DOCSLIB.ORG

Film Calendar June 8 - August 9, 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film Calendar June 8 - August 9, 2018 FILM CALENDAR JUNE 8 - AUGUST 9, 2018 DAMSEL, starring Robert Pattinson & Mia Wasikowska Opening June 29 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 AMERICAN CINEPOCALYPSE ROBIN WILLIAMS FREE LOONEY TUNES STEPHEN KING ANIMALS GENRE FILM FESTIVAL SERIES ON 35MM FEST OPENS JUNE 8 JUNE 21-28 TUESDAYS IN JULY JULY 14 & 15 JULY 27 & 28 Welcome TO THE MUSIC BOX THEATRE! bartonperreira.com bartonperreira.com exclusively available at Custom Eyes exclusively available at Custom Eyes FEATURE FILMS 5 AMERICAN ANIMALS OPENS JUNE 8 6 COLD WATER OPENS JUNE 8 6 MOUNTAIN OPENS JUNE 15 8 DAMSEL OPENS JUNE 29 10 THREE IDENTICAL STRANGERS OPENS JULY 6 10 WESTWOOD: PUNK, ICON, ACTIVIST OPENS JULY 13 12 THE KING OPENS JULY 20 12 MAQUIA OPENS JULY 27 14 THE CAPTAIN OPENS AUGUST 3 16 COMMENTARY SERIES 22 CLASSIC MATINEES 26 CHICAGO FILM SOCIETY 28 SILENT CINEMA 29 FROM STAGE TO SCREEN 35393539 N. N. SOUTHPORT SOUTHPORT AVE.AVE. CHICAGO, ILIL 6065760657 | 773.871.2773 871 2020020 30 MIDNIGHTS www.customeyes2www.customeyes2020.com020.com SINCE 2003 SPECIAL EVENTS 5 MUSIC BOX MOVIES AT GALLAGHER WAY MAY 16-SEPTEMBER 19 7 CINEPOCALYPSE JUNE 21-28 8 JUNUN JULY 5 9 TUESDAYS WITH ROBIN WILLIAMS TUESDAYS IN JULY 11 LOONEY TUNES ON 35MM JULY 14 & 15 11 SUMMER ON SOUTHPORT JULY 14 & 15 13 STEPHEN KING FILM FESTIVAL JULY 27 & 28 14 48 HOUR FILM FESTIVAL JULY 29-AUGUST 2 Brian Andreotti, Director of Programming VOLUME 36 ISSUE 150 Ryan Oestreich, General Manager Copyright 2018 Southport Music Box Corp. MusicBoxTheatre.com Buck LePard, Senior Operations Manager Stephanie Berlin, Public Relations Manager Published by Newcity Custom Publishing Newcitynetwork.com Claire Alden, Group Sales and Membership Manager For information, email [email protected] Julian Antos, Technical Director and Assistant Programmer or call 312.243.8786 Kyle Westphal, Programming Associate Cover Image from the film DAMSEL, opening June 29 Rebecca Lyon, Assistant Technical Director at Music Box Theatre. See page 8 for more information. Music Box Theatre 3733 North Southport musicboxtheatre.com 773-871-6604 showtimes 773-871-6607 office 3 FEATURES AND SPECIAL EVENTS MAY 16 - SEPTEMBER 19 SPECIAL EVENT MUSIC BOX THEATRE MOVIES AT GALLAGHER WAY Every Other Wednesday, May 16 - September 19 at 7:30pm Gather your friends and family and come enjoy Gallagher Way’s free summer movie series brought to you by Chicago’s premier venue for independent and classic films, the Music Box Theatre. Running every other Wednesday through September, join us as we screen classic films including GREASE, RAIDERS OF THE LOST ARK, HOME ALONE, TWISTER and more. All screenings take place at Gallagher Way, located at 3637 N Clark Street, Chicago. Visit GallagherWay.com for more information and events. There is no cost for Music Box Theatre Movies at the Gallagher Way, join us for free. OPENS JUNE 8 FEATURE FILM READ RAY PRIDE’S COMMENTARY ON PAGE 16 AMERICAN ANIMALS A riveting college-boy crime “caper that tiggers along on pure movie-movie adrenalin, DIRECTED BY: Bart Layton before U-turning into a sober- STARRING: Evan Peters, Barry Keoghan, Blake Jenner, Ann Dowd ing reflection on young male 116 mins, DCP privilege and entitlement.” –Variety The unbelievable but entirely true story of four young men who attempt to execute one of the most audacious art heists in U.S. history. When Spencer and Warren, two friends from the middle-class suburbs of Kentucky, leave for college, the realities of adult life begin to dawn on them. Determined to live lives that are out BUY YOUR COPY TODAY AT THE MUSIC BOX THEATRE of the ordinary, they plan the brazen theft of some of the world’s most valuable books from the special collections room of the college library. Enlisting two more friends, accounting major Eric and fitness fanatic Chas, and taking their cues from heist movies, the gang meticulously plots the theft. Unfolding from multiple perspectives, and innovatively incorporating the real-life figures at the heart of the story, writer-director Bart Layton (THE IMPOSTER) takes the heist movie into bold new territory. @musicboxfi lms musicboxfi lms.com Features and Special Events 5 FEATURES AND SPECIAL EVENTS OPENS JUNE 8 FEATURE FILM COLD WATER New 4K Restoration READ PAT MCGAVIN’S COMMENTARY ON PAGE 18 DIRECTED BY: Olivier Assayas STARRING: Cyprien Fouquet, Virginie Ledoyen 1994, 92 mins, DCP, In French with English subtitles An acclaimed early work by Olivier Assayas that has long remained unavailable, the deeply felt coming-of-age drama COLD WATER at long last makes its way to U.S. theaters. Drawing from his own youthful experiences, Assayas revisits the outskirts of Paris in the early 1970s, telling the story of teenage lovers Gilles and Christine, whose open rebellion against family and society threatens to tear them apart, as Christine is sent to an institution by her parents and Gilles faces an uncertain future after running into trouble at school. With a rock soundtrack that vividly evokes the period, and provides the backdrop for one of the most memorable party sequences ever committed to film, COLD WATER is a heartbreaking immersion into the emotional tumult of adolescence. OPENS JUNE 15 FEATURE FILM MOUNTAIN ««««. A sublime rush of “ adrenaline and orchestral beauty.” –The Guardian DIRECTED BY: Jennifer Peedom 74 mins, DCP A ravishing feat of “vertiginous filmmaking.” Only three centuries ago, setting out to climb a mountain would –The Hollywood Reporter have been considered close to lunacy. Mountains were places of peril, not beauty, an upper world to be shunned, not sought out. Why do mountains now hold us spellbound, drawing us into their dominion, often at the cost of our lives? From Tibet to Australia, Alaska to Norway armed with drones, Go-Pros and helicopters, director Jennifer Peedom has fashioned an astonishing symphony of mountaineers, ice climbers, free soloists, heliskiers, snowboarders, wingsuiters and parachuting mountain bikers. Willem Dafoe provides a narration sampled from British mountaineer Robert Macfarlane’s acclaimed memoir Mountains of the Mind, and a classical score from the Australian Chamber Orchestra accompanies this majestic cinematic experience. 6 Music Box Theatre June-August 2018 Features and Special Events 7 FEATURES AND SPECIAL EVENTS OPENS JUNE 29 FEATURE SPECIAL FILM EVENT TUESDAYS WITH ROBIN Every Tuesday in July at 7pm This July, the Music Box celebrates the work of the incomparable Robin Williams, with weekly screenings of films starring the Oscar-winning actor and comedian. Included in the series: The animated Disney classic ALADDIN; a 25th Anniversary presentation of the family blockbuster MRS. DOUBTFIRE; Terry Gilliam’s magical New York fantasy THE FISHER KING; Bobcat Goldthwait’s pitch-black comedy WORLD’S GREATEST DAMSEL Delightful…Mia Wasikowska “can do no wrong.” DAD; and the action-adventure based on the beloved children’s book JUMANJI. DIRECTED BY: David Zellner and Nathan Zellner –New York Magazine STARRING: Robert Pattinson, Mia Wasikowska, David Zellner, Nathan Zellner Beautiful and 25th 113 mins, DCP “unpredictable.” –The Guardian Samuel Alabaster (Robert Pattinson), an affluent pioneer, ventures Anniversary! across the American Frontier to marry the love of his life, Penelope (Mia Wasikowska). As Samuel traverses the Wild West with a drunkard named Parson Henry (David Zellner) and a miniature horse called Butterscotch, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. A loving reinvention of the western genre from the Zellner brothers (KUMIKO THE TREASURE HUNTER), DAMSEL showcases their trademark unpredictability, off-kilter sense of humor, and unique brand of humanism. July 3 ALADDIN JULY 5 SPECIAL (Ron Clements and John Musker, 1992, 90 mins, DCP) EVENT July 10 MRS. DOUBTFIRE (Chris Columbus, 1993, 125 mins, DCP) Preceded JUNUN by Radiohead’s DAYDREAMING July 17 Thursday, July 5 at 9:30pm on 35MM THE FISHER KING (Terry Gilliam, 1991, 137 mins, DCP) DIRECTED BY: Paul Thomas Anderson STARRING: Shye Ben Tzur, Jonny Greenwood, The Rajasthan Express (2015, 54 mins, DCP) Spring 2015, the Maharaja of Jodhpur, India hosts Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, Paul Thomas Anderson and a dozen Indian musicians. The team assembles a makeshift studio at the Maharaja’s Fort, and over the following three weeks create the joyous collaboration that becomes the music and film of JUNUN (madness of love). Junun is a cross-cultural, cross religious meeting point between the mystical Islam of Sufi, Qawwali, and Rajasthani Gypsy musicians interwoven with devotional poetries in Urdu, Hebrew, and Hindi. Composed by Shye Ben Tzur, an Israeli musician and July 24 poet who lived for 15 years in India, the music was crafted and shaped by the influences of Jonny July 31 Greenwood and Nigel Godrich, and captured on film by Paul Thomas Anderson. The results deliver WORLD’S the close camaraderie of artistic collaboration and a sonic, visual and sensory experience that will JUMANJI GREATEST DAD intrigue and capture your imagination. (Joe Johnston, 1995, 104 mins, DCP) (Bobcat Goldthwait, 2009, 97 mins, 35mm) 8 Music Box Theatre June-August 2018 Features and Special Events 9 FEATURES AND SPECIAL EVENTS OPENS JULY 6 FEATURE JULY 14 & 15 SPECIAL FILM EVENT Winner - Special Jury Award - Sundance Film Festival THREE IDENTICAL STRANGERS A documentary that A READ STEVE PROKOPY’S plays like a nerve- COMMENTARY ON PAGE 20 “ SUMMER ON DIRECTED BY: Tim Wardle jangling thriller.” –The Wrap SOUTHPORT 96 mins, DCP SPECIAL! Tim Wardle’s acclaimed documentary THREE IDENTICAL STRANGERS LOONEY TUNES ON 35MM! is the most amazing, incredible, remarkable true story ever told. Three strangers are reunited by astonishing coincidence after being born identical triplets, separated at birth, and adopted by To coincide with the annual Summer on Southport street festival, we’re presenting a series of Warner three different families.
Load more

Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • In Teaching and Learning JOURNAL
    CurrentsACADEMIC In Teaching and Learning JOURNAL VOLUME 11 NUMBER 2 FEBRUARY 2020 CURRENTS | FEBRUARY 2020 About Us Currents in Teaching and Learning is a peer-reviewed electronic journal that fosters exchanges among reflective teacher-scholars across the disciplines. Published twice a year, Currents seeks to improve teaching and learning in higher education with short reports on classroom practices as well as longer research, theoretical, or conceptual articles and explorations of issues and challenges facing teachers today. Non-specialist and jargon-free, Currents is addressed to both faculty and graduate students in higher education, teaching in all academic disciplines. Subscriptions If you wish to be notified when each new issue of Currents becomes available online and to receive our Calls for Submissions and other announcements, please join our Currents Subscribers’ Listserv. Subscribe Here Table of Contents EDITORIAL TEACHING REPORTS “Globalizing Learning” 4 “ Reimagining Epistemologies: Librarian- 16 —Martin Fromm Faculty Collaboration to Integrate Critical Information Literacy into Spanish Community-Based Learning” —Joanna Bartow and Pamela Mann PROGRAM REPORTS “ Encountering Freire: An International 7 “Bringing the Diary into the Classroom: 47 Partnership in Experiential Learning and Ongoing Diary, Journal, and Notebook Social Justice” Project” —Allyson Eamer and Anna Rodrigues —Angela Hooks “Transnational Exposure, Exchange, 32 and Reflection: Globalizing Writing Pedagogy” ESSAY —Denise Comer and Anannya Dasgupta “Engaging University Faculty in 94 Linguistically Responsive Instruction: Challenges and Opportunities” “Changing Our Minds: Blending 55 —Colleen Gallagher and Jennifer Haan Transnational, Integrative, and Service- Oriented Pedagogies in Pursuit of Transformative Education” —Nikki K. Rizzo and David W. Marlow BOOK REVIEWS David Damrosch’s How to Read World 108 “ Globalized Learning Through Service: 67 Literature Study Abroad and Service Learning” —Brandon W.
    [Show full text]
  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema.
    [Show full text]
  • Rey Lear Prensa Alves & C.ª.Qxd
    REINO DE CORDELIA La tercera novela de Philo Vance multiplica la intriga y los crímenes El caso de los asesinatos de los Greene UNA AVENTURA DE PHILO VANCE S. S. Van Dine 432 páginas IBIC: FFC Precio sin IVA: 19,18 € PVP: 19,95 € ISBN: 978-84-16968-56-5 N P @reinodecordelia M facebook.com/reinodecordelia www.reinodecordelia.es REINO DE CORDELIA El magnate Tobias Greene ha establecido en el testamento que sus herederos han de convivir en la mansión familiar durante veinticinco años. Si no lo hacen, serán automáticamente desheredados. Agobiados por el ambiente asfixiante que emponzoña la casa, un asesinato enrarecerá aún más la situación, por lo que el fiscal del distrito de Nueva York, John F.X. Markham, no duda en recurrir a su pedante y erudito amigo Philo Vance, para que le ayude a resolver un caso que se va complicando de manera mortal. La tercera novela de la serie de este detective mítico —para muchos una de las mejores—, mantiene en vilo al lector hasta las últimas páginas y, al igual que las anteriores, fue lle- vada al cine con William Powell como protagonista. En el año de su publicación, 1928, se convirtió en uno de los libros más vendidos en Estados Unidos.. El autor S. S. Van Dine (Charlottesville, Virginia, 1888 - Nueva York, 1939) es el pseudónimo utilizado por Willard Hun- tington Wright para escribir las novelas policíacas del detective Philo Vance, doce títulos que entre 1926 y 1939 revolucionaron la novela de misterio, con un enorme éxito internacional de público. La serie, adaptada a la radio y al cine, la protagoniza un adinerado excombatiente de la Primera Guerra Mundial, sofisticado coleccionista de arte, experto en jarrones chinos de la época Ming, dandy y cínico, que con la asistencia del propio Van Dine ayuda a resolver casos aparentemente imposibles a John F.
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
    Antoni Górny Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South Abstract: The so-called blaxploitation genre – a brand of 1970s film-making designed to engage young Black urban viewers – has become synonymous with channeling the political energy of Black Power into larger-than-life Black characters beating “the [White] Man” in real-life urban settings. In spite of their urban focus, however, blaxploitation films repeatedly referenced an idea of the South whose origins lie in antebellum abolitionist propaganda. Developed across the history of American film, this idea became entangled in the post-war era with the Civil Rights struggle by way of the “race problem” film, which identified the South as “racist country,” the privileged site of “racial” injustice as social pathology.1 Recently revived in the widely acclaimed works of Quentin Tarantino (Django Unchained) and Steve McQueen (12 Years a Slave), the two modes of depicting the South put forth in blaxploitation and the “race problem” film continue to hold sway to this day. Yet, while the latter remains indelibly linked, even in this revised perspective, to the abolitionist vision of emancipation as the result of a struggle between idealized, plaintive Blacks and pathological, racist Whites, blaxploitation’s troping of the South as the fulfillment of grotesque White “racial” fantasies offers a more powerful and transformative means of addressing America’s “race problem.” Keywords: blaxploitation, American film, race and racism, slavery, abolitionism The year 2013 was a momentous one for “racial” imagery in Hollywood films. Around the turn of the year, Quentin Tarantino released Django Unchained, a sardonic action- film fantasy about an African slave winning back freedom – and his wife – from the hands of White slave-owners in the antebellum Deep South.
    [Show full text]
  • Allah Elohim | Shye Ben Tzur, Jonny Greenwood and The
    15/11/2016 libri – PROGETTO MARTE | Cristina Bellon - ArcipelagoMilano Storia di Uomini e di Astronavi edizione italiana e prefazione a cura di Giovanni Bignami UNA INTRODUZIONE A C40 - IN Edizioni Dedalo, 2016 BICICLETTA IN CINQUE METROPOLI 2+1 Ideas Agency pag. 264, euro 17,50 C40 è una rete delle più importanti città del mondo impegnate nella sfida del cambiamento climatico. "Le città si Voglia di volare, voglia di esplorare. Anche se scambiano buone pratiche, il lander Schiaparelli si è schiantato su Marte informazioni e suggerimenti, si associano in piccole cordate per scrivere o, come dice scherzosamente Giovanni progetti e cercare nuovi finanziamenti. Si Bignami è stato abbattuto dai marziani, il aiutano a vicenda nei momenti di desiderio di scoprire Marte è diventato un empasse, condividono documenti e soluzioni efficaci". obiettivo realizzabile. Tanto che Obama, agli inizi di ottobre, ha dichiarato: “Gli Stati Uniti Leggi l'articolo di Stefania Amato invieranno uomini su Marte entro il decennio Milano un nodo al centro delle reti di che inizia nel 2030”. Somiglia molto città per la Food Policy sul numero di oggi all’annuncio che John Kennedy fece nel 1962: portare l’uomo sulla Luna entro dieci anni. Lui ci riuscì. ALLAH ELOHIM | SHYE BEN TZUR, JONNY GREENWOOD AND THE RAJASTHAN L’idea di mettere piede sul quarto pianeta del EXPRESS Sistema Solare e di andarci per davvero non è una novità. Alla fine degli anni Quaranta, lo scienziato tedesco Wernher von Braun – pioniere dei programmi spaziali tedeschi e americani – aveva ideato un viaggio umano di andata e ritorno su Marte con navi spaziali d’avanguardia.
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
    October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles ..
    [Show full text]
  • Network Review #37 Cannes 2021
    Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening
    [Show full text]
  • Modus Operandi Films and High Point Media Group Present
    Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten.
    [Show full text]
  • 4-15 Novembre 2016
    UN PROGETTO IN COLLABORAZIONE CON 1 FESTIVAL 320 ARTISTI 80 CONCERTI 25 EVENTI 1 CITTÀ 4-15 NOVEMBRE 2016 INFO BIGLIETTERIA SOCIAL www.jazzmi.it facebook: JAZZMIMILANO INFORMAZIONI [email protected] spotify: JAZZMI infoline 345 5170594 instagram: JAZZMIMILANO dalle 14 alle 18 dal lunedì al venerdi #myjazzmi2016 dalle 10 alle 20 nei giorni del festival INDIRIZZI TEATRO DELL’ARTE CONSERVATORIO DI MILANO BASE MILANO viale Alemagna 6 via Conservatorio 12 via Bergognone 34 T 02 72434258 TEATRO NAZIONALE SALUMERIA DELLA MUSICA BLUE NOTE MILANO via Giordano Rota 1 via Pasinetti 2 via Borsieri 37 T 02 69016888 SANTERIA SOCIAL CLUB ANGURERIA CHIARAVALLE viale Toscana 31 via San Bernardo 17 TEATRO DAL VERME via S. Giovanni sul Muro 2 CIRCOLO MAGNOLIA TEATRO MANZONI via Circ. Idroscalo 41, Segrate via Manzoni 42 CREDITI UN PROGETTO UFFICIO STAMPA IN COLLABORAZIONE CON Teatro dell’Arte Sara Mehrjoei L’Assessorato alla Cultura Ponderosa Music & Art Fabio Vergani del Comune di Milano IN COLLABORAZIONE CON Alessia Bianchi La Direzione e lo staff del Teatro dell’Arte Blue Note Milano (Casta Diva Group) e Triennale Milano DIREZIONE ARTISTICA Parole e Dintorni Lo staff di Blue Note Milano (Blue Note Milano) e Casta Diva Group Luciano Linzi Titti Santini SOCIAL & WEB Enrico Intra, Maurizio Franco, Stefano Fileti Sarah Volpi - Associazione Culturale RELAZIONI ESTERNE E PROGETTI ARTISTICI Musica Oggi e Civici Corsi di Jazz Monica Vanini PARTNER & SUPPORTER Lo staff della Civica Scuola di Musica DIREZIONE ORGANIZZATIVA Monica Vanini e Lorenzo Carni Claudio Abbado (Ponderosa Music & Art) Lorenzo Carni Lo staff del Touring Club Italiano Fulvio Rossi e Maurizio Gallo e i volontari di Aperti per Voi BOOKING (Casta Diva Group) Giuseppe Ponti Paolo Caiani DIREZIONE ARTISTICA BLUE NOTE GRAZIE Nick The Nightfly A tutti i partner coinvolti nella rete di PRODUZIONE questa prima edizione di JAZZMI.
    [Show full text]