DOCSLIB.ORG

Eastern News: April 11, 2003 Eastern Illinois University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Eastern Illinois University The Keep April 2003 4-11-2003 Daily Eastern News: April 11, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_apr Recommended Citation Eastern Illinois University, "Daily Eastern News: April 11, 2003" (2003). April. 9. http://thekeep.eiu.edu/den_2003_apr/9 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in April by an authorized administrator of The Keep. For more information, please contact [email protected]. .. .-11.• .FRIDAY ,:;:.~~;.t:: . Clean sweep + T:I.1E DAILY Both of F.ast.em's teonis teama defeat Ttn.nessee State 7-0. EASTERN NEWS ..... 12 Summer school to see cuts ., Jam a.ntalrl AOIUlllS TRATIOll EDITOR Two of the three solutions to Eastem's current fis- cal callback relate to summer school Eastern now has to give back 29 percent, or $1.5 million.~ from a forecasted 8 percent reserve Gov. Rod Blagojevich announced in February. The first solution is cutting classes in the summer curriculum with low enrollments. .. The university named $800,000 in summer school cuts last in the list responding to the govemor·s February request. The cut proposed eliminating the summer P1'08J'8Dl. "'We will not have to execute this step," saJd Bl.a.tr Lord. \rice president for academic affairs. .. We will however, be looking very closely at small classes and canceling those which are not financially viable be<:ause of small enrollments." The look at enrollment only starts with the sum- mer and decisions on which classes will be cut could be finalized by the end of this month. he said. It beiins with deans lookioi over bolh Q.U'l'Ult and past enrollments of summer classes. " I would expect that there will be some classes affected at each level." Lord said. Eastern could face more than 8 percent, or $4 mil- Uoo. in cuts for Fiscal Year 2004 beginning July 1. Testing the sky "What the effect will be on that part of the sum- Men._. ol the EMeln'I ...,.. UtW9i lily ROTC P8r1'her Baltlllon liAel'l to their pel9Agllt Mdety instructions 1lU'adlly llf'8moof 1 on mer session which takes place after July 1, 2003 is the 1n1rwrrU111 ~ tWda. 1Wo ~ flown by members of Compm1y A of the Anrf'/ Nlltional Glwd's First Baltlllon 108U'I still to be determined... Lord said. "Wh.i.le still ~ DMlion, ~ In o.c:.tur, WIM9d e.a.n to glvie the students.~~ In the aira'aft. SH au••u • Pllgl07 Ex-General Cougill enjoys mayoral life IJJlllllHO ,, Rockwell-type story," Cougill said. ~a strong~~ STAFF WR ITE R "People kept uking me to nm for Q)ugill than mcli in the mayor and I k.ept telling them I did- Mayor Dan Cougill said the last n 't want to." -s~, McNrtt says thing a military guy wants to be is a On ChristnllaS Day, nine years politician. Howe'(er, nine years ago ago. Couglll ~ot bis sign. ., Couaill aomebow managed to find '"Santa came. my aon was playing Hospital. There are plans to create CA.,.I...... UITOll himadf a. the mayor of Cbarieston. in the band. lit started to mow the a lifespan oenter for senior citizens. Couaill was born and raiaed in bige8t snowf1ak.ea you ever saw eoucm uid it would be an upgrade Charleston and after be graduated and the coa:rtbome dock WU rina- trom the cunwt ..... oenten ol from Eastern in 1963, be joined the 1.ng all at the! same time," Cougill Cbarte.ton and Mattoon. - Air Force. said. "I tb.inll; that was my aigoa1 After the meeting, Cougill sat at While in the Air Force. Cougill that I was :~upposed to run for bis desk and went over llOIDe paper- shot up through the rank5 and even- mayor." worit and took a couple or phone tually became a general. Tbe bi&h Cougill said be wouldn't want to calls. ranking gave him the opportunity be anywhere else. "I hate answering machines," to meet Colin Powell and Norman '"Th answei· the question. 'ii you Coua:W said as he bung up the Sdrtranzkopf. could bave 11oy job ln the world phone.. "We moved a lot In my 28 years in what would it be?' implies that you Occasionally, Cougill. would get the Air Force," Cougill said. "When don't like whi8t you're doing right out of bis chair, leave rus'omce and I knew I was getting cloee to ~ DOW," Cougill said. walk tbrouab the balls while stop- rnent, I told my wife to th.ink or a " rve enjoy1ed every job I've ri'er ping in hi.a <»-workers' omc:ea. plllce abe wanted to settle down in. bad." Eastern atudeota bring plenty or "When I went to the Middle F.ast 'The town where Cougill U8e<l to good to O>arleston, but COuaill said ror Deaert Storm I gave ber run pick st:rawbc:rries ror a penny a there are always some bad apples. power of attorney. She took advan- plot, oow reoophes him as mayor. "I would adopt 97 percent of tqe of it and bought a house in 1'be best 1>an of my job Ls mak- Eastern studeota," Couglll said. Charleston... ing things halppen, .. Couglll said. "l "The other 3 percent I would like to Cougill said be was more than get In my car.. drive around and just nm out of town. It's tboee 3 percent happy to come back to bis home- look what's happened since I've of students that give 100 percent of • town. However, after spending been here." them a bad name." sc>me time in Cl!arlestoo be realized Cougill enjoys the sights of Cougi.U said be doesn't have much it wasn't the same town that be left Kiwanis Park;, the bike trail and the free time, by bis own choo.1ing. some time ago. new brick vralla in troot of Old "It's a part-time job, but I o~ "I thought I had made a mi.state," Main. this town an awful lo«," Cougill said. CoualU said. "l'bese an: things I look at and "It gave me an education and my cOugib WU not shy about voicing tell myself, 'You know you are malt· work ethic." his opinion about bow Charleston Ing A little lbit of a difference.,"' CougllJ 80UDded oft on his pet changed. Because of this, many Cougill said. peeva and thinp along tboee lines. staned asking him to run for Cougill ltalrted Wedne8dlly with a "My blgest pet peeves are mayor. meeting oooc:ernhtg the annexatioo rumon1 and people who believe "This is really a Norman or some land by Sarah Buab Uncoln everythina they bear," Cougill aid. Today Saturday Sunday Monday Tuesday Wednesday Thursday Mostly sunny Partly cloudy Mostly sunny Partly cloudy Partly cloudy Mostly cloudy Scattered stonns -~ .....' ,,,, PAGE - - ~- .~~ Friday, 0 0 700 67° 39° 65° 38° 65° 51° 76° 56° 76° 56° 58° April 11, 2003 TWO HIGH LOW HIGH LOW HI GH LOW HIGH LOW HI GH LOW HIG H LOW HIG H LOW Volunteers to paint area homes •Bucket Brigade will work on homes Sunday By Lea Erwin Tabernacle Church; Weller Hall STAFF WRITER Council; Alpha Kappa Delta; McKinney Hall Council; Mortar Bucket Brigade, a new com- Board; Wesley United Methodist munity service project, ls a one- Church; Eastern's School of day effort to paint the houses of Business; United Otterbein those within the Charleston com- Methodist Church and the munity who are financially or Panhellenic Council. physically unable to do so. "We have received $900 thus Student Body President far," Mormino said. "This should Alison Mormino has been plan- cover cost, hopefully, if we only ning the project all year, and it have to use the $900. However if will finally take place Saturday. it goes over, we will go into the Mormino got the idea for the Student Government account." project from Alton, her home- Brice Donnelly, chair of the town. Student Senate Tultlon and Fee "This project ls an annual Review Committee, said he ls event there," she said. volunteering and he wants "to Mormino said nine homes make sure we (Student were selected. The homeowners Government) do a good, quality were nominated by churches, job." local citizens and the city man- "It ls great getting out to the ager's office. community," Donnelly said. "It The Bucket Brigade will begin will help to smooth out any neg- at 8:30 a.m. at the Martin Luther ative feelings the community King Jr. University Union to may have towards the students, pick up supplies. The project ls and it will help to further expected to conclude at 3:30 or 4 involvement in the community." p.m., and a picnic may take place One of the homeowners who ls afterward for the donors, home- allowing the students to paint his owners and volunteers. house ls Russel Hill. "I have at least 110 to 120 vol- "It's going to help the commu- unteers, mostly student organi- nity and it's going to depend zations on campus," Mormino more so on how the students feel said. about doing this," Hill said. "And Some such organlzatlons what frame of mind are they in include the University Board, to be doing this? Student Government, Lincoln "It's more of the sincerity of Hall Council, Pre-Law honorary doing a good job on this chal- society, Alpha Sigma Tau, lenge, and not just doing it to get Service Learning from it done, and how well they are Charleston High School, Epsilon going to be working together to Sigma Alpha, Beta Alpha Psi, get the goal accomplished," he Alpha Phi, Phi Epsilon Mu, and said.
Recommended publications
  • Read Razorcake Issue #27 As A

    Read Razorcake Issue #27 As A

    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
  • Rise Against

    Rise Against

    VENERDì 11 LUGLIO 2014 Sarà disponibile nei negozi e in digitale da martedì 15 luglio "The Black Market", il nuovo album dei Rise Against. L'album, il settimo della carriera, raccoglie 12 tracce ed è stato anticipato dal singolo "I Don't Rise Against: il nuovo album "The Want To Be Here Anymore". Black Market" Da martedì 15 luglio Di "The Black Market" il cantante e chitarrista Tim McIlrath dice: "I Rise Against sono sempre stati una band politica, ma anche una band personale. Abbiamo sempre scritto canzoni che tengono un piede in LA REDAZIONE entrambi i mondi. Questo album è molto più introspettivo del solito." L'intensità melodica del primo singolo "I Don't Want To Be Here Anymore" è un esempio lampante di quello che afferma il gruppo: è un brano che poggia su un ritornello potente e parla di temi universali come [email protected] il sentirsi in trappola e il desiderio di fuga. SPETTACOLINEWS.IT Tim McIlrath, il bassista Joe Principe, il chitarrista Zach Blair e il batterista Brandon Barnes hanno registrato questo disco tra gennaio e marzo di quest'anno ai Blasting Room Studios a Fort Collins, Colorado con i produttori Bill Stevenson e Jason Livermore. "Ho sottostimato cosa le canzoni dei Rise Against possono essere, cosa sono I testi e come possono a volte portarti nel lato oscuro" - racconta Tim - "ero abituato ad entrare e uscire dalle canzoni indenne ma mentre eravamo in studio per scrivere questo album ho fatto molta fatica ad allontanarmene. Sguazzavo nella tristezza e nell'angoscia delle canzoni". Questa la tracklist del disco: "The Great Die-off", "I Don't want to be here Anymore", "Tragedy + Time", "The Black Market", "The Eco-Terrorist in me", "Sudden Life", "A Beautiful Indifference", "Methadone", "Zero Visibility", "Awake too long", "People Live Here", "Bridges".
  • Metal Matters. Heavy Metal Als Kultur Und Welt

    Metal Matters. Heavy Metal Als Kultur Und Welt

    Andreas Salmhofer Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore Einleitung und grundsätzliche Fragestellungen Sobald Grindcore, Grind oder lediglich die Endsilbe -grind vorkommt, ist für Metal- oder Punk-Fans klar, dass hier von extremen musikalischen Auswüch- sen die Rede ist. Grindcore hat das Wesen eines rhetorischen Sinnbildes und fungiert als Metapher in einer Rhetorik, die der Musik das Attribut ›brutal‹ zuordnet. Dieser Begriff genießt zwar bis dato eine äußerst inflationäre Ver- wendung im Metal-Diskurs und steht in der Metal-Primärliteratur gleichbe- rechtigter Weise neben etablierten Genrebegriffen, wie etwa Death Metal oder Black Metal, wenn auch als äußerst eng definierter Genrebegriff, doch bleibt er in der (wissenschaftlichen) Sekundärliteratur marginalisiert oder gänzlich un- berücksichtigt. In der (insgesamt randständigen) wissenschaftlichen Aufarbei- tung erfährt der Begriff Grindcore eine Verortung¯1 zwischen wissenschaft- licher Irrelevanz und Ignoranz. Dieser Artikel versucht einen gänzlich neuen Ansatz zu präsentieren, der die grundsätzlichen Konstanten des Metal-Diskurses negiert, zumindest aber bis zu einem gewissen Grad erweitert oder gar dessen Ende andeutet. Ein Versuch, die Charakteristik des Grindcore ausschließlich entlang musikstilistischer Pa- radigmen des Metals oder des Punks zu skizzieren, lässt nur eine begrenzte Dimensionierung innerhalb popkultureller Maßstäbe zu. Demgegenüber soll hier die These vertreten werden, dass sich abseits oder als Erweiterung des Metals und des Punks ein sogenannter Grindcore-Diskurs konstituiert hat. Die Beweisführung erfolgt über interpretative Methoden anhand der Lektüre sze- nespezifischer Primärquellen,¯2 Sekundärliteratur sowie anhand von Daten- material, welches mit den Methodiken der Grounded Theory erhoben wurde (vgl. beispielsweise Glaser/Strauss 1998).¯3 Um dies zu bewerkstelligen, muss versucht werden, den Metal-Diskurs in seiner Gesamtheit zu kategorisieren.
  • Agents for Change Rise Against’S Sixth Album Looks to Reinforce the Band’S Message for Hope

    Agents for Change Rise Against’S Sixth Album Looks to Reinforce the Band’S Message for Hope

    Pulse / beats by Ian JoulaIn photography by Evan Hunt Strong will be coming along for the ride. Rise Against’s second tour stop in Long Beach, however, holds special significance for the group as they have the honor and privilege to share the stage with The Descendents. While The Descendents may not mean much to the average fan, for Principe and the rest of Rise Against, it really is something special. “The Decendents are the sole reason I learned how to play bass … they are truly one of my main influences,” Principe says. The April 7 show at the Long Beach Arena will be the first time in 14 years the Descendents have performed in Southern California. With Endgame only being out for a handful of weeks now, it has already garnered airplay with the group’s first single, “Help Is On The Way.” Lead singer and co-founder Tim McIlrath composed the song about his experiences in New Orleans while on a tour break, and speaks about the massive amounts of devastation Agents for Change Rise AgAinst’s sixth Album looks to ReinfoRce the Band’s messAge foR hope In speaking to Joe Principe, co-founder it fresh with every record and I think we he witnessed in the wake of Hurricane and bass player of Rise Against, one thing succeeded with that.” Katrina. The song also dives into the havoc is clear: It’s not about the music one Endgame marks the band’s fourth wreaked by the BP oil spill. creates, but one’s ability to stand behind time using the production team of Bill The always socially conscious Rise it.
  • May 2009 Volume 9, Issue 2 BORED STIFF Are A

    May 2009 Volume 9, Issue 2 BORED STIFF Are A

    x Volume 9, Issue 2 May 2009 D: We were arguing about band names for a long time. A lot of them were BLACK FLAG song titles. An: Yeah, my good one was TOTAL TRASH but it’s too close to TRASH TALK. W: I think the rest of these guys had the name BORED STIFF a long time ago, it was mentioned and I sorta brought it back. An: It’s what D’Arcy wanted to call the old band. A: We had no choice. D: Yeah, the other band. We sorta had the name before and it just sorta stuck, but for no particular reason. No story, it just sounds badass. Yeah it’s a good name. W: Why, thank you. An: It’s pretty awesome. So who do you consider influences on the band? An: A lot of 80’s hardcore. W: I’m pretty into money, but I think I made that joke before when he was here for the MOLESTED YOUTH interview. Yeah you did, it’s old, retire it. BORED STIFF are a new local band that I was An: Those dreams where you feel like you’re introduced to through MOLESTED YOUTH. falling...those are a pretty big influence. My first impression is that they remind me of D: If you’re talking about musical influences I SSD in that they are trying to sound heavy think its a lot of later 80’s stuff from New York without sounding metal. The difference between City and a lot of current California stuff like BORED STIFF and Boston’s original jock TRASH TALK and CEREMONY.
  • Thirteen Stories

    Thirteen Stories

    Touro Law Review Volume 15 Number 2 Article 14 1999 Thirteen Stories Anthony Paul Farley Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Civil Rights and Discrimination Commons Recommended Citation Farley, Anthony Paul (1999) "Thirteen Stories," Touro Law Review: Vol. 15 : No. 2 , Article 14. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol15/iss2/14 This The Salience of Race: Race in America is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Farley: Thirteen Stories THIRTEEN STORIES0 ANTHONY PAuL FARLEY* TABLE OF CONTENTS INTRODUCTION .................................................... 544 1s STORY: WARGASM .................................... 550 21 STORY: CASABLANCA .................................. 565 3R STORY: AMERICA UNVEILED ......................... 570 4TH STORY THIS TIMELESS BURNING .................... 573 5TH STORY: COLORLINES ................................... 578 6TH STORY: A CRITIQUE OF CRITICAL RACE THEORY 586 7TH STORY: WHAT Do BLACK PEOPLE WANT 9 ... .... 589 8 T STORY: ILLNESS AND ITS INTERLOCUTORS ........ 594 T STORY: 9 VOMIT ........................................... 625 10 STORY: THE BEAUTIFUL RAINBOW OF NIGHT ..... 630 T 11 H STORY: THE DANGEROUS BODY ..................... 633 12TH STORY: MEMORIES THAT SMELL LIKE GASOLINE ...................................... 640 13TH STORY: WHAT THEN MUST WE DO? ...... .......... 645 CONCLUSION .................................. © Copyright 1998 Anthony Paul Farley. All rights reserved. Assistant Professor Boston College Law School, B.A. University of Virginia 1984, J.D. Harvard Law School 1987. I thank Deborah Waire Post for her enthusiasm. I thank the organizers of The Salience of Race: 3rd Annual Northeast People of Color Conference for such creative thinking.
  • The Sherlock Holmes Paradigm in Contemporary Crime Series

    The Sherlock Holmes Paradigm in Contemporary Crime Series

    Echoing the Eccentric Genius – The Sherlock Holmes Paradigm in Contemporary Crime Series Inaugural-Dissertation zur Erlangung der Doktorwürde der Philologischen Fakultät der Albert-Ludwigs-Universität Freiburg i. Br. vorgelegt von Isabell Ewers aus Baden-Baden SS 2020 Erstgutachter/in: Frau Prof. Dr. Barbara Korte Zweitgutachter/in: Frau PD Dr. Nicole Falkenhayner Vorsitzende/r des Promotionsausschusses der Gemeinsamen Kommission der Philologischen und der Philosophischen Fakultät: Prof. Dr. Dietmar Neutatz Datum der Fachprüfung im Promotionsfach: 22.03.2021 Table of contents 0. Introduction 4-10 1. The creation and popularisation of the eccentric genius 1.1. Explaining the continuum of an ambivalent fascination 1.1.1. Eccentrics and geniuses: terminology, parallels and the question of definition 11-12 1.1.2. “Great men” or madmen? The eccentric genius in the eyes of the Victorians 13-21 1.1.3. A new working definition based on family resemblance: ten key features 22-31 1.2. Adapting the paradigm to the small screen 1.2.1. The ‘what’ and the ‘why’: a sociological turn of adaptation studies 32-41 1.2.2. The ‘how’: medium-specific codes and the potential of television series 41-48 2. The Sherlock Holmes stories by Arthur Conan Doyle 2.1. The (integrational) functions of an eccentric genius 2.1.1. The birth and background of the Sherlock Holmes paradigm 49-53 2.1.2. A genius put to use: Holmes’s profession and its attraction for society 53-69 2.1.3. Decadence, domestic life and mental state of a singular and other-worldly (?) genius 69-78 2.2.
  • THE MAD GENIUS: a RETROSPECT to John Barrymore

    THE MAD GENIUS: a RETROSPECT to John Barrymore

    Warners’ Edward G. Robinson, will now go THE MAD GENIUS: A RETROSPECT to John Barrymore. No reason is given for the switch, but surely Warners, delighted by By Greg Mank Svengali, wants a follow-up similar in style and scope. For 1931 moviegoers, beholding At Last! Barrymore on the screen is akin to 2010 audi- The Great John BARRYMORE ences watching a rock star—a crazy, unbridled At His Zenith! talent, shooting off sparks of what Greta Garbo –Warner Bros. Publicity for later hailed as the man’s “divine madness.” The Mad Genius, 1931 Barrymore himself had discussed film- ing Hamlet for Warner Bros., but The Genius Monday, March 9, 1931. impressed the studio as the perfect vehicle Bella Vista is an estate, almost fairy- to follow Svengali—fresh enough to avoid tale in its extravagance, nestled on a seeming a carbon copy, and melodramatic mountain in Beverly Hills. In the pre-dawn enough to allow the star to explode in his darkness, the virtual castle, with a tower, frenetic fashion. pools, and aviary, glistens under a waning While Svengali traced back to George Du full moon. The entranceway gate bears a Maurier’s venerable 1894 novel Trilby, many coat of arms, personally designed by Bella stage productions, and at least three film Vista’s master and revealing his repellent versions, The Genius has no such pedigree. Marian Marsh as Trilby and John Barrymore as the title character in Svengali self-image: a serpent wearing a crown. (1931). Warner Bros.’ high hopes for this film’s popularity inspired production It’s based on a Broadway-bound play by As the master arises, he probably doesn’t of The Mad Genius.
  • Max Ward Collection of Powerviolence Material, 1990S-Early 2000S LSC.2345

    Max Ward Collection of Powerviolence Material, 1990S-Early 2000S LSC.2345

    http://oac.cdlib.org/findaid/ark:/13030/c81n86bc No online items Finding Aid for the Max Ward Collection of Powerviolence Material, 1990s-early 2000s LSC.2345 Finding aid prepared by Kuhelika Ghosh, 2017 UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 16 January 2018. Finding Aid for the Max Ward LSC.2345 1 Collection of Powerviolence Material, 1990s-early 2000s ... Title: Max Ward Collection of Powerviolence material Identifier/Call Number: LSC.2345 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 5.6 linear feet(10 boxes, 2 flat oversize boxes) Date (inclusive): 1990s-early 2000s Abstract: The collection documents the emergence of the Powerviolence music scene, a little known subgenre of hardcore punk, which was primarily active in the 1990s through the early 2000s. Materials consists of original fliers, posters, handbills, correspondence, photographs, stickers, zines, and patches collected by San Francisco Bay Area drummer, Max Ward. Language of Materials: Materials are primarily in English with a small amount in Japanese. Physical Location: Stored off-site at SRLF. All requests to access special collections material must be made in advance using the request button located on this page. Creator: Ward, Max Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UCLA Library Special Collections.
  • A Tribute to Michael Curtiz 1973

    A Tribute to Michael Curtiz 1973

    Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
  • 1 Managing the Mad: Lunacy Provision and Social Control In

    1 Managing the Mad: Lunacy Provision and Social Control In

    Managing the Mad: Lunacy Provision and Social Control in Kent, 1774–1874 Anne Elizabeth Goad Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy at Queen Mary University of London in September 2020 1 Statement of Originality I, Anne Elizabeth Goad, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also indicated below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of this thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Anne Goad 20 September 2020 2 Abstract This thesis examines lunacy provision in Kent between 1774 and 1874 from the perspective of the anti-psychiatrists of the 1960s and 70s. It is a regional study that seeks to demonstrate the coercive bedrock of the discipline of psychiatry as evident from the treatment and care of the insane in previous centuries.
  • Кошмай Світлана Миколаївна, Вчитель Англійської Мови Черкаської ЗОШ № 7 Youth Subcultures

    Кошмай Світлана Миколаївна, Вчитель Англійської Мови Черкаської ЗОШ № 7 Youth Subcultures

    Кошмай Світлана Миколаївна, вчитель англійської мови Черкаської ЗОШ № 7 Youth Subcultures Мета: вдосконалювати навички читання, усного мовлення, аудіювання; розвивати мовну здогадку та мовленнєву реакцію учнів; поглибити знання учнів про молодіжні субкультури; вчити учнів виконувати завдання, працюючи в групі. Обладнання: малюнки, ноутбук, мультимедійний проектор, демонстраційний матеріал, роздавальний матеріал. Procedure I. Introduction Greeting Prediction of the theme of the lesson (show some pictures (slides) of the representatives of different youth subcultures (Goth , punks ,scouts , hackers, emo kids, rockers, ravers, bikers, hippies, environmentalists , volunteers) and ask the students to guess the theme of the lesson. Warming – up. T.: Read the saying, think and comment/ explain it. Don't laugh at a youth for his affectations; he is only trying on one face after another to find a face of his own. ~ Logan Pearsall Smith T.: What’s a subculture? A subculture is a group with a distinct style and identity. Different subcultures have their own beliefs, value systems, fashion, and favourite music. II. Main part of the lesson Work in groups (1. Form the groups. 1 Кошмай Світлана Миколаївна, вчитель англійської мови Черкаської ЗОШ № 7 e.g. Propose your students to turn a card with a symbol of one of the subcultures. The students with the same picture in the card form a group.) (2. The students are given the texts and the tables A and B. The task is to read the text and to represent a portrait of a typical hippie (Goth, punk, emo kid, skinhead). The students also choose a person who will speak on behalf of the group.) Developing of the reading skills.