROUP EFFECTS ON BURGLARS' DECISION-MAKING • 84 Prevalence of Drug Using Burglars 85 Interdependence of Drugs and Burglary . •. .• . 87 Developmental Processes of Drug Use and Burglary . • 88 The Rational Addict . • . • . 0 • • • • • • • 91 controlling the Habit 93 The Cocaine Using Burglar 97 Drug Effects on Burglary Decisions . 98 • Drugs and Emotional Arousal • .. •. 100 State-Dependent Learning . • 104 Reinforcement • • . • . • • • . • 106 Drugs and Target site Selection • 109 Drug Effects on Burglary Attractiveness Ratings • . -
KINGS POINT DELRAY BEACH Active Adult Living at Its Finest! WELCOME to the KINGS POINT THEATRE
KINGS POINT DELRAY BEACH Active Adult Living at its finest! WELCOME TO THE KINGS POINT THEATRE We are proud to announce this season’s incredible shows. We invite all of you to our 2017-2018 shows at the Kings Point Theatre! November JOEY DALE & THE GIGOLOS Friday, November 3rd 8:00pm $12.00 Residents • $18.00 Non-Residents Joey Dale & The Gigolos is one of the most versatile and dynamic entertainers on the scene today. As a singer, band leader, arranger, composer, keyboardist, guitarist, comedian and MC, he is an all-around entertainer with a stage presence nothing short of electric. Joey possesses the ability to read a crowd and keep them wanting more. His rapport with the audience is amazing. Add the Gigolos to the mix and forget about it. There’s a reason this is the busiest Doo Wop group in South Florida…they are simply fantastic! THE 21ST CENTURY RAT PACK Friday, November 10th 8:00pm $12.00 Residents • $18.00 Non-Residents During the early 1960’s, the Rat Pack was the hottest act in town. Three men portraying Frank Sinatra, Sammy Davis Jr. and Dean Martin take audiences back in time to an era when shows on the Las Vegas Strip featured only all-live music and entertainers who really knew how to work and play with the crowd. These three cats sing timeless Rat Pack hits including “Luck Be a Lady,” “Lady is a Tramp,” “The Way You look Tonight” and “New York, New York.” They sing and entertain the very heart and soul of the Original Rat Pack.