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Backgrounder: the New York Botanical Garden's Legacy Of
Moore in America: Monumental Sculpture at The New York Botanical Garden May 24 – November 2, 2008 Backgrounder: The New York Botanical Garden’s Legacy of Natural and Designed Landscapes The New York Botanical Garden, a 250-acre site that has been designated a National Historic Landmark, offers a wealth of beautiful landscapes, including a hardwood Forest, ponds, lakes, streams, rolling hills with dramatic rock outcroppings carved by glaciers, and New York City’s only freshwater river, which runs through the heart of the Forest in a magnificent rock gorge. These picturesque natural features have been further enhanced by more than a century of artful plantings, gardens, and landscapes designed by the nation’s leading landscape architects and garden designers. As a result of both its natural and human legacies, the Botanical Garden today offers an exceptional setting for outdoor sculpture. Scenic beauty and stunning natural features Following the New York State Governor’s approval on April 28, 1891, of The New York Botanical Garden Act of Incorporation, a site needed to be selected for the location of this new educational and scientific institution. Selection turned to an undeveloped park in the central Bronx. In 1887, a published description of this area notes, “it would be difficult to do justice to the exquisite loveliness of this tract without seeming to exaggerate…gigantic trees, centuries old, crown these summits, while great moss and ivy-covered rocks project here and there at different heights above the surface of the water, increasing the wildness of the science.” An 1893 newspaper account describes the romantic vistas of an old stone house, snuff mill, and other artifacts of previous land use, while surrounded with “almost every tree known to the American forest in the Northern clime.” The underlying bedrock, dark gray Fordham gneiss, shapes many rock outcrops, rolling hills, and steep slopes, ranging from 20 to 180 feet above sea level. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
8 Panel Credit Card Size
Approx. 1 15/16 CENTRAL PARK EAST CHELSEA • Leave at least a 1/8" AREA FOR CARD Walk to Borough Hall to catch the 4 5 to th if you As the sun hits the water on the Hudson River, you can get a great copy safety zone EAST 868 STREETPANEL PLACEMENT around the inside of want to run the reservoir in Central Park. Alternately, you can start your vantage point from the Chelsea Waterside Park and Hudson River Greenway. Get there by taking the to th and walking the folded inners morning lounging on the Great Lawn as you wait to rent a boat on The A 14 STREET REFERENCE ONLY Lake. This stop is amazing for a day of leisure,CREDIT but you can alwaysCARD pick SIZE north, or the C to 23rd STREET. The High Line also provides another The Graduate Center up the pace by walking north up East Drive in the park to the Central perspective as this elevated rail line completes its transformation into an Six MetroTech Center Approx. Brooklyn, New YorkNO 11201 LIVE ART Park Zoo or the world-famous Metropolitan Museum of Art and nearby elevated park. Don’t take too long, though, since you’ll need plenty of time Phone: +1.718.260.3182 3 1/32 Guggenheim Museum. (9 1/4" x 15 1/2") just to make a lunch decision at the enormous Chelsea Market at 16th and Fax: +1.718.260.3624OR COPY 10th, a haven for fresh food and fine dining. Then, wind down with a stroll [email protected] through the many art galleries as the evening approaches. -
Central Park Spring Guide
This is a spring like no other. When the world is in disarray, the natural wonder of a new season unfolding becomes a simple joy and a reminder of nature’s profound power to regenerate and revive. The Central Park Conservancy has been New York’s advocate for Central Park for the last four decades. And now, our staff’s role has become even more important as we work to keep the Park clean, safe, and healthy. A vibrant Central Park cleans the air for New Yorkers, provides a place for mental and physical well-being, and brings us together — even when we are kept apart. This spring, we ask you to join us in celebrating the simple miracles of life: the blooming magnolia, the sweeping vistas from a miniature castle, and the community that is New York. IN THIS GUIDE We look forward to a time when we can be together 2 A Note to Park-Goers in the Park. Until then, we hope our Spring Guide 3 Get to Know Central Park’s Spring Blooms provides you with a taste of the season. 4 Preparing for Spring in Conservatory Garden 5 Central Park Activities 10 Central Park Quiz 11 Central Park Map 2 A NOTE TO PARK-GOERS New York City has seen its share of crises, yet despite all we’ve lived through, New Yorkers remain resilient. In times of turmoil, Central Park has always been here, as a respite, an oasis, or simply a quiet place to escape when we feel overwhelmed. This holds true even as the City navigates the coronavirus outbreak. -
1 Upcoming Free Events in Senate District 26: October 2012 Courtesy
Upcoming Free Events in Senate District 26: October 2012 Courtesy of State Senator Liz Krueger Also available on the web at www.lizkrueger.com If you would like to receive this list via email instead of regular mail, let us know – send your name, address, and email address to [email protected], with the subject “Free Events List” Please note: This schedule is subject to change – it is recommended that you call ahead to confirm these events. Monday 10/1/12 10:30 AM Madison Avenue Presbyterian Church, 921 Madison Ave Exercise: Arthritis Exercise Program 12:30 PM Bryant Park, Upper Terrace 212-382-2255 Music: Piano in the Park with Ayako Shirasaki 12:30 PM Central Park, Belvedere Castle 212-772-0210 Walking Tour: Castle and its Kingdom Tour 3:00 PM NYPL, Stephen A. Schwarzman Building, Fifth Avenue @ 42nd Street Workshop: Kindle Books @ NYPL 6:00 PM NYPL, Library for the Performing Arts Books & Poetry: Stephen Michael Shearer “Patricia Neal: An Unquiet Life” 6:30 PM NYPL, Mid-Manhattan Library News: Vanita Gupta, ACLU “Criminal Injustice in America: Breaking Our Addiction to Incarceration” 6:30 PM The Graduate Center, 365 Fifth Avenue 212-817-2005 Workshop: Writing Feminism: From Redstockings to Occupy 1 Tuesday 10/2/12 12:00 PM NYPL, Library for the Performing Arts Music: Dixieland Jazz with Gotham Jazzmen 12:30 PM Bryant Park, Upper Terrace 212-382-2255 Music: Piano in the Park with Ayako Shirasaki 12:30 PM Central Park, Samuel F. B. Morse Statue Walking Tour: Cross Park Promenade Tour 1:00 PM Bryant Park, Fifth Avenue Entrance at 41st -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros
Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime. -
September 7, 2021 FCRC Public Hearing
PUBLIC HEARING FRANCHISE AND CONCESSION REVIEW COMMITTEE TUESDAY, SEPTEMBER 7, 2021 @ 2:30 P.M. David N. Dinkins Municipal Building, 1 Centre Street, South Entrance, Manhattan New York NOTE: For further information on accessibility or to make a request for accommodations, such as sign language interpretation services, please contact the Mayor’s Office of Contract Services (MOCS) via e-mail at [email protected] or via phone at (646) 872-0231. Any person requiring reasonable accommodation for the public hearing should contact MOCS at least five (5) business days in advance of the hearing to ensure availability. Franchise and Concession Review Committee Public Hearing Tuesday September 7th, 2021 @ 2:30 P.M. NEW YORK CITY DEPARTMENT OF PARKS AND RECREATION No. 1: IN THE MATTER of the intent to award a concession for the Renovation, Operation, and Maintenance of an 18-Hole Golf Course, Clubhouse, and Food Service Facility at Silver Lake Park, Staten Island, New York, for a twenty (20) year term, to Silver Lake Golf, LLC. (“Licensee”). Licensee shall make payments to the City for each Operating Year, consisting of the $4.00 surcharge for each round of golf played excluding rounds played by Juniors plus the annual minimum fee and the annual percentage of gross revenue derived from the operation of the Licensed Premises. Compensation under the License Agreement for the annual minimum fee and annual percentage of gross revenue will be according to the following schedule: For Years 1-5: $3,000.00 and either 12.5% over $2.5 million of gross receipts or 17.5% over $3 million of gross receipts; for Years 6-10: $5,000.00 and either 13.5% over $3 million of gross receipts or 18.5% over $3.5 million of gross receipts; for Years 11-15: $7,000.00 and either 14.5% over $3.5 million of gross receipts or 19.5% over $4 million of gross receipts; and for Years 16-20: $9,000.00 and either 15.5% over $4 million of gross receipts or 20% over $4.5 million of gross receipts. -
Youth Theater
15_144398 bindex.qxp 7/25/07 7:39 PM Page 390 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX African Paradise, 314 Anthropologie, 325 A Hospitality Company, 112 Antiques and collectibles, AIDSinfo, 29 318–319 AARP, 52 AirAmbulanceCard.com, 51 Triple Pier Antiques Show, ABC Carpet & Home, 309–310, Airfares, 38–39 31, 36 313–314 Airlines, 37–38 Apartment rentals, 112–113 Above and Beyond Tours, 52 Airports, 37 Apollo Theater, 355–356 Abyssinian Baptist Church, getting into town from, 39 Apple Core Hotels, 111 265–266 security measures, 41 The Apple Store, 330 Academy Records & CDs, 338 Air-Ride, 39 Architecture, 15–26 Access-Able Travel Source, 51 Air Tickets Direct, 38 Art Deco, 24–25 Access America, 48 Air tours, 280 Art Moderne, 25 Accessible Journeys, 51 AirTrain, 42–43 Beaux Arts, 23 Accommodations, 109–154. AirTran, 37 best structures, 7 See also Accommodations Alexander and Bonin, 255 early skyscraper, 21–22 Index Alice in Wonderland (Central Federal, 16, 18 bedbugs, 116 Park), 270 Georgian, 15–16 best, 9–11 Allan & Suzi, 327 Gothic Revival, 19–20 chains, 111 Allen Room, 358 Greek Revival, 18 Chelsea, 122–123 All State Cafe, 384 highlights, 260–265 family-friendly, 139 Allstate limousines, 41 International Style, 23–24 Greenwich Village and the Alphabet City, 82 Italianate, 20–21 Meat-Packing District, Alphaville, 318 late 19th century, 20 119–122 Amato Opera Theatre, 352 Postmodern, 26 Midtown East and Murray American Airlines, 37 Second Renaissance Revival, Hill, 140–148 American Airlines Vacations, 57 -
Prospect Park Primary Source Packet
PROSPECT PARK PRIMARY SOURCE PACKET Student Name Prospect Park Primary Source Packet INTRODUCTORY READING "Timeline." Park History. Prospect Park Alliance, Web. 28 Jan 2014. ADAPTATION In 1834, the City of Brooklyn was chartered, and during the next 30 years it became the third largest city in the country, following only New York (Manhattan) and Philadelphia. Thousands of European immigrants settled in the growing city and sprawling farms gave way to homes. At the same time public parks were gaining popularity in America. Beginning in 1858, the design team of Frederick Law Olmsted and Calvert Vaux transformed more than 800 acres of jagged rock into Central Park in Manhattan. It was the first landscaped public park in the United States. Soon after a movement grew in Brooklyn for a park of its own. Leading the effort was James Stranahan, a businessman and civic leader. In the early 1860s, Stranahan argued that a park in Brooklyn "would become a favorite resort for all classes of our community, enabling thousands to enjoy pure air, with healthful exercise, at all seasons of the year…." Calvert Vaux sketched Prospect Park’s present layout for Stranahan. Vaux convinced Olmsted to join the effort, and construction of the park began on July 1, 1866 under their supervision. Olmsted and Vaux’s plan included rolling green meadows, carriage drives with scenic lookouts, waterfalls, springs and a forest. Organized sports gained popularity throughout the first half of the 1900s and the Park continued to host parades and celebrations that drew huge crowds. Parks Commissioner Robert Moses opened the zoo, bandshell and several playgrounds in the 1930s. -
Central Park
Hunter College Geology Field Trip Central Park Shruti Philips Field Trip stops in Central Park Stop #1 N Stop #2 Enter CP here on 5th Ave Stop #3 Between 66th Stop #2 and 67th street Field trip Stop #1 path Stop #3 Enter the Park from 5th Ave between 66th and 67th street Walk past the Billy Johnson Playground (on your right) and approach a small intersection. You will see a rock exposure ahead of you. Stop-1 Outcrop A Foliated metamorphic Rock Outcrop A Foliated metamorphic Rock STOP-1: Outcrop A The direction of foliation at stop-1 Click on the video to see the direction of foliation on a compass. This rock displays layering (foliation) on the outcrop scale as well as the hand specimen scale Foliation displays differential weathering Why do we see these high-grade metamorphic rocks on the surface in Central Park? A map of the world 449 Million years ago when the rocks in Central Park were forming Note that New York is ~20 0 S of the equator at that time. It was a shallow seafloor then accumulating sediments. How the rocks in Central Park formed and metamorphosed during the Paleozoic Era About 400 million year ago, this region was shallow sea floor, off the coast of the American Continent, and was the site of deposition of great thicknesses of sediment derived from the erosion of the nearby land (Fig. 1). Fig. 2: A new, convergent plate boundary developed here, along which ocean lithosphere was pushed under continental lithosphere (forming a subduction zone). -
Report Measures the State of Parks in Brooklyn
P a g e | 1 Table of Contents Introduction Page 2 Methodology Page 2 Park Breakdown Page 5 Multiple/No Community District Jurisdictions Page 5 Brooklyn Community District 1 Page 6 Brooklyn Community District 2 Page 12 Brooklyn Community District 3 Page 18 Brooklyn Community District 4 Page 23 Brooklyn Community District 5 Page 26 Brooklyn Community District 6 Page 30 Brooklyn Community District 7 Page 34 Brooklyn Community District 8 Page 36 Brooklyn Community District 9 Page 38 Brooklyn Community District 10 Page 39 Brooklyn Community District 11 Page 42 Brooklyn Community District 12 Page 43 Brooklyn Community District 13 Page 45 Brooklyn Community District 14 Page 49 Brooklyn Community District 15 Page 50 Brooklyn Community District 16 Page 53 Brooklyn Community District 17 Page 57 Brooklyn Community District 18 Page 59 Assessment Outcomes Page 62 Summary Recommendations Page 63 Appendix 1: Survey Questions Page 64 P a g e | 2 Introduction There are 877 parks in Brooklyn, of varying sizes and amenities. This report measures the state of parks in Brooklyn. There are many different kinds of parks — active, passive, and pocket — and this report focuses on active parks that have a mix of amenities and uses. It is important for Brooklynites to have a pleasant park in their neighborhood to enjoy open space, meet their neighbors, play, and relax. While park equity is integral to creating One Brooklyn — a place where all residents can enjoy outdoor recreation and relaxation — fulfilling the vision of community parks first depends on measuring our current state of parks. This report will be used as a tool to guide my parks capital allocations and recommendations to the New York City Department of Parks and Recreation (NYC Parks), as well as to identify recommendations to improve advocacy for parks at the community and grassroots level in order to improve neighborhoods across the borough.