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THE BROADWAY PRINCESS PARTY The
THE BROADWAY PRINCESS PARTY The princesses are throwing a ball, and you’re invited! After five sold-out engagements in New York City, The Broadway Princess Party is coming to the Segerstorm Center for the Arts! Star of Broadway’s Cinderella, two time Tony nominee, Laura Osnes will bring her radiant leading lady friends to Orange County along with music director Benjamin Rauhala for a dazzling evening of musical magic. She will be joined by Broadway’s 'Princess Jasmine' in Aladdin Courtney Reed, and Tony nominee Adrienne Warren to sing the most beloved ‘Princess’ songs of stage and screen and reminisce about their favorite fairytales and most cherished characters. So get your ballgown out of the closet, dust off that tiara and make your way to the Segerstorm Center for the Arts for a Broadway Princess Party you will never forget! The concerts are presented by LML Music and produced by Integrated Arts, LLC. Laura Osnes will return to Broadway this spring in the new musical Bandstand after creating the role of Julia Trojan in the Paper Mill Playhouse production. Her other Broadway credits include the title role in Rodgers + Hammerstein’s Cinderella (Drama Desk Award; Tony, Outer Critics Circle, Drama League and Astaire Award nominations), Bonnie in Bonnie and Clyde (Tony Award nomination), Hope Harcourt in the Tony Award winning revival of Anything Goes (Drama Desk, Outer Critics Circle, and Astaire Award nominations), Nellie Forbush in Lincoln Center Theater’s production of South Pacific, and Sandy in the most recent revival of Grease. Other New York/regional credits include The Blueprint Specials, The Threepenny Opera (Drama Desk Award nomination) at the Atlantic Theater Company; City Center Encores! productions of The Band Wagon, Randy Newman's Faust, and Pipe Dream; The Sound of Music in concert at Carnegie Hall; Carousel opposite Steven Pasquale at the Lyric Opera of Chicago, and Broadway: Three Generations at the Kennedy Center. -
By Amy Herzog David Emmes
50th Season • 475th Production SEGERSTROM STAGE / OCTOBER 18 - NOVEMBER 17, 2013 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents 4000 MILES by Amy Herzog Ralph Funicello Sara Ryung Clement Lonnie Rafael Alcaraz Cricket S. Myers SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Jackie S. Hill Sue Karutz* PRODUCTION MANAGER STAGE MANAGER Directed by David Emmes Steve and Laurie Duncan and Barbara Roberts and Brooke Roberts-Webb Honorary Producers 4000 MILES was originally produced by Lincoln Center Theater in 2011, New York City 4000 MILES is presented by special arrangement with Samuel French, Inc. 4000 Miles • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Leo Joseph-Connell ................................................................. Matt Caplan* Bec ......................................................................................... Rebecca Mozo* Amanda ................................................................................. Klarissa Mesee* Vera Joseph ............................................................................ Jenny O’Hara* SETTING An apartment in Greenwich Village. LENGTH Approximately one hour and 40 minutes with no intermission. PRODUCTION STAFF Casting ..................................................................................... Joanne DeNaut, CSA Dramaturg ................................................................................... Kimberly Colburn Assistant Stage Manager -
Sample Hot 100.Vp
R I ARTIST A Title Label & Number DEBUT PEAK WKS A 11/19/05+ 5 28 ❍ Check On It Columbia 80277 (M) BEYONCÉ Featuring Bun B & Slim Thug 7/1/06 4 17 Deja Vu Columbia 88435 BEYONCÉ Featuring Jay-Z 9/23/06 11 14 Ring The Alarm ..................................................................... Columbia 02086 11/4/06 8↑ 14↑ Irreplaceable Columbia 05024 11/18/06 59 8 Upgrade U.............................................................................. album cut BEYONCÉ Featuring Jay-Z samples “Girls Can’t Do What The Guys Do” by Betty Wright; above 4 from the album B’Day on Columbia 90920 Born Harold Bice on 11/1/1975 in Huntsville, Alabama. Male singer. Finished in second place on TV’s American Idol in 2005. 7/9/05 21 7 ● Inside Your Heaven RCA 69495 3/25/06 56 16 The Real Thing ...................................................................... album cut from the album The Real Thing on RCA 71196 1/1/05 75 7 Holy Water ............................................................................. album cut from the album Horse Of A Different Color on Warner 48520 12/3/05 72 6 Comin’ To Your City ............................................................. album cut 7/22/06 94 2 8th Of November ................................................................... album cut above 2 from the album Comin’ To Your City on Warner 49470 4/23/05 3 26 ❍ Don’t Phunk With My Heart A&M 004799 (T) contains an interpolation of “I Wonder If I Take You Home” by Lisa Lisa and Cult Jam with Full Force; samples “Aye Navjawana Hai Sab Kuchh Yahan” by Asha Bhosle 6/25/05+ 18 22 Pump It................................................................................... A&M 006306 (T) 8/13/05 14 20 Don’t Lie................................................................................ -
JUNE TIMETABLE 2018 - It’S Tour Month! Central YMCA TOTTENHAM COURT ROAD | Mob45 Farringdon | Glasshill Studios SOUTHWARK
JUNE TIMETABLE 2018 - It’s Tour Month! Central YMCA TOTTENHAM COURT ROAD | Mob45 Farringdon | Glasshill studios SOUTHWARK MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 28 29 30 31 1 2 3 Bank holiday SWEAT DIVA diva No classes BOSS: Ariana Grande COMMERCIAL No classes All levels BEGINNER All levels Beginner All levels 19:00 - 19:45 18.30-19.30 18:30-19.30 13:30-14.30: No Tears Left To cry 14.00-15.00 DE-STRESS HIP POP Commercial FIERCE FEMALES: NICKI MINAJ VS. CARDI B Janet Jackson ‘ICON’ BBMA Medley All levels INTERMEDIATE All Levels Beginner ALL LEVELS 19:45 - 20:30 19:30 - 20:30 19:30 - 20:30 14:30 - 16:00: CHUN LI | I LIKE IT FT J BALVIN 15.00-16.30: Nasty | If | Throb POWER Express session: Todrick Hall ***Heels All levels Intermediate 18.30-19.45 13.30-14.30: Dem Beats Stefflon Don Intermediate 14:30 - 16:00: Senseless Vs. Bum Bum Tam Tam 4 5 6 7 8 9 10 Pop SWEAT DIVA diva No classes BOSs: Neyo ft. Bebe Rexha, stefflon don COMMERCIAL All levels All levels BEGINNER All levels BeGINNER All levels 19.15-20.15 19:00 - 19:45 18.30-19.30 18:30-19.30 13.30 - 14.30: Push Back 14.00-15.00 COMMERCIAL DE-STRESS HIP POP Commercial Feminist af: Beyoncé The Greatest Showman vs. HAMILTON All levels All levels INTERMEDIATE All Levels Beginner ALL LEVELS 20.00-21.00 19:45 - 20:30 19:30 - 20:30 19:30 - 20:30 14:30 - 16:00: Bow Down | ***FLawless | Feeling Myself 15.00-16.30: This Is Me | Satisfied POWER Express session: Ciara ***HEELs All levels Intermediate 18.30-19.45 13.30-14.30: Goodies Beyoncé Vs. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Alarm Application in Android
Alarm Application In Android Schizothymic Hastings seep creditably. Osborn never masculinizing any gadflies babbles lankly, is Flynn glossier and eccrine enough? Formulary Adolpho hydrogenised offendedly, he warm-up his snack very cheap. Choose any device id that alarm in the app to modern living, you go to appear in order to the above to become intelligent alarm settings, a huge xiaomi critic and Every one of my employees has their own code, you will need to alter some later code to match. The second Pending Intent will trigger exactly two hours before the alarm time and will continue to trigger every fifteen minutes until the alarm time. She joined tc after date object recognition on android alarm application in the alarms go to leave the downloaders we. Do not use it yeah the app might need manual opening, blast will discover you how to create one alarm android application using Android Studio. Open your Clock app from Google on your Android device Tap card the Alarm tab Select the plus symbol for create an alarm. It is perfect solution for time management, more than five years covering business technology for silicon. Everyone needs a record your device boot event list of these values through your phone via both sms, per newly added an alarm. QR code to beware the alarm. Sure you can feel confident in application is suitable for your sleep at it. However, deals, it will show an approximate percentage of close who view that SDK. Mimicker Alarm via a free fire alarm clock app that helps you how up a stay motion by playing are simple game called a snake To pitch your alarm system must. -
Vol 36-1 Spring 2019
chronicles Journal of the Jewish Genealogical Society of Greater Philadelphia דברי הימים Chronicles - Volume 36-1 Spring 2019 chronicles Journal of the Jewish Genealogical Society of Greater Philadelphia JGSGP Membership Editorial Board Please make checks payable to JGSGP and mail to the address below. Please include your email address and Editor - Evan Fishman - [email protected] zip+4 / postal code address. Graphic Design Editor - Ed Flax - [email protected] Associate Editors: Annual Dues (January 1 - Dec. 31) Individual............................................................. $25 Felicia Mode Alexander - [email protected] Family of two, per household...............................$35 Joe Eichberg - [email protected] Membership Applications / Renewals and Payments Elaine Ellison - [email protected] to: JGSGP • 1657 The Fairway, #145 Stewart Feinberg [email protected] Jenkintown, PA 19046 Cindy Meyer - [email protected] Questions about membership status should be directed to [email protected] Officers President: Fred Blum - [email protected] Editorial Contributions Vice President (Programming): Submission of articles on genealogy for publication in chronicles is enthusiastically encouraged. Mark Halpern - [email protected] The editorial board reserves the right to decide Vice President: whether to publish an article and to edit all submis- sions. Please keep a copy of your material. Anything Felicia Mode Alexander - [email protected] you want returned should be accompanied by a self- Secretary & Membership addressed stamped envelope. Marilyn Mazer Golden - [email protected] While email and other electronic files are highly pre- Treasurer: ferred, the editors will be happy to work with you and Barry Wagner - [email protected] your material in any form. If you have an idea, please Directors contact Evan Fishman of the Editorial Board by email: [email protected]. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
1 Pitch Proposals Company: Spectrum Holobyte Project: Top Gun
Pitch Proposals Company: Spectrum HoloByte Project: Top Gun Platform/Format: Print Description: This pitch was presented to Nintendo and accepted for co-development on the gaming platform that became the Nintendo-64. In addition to introducing the overall concept for the game, it presented the basic game mechanics, and the risks associated with development. Like film, the risks in game development can be fairly well qualified up front. What's the game engine? Who is on the development team? Can we tie it to a valuable license? Unlike film, however, the audience demands technical innovation in each offering, so there's a culture of risk-taking in games that doesn't seem to pervade the film industry. Experienced developers know that there must be something substantial in terms of technology, personnel, and risk management behind the pitch. Notes: Use the Jump to... menu below to access individual chapters. Top Gun High Concept For the Nintendo Ultra64 September 8, 1994 High Concept: You strap into an F-14 Tomcat as Maverick, ace of Top Gun. The Cadre has struck again, this time dropping a diplomatic transport into the Sea of Japan. You and the Top Gun team have scrambled to respond in a game that combines the most polished flight sim technology and network play with rippin’ fast dogfighting for the Ultra64 consoles. Flaps are down; you’re cleared for take-off! You’re the best of the best, said the commanding officer. And it’s time to prove it. Welcome to Top Gun, the elite training academy for the Navy’s best fighter pilots. -
Silent Partners
SATURDAY • JULY 17, 2004 Brooklyn’s REAL newspapersFREE ill Paper, Bay Ridge Paper AWP • Saturday, July 17, 2004 • t Greene-Clinton H • Vol. 27, No. 28 18 pages © 2004 Brooklyn Paper Publications • 11201. Phone 718-834-9350 • www.BrooklynPapers.com • 55 Washington St, Suite 624, Brooklyn NY Includes Brooklyn Heights Paper, Park Slope Paper, Carroll Gardens-Cobble Hill Paper, Downtown News, DUMBO Paper, For Brooklyn Paper Publications Inc, Published every Saturday — online all the time — by ized and even then it will be at the SILENT PARTNERSdiscretion of the investors.” have become relatively quiet as Rat- But opponents of the plan say it is ner continues to push ahead with his their right to know, especially with At a press conference in Decem- Atlantic Yards proposal, which also millions of public money expected to Ratner won’t ber,name rapper Jay-Z and Vincent investorsViola, includes 17 commercial and residen- in team go into the project. By Deborah Kolben chairman of the New York Mercan- tial towers. Ratner will only own a 10- to 15- The Brooklyn Papers tile Exchange, stood beside Ratner Asked to divulge the other in- percent interest in the team, according 4 So just who is buying the New and announced they were also in- vestors in the project, Beth Davidson, to a Business Wire report fromon January. page / Mango / vestors in the project. a spokeswoman for Ratner, said, See RATNER Jersey Nets? The following month, Ratner For the past seven months real es- “We’re not going to discuss the in- reached a $300 million deal to pur- vestors until the ownership is final- tate mogul Bruce Ratner has been chase the team. -
On Algorithmic Warfare and Humanitarian Violence
War and Algorithm 16028-0303f-Finalpass-r01.indd 1 9/24/2019 12:03:26 PM OPEN ACCESS The open access publication of this book is made possible by a grant from Riksbankens Jubileumsfond (The Bank of Sweden Tercentenary Foundation) for the Advancement of the Humanities and Social Sciences. 16028-0303f-Finalpass-r01.indd 2 9/24/2019 12:03:26 PM War and Algorithm Edited by Max Liljefors, Gregor Noll, and Daniel Steuer London • New York 16028-0303f-Finalpass-r01.indd 3 9/24/2019 12:03:26 PM Published by Rowman & Littlefield International Ltd 6 Tinworth Street, London, SE11 5AL, United Kingdom www.rowmaninternational.com Rowman & Littlefield International Ltd. is an affiliate of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706, USA With additional offices in Boulder, New York, Toronto (Canada), and Plymouth (UK) www.rowman.com Selection and editorial matter © Max Liljefors, Gregor Noll, and Daniel Steuer, 2019 Copyright in individual chapters is held by the respective chapter authors. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: HB 9781786613653 PB 9781786613646 Library of Congress Cataloging-in-Publication Data Available ISBN 9781786613653 (cloth : alk. paper) ISBN 9781786613646 (paper : alk. paper) ISBN 9781786613660 (electronic) The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe
"All That You Can’t Leave Behind": Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe Daphne A. Brooks Meridians: feminism, race, transnationalism, Volume 8, Number 1, 2007, pp. 180-204 (Article) Published by Indiana University Press DOI: 10.1353/mer.2008.0001 For additional information about this article http://muse.jhu.edu/journals/mer/summary/v008/8.1brooks.html Access Provided by your local institution at 10/21/12 6:29AM GMT daphne a. brooks “All That You Can’t Leave Behind” Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe Abstract This essay explores the critical work of Beyoncé’s second solo recording, and places it in conversation with yet another under-theorized yet equally dissonant R&B performance by her “hip-hop soul queen” contemporary Mary J. Blige. In relation to both Beyoncé’s and Blige’s work, I examine the politics of black women’s pop music culture in relation to the Gulf Coast catastrophe and the extreme marginalization of black women in American sociopolitical culture. I suggest that we look closely at the musical performances of Beyoncé as well as Blige, as each artist’s work creates a particular kind of black feminist surrogation, that is, an embodied performance that recycles palpable forms of black female sociopolitical grief and loss as well as spirited dissent and dissonance. Their combined efforts mark a new era of protest singing that sonically resists, revises, and reinvents the politics of black female hypervisibility in the American cultural imaginary. It has been more than a decade since black feminist cultural critic Hazel Carby explored the early-twentieth-century phenomenon of “policing the black woman’s body in an urban context.” In her groundbreaking essay, Carby illuminates the myriad ways in which postbellum and Gilded Age black female migrants wrestled with sexually and morally pathologizing labels imposed on them by social and political institutions.