sign in sign up
<<
Home , Barrow Street Theatre, Carolee Carmello, City of Angels (musical), Crashbox, Delacorte Theater, Greenwich House

Harrington’s Pie and Mash Shop 3 Selkirk Road Tooting, . Open for business since 1908. “A Customer!”

My name is Rachel Edwards and I am the originating producer of Tooting Arts Club’s . On behalf of myself, and my producing partners Jenny Gersten, Greg Nobile, Jana Shea and Nate Koch, it is our pleasure to welcome you to Harrington’s Pie and Mash Shop!

In the spring of 1908, number 3 Selkirk Road Tooting, London, became the home of Harrington’s Pie and Mash shop when it was bought by Bertie Harrington and his wife Clara. Little has changed in this tiny Tooting eatery since it first opened for business some 109 years ago. The Harrington fam- ily still run , the original green tiles still adorn the walls and the menu remains unchanged since the days of Queen Victoria.

The idea to stage Sweeney Todd in London’s oldest pie and mash shop was one which I lived with for several years before I dared to say it out loud. It felt too outrageous, too complicated, in essence – it felt impossible. A simple ‘yes’ from Beverley Mason – owner of Harrington’s, and great grand-daughter of Bertie and Clara – changed everything. Subsequently, an unforgettable collabora- tion was born that set in motion a chain of events that was nothing short of extraordinary. Nothing was ever a problem ‘Can we replace your fridge with a piano?’ Of course you can. ‘Stand on your counter?’ Go ahead. ‘Sorry about the blood!’ Don’t worry about it. This generosity, coupled with the sheer skill and enthusiasm of the creative team, our pie-shop Sweeney began to take shape.

We stayed at Harrington’s for a wonderful six weeks in the winter of 2014 before setting up shop in London’s West End courtesy of Sir , where Harrington’s opened for business on Shaftesbury Avenue for thirteen weeks during the spring of 2015.

And now, to City, and . Needless to say it is a tremendous honour for us to be bringing Sweeney Todd to the town of its birth. We are delighted to have found our new home at the Barrow Street Theatre within the walls of Greenwich House, and are very grateful for the hospitality and understanding shown to us as we set-about rebuilding Harrington’s tile by tile. What you see here today is what you would see if you were to visit Harrington’s in Tooting. The menu, the benches, the tiles, the original Victorian stained glass, and the much-loved galleons that adorn the walls.

One thing that has changed - we have a new chef! David Johnson, Harrington’s original pie-maker is needed back in Tooting, but we are delighted to have a new pie-maker-in-chief, no other than the ‘Crustmaster’ himself, Mr Bill Yosses. Thanks to Bill, pre-show pie and mash will again be the order of the day.

Finally, I would to take this opportunity to extend my sincere and heartfelt thanks to for the support he has shown this production from its early days in Tooting.

All that remains to be said is, bon appétit and enjoy the show!

With all good wishes,

Rachel Jenny Greg Jana Nate RACHEL EDWARDS JENNY GERSTEN SEAVIEW PRODUCTIONS NATE KOCH, Executive Producer FIONA RUDIN BARROW STREET THEATRE JEAN DOUMANIAN REBECCA GOLD

present

The Tooting Arts Club production of

A Musical Thriller Music and Lyrics Book by STEPHEN SONDHEIM From an adaptation by CHRISTOPHER BOND

with

HUGH PANARO

STACIE BONO JAKE BOYD ERYN LECROY MICHAEL JAMES LESLIE JOHN-MICHAEL LYLES JOHN RAPSON MATT LEISY LIZ PEARCE DANNY ROTHMAN MONET SABEL

Designer Lighting Designer Sound Designer Music Director SIMON KENNY AMY MAE MATT STINE MATT AUMENT General Manager Production Management Production Stage Manager KATE MORROW IRON BLOOM CREATIVE PRODUCTION JOHN RANDOLPH FERRY

Fight Director Vocal and Dialect Coach Prop Master Chef & Pie Maker BRYCE BERMINGHAM BEN FUREY RAY WETMORE BILL YOSSES Associate Director Associate Choreographer ANDREW SCOVILLE YASMINE LEE

Press Representative Casting Advertising Social Media BONEAU/BRYAN-BROWN TELSEY + AKA MARATHON LIVE CESAR A. ROCHA, CSA ENTERTAINMENT

Music Supervisor & Arranger BENJAMIN COX

Choreographer GEORGINA LAMB

Directed by BILL BUCKHURST

This production was originally presented by Tooting Arts Club at Harrington’s Pie and Mash Shop in Tooting, London, courtesy of Beverley Mason and transferred to the West End by special arrangement with Sir Cameron Mackintosh

Originally directed by Originally produced on Broadway by RICHARD BARR, CHARLES WOODWARD, ROBERT FRYER, MARY LEA JOHNSON, MARTIN RICHARDS in association with DEAN & JUDY MANOS

Barrow Street Theatre, 27 Barrow Street NYC Tom Wirtshafter, Executive Director Scott Morfee, Managing Director CAST

In order of speaking

Sweeney Todd……………………………………………… .HUGH PANARO Anthony Hope……………………………………………… ...... JAKE BOYD Mrs. Nellie Lovett………………………………… . . .CAROLEE CARMELLO Beggar Woman/…………………………… ...... STACIE BONO …………………………………….MICHAEL JAMES LESLIE Barker…………………………………………………ERYN LECROY Beadle Bamford………………………………………………JOHN RAPSON Tobias Ragg……………………………………… . . JOHN-MICHAEL LYLES

MUSICIANS

Music Director/Piano……………………………………… .MATT AUMENT Violin………………………………………………… .TOMOKO AKABOSHI Clarinet………………………………………………… .MICHAEL BREAUX STANDBYS

for Anthony Hope, Tobias Ragg & Beadle Bamford: MATT LEISY for Mrs. Nellie Lovett: LIZ PEARCE for Sweeney Todd & Judge Turpin: DANNY ROTHMAN for Johanna Barker, Beggar Woman/Adolfo Pirelli: MONET SABEL

THERE IS ONE 20-MINUTE INTERMISSION DURING WHICH THE PIE SHOP IS CLOSED

Th e use of any recording device, either audio or video, and the taking of photographs, either with or without fl ash, during the performance is strictly prohibited.

2 MUSICAL NUMBERS ACT ONE

THE BALLAD OF SWEENEY TODD……………………………Company NO PLACE LIKE LONDON………………Todd, Anthony, Beggar Woman WORST PIES IN LONDON………………………………………Mrs. Lovett POOR THING………………………………………………………Mrs. Lovett MY FRIENDS……………………………………………Todd and Mrs. Lovett GREEN FINCH AND LINNET BIRD………………………………Johanna AH, MISS………………………………………………………………Anthony JOHANNA……………………………………………………………Anthony PIRELLI’S MIRACLE ELIXIR……Tobias, Todd, Mrs. Lovett and Company THE CONTEST…………………………………………………………Pirelli JOHANNA…………………………………………………………Judge Turpin WAIT…………………………………………………………………Mrs. Lovett KISS …………………………………………………Johanna and Anthony LADIES IN THEIR SENSITIVITIES…………………………………Beadle KISS ME (Reprise)………………Beadle, Johanna, Anthony and Judge Turpin PRETTY WOMEN……………………………………Todd and Judge Turpin EPIPHANY……………………………………………………………Todd A LITTLE PRIEST…………………………………Sweeney and Mrs. Lovett

ACT TWO

GOD THAT’S GOOD………………Tobias, Mrs. Lovett, Todd and Company JOHANNA………………………Todd, Anthony, Johanna and Beggar Woman BY THE SEA………………………………………………………Mrs. Lovett WIGMAKER SEQUENCE……………………Todd, Anthony and Company NOT WHILE I’M AROUND…………………………Tobias and Mrs. Lovett PARLOUR SONGS………………………………………………………Beadle PRETTY WOMEN (Reprise)………………Todd, Judge Turpin and Company THE BALLAD OF SWEENEY TODD……………………………Company

2 3 WHO’S WHO HUGH PANARO (Sweeney Todd) is Carmello has appeared on television perhaps best known for playing Th e in “Madam Secretary,” “,” “Law Phantom in Broadway’s e Phantom and Order: SVU,” “Frasier,” “Ed,” and of the over 2,000 performanc- “Remember W.E.N.N.” (SAG Award es including the 25th Anniversary. nomination). Her concert appearanc- Hugh is one of the few actors to be es have taken her across America and cast as both Th e Phantom and Raoul Europe, including engagements at on Broadway. Hugh made his Broad- N.Y.’s Town Hall, , and way debut in the original production . of Les Misérables as Marius. He went on to originate roles in Side Show, e STACIE BONO (Beggar Woman/ Red Shoes, , & re- Adolfo Pirelli). Off -Broadway - Ave- ceiving an Outer Critics Circle Award nue Q (Kate Monster/Lucy T. Slut). Nomination. He made his West End Regional Highlights: Guthrie Th eater debut in Harold Prince’s as - Music Man (Marian); Tuacahn - Les Ravenal. Regionally, Hugh’s perfor- Misérables (Fantine), Denver Th eater mances as Jean Valjean earned him the Center - Sense and Sensibility (Lucy); Barrymore Award & St. Louis Th eater Flat Rock Playhouse - Circle Award. In 2012, Hugh received (Eliza); Infi nity Th eater - Little Shop of the Edwin Forrest Award. Hugh has Horrors (Audrey). New York Th eatre: performed with symphony orchestras Gallery Players - Oliver! (Nancy); As- throughout the world & toured Eu- toria Performing Arts Center - Rag- rope with . : time (Evelyn); NYMF - Going Down @realhughpanaro Swinging (Lena). London Th eatre: Th e Old Red Lion - e Dreamer Ex- CAROLEE CARMELLO (Mrs Nel- amines His Pillow (Donna). Awards: lie Lovett) has appeared in 14 Broadway 2007 NHTA Award - Best Actress in shows: the original Broadway casts of a Musical (Th e Apple Tree). Training: Tuck Everlasting, Finding Neverland, MA in Acting - Royal Central School , , (Tony of Speech and Drama; BFA in Musical nomination & ), Th eater - NYU Tisch. Special thanks Lestat (Tony nomination & Drama to Harden-Curtis, Telsey + Co., and Desk nomination), e Addams Fami- my family. Twitter/Instagram:@sta- ly (Drama Desk nomination & Outer cie_bono | www.staciebono.com Critics Circle nomination), and Scan- dalous (Tony nomination, Drama Desk JAKE BOYD (Anthony Hope). Broad- nomination). Broadway audiences also way: Rock of Ages (Franz). National saw her in 1776, e Scarlet Pimpernel, Tour: (Fiyero). Off -Broadway: Kiss Me Kate, , , and e Last Smoker In America ( Jimmy), Mamma Mia!. Off -Broadway credits MCC’s Carrie. Regional: Bull Durham include: john and jen, Das Barbecü, I ( Jimmy) at Th e Alliance, Be More Chill Can Get It For You Wholesale, Hello ( Jake) at Two River. TV: “Th e Sound Again (Obie Award), , e of Music LIVE!”, “Law and Order: Vagina Monologues, and Elegies. Ms. SVU”, “Blue Bloods”, “All My Chil- 4 WHO’S WHO dren”, “Are We Th ere Yet?”, “30 Rock”, sical or Revue in for Once on “Th e Tap” (). Education: Univer- is Island in 2010. sity of Alabama. @JaykeBoid JOHN-MICHAEL LYLES (Tobias ERYN LECROY (Johanna Bark- Ragg) is thrilled to be back at Th e Bar- er). NY Credits: Encores! Off -Cen- row! Off Broadway: e Flick (Barrow ter: . Second Stage Th eatre Street), Brooklynite (Vineyard), Jasper Workshop: Flying Over Sunset (Anne in Deadland (Prospect). City Center Brokaw). World Premiere: Sousatzka Encores!: , 1776. Region- (Young Sousatzka). National Tour: al: e Art of Falling (Second City/ Jekyll and Hyde (Emma Carew). En- Hubbard Street), Choir Boy (Guthrie). cores! Off -Center: Assassins. NYC Recordings: Jasper in Deadland. Work- Workshop: Flying Over Sunset (Anne shops: 86’d, Teeth, Darling, e Visitor, Brokaw) with Second Stage Th eatre. Five Points, A Bronx Tale, Gloryana. Regional: My Fair Lady (Eliza Doo- Undying gratitude to my Texas-Bama little) and Nice Work If You Can Get It Family, Telsey & Co, Nicolosi, & Pace (Eileen Evergreen) with MacHaydn University Musical Th eater! @jmlyles1 Th eatre. BM, Oklahoma City Uni- | www.john-michaellyles.com versity. NFAA YoungArts Alumna. Much love and gratitude to the entire JOHN RAPSON (Beadle Bamford). Sweeney and Barrow Street Th eatre Most recently, John originated the team, Cesar and Telsey & Co, my fam- role of Th e D’Ysquith Family on the ily, Matt, Dauri Shippey, and all my fi rst national tour of A Gentleman’s teachers and mentors. @erynlecroy Guide to Love and Murder. Broadway: Les Misérables (Grantaire/Bamatabois, MICHAEL JAMES LESLIE (Judge u/s Javert and Th enardier), Tour and Turpin) is a Cornell Law gradu- Regional: Les Misérables (Papermill ate who made his theater debut in Playhouse/Mirvish), Disney on Classic the 1977 Broadway revival of . (with the Tokyo Philharmonic),Swee- Other productions include: e Wiz ney Todd (Barrington Stage), Briga- (Broadway), National Tour of Beauty doon (Wagon Wheel). Graduate of the and the Beast, Ain’t Misbehavin’, Man University of Michigan, BFA Musical of La Mancha, e Music of Andrew Th eatre. Infi nite thanks and love to Lloyd Webber, , Swee- Mom, Dad, Alex, Stella, Chris and the ney Todd, One Flew Over the Cuckoo’s phenomenal gents of CGF, Telsey & Nest, My One and Only, and A Christ- Co, the whole Sweeney team and Kris- mas Carol. Michael has also appeared ten! John could not be more thrilled to on “Th e Tonight Show with Johnny be a part of this extraordinary produc- Carson,” “Th e Conan O’Brien Show”, tion of his favorite show! and “Last Week Tonight with John Oliver.” He was nominated for Best MATT LEISY (Standby for Anthony Supporting Actor by the Denver Post Hope, Tobias Ragg & Beadle Bamford) Ovation Awards for Little Shop of Hor- recently returned from the Broadway rors, and Best Featured Actor in a Mu- First National Tour of A Gentleman’s 4 5 WHO’S WHO Guide to Love and Murder where he nes Nolan) Ogunquit Playhouse and played Monty Navarro at such the- Christmas Carol (Belle) North Shore. atres as the Kennedy Center and the CCM BFA. Many thanks DGRW. Ahmanson in LA. Off Broadway: www.lizpearce.info Matt in e Fantasticks (50th Anni- versary Cast) and at Lincoln DANNY ROTHMAN (Standby Center (). for Sweeney Todd/Judge Turpin). O ff Regional credits include: , e Broadway debut! He has performed 39 Steps, Red, e Importance of Being around the country in roles at Tony Earnest, Pride and Prejudice, e Histo- Award winning venues such as Th e ry Boys, Witness for the Prosecution and Old Globe, Cincinnati Playhouse, Camelot at such theatres as Cincinnati Goodspeed Musicals, Signature Th e- Playhouse in the Park, St. Louis Rep, atre, Th e Denver Center, as well as at Arizona Th eatre Company, Clarence Th eatreWorks Silicon Valley, St. Louis Brown Th eatre, the Arden, Bristol Repertory Th eatre, York Th eatre Com- Riverside and Alabama Shakespeare pany, North Shore Music Th eatre, Ful- Festival. I wouldn’t be here without ton Th eatre, Stages St. Louis, Stam- the support of my amazing fami- ford Center for the Arts, Th e MUNY, ly and friends. www.mattleisy.com K.C. Starlight, Pittsburgh CLO, @mattleisy Hangar Th eatre among others and has been featured in concerts at Lincoln LIZ PEARCE (Standby for Mrs. Nellie Center’s David Geff en Hall. Received Lovett) Broadway: Original company a Drammy Award for his performance Billy Elliot ( Mrs. Wilkin- in Portland Center Stage’s production son/Dead Mum). London’s West End: of Ragtime. BFA CMU. Love and Original company Metropolis (Tan). thanks to Mikey at Krasny, Cesar and National Tours: Little Shop of Horrors Telsey & Co., SRE, mom, dad, family (Audrey), , Seus- and friends. sical, Scooby-Doo! Regional Th eatre: Mary Poppins (Mrs. Banks) J.Enge- MONET SABEL (Standby for Jo- man Th eatre, (Sally Bowles) hanna Barker & Beggar Woman/Aldofo St Louis Rep/Cincinnati Playhouse, Pirelli) is making her Off -Broad- Sense and Sensibility (Fanny Dash- way debut! Graduate of NYU Tisch’s wood) Denver Center, Something’s New Studio on Broadway. Readings/ Afoot (Lettie), City of Angels (Alaura/ Workshops: Wendy’s Shadow (NYMF), Carla), Seven Brides . . .(Ruth), George Stalker (Fringe), Hit List (54 Below), M! ( Josie Cohan) Goodspeed, Peter Pan Smile (reunion concert). Solo cabaret (Peter Pan) Alabama Shakespeare, debut at Don’t Tell Mama, and her fi rst Jekyll and Hyde (Emma) Sacramen- EP is available on iTunes. Extreme to Music Circus, e Who’s Tommy love and gratitude to: Michal Zech- (Mrs. Walker) Bay Street Th eatre, er, the Harden-Curtis team, Telsey & Smokey Joe’s Café (Delee) Pioneer Co, all my teachers, the friends, and Th eatre,My One and Only (Edythe) most importantly: Mom and Dad. Th eatre by the Sea, George M! (Ag- @monetsabel 6 WHO’S WHO MATT AUMENT (Music Director/ MICHAEL BREAUX (Clarinets), Piano) is a New York-based music a native of Lafayette, Louisiana, has director and orchestrator. Broadway: been a music teacher and woodwind (arrangements/conductor). New performer for more than 30 years. He York: Twelfth Night (Public Th eater), can be heard on movie soundtracks Tamar of the River (Prospect Th eater). such as: Eternal Sunshine of the Spotless Regional orchestrations: Bells Are Mind, and Magnolia. His instrumental Ringing (Berkshire Th eater Group), doubling can also be heard with artists Medea//Cinderella (Oregon such as Aimee Mann, Fiona Apple, Shakespeare Festival), Yank! (Char- and countless others. He is currently ing Cross Th eater, London),Camelot a professor of music education at New (Drury Lane, Chicago). New works in York University, and is an active per- development include projects by Mol- former in the tri-state area. Michael is ly Pope and Dan Fishback. Selected humbled to be included in the journey accompanying/arrangements: Brian of this wonderful show. He sends his Stokes Mitchell, Kristen Chenoweth, love out to Mr. T. Nathan Lee Graham, Molly Pope, Seth Sikes, Martha Graham Cracker. STEPHEN SONDHEIM (Music & www.mattaument.com Lyrics) wrote the music and lyrics for (1954), A Funny ing TOMOKO AKABOSHI (Violin) is Happened On e Way To e Forum a violinist and music coordinator based (1962), (1964), in . She has performed Company (1970), (1971), A with and interpreted for Alan Silvestri, Little Night Music (1973), e Frogs Andrea Bocelli, Alicia Keys, Coldplay, (1974), Paci c Overtures (1976), Mer- and more. She was the concert master rily We Roll Along (1981), Sunday In for Broadway musicals Amazing Grace e Park With George (1984), Into e (NY), Spring Awakening (Tokyo) and Woods (1987), Assassins (1991), a violinist for (Tokyo), (1994) and (2008), as well and her performing experience also as lyrics for West Side Story (1957), extends to studio and soundtrack re- (1959), Do I Hear A Waltz? cordings as well as jazz at the White (1965) and additional lyrics for Can- House, and orchestral concerts at Car- dide (1973). negie Hall. Tomoko has coordinated (1976), Marry Me A Little (1981), and interpreted for musical produc- You’re Gonna Love Tomorrow (1983), tions in the , Japan, Ger- (1993/99), Moving many, Australia, Slovakia, Bulgaria, On (2001) and Sondheim On Sondheim and the Czech Republic, with world (2010) are anthologies of his work renowned orchestras performing in a as composer and lyricist. For fi lms, wide variety of styles. In recent years, he composed the score of “Stavisky” she has coordinated composers and (1974), co-composed the score for full orchestra recordings for video “Reds” (1981) and wrote songs for game soundtracks, including “Street “Dick Tracy” (1990). He wrote songs Fighter V” and “Resident Evil 6.” for the television production “Evening 6 7 WHO’S WHO Primrose” (1966), co-authored the Todd (West End/Harrington’s Pie and fi lm “Th e Last of Sheila” (1973) and Mash shop, Best Musical Off -West the play Getting Away With Murder End Awards), Barbarians, A Midsum- (1996) and provided incidental mu- mer Night’s Dream, Tinderbox. Direct- sic for the plays e Girls Of Summer ing credits for Shakespeare’s Globe (1956), Invitation To A March (1961), include: Omeros, (and Inter- Twigs (1971) and e Enclave (1973). national Tour), (and Inter- His collected lyrics with attendant national Tour), Twelfth Night, Othello, essays have been published in two e Merchant of Venice, Romeo & Juliet, volumes: “” (2010) A Midsummer Night’s Dream, Mac- and “Look, I Made A Hat” (2011). In beth. Other directing includes: Sleep- 2010 the Broadway theater formerly ing Beauty (Th e Watermill); Hamlet, known as Henry Miller’s Th eatre was , A Midsum- renamed in his honor. mer Night’s Dream (Staff ord Festival Shakespeare); Ri Ra (Arcola); e HUGH WHEELER (Book) won Vegemite Tales (West End/Riverside three for , A Little Studios); Normal (Th e Union); Pen- Night Music and for Sweeney Todd. He etrator (Th eatre503). Short fi lms in- also wrote the libretto for the revival clude: “King Lear”, “Richard II”, “Th e of Irene and is the author of the plays, Comedy of Errors” (Shakespeare’s Big Fish, Little Fish; Look: We’ve Come Globe “Complete Walk”). rough; We Have Always Lived in the Castle; and additional material for the SIMON KENNY (Designer) is a Lon- musical Paci c Overtures. For fi lms he don-based set and costume designer, wrote the screenplays for Travels With working internationally in theatre, My Aunt, Something for Everyone, A , opera and live perfor- Little Night Music and Nijinsky. For mance. Designs include Sweeney Todd 20-odd years he wrote mysteries under in a pop-up pie shop and Barbarians in the pseudonyms Patrick Quentin and the abandoned St Martin’s School of Q.Patrick, including Puzzle for Fools, Art building (West End, Tooting Arts Puzzle for Players, Puzzle for Puppets, Club); Twelfth Night, e Merchant of Puzzle for Wantons and Puzzle for Venice (Shakespeare’s Globe); Kander Fiends. Four of his novels have been and Ebb’s e World Goes Round (SJT); transformed into fi lms:Black Widow, Sleeping Beauty, Sleuth (Watermill); Man in the Net, e Green-Eyed Mon- e Picture of Dorian Gray, Venus In ster and e Man With Two Wives. Mr Fur (English Th eatre Frankfurt); Wheeler also wrote the adaptation of Fallen Angels (Salisbury Playhouse); the opera Silverlake, which Saturday Night Fever (Th eatre Royal was directed by Hal Prince at the New Bath, UK tour); Island (National Th e- York City Opera. atre); Vivienne (Linbury Studio, Royal Opera House); Ghosts (Th eatr Clwyd); BILL BUCKHURST (Director) is BORDER FORCE, an installation/ Associate Director of Tooting Arts performance/club event for Duckie; Club where credits include: Sweeney In e Next Room or the vibrator play 8 WHO’S WHO (St James); 4000 Miles (Ustinov); Stories” (BBC\Lambent Films) and e Cunning Little Vixen, Háry János “Hansel and Gretel” (BBC/Lambent (Ryedale Festival). simonkenny.co.uk fi lms). Georgina created the original choreography for Sweeney Todd for BENJAMIN COX (Music Supervi- Tooting Arts Club and its West End sor & Arranger) studied music as an transfer. Other recent theatre credits Organ Scholar at Cambridge Uni- include Wit (Royal Exchange Th eatre versity. He has taught and accompa- Manchester), Chimerica (Almeida nied students at Th e Royal Academy Th eatre, West End), Running Wild of Music, Guildhall School of Music (Regent’s Park Open Air Th eatre), and Drama, Oxford School of Dra- Macbeth (Chichester Festival Th e- ma, Birmingham School of Acting, atre/West End/BAM and Broadway), Millennium School of Performing Gambling (Soho Th eatre and Th e Roy- Arts, West End Central Academy and al Court Th eatre). LAMDA. As MD of theatre group Th e Ruby Dolls, he has composed AMY MAE (Lighting Designer) shows for major festivals around the trained at RADA on the postgradu- UK and performed on BBC Radio. ate Stage Electrics and Lighting De- Previous credits include: Les Misera- sign course and has a degree in Stage bles, West End, Showboat, West End, I Management and Performing Arts Am omas, Told By An Idiot (UK tour) from the University of Winchester. , e Marriage of Figaro, She won the Knight of Illumination Tosca, La Bohéme, Madame Butter y, Award in 2015 in the musicals cat- e Barber of Seville, Heritage Opera egory for Sweeney Todd. She works (UK tours), Assassins, Th e Crescent across Th eatre, Dance, Site Specif- Th eatre Birmingham, Merrie England, ic and Devised performance. Recent Th e Finborough Th eatre London, e credits include; Living With e Lights Brides of Bluebeard, Th e Other Palace On (Th e Young Vic Th eatre), Mac- London. beth (Mountview Academy of Th eatre Arts), Bits Of Me Are Falling Apart GEORGINA LAMB (Choreogra- (Soho Th eatre), e Lounge UK tour pher) Georgina’s work has been seen (China Plate and Inspector Sands), in London’s West End Th eatre’s, Th e Paradise Of e Assassins (Tara Th e- Royal Shakespeare Company, Broad- atre), Knife Edge (Pond Restaurant), way and internationally. She has Prize Fights (Royal Academy of Dra- worked at the world renowned Shake- matic Art), Orphans (Southwark Play- speare’s Globe Th eatre for the last 7 house), Macbeth (Italia Conti), I’m years Choreographing and creating Not Here Right Now (Paines Plough’s the movement on many shows there Roundabout and Soho Th eatre). including e Comedy of Errors, Othello, www.amymaelighting.com King Lear, Doctor Faustus, and A Midsummer Night’s Dream. MATT STINE (Sound Designer). Her work for fi lm and television has Broadway and Off -Broadway cred- been twice BAFTA nominated: “True its include: e Liar (Classic Stage 8 9 WHO’S WHO Company), A Christmas Carol (Music Edge, Design for Living Tour: Mam- Producer, McCarter Th eater), Dead ma Mia!, Chitty Chitty Bang Bang. Poets Society (), Alumnus of North Carolina School of e Clearing (59E59), e Black Crook the Arts (Abrons Art Center), Nathan e Wise (Classic Stage Company), Misery KERRY CONCANNON (Assistant (Music Producer, Broadway), Moth- Stage Manager). Recent immersive er Courage And Her Children (Classic credits include: Stage Manager for Stage Company), e Tempest (Music Seeing You, Stage Manager for Minu- Producer, Delacorte Th eater), Love’s teZero’s e Hunt, and Assistant Stage Labour’s Lost (Music Supervisor, Dela- Manager for Queen of the Night. Other corte Th eater), Here Lies Love (Music recent work includes: Nightlife Pro- Editor, Th e Public Th eater/Royal Na- duction Assistant for Pimenta Pro- tional Th eatre). Composer credits: e ductions and Creative Development Weight Of Smoke (Paul Taylor Dance Assistant for Blue Man Group Pro- Company), Mo(or)town/Redux and ductions. She is a graduate of the Uni- Hapless Bizarre (doug elkins choreog- versity of Michigan, BFA in Design raphy, etc.) Album Production credits: & Production with a concentration in Love’s Labour’s Lost (Original Cast stage management. Recording, Sh-K-Boom Records), e Remix Collection From Here Lies Love KATE MORROW (General Manag- (Todomundo!) er). e E ect, e Flick, Swamp Juice, Every Brilliant ing, Our Town, Basic JOHN RANDOLPH FERRY (Pro- Training, How eatre Failed Ameri- duction Stage Manager). Broadway: ca, Gone Missing (Barrow Street Th e- Mamma Mia!, House of Blue Leaves, atre), e Flying Karamazov Brothers: 4 Race, Promises Promises, Translations; Play, Garden of Earthly Delights, Add- Immersive: Seeing You, Queen of the ing Machine: a musical (Minetta Lane Night; Off Broadway: Sonya Tayeh’s Th eater), e Irish Curse (SoHo Play- You’ll Still Call Me By Name (New York house), e Black Monk, Loaded, Soph- Live Arts) Meet Vera Stark (Second istry, Dance of the Seven Headed Mouse Stage Th eatre), Prayer for My Enemy (Th eatre Row) (Playwright’s Horizons), Groovaloo ( Joyce Th eatre), Body Awareness (At- IRON BLOOM CREATIVE lantic Th eater Company), Human Er- PRODUCTION (Production Man- ror (Atlantic Th eater Company), Con- agement and Associate Set Design) is a versations in Tusculum (Public Th eater) newly minted design & production (Public Th eater); New fi rm founded in 2016 by Gabriel Hain- York Workshop: Some Lovers (Th e Old er Evansohn & William Irons. Th ey Globe), Bruce Lee: Journey to the West specialize in holistic world-building (Frankel Green Productions) , Hud- and the creation of immersive physical sucker Proxy (Richard Frankel Produc- landscapes ripe for audience interac- tions); Williamstown Th eater Festival: tion and exploration. Th e company spe- e Opposite of Sex, Bus Stop, Water ’s cializes in all aspects of interactive live 10 WHO’S WHO experience: consultation, ideation, de- of 6 books, e Shadowdance Series. sign, management & implementation. www.ludio.com www.ironbloomny.com. BEN FUREY (Vocal and Dialect TELSEY + COMPANY (Casting). Coach). Broadway includes: e En- Broadway/Tours: SpongeBob SquareP- counter, e Curious Incident of the Dog ants, Once on is Island, e Parisian in e Night-Time, King Charles III, Woman, M. Butter y, Anastasia, Charlie Matilda, e Last Ship, Billy Elliot, and the Chocolate Factory, Hello, Dolly!, Mamma Mia, . Off -Broadway , Waitress, , includes: Linda, By e Water, e Ex- , Wicked, e Color Pur- plorers Club (MTC), Cloud 9, Our New ple, On Your Feet!, Something Rotten!, Girl, Gabriel (ATC), The Language e King and I, An American in Par- Archive, If ere Is I Haven’t Found It is. Off -Broadway: Atlantic, Classic Yet (Roundabout), Oslo (LCT), Ap- Stage, MCC, Second Stage. Film: propriate (Signature). National tours Miss Sloane, , Margin include: Curious Incident…, A Gen- Call, Rachel Getting Married, Across tlemen’s Guide to Love and Murder, the Universe, Camp, Pieces of April. TV: Mamma Mia, Billy Elliot, Spamalot. “Th is Is Us,” “NCIS: New Orleans,” Regional/International includes Hart- “House of Cards,” “Rise,” “I’m Dy- ford Stage, Guthrie, Two River, Canon ing Up Here,” “One Day at a Time,” (Toronto), Palm Beach DramaWorks, “Graves,” “Atypical,” commercials. Cincinnati Playhouse, Gate (Dub- www.telseyandco.com lin), Dallas Th eater Center, Colorado Shakespeare Festival. Film and TV BRYCE BERMINGHAM (Fight includes: Lost City of Z, Eyeborgs, Ele- Director) has a BFA and MFA in mu- mentary, Vine Talk. Teaching includes: sical theatre as well as being a certifi ed Juilliard, UNC School of the Arts, Fight Director with Fight Directors, Gaiety School of Acting (Dublin). Canada and Th e Art of Combat, Inc. www.benfurey.com He has choreographed the violence for a national tour of e Scarlet Pimpernel, RAY WETMORE (Prop Master). 6 productions of Beauty and the Beast Current Projects: 1984 (Broadway) and George Stiles’ e ree Musketeers Sweeney Todd (Off Broadway). Broad- as well as dozens of Shakespeare and way or National Tours: Cirque Du modern theatre works. Additionally, Soleil’s Paramour, Eclipsed (San Fran), Bryce stunt coordinates many small Movin’ Out, Gypsy, Grease (also, in and medium size fi lms in NYC, enjoy- China), e 101 Dalmatians Musical, ing the creative liberties and ingenuity Ring of Fire, . Cirque that comes with them. Film highlights du Soleil: Michael Jackson ONE (Las include e House that Jack Built which Vegas), Zarkana (Radio City Music has won multiple awards and can be Hall/Moscow/Madrid/Las Vegas), seen on Netfl ix, Scarefest and Taste. One Night For One Drop, and numer- He is also the cover model for a series ous special events. Regional: Sunset Boulevard, e Little Mermaid, Cur- 10 11 WHO’S WHO tains, . For Evan and YASMINE LEE (Associate Choreogra- Winnie. instagram @raywet pher) began her career on the concert dance stage. Trained under full schol- BILL YOSSES (Chef & Pie Maker). arship at Feld Ballet & Alvin Ailey William (Bill) Yosses, is the chef/own- she has gone on to work as performer, er of PERFECT PIE, an artisanal pie choreographer, and movement direc- making bakery in New York City. Th e tor in over 25 countries and in every pies have been featured in the New state of the Union in theater, dance, York Times and New York Magazine fi lm, television, ceremonies and mu- and listed in the top ten pies of New sic video. Select credits include: e York City. He is the offi cial pie maker Crucible (2016 Broadway revival), for the Barrow Street Th eater produc- e Curious Incident of the Dog in the tion of Sweeney Todd. He previously Night-Time (Broadway, 1st National held the title of White House Execu- Tour), Once Musical (A.R.T., NYTW, tive Pastry Chef for 7 years. As pastry Broadway, West End), (Broad- chef of the White House he planned way, National Tour), PEARL (Lincoln desserts for the First Family. He Center, Polly Center Nanjing), Open- worked closely with Michelle Obama’s ing Ceremonies XXII Winter Olympic Let’s Move initiative to improve Games (Sochi), Tender Napalm (U.S. health outcomes related to food issues premiere), Across e Universe (Sony and was instrumental in developing Pictures), Dunham Technique Video the South Lawn Kitchen garden. (U.S. Library of Congress), Margie Gilles’ Legacy Project, MOMIX ANDREW SCOVILLE (Associate Director). Broadway: Bloody Bloody GALLAS (Associate Cos- Andrew Jackson (Assistant Director). tume Designer) is a New York based Off -Broadway: Here Lies Love (As- Costume Designer who most recent- sociate Director, Th e Public Th eater, ly designed costumes for Hundred National Th eater in London),Love’s Days by Th e Bengsons at Th e Public Labour’s Lost (Associate Director, Th eater’s Under the Radar Festival. Shakespeare in the Park, Th e Pub- Design credits include: Peerless (Yale lic Th eater). Directing Credits: Peo- Rep), Macbeth, Don Juan, and Deer and ple Doing Math LIVE! (Under the the Lovers (Yale School of Drama); e Radar, Th e Public Th eater, National Orpheus Variations (Deconstructive Museum of Math, ), Piano Th eatre Project at Th e Public Th eater’s Tales (La MaMa), Camp Over ere Under the Radar Festival); Bastianello (Lead Director, Bonnaroo Music & and Lucrezia (Urban Arias). She has Arts Festival), Kitchen Sink Exper- assisted notable costume designers in- iment(s) (), Love Machine cluding Gregg Barnes, Gabriel Berry, (Ars Nova, Incubator Arts Proj- Marina Draghici, David Farley, Jane ect), All the Rats & (3LD, Joe’s Greenwood, , and Ann Pub). Co-Founder and Co-Direc- Hould-Ward on Broadway and at re- tor of Fresh Ground Pepper NYC. spected institutions including Th e www.andrewjscoville.com Public Th eater, New York City Op- 12 WHO’S WHO era, Yale Repertory Th eatre, and the and BroadwayCon. Williamstown Th eater Festival. She Learn more: www.MLE.nyc holds an M.F.A. in Costume De- sign from the Yale School of Drama. RACHEL EDWARDS (Producer) is www.SydneyGallas.com the founder and producer of Tooting Arts Club, a site-responsive theatre AJ SURASKY (Assistant Sound De- company based in the area of Toot- signer). Recent credits include: e Rise ing, south London, the neighbour- & Fall of Marcus Monroe (Ars Nova), hood in which she grew-up. Rachel Belleville (Brooklyn College), e Ir- has produced all six of their critically resistible (Immersive Galleries), Bengal acclaimed shows; Invasion! ( January Tiger At e Baghdad Zoo (Brooklyn 2011) Tinderbox (September 2011) College). Recent Assistant credits in- Barbarians (April 2012) A Midsummer clude: I Like It Like at (Pregones Night’s Dream (August 2013) Sweeney Th eater),Dead Poet’s Society (Classic Todd at Harrington’s Pie and Mash Stage Company), and e Liar (Clas- Shop/West End (2014/15) and the sic Stage Company). AJ is a graduate recent revival of Barbarians at Central of Carnegie Mellon University. St Martins School of Art West End. Rachel has also run many Tooting AKA (Advertising) is a full-service, Arts Club community events such as award-winning advertising agen- music nights, comedy nights and a cy with offi ces in the US, UK, and number of popular pop-up cinemas in Australia. Led by Elizabeth Furze & the Tooting neighbourhood. In 2015 Scott Moore, AKA NYC delivers in- Sweeney Todd won Best Musical at the novative solutions across media, mar- Off West-End Awards and Rachel keting, partnerships, interactive, cre- won Best Producer. Rachel also won in ative, content, insights, and campaign the performance category of the Hos- management, with a proven record for pital Club’s ‘Top 100’ Awards recog- producing sales-driven campaigns for nising the top 100 people the creative premium must-see productions, ven- industries in the UK in 2016 and was ues, exhibitions and events. also nominated for ‘Producer of the Year’ at the 2016 UK Stage Awards. MARATHON LIVE ENTER- Rachel originally trained as an actress TAINMENT (Social Media) is a social at Th e Guildhall School of Music and media offi ce representing celebrities Drama and has worked extensively in and brands on Broadway and beyond. Th eatre over the last ten years. After helping to relaunch the career of actor and icon George Takei, Mike JENNY GERSTEN (Producer) is the Karns formed Marathon in 2013. Consulting Producer for the forth- Some of Marathon’s current clients in- coming Perelman Center for the clude Hamilton, e Great Comet, Miss Performing Arts at the World Trade Saigon, Bandstand, Escape to Margari- Center, and the Producer of the Live taville, and Sweeney Todd, along with Cinema series of workshops written infl uencers like Tony Award winner and directed by Francis Ford Coppo- 12 13 WHO’S WHO la. Formerly she has been the Exec- NATE KOCH (Executive Producer) utive Director of Friends of the High is a Lortel-award winning (Sweeney Line, Artistic Director and Associate Todd, 2017) and Drama Desk-award Producer at the Williamstown Th e- winning (Queen of the Night, 2015) atre Festival, Associate Producer at producer of theatrical productions, the Public Th eater, Artistic Director site-specifi c/immersive works, brand- of Naked Angels, and Director of ed experiential activations, and hos- Marketing and Development for Th e pitality projects. In 2016 he founded 52nd Street Project. She serves on the ENVEEKAY, a boutique producing boards of Th e Debate Society and Bal- and management company uniquely let , the NYC Public School for positioned to lead the creative, orga- Dance. She loves all of this. nizational, real estate/construction, and fi nancial aspects of projects that SEAVIEW PRODUCTIONS (Pro- defy general categorization and in- ducer) led by Greg Nobile and Jana volve audiences feeling transformed Shea, is a Tony and Olivier Award win- within extraordinary locations. Cur- ning production company. Seaview’s rent projects include: Sweeney Todd producing credits include the Tony at the Barrow Street Th eatre; SPACE Award winning musical A Gentleman’s on Ryder Farm, an arts/food residency Guide to Love and Murder, Side Show program on a 130-acre organic farm and Hughie on Broadway, the Olivier in Brewster, NY; KPOP at Ars Nova Award winning revival of Gypsy and (Fall, 2017); strategic advisement for Show Boat on London’s West End, and the NYU School of Law, David Ko- Hundred Days, e Absolute Brightness rins Design, and the Kimmel Center; of Leonard Pelkey, and Invisible read and multiple projects in development. Off Broadway. Seaview’s investment Recent clients/collaborations include: portfolio includes Dear Evan Han- creative producer for Google’s 2016 sen, e Front Page, On Your Feet!, e I/O Conference in Mountainvew, CA SpongeBob Musical, , Fun (2016); creative development/business Home (Tony Award), Something Rot- aff airs for music-festival producer Su- ten, It’s Only a Play, and Of Mice and perfl y (2015); design and construction Men. Seaview Productions produced producer for Florian Café + Trattoria the Peabody Award winning docu- + Bar (2014); producer, Queen of the mentary India’s Daughter and Gypsy: Night (2013-2014); GM, Ars Nova Live from the Savoy eatre in collab- (2012-2013), management associate oration with the BBC. Greg and Jana with Joey Parnes Productions (2010- serve as the Managing Director and 2012); associate producer (develop- Vice President of the Board of Direc- ment) for Sleep No More (2009-2010); tors of the Legacy Th eatre in Bran- producing director, the TEAM (2008- ford, CT. Th e Seaview Productions 2011); design producer for DKD staff is supported by Colin Sheehan, (2007-2009). Board Member, FGP. David Manella and Ginny Robbins. BFA, NYU/Tisch – PHTS. For Ali- www.SeaviewProds.com. son. enveekay.com

14 WHO’S WHO TOOTING ARTS CLUB (Origi- Mrs. Rudin is married to Eric Rudin, nating Producer) Tooting Arts Club and is the mother to their two sons, is a site-responsive theatre company Sam and Nick, and their furry, four- without a permanent home based in legged daughter, Lucy. the area of Tooting, south London. Tooting Arts Club believes that for BARROW STREET THEATRE any community to grow and prosper it (Co-Producer, eatre) was founded in needs a healthy arts provision. It was 2003 by Scott Morfee and Tom Wirt- in response to this need that, in 2011, shafter, and has produced numerous Tooting Arts Club was born, founded award-wining shows, including Every by Rachel Edwards and friend Susan Brilliant ing, e E ect, Swamp Juice, Dunn. TAC has produced six critical- Tribes, Hit the Wall, Cymbeline, an oak ly acclaimed productions; Invasion! tree, Mistakes Were Made, Our Town, ( January 2011) Tinderbox (September Gone Missing, No Child…, Capsule 33, 2011) Barbarians (April 2012) A Mid- Orson’s Shadow, BUG, Eat the Taste, TJ summer Night’s Dream (August 2013) & Dave, Nina Conti, and Stolen House. Sweeney Todd at Harrington’s Pie and BST has also been home to Mash Shop/West End (2014/15) and Wants Candy, Improvised Shake- the recent revival of Barbarians at Cen- speare, Mike Birbiglia, Colin Quinn, tral St Martins School of Art - West Des Bishop, Robert Townsend, Josie End. Tooting Arts Club are also a reg- Long, Hip Nos, NY Neo-Futurists, istered Community Interest Company Pigpen Th eatre Company, One Year meaning that we are a non-for-profi t Lease, Lewis Black, Red Bull Th eater, organisation providing ‘work’ for and Mike Daisey, New Yiddish Rep, Red aimed at the local Tooting community. Light Winter, Buyer & Cellar, e Flick. Many of these and other shows have FIONA RUDIN (Co-Producer), an been produced internationally by BST, obsessive-compulsive lover of the arts, and have toured across North Amer- discovered her special passion for the- ica, Ireland, Australia, and the UK. ater through her service on the board www.BarrowStreetTh eatre.com of directors at Th e New and Th e New Victory Th eater. Th ere, JEAN DOUMANIAN (Co-Pro- she has dedicated the last 12 years to ducer). Th eater: e E ect, Chimerica bringing high-quality artistic works (5 Olivier Awards), e Mountaintop on stage to kids of all ages, reaching (Olivier Award), e Book of Mor- over 40,000 NYC public school chil- mon (9 Tony Awards), Every Brilliant dren every year. Th is production of ing, Tribes (Drama Desk Award), Sweeney Todd marks Mrs. Rudin’s fi rst Cymbeline, Mistakes Were Made, Our time as a co-producer. She is honored Town (Obie, Lortel Awards), Cock, e to be in such esteemed and immense- Testament of Mary, Death of a Sales- ly talented company. She is also an man, e Motherf**ker With the Hat, executive producer on the forthcom- August: Osage County (Pulitzer Prize, ing indie comedy Humor Me starring 5 Tony Awards), When the Rain Stops Jemaine Clement and Elliott Gould. Falling (5 Lortel Awards). Films: Una 14 15 WHO’S WHO (dir. Benedict Andrews, screenplay by ACTORS’ EQUITY ASSOCIA- Olivier Award winner David Harrow- TION, founded in 1913, is the U.S. er, starring Rooney Mara, Ben Men- labor union that represents more than delsohn), August: Osage County, e 50,000 actors and stage managers. Spanish Prisoner, All the Real Girls and Equity seeks to foster the art of live multiple Woody Allen fi lms includ- theatre as an essential component of ing Bullets Over Broadway. Upcoming society and advances the careers of its Television: “Shrink” on Seeso. members by negotiating wages, work- ing conditions and providing a wide REBECCA GOLD (Co-Producer) is range of benefi ts, including health thrilled to be part of the team produc- and pension plans. Actors’ Equity is a ing this exciting immersive show. She member of the AFL-CIO and is af- has received numerous awards and fi liated with FIA, an international or- nominations on Broadway (Porgy and ganization of performing arts unions. Bess, All the Way among them) and #EquityWorks Off -Broadway (Sleep No More). Com- mitted to bringing both extraordinary new work (presently Signi cant Other PARTNERS on Broadway) and revivals (Sunday in the Park with George) of the American Charcoalblue canon to audiences, Rebecca is exten- Nigel & Lorraine Bagley sively involved with and supportive of Marc & Lisa Biales not-for-profi t theater, including the Keith Boynton ART at Harvard, and Fisher Center Christian Chadd Taylor at Bard. Lauren Embrey Timothy Forbes GREENWICH HOUSE was found- Barbara Freitag ed in 1902 with a mission help New Jack Gindi Yorkers lead more fulfi lling lives Howard Ignal & Ellen Botwin through social and health services Rachel & Mike Judlowe and cultural and education programs. Brian Lee & Dayna Bloom Annually, nearly 12,000 people are Sir Cameron Mackintosh served at our Senior Centers, Mu- Michael Ostin sic School, Pottery, After-School Edward and Margie Pikaart and Summer Arts Camp, Nursery Tulchin/Bartner Productions School and clinics addressing be- Oliver Roth/OHenry Productions havioral health for seniors, adults Blair Russell & Nicolo Nisbett overcoming addiction and for chil- Hugh Surratt & Ginnie Bond dren who are the victims of abuse. Hilary & Stuart Williams www.greenwichhouse.org Stephanie Williams

16 SWEENEY TODD PRODUCTION CREDITS Company Manager………………………………………………………… KARLY FISCHER Marketing Producer...... SHOSHANA FISHER Associate Set Design………………………………IRON BLOOM CREATIVE PRODUCTION Associate Costume Design………………………………………………SYDNEY GALLAS Associate Lighting Design……………………………………………… JESSICA CREAGER Assistant Sound Design…………………………………………………………AJ SURASKY Assistant Stage Manager…………………………………………KERRY CONCANNON Assistant Costume Design…………………………………………………EVAN PRIZANT Assistant Lighting Design…………………………………………………VICTORIA BAIN Associate Prop Master…………………………………………………CLAIRE RUFIANGE Movement Associate…………………………………………………..GABRIELA GARCIA Dance Captain…………………………………………………………………LIZ PEARCE Wardrobe Supervisor………………………………………………...KELLER ANDERSON Deck Carpenter………………………………………………………BRIAN GUSTAVESON Wardrobe………………………………………………………………BRIANA KOCZAN Hair Consultant……………………………………………………………J. JARED JANAS Program Printing……………………………………………………LUMINAR SOLUTIONS Program Design…………………………………………………………ALEX INNOCENTI Standby Music Director……………………………………………………ANDREW GERLE Assistant Pie Maker………………………………………………………ROBERTO WELCH Food Consultation………………………………………………………FLAVOR MEMORY Architect…………………………………………………MITCHELL KURTZ ARCHITECT PC Accounting……………………………………WITHUMSMITH + BROWN, ROBERT FRIED Controller…………………………………………………………………GALBRAITH & CO. Banking…………………………………………..CITY NATIONAL BANK/SHALIMAR ALI Insurance…………………………………AON ALBERT G. RUBEN/CLAUDIA KAUFMAN Production Photographer…………………………………………………JOAN MARCUS Expediter………………………………………………………………………DESIGN 2147 Scenic Artist…………………………………INFINITE SCENIC (MEGAN WATTERS, LEAD) Production Electrician………………………………………………………THE SYNDICATE Master Electrician/Programmer……………………………………………ROSS GRAHAM Head Sound/Sound Programmer………………………………….5 OHM PRODUCTIONS Costume Shopper…………………………………………………………….JASON LEWIS Costume Interns……………MOLLY GOLDBERG, SOPHIA LONDON, ROCKY BOSTICK Costume Crafts…………………………………………………………… FAY KOPLOVITZ Costume Makers…...... ……………………………………………..……ALEXAE VISEL, HARRY JOHNSON, DAVID DEJAC AT DC THEATRICKS, JEFFREY WALLACH Carpenters………………………………………AARON ARDISON, DEREK KASPER, MORGAN FOX, ROSS PEACOCK, SOPHIE MAHER, PAUL PASSRO, EAMON O’CONNOR, BEN GULLARD, CONNOR IMHOFF, KOBI DAVIS, BRYAN NOR- VELLE, DANNY FERNANDEZ, IZZY GREY, LU CORPORAN, TYLER HAMPTON

ORIGINAL PRODUCTION CREDITS Producer RACHEL EDWARDS Co-Producer HILARY WILLIAMS Associate Producer TRACEY CHILDS Director BILL BUCK- HURST Designer SIMON KENNY Arrangement/Musical Direction/Piano BENJAMIN COX Choreographer GEORGI- NA LAMB Fight Direction KEVIN McCURDY Lighting Design AME MAE Sound Design JOSHUA RICHARDSON As- sistant Designer JAY HIRST Costume Supervisor LORENA PATON Casting Director KATE PLANTIN Outreach and Education SUSAN DUNN Pie-Maker DAVID JOHNSON Original Cast: Sweeney Todd JEREMY SECOMB Mrs Nellie Lovett SIOBHÁN McCARTHY Judge Turpin DUNCAN SMITH Tobias Ragg JOSEPH TAYLOR Johanna Barker GRACE CHAPMAN/ZOE DOANO Anthony Hope NADIM NAAMAN/CRAIG MATHER, Beadle Bamford IAN MOWAT Adolfo Pire- lli/Beggar Woman KIARA JAY Clarinet RACHEL RIDOUT Violin PETRU CORTARCEA Production Management ANDY READ- ER Stage Management/Front of House SARAH PHILLIPS HELEN BARRATT JESSICA RICHARDSON HANNAH HALDEN MICHAEL FRASER Press CORNERSHOP PR Artwork MARTIN O’NEILL Production Photography BRONWEN SHARP ELLIE KURTTZ 16 17 By special arrangement BEVERLEY MASON (Tooting) SIR CAMERON MACKINTOSH (West End) Original Production support ARTS COUNCIL ENGLAND, BI-JINGO.COM and various contributors via KICKSTARTER : MARCH 1, 2017 LEGAL COUNSEL NEVIN LAW GROUP STAFF FOR SWEENEY TODD: Doug Nevin Pamela Rockmore THE DEMON BARBER OF FLEET STREET ORIGINAL ARTWORK Drew Hodges GENERAL MANAGEMENT BARROW STREET THEATRE CREDITS Kate Morrow Karly Fischer Scenery provided by Daedalus De- sign & Production Inc. Lighting gear PRESS REPRESENTATIVE provided by 4 Wall Entertainment. BONEAU/BRYAN-BROWN Sound gear provided by 5 OHM Adrian Bryan-Brown Productions.Select Props Provided by Heath Schwartz Melissa Cohen Jennifer Perez at Rose Brand and SMP Graphics. Props Transportation by T. ADVERTISING Rangoo & Sons. Make up provided by AKA MAC. Flame Proo ng by Turning Star. Elizabeth Furze Scott Moore Jana Burgeson Crystal Chase Elizabeth Findlay Sean Fry SPECIAL THANKS Marc Jablonski F. Richard Pappas; John Barrett, John Barrett Salon; Maggie Boepple, Da- PRODUCTION MANAGEMENT vid Langford and Aaron Gar nkel, IRON BLOOM CREATIVE The Perelman Center at the World PRODUCTION, LLC Trade Center; Kathleen and Henry Gabriel Hainer Evansohn Chalfant; Tony Cotton; Susan Dunn; and William Irons, Partners Judith Edwards; Steve Edwards; Os- Associate: Lily Haje kar Eustis; Florence Fabricant; Jason Gold; Alison Hines; Alex Innocenti; CASTING BY David Johnson; Richard Johnston; TELSEY + COMPANY Meredith Kane; Alexander Kuhn; Neil Cesar A. Rocha, CSA Laidlaw; Roy Leavitt, Tedd Havlicek, Robert Smith, Calvin Coleman, Juan- SOCIAL MEDIA ita White, Eddie Lopez, Tamain Trice, MARATHON LIVE ENTERTAINMENT Ray Puran, James Ragin, Green- Mike Karns which House; David Lever; Justin Melanie Parker Brianna Marosy Levine; Erik Lochtefeld; Genista McIn- Micayla Brewster Ali Wonderly tosh; Shidan Majidi; Jerry Marshall; Beverley Mason; Mark McKennon;

18 Tony Meola; Matt Murphy; Justin WARNING Noel; NYTW; Joey Parnes; Sar- The photographing or sound re- ah Phillips; Aaron Pierce; Eamon cording of any performance or the Roche; Jaime Rosenstein; Maury possession of any device for such Rubin, The City Bakery; Jane Stuart; photographing or sound recording Bob Tierney; James Triner; Donyale inside this theatre, without the writ- Werle; Hilary and Stuart Williams. ten permission of the management, is prohibited by law. Violators may be punished by ejection and violations BARROW STREET THEATRE may render the offender liable for 27 Barrow Street, NYC 10014 money damages. (212) 243-6262

Executive Director…TOM WIRTSHAFTER FIRE NOTICE: The exit indicated by Managing Director…...... SCOTT MORFEE a red light and sign nearest to the General Manager…...... KATE MORROW seat you occupy is the shortest route Theatre Manager…...... KARLY FISCHER Box Of ce Manager..SARAH WEINFLASH to the street. In the event of re or Literary Manager………KRISTINA OLSON other emergency please do not run Front of House Staff…...... …KATELYN – WALK TO THAT EXIT. Thoughtless BARON MARK COATES KELSEY DAY persons annoy patrons and endan- DARAH DONAHER JUSTINE GELFMAN ger the safety of others by lighting DANE JERABEK DEAN LINNARD matches or smoking in prohibited MICHAEL MCLENDON RYAN SKER- areas during the performances and CHAK EMILY VERLA HARRY WOOD intermissions. This violates a city or- dinance and is punishable by law.

FIRE COMMISSIONER

THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSO- CIATION, THE UNION OF PROFESSION- AL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

The musicians employed in this production are members of the Associated Musicians of Greater New York, Local 802 of the American Federa- tion of Musicians.

18 19 3 West 18th Street thecitybakery.com

Greenwich House Music School HOW ABOUT Renee Weiler Concert Hall ANOTHER SHAVE?

Concerts and recitals featuring an array of artistry from classical to cutting-edge. Our heralded production of

greenwichhouse.org/music Jane Hartsook IS AVAILABLE FOR SPECIAL EVENTS, Gallery GROUP SALES AND BUY-OUTS

Exhibitions of established ceramicists and a showcase for underrepresented and emerging ceramic artists. Think of the Possibilities! greenwichhouse.org/hartsook Custom Pies!

Greenwich House Greenwich House Music School Pottery Renee Weiler Jane Hartsook Concert Hall Gallery

46 Barrow Street 16 Jones Street Between 7th Avenue South Between Bleecker and and Bedford Street greenwichhouse.org West 4th Streets For more information, call 212-243-6262 212-242-4770 212-242-4106 email us at [email protected]

20 SweeneyToddNYC

www.SweeneyToddNYC.com 20 21