Paranoize Zine

Total Page:16

File Type:pdf, Size:1020Kb

Paranoize Zine Paranoize is a non-profit independent 4-5-19 publication based in New Orleans, I’ve been publishing ‘zines for 30 years Louisiana covering metal, punk, hardcore, now! Before Paranoize, there was sludge, doom, stoner rock and pretty Thrashcore! My friend Weldon (who did a much anything loud and noisy. ‘zine in San Antonio, TX called Frontline) inspired me to do a ‘zine, when I was Bands/labels are encouraged to send their telling him that it sucked that there were no music in to review, but if we don’t like it, ‘zines around New Orleans anymore, and you can bet that we’ll make fun of you. he said “well start one!”. So my friend Brian and I, teenagers with NO clue of what the Advertisements and donations are what hell we were doing, wrote to a ton of bands keep this publication FREE. Go to www.paranoizenola.com or email an sent interview questions along with our [email protected] to find out correspondence, typed up the replies, laid it how to donate or advertise. out and ran off 100 copies of our ‘zine that we decided to call Thrashcore (because to a You may send all comments, questions, 16 year old in 1989, that sounded letters, music for review (vinyl, cassette, AWESOME) and sold them at a Cro-Mags/ cd), ‘zines for trade, money, various Destruction/Aftershock/Mad Dog show in household items, etc. to: May of 1989. We put out 3 more issues over Paranoize the years before I went out on my own with P.O. Box 2334 Paranoize in 1991. You can read all 4 issues Marrero, LA 70073-2334 of Thrashcore and EVERY issue of USA Paranoize online at www.paranoizenola.com Visit Paranoize on the internet at: www.paranoizenola.com One of the bands in that first issue of (order print issues, read .pdf files of back Thrashcore was Incubus who are now issues, listen to mp3s of 80’s/90’s New Orleans metal/punk/hardcore bands) Opprobrium and have just released a new paranoizenola.bandcamp.com album!. (compilations and records that I’ve put out) Also in this issue: www.facebook.com/paranoizenola Crossed have been kicking around NOLA (self explanatory) fora couple of years and have just released a www.metaldevastationradio.com new, self titled cassette. (Paranoize Radio. Thursday nights. 6 PM ​ CST) ​ Shitstormtrooper were originally from Baton Rouge, LA, now residing in Houston TX Paranoize 46 credits: Bobby Bergeron- reviews, interviews, And of course, there’s a tribute to cover photo (Crossed), layout, Thrashcore ‘Zine, including my memories everything.. and notes on each issue. That’s all for now. Thanks for your support! -Bobby NEW ORLEANS SCENE REPORT Here is a short list of bands/venues/etc. in Fuck Trump the New Orleans area. This is in no way (punk/hc/grind) representative of the entire NOLA fucktrumpband.bandcamp.com metal/punk/hc scene, but hopefully will help point you in the right direction. Gristnam (grind/hardcore/sludge) Abysmal Lord gristnam.bandcamp.com (black metal) abysmal-lord.bandcamp.com Mehenet (black metal) A Hanging mehenet.bandcamp.com (thrash/hardcore/crossover) ahanging504.bandcamp.com Morbid Torment (thrash!) AR-15 morbidtorment1.bandcamp.com (thrash/hardcore) ar-15.bandcamp.com/ Mule Skinner (grindcore) Cauche Mar themuleskinner.bandcamp.com (metal/punk/classical/latin/etc.) cauchemarnola.bandcamp.com The NoShows (ska/punk) Cikada thenoshows.bandcamp.com (sludge/doom) cikadadoom.bandcamp.com Nuktria (thrash!) Classhole nuktria.bandcamp.com (punk/hardcore) classhole.bandcamp.com Orifist (death metal) Crossed orifist.bandcamp.com metal/hardcore crossed504.bandcamp.com The Pallbearers (punk) Eat The Witch thepallbearers.bandcamp.com (sludge/doom/instrumental) eatthewitch.bandcamp.com Raise The Death Toll (death metal/deathcore) raisethedeathtoll.bandcamp.com Ekumen (punk/hardcore) Romasa ekumen.bandcamp.com (post-sludge) romasa.bandcamp.com Fat Stupid Ugly People (hardcore/powerviolence) Something’s Burning fatstupiduglypeople.bandcamp.com (sludge/hardcore/metal) somethingsburning.bandcamp.com NEW ORLEANS SCENE REPORT Sounding Gasa Gasa (grind/metalcore/noise) 4920 Freret St. New Orleans facebook.com/soundingband Checkpoint Charlie Space Cadaver 501 Esplanade Ave. New Orleans (sludge/doom/crust) spacecadaver.bandcamp.com Twist Of Lime 2820 Lime St. Metairie The Void (death metal) Babylon facebook.com/thegreatvoidneworleans 2917 Harvard Ave. Metairie Tomb Of Nick Cage RECORD STORES:: (horror punk) Skullyz thetombofnickcage.com 907 Bourbon St. New Orleans Torture Garden Euclid (punk/hardcore) 3301 Chartres St. New Orleans torturegarden504.bandcamp.com Sisters In Christ Totally Possessed 5206 Magazine St. New Orleans (thrash/hardcore/crossover) totallypossessed.bandcamp.com The Mushroom 1037 Broadway St. New Orleans Witch Burial (black metal) witchburial.bandcamp.com For info on upcoming shows go to www.noladiy.org VENUES: Santos 1135 Decatur St. New Orleans Poor Boy’s 1328 St. Bernard Ave. New Orleans Circle Bar 1032 St. Charles Ave. New Orleans Banks Street Bar 4401 Banks St. New Orleans Hi-Ho Lounge 2239 St. Claude Ave. New Orleans You guys have somehow been labeled a "Christian" band. Is that what you're going for, or is it just something that's been overblown due to a few lyrics here and there? Back when these guys were called Francis: We just do what feels right. Incubus, I interviewed them for the We follow what we want to write first issue of Thrashcore! They are about. We write lyrics that feels right now called Opprobrium and have just for the band. As many already know, released their 5th album, The Fallen we sometimes write about some Entities on High Roller Records!. Biblical events in some of our lyrics Here is an interview with both Francis but also other topics like A.I., and Moyses Howard! economy, corruption, war, etc. We like the artistic freedom that metal music brings. We like to keep a variety in Give a little history on the band from terms of topics when it comes to our the beginning till now from your lyrics. point of view. (This can be as long or short as you'd like.) How would you compare this new Moyses: As many people know, the ​ album to your earlier material? band was formed in Metairie / Kenner, Francis: It's better then anything that Louisiana in February of 1986 and then we did before, in my opinion. The more in 1999 we changed the band name to I listen to the album the more I want to Opprobrium, right before the release of listen to it more and more. I am 100% our third album 'Discerning Forces' for happy with “The Fallen Entities” from Nuclear Blast Records in 2000 the album cover to the songs, to the recording. Everything is just perfect. Moyses: I think it's a more mature Your new album, "The Fallen approach, yes, it has all the brutal vibes Entities" was just released on High from our earlier material, but I think Roller Records. Again it was just you that we wanted to challenge ourselves two recording it. Any plans to add a musically. 'The Fallen Entities' picks up bass player? where 'Beyond The Unknown' left off. Francis: As far as for studio recording, 'TFE' came out to be an epic album as we still do not know if we will add a we pushed our song writing to a new bass player. The reason is that Moyses level never before seen in this band, and I became accustomed in doing the Francis came out with awesome riffs, it recording ourselves. But who knows was one of the most ambitious album things could change in the future. But that we ever did, it really drained us to for live show, yes. the max from writing to recording, but at the end of the day, we feel very happy with the final product. the name OPPROBRIUM for 20 yrs You were the first band that I now. Concerning social media, it does interviewed in the first issue of my help. But as with everything, there is a first 'zine, Thrashcore 30 years ago!. positive side and a negative side to it. If What are some of your memories of it was up to me, I wouldn't use social the old New Orleans scene in your media, but nowadays is necessary. I demo days? just prefer to focus on our songs like in Francis: What an honor. That's cool to the old days before there was social know! Thank you very much. media or the internet. Concerning the NOLA scene. There is a great metal audience in New Orleans and since the 1980's, the metal scene has grown a lot and it's still growing. Nowadays we have people from all ages enjoying the music. It's a great What have you been listening to time to be alive. The NOLA scene lately? support the bands 100%. Francis: I listen to anything that sounds good, from rock, to movie sound Your first shows were at the tracks, instrumental rock, etc. If it Franklin Street VFW Hall with punk sounds good I'll listen to it. and hardcore bands. How was the Moyses: I listen to whatever sounds response to a death/thrash band by good to me, it can be a movie the punk/hardcore scene? soundtrack, a pop radio song, jazz, Francis: Well, in the beginning they anything that catches my attention. thought that we were strange when it came to the style of music that we did, Any final comments? but later they began to dig the music Moyses: Opprobrium would like to and enjoy our songs. The hardcore fans thank you Bobby and Paranoize 'Zine were very supportive back then when it for having us here in your great zine.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Grindcore.Pdf
    Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22
    [Show full text]
  • Door Prizes Raffles Guns 50:50 and More Fun!
    VOL. 63 February 2014 Number 2 “A lot of good fun & a lot of Door Prizes good food!” Raffles Guns 50:50 And more Fun! ~ General Meeting~ February 19th~ ~ Work Bee ~ February 23rd~ PRESIDENT’S COLUMN Hello everyone, MULTI-LAKER DEADLINE Deadline for articles in the March 2014 Multi-Laker Magazine January----Cold outside----ice fishing! is Wednesday, February 19th, 2014. 10 degrees out there --- GREAT!! NOTE: All copy must be electronically submitted and approved by the Editor. Today is the day that was picked for the kids THE MULTI-LAKER fishing derby. What a day it turned out to be. I (USPS) 350-060 awoke and started the Published Monthly by the coffee at 5 a.m. and then Multi-Lakes Conservation Association Office Fax – (248) 363-8092 packed up my fishing stuff Club Manager – Barry Anderson and headed for the club. Office Manager – Terry Martin When I got there at 8a.m., CLUBHOUSE – (248) 363-9109 I discovered several Skeet, Trap & Sporting Clays Building – (248) 363-8811 Indoor Range House – (248) 360-3965 dedicated souls were already Member Michigan United Conservation Clubs there. One had been in the Michigan Coalition for Responsible Gun Owners “Tent” all night. Proving Periodicals Postage Paid at Walled Lake, MI 48390 that there are still some hardy Multi-Lakers. www.multilakes.com Subscription Rates: Now since my great nephews were on their way Members - $12.00 of the members Annual Dues is paid as a year’s subscription to The Multi-Laker to the extravaganza the wait was horrible - I Non-members - $15.00 per year payable in advance.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
    PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1.
    [Show full text]
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
    [Show full text]
  • Experiences of Millennials' Usage of the Cassette Tape As Music Media
    Play, Rewind, Play Again: Experiences of Millennials’ Usage of the Cassette Tape as Music Media Waleed Rashidi California State University, Fullerton This paper was presented at the 2018 International Summit of the Music & Entertainment Industry Educators Association March 22-24, 2018 https://doi.org/10.25101/18.23 This project was funded by a MEIEA research grant. Abstract Cassette tape purchases in the United States increased Introduction 35% from 2016 to 2017, with 174,000 units sold in 2017 In 2014, Hollywood Records released one of the most (Caulfield 2018). New titles from contemporary artists and popular cassette-based soundtrack albums within the past reissues of classic albums are currently being released on decade. The tape was a soundtrack for Guardians of the cassette, with teens and young adults as some of the recent Galaxy, a film which grossed approximately $773 million users of the analog technology. worldwide (Box Office Mojo, n.d.). Dubbed Awesome Mix This exploratory qualitative study’s purpose is to de- Vol. 1, the compilation included classic tracks by popular scribe and categorize the experiences of millennials’ recent artists of the 1970s and 1980s, including the Jackson 5, Da- purchases and playing of cassette tapes via a presentation vid Bowie, The Raspberries, The Runaways, and Marvin of themes derived from multiple in-depth interviews. The Gaye. Another cassette compilation from the film, Cosmic study offers insight on how some millennials purchase cas- Mix Vol. 1, was released less than a year later with music settes, where and how they play their cassettes, and the at- from artists of similar eras.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Masonic Journal Page 22
    THE WISCONSIN SUMMER 2021 See revised Districts on Masonic Journal page 22 . Wisconsin Masonic Calendar July 2021 30 Ozaukee Lodge No. 17, Annual Table Lodge and Fish Boil, appe- tizers 5:30 p.m., dinner at 6 p.m. $25 per person. Also serving baked 4 4th of July Pancake Breakfast hosted by Chetek Lodge No. 277, chicken. Open to all: EAs-MMs. Past Grand Master Kenneth C. Gor- 216 Morrison St. All you can eat pancakes & french toast with real gen will be the guest speaker. Reservations with remittance to: Nick maple syrup, plus sausage links, milk, juice & coffee. 7 a.m. to 11 a.m. Abt at [email protected] no later than Aug. 23. Over 12 years old $8, 3 to 12 $4, under 3 Free. All proceeds funding the Lodge’s Benevolent Activities. Bring your family, friends and ap- September 2021 petites. Afterwards join us in downtown Chetek starting at noon for the Liberty Fest Parade. Carry outs available . 25 Dousman Lodge No. 315, Annual Charity Trap Shoot. 9 a.m. to 5 p.m. at the Fin ’N’ Feather Sportsman’s Club, N2765 Hardscrabble 10 District 6 is hosting a Masonic Night at the Ballpark, featuring the Rd., Palmyra. For any questions or to purchase raffle tickets contact Wisconsin Rapids Rafters vs. Green Bay Booyah. Direct questions to: Brothers Terry Brown, 414-429-5981 or Butch Roehl at 262-894-7137. [email protected] or 715-712-4001. See page 12. 12 Lake Country Freemasons Lodge No. 42, 18th Annual "Pay It October 2021 Forward" Golf Outing at The Legend at Brandybrook in Wales.
    [Show full text]
  • GOREGRIND​​: Música Extrema E Política ​​Underground1 Evelyn
    GOREGRIND: música extrema e política underground1 ​ ​ Evelyn Christine da Silva Matos2 Resumo Este estudo relata pontos centrais que definem o gênero musical goregrind. A ​ ​ análise visa delinear o estilo, atentando a nuances e pertinências deste na vida social urbana. Utiliza-se dos conceitos “subcultura” e “cultura juvenil” nas reflexões, além de atender à legitimação baseada em compreensões simbólicas e sensoriais para formação de grupos; e situa o paradigma da hegemonia através da tradição e da normalização dos formatos sociais a fim de aproximar estilos que o subvertem. O artigo contribui com a apresentação do underground por meio de um dos estilos que o corresponde e encaminha à concepção parceira entre estilos subversivos da modernidade e pós-modernidade. Palavras-chave: música extrema; underground; cena. Abstract This study reports central points that define the musical genre goregrind. The analysis aims to delineate the style, considering the nuances and pertinences of this in urban social life. The concepts "subculture" and "youth culture" are used in the reflections, in addition to attending the legitimation based on symbolic and sensorial understandings for group formation; and situates the paradigm of hegemony through tradition and the normalization of social formats in order to approximate styles that subvert it. The article contributes to the presentation of the underground through one of the styles that corresponds to it and leads to the conception of the subversive styles of modernity and postmodernity. Key-words: extreme music; underground; scene. 1 Artigo submetido à 31ª Reunião Brasileira de Antropologia, realizada entre os dias 09 e 12 de dezembro de 2018, Brasília/DF.
    [Show full text]
  • Metaldata: Heavy Metal Scholarship in the Music Department and The
    Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s .
    [Show full text]
  • Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
    PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4.
    [Show full text]