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Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
Hat Lady on a Mission to Bring Back Lost Style a State-Of-The-Art Approach to Skin Tightening: Adelyne Imrie Didn’T Have to Attend Millinery for Special Events
IN GRAND STYLE Introducing Fibroblast Skin Tightening You – and Improved! Hat lady on a mission to bring back lost style A state-of-the-art approach to skin tightening: adelyne Imrie didn’t have to attend millinery for special events. The historian With age, the supportive networks of skin fibers become lax, causing looseness in the face and a royal wedding to learn that a hat and author of several books about fashion neck. Non-invasive fibroblast skin tightening uses plasma, an ionized gas, to tighten skin without can be a crowning glory. Lynn and hats is also the subject of a biography surgery or causing damage to surrounding tissues with results comparable to invasive surgery. Her mother was a milliner. Her Haddrall about her millinery passion. “The Hat Lady” Mfather made dresses. She grew up sur- was written by Patricia Boyle. rounded by style makers and appreciates Shephard’s travelling exhibition comes to Fibroblast skin tightening is able to treat a number of areas, including the following: sartorial flourish. life when hats are placed on models such • Forehead lines and frown lines • Upper and lower lip So when she learned the “hat lady” was the audience. as Clair Hills staff members Paula Parejo • Crow’s feet, upper and lower eyelids • Neck and jowls bringing her exhibition to Clair Hills Shephard explained the provenance and and Carine Brunet. The two young women • Nasolabial folds • Abdomen and navel Retirement Community in Waterloo, Imrie social context of each headpiece as it was brought a youthful perspective. donned a cheery chapeau to match her gently removed from its hatbox by her “I felt pretty glamorous wearing the hats dress. -
Russians Break Disarmament Ignoring
Distribution Pair ttftgr, tMfclt aai to- 14-050 la* tariffa abMt '«. 8M Today An Independent Newspaper Under Same Ownership wr Since 1878 B7 CARRIEE IfiueiJ Oilly. MoniJar through Friday, entered »» Secerns Clas» Mattel 7c PER COPY PAGE ONE VOLUME 82, NO. 226 at the Port omee at Red Bank. N. J.. uoder the Act of March 3. 1879. RED BANK, N. J., MONDAY, JUNE 27, 1960 S5o PER WEEK erger Russians Break Is Approved Disarmament RED BANK - The U. S. Comp- troller of the Currency has ap- proved the consolidation of the Atlantic Highlands National Bank Havana with the Monmouth County Na- ignoring New tional Bank. Announcement of the comp- Rocked troller's approval was made Fri- day by George L. Bielitz, Mon- Charge West Would Not mouth County National Bank president. By Blast Hope Dies The consolidation had previous- Negotiate; Satellites Agree ly received the approval of the CONFLICT OF TRANSPORT —That wind early Saturday was stiff. This was one re- boards of1 directors of each bank, Army Dampers and by the shareholders at a suit. William Shires, Allen St., Rumson, ha,c! parked at Sea Bright. A rental boat from For Early GENEVA (AP)—The Soviet Union and its satel- May 23 meeting. Chris's Landing sailed through the air right into the windshield of his car. In the back- ites abruptly broke up the deadlocked 10-nation dis- 1 The consolidated banks will op- Early Report ground is the home of Army Ippolito, Long Branch High School coach. Part of its armament conference today and announced they would erate under the name and char- Action put the whole matter back before the United Nations. -
G. W. Sutherland Wins Municipal By-Election
T he Kelow na Courier NUMIM-.k 13 K e lo w n a . Iliilish ( olninhia, 4'lims(Iay, Oclohcr 3<Stli, K)37 V O l u m p : 34 Prime Minister Tests Park Benches KELO W NA TAX RECEIPTS M rs. Isobel Stillin gfleet ESTABLISH N EW RECORD A w ard ed First H onours HISTORY OF CITY In Packing C om petition Canada’s Representative To Imperial Fruit Show Is 58 CANADIAN LEGION Leads A ll Municipalities in Provi nee Points Ahead Of Nearest Competitor— Okanagan Is Delighted With Success Of Kelowna Girl, Chosen OKANAGAN ZONE O f British Columbia From Group Of Twelve Valley Packers Flas Had Busy Time Since Landing In Old Country IS FORMED NOW Percentage Of 1937 Levy Collected To October 19tli Join North And South Zones Into KS. Isobel Stillingllect, Ciinada’s representative to the Imperial Reaches Unprecedented Figure Of 95.585—Over 76 One Group Embracing Okan Per Cent Of Arrears And Delinquent Taxes Paid M Fruit Show at Birmingham, England, which concludes today, agan And Similkamcen has received the British Empire packing competition award, accord ing to cabled advices to the B.C.F.G.A. yesterday afternoon. C O U R IE R EDITORIAL o r a number of years past the City of Kelowna has held a lead Picked from a group of twelve on a strictly competitive basis, PRAISED F ing and enviable position amongst the municipalities of British Mrs Stillingllcet was sent to England as a guest of the Canadian Columbia in regard to the percentage collected of the annual tax Government Fruit Trade Commissioner. -
Casablanca by Jay Carr the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Casablanca By Jay Carr The A List: The National Society of Film Critics’ 100 Essential Films, 2002 It’s still the same old story. Maybe more so. “Casablanca” was never a great film, never a profound film. It’s merely the most beloved movie of all time. In its fifty-year history, it has resisted the transmogrifica- tion of its rich, reverberant icons into camp. It’s not about the demimondaines washing through Rick’s Café Americain – at the edge of the world, at the edge of hope – in 1941. Ultimately, it’s not even about Bogey and Ingrid Bergman sacrificing love for nobility. It’s about the hold movies have on us. That’s what makes it so powerful, so enduring. It is film’s analogue to Noel Coward’s famous line about the amazing potency of cheap music. Like few films before or since, it sums up Hollywood’s genius for recasting archetypes in big, bold, universally accessible strokes, for turning myth into pop culture. Courtesy Library of Congress Motion Picture, Broadcast and Recorded It’s not deep, but it sinks roots into America’s Sound Division collective consciousness. As a love story, it’s flawed. We than a little let down by her genuflection to idealism. don’t feel a rush of uplift when trenchcoated Bogey, You feel passion is being subordinated to an abstraction. masking idealism with cynicism, lets Bergman, the love You want her to second-guess Rick and not go. of his life, fly off to Lisbon and wartime sanctuary with “Casablanca” leaves the heart feeling cheated. -
Make Your Own Hats
MAKE YOUR OWN HATS BY GENE ALLEN MARTIN DIRECTOR OF DOMESTIC ARTS DEPARTMENT OF THE MINNEAPOLIS Y.W.C.A.; DESIGNER, DEMONSTRATOR AND INSTRUCTOR IN MILLINERY ILLUSTRATED BY E. E. MARTIN BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge COPYRIGHT, 1921, BY GENE ALLEN MARTIN ALL RIGHTS RESERVED The Riverside Press CAMBRIDGE · MASSACHUSETTS PRINTED IN THE U.S.A. FOREWORD Hat-making is an art which may be acquired by any one possessing patience and ordinary ability. To make a hat for the trade is not as difficult as to make one for an individual; neither is it so high a phase of art. Many rules are given for crown-height, brim-width, and color, as being suited to different types of faces, but they are so often misleading that it seems best to consider only a few, since the becomingness of a hat almost invariably depends upon minor characteristics of the individual for which there are no rules. A girl or woman with auburn hair may wear grays—gray-green, cream color, salmon pink; a touch of henna with gold or orange; mulberry if the eyes are dark. The woman with dark hair and blue or dark eyes may wear any color if the skin is clear. One having dark hair and eyes and a sallow skin may find golden brown, a pale yellow or cream color becoming—possibly a mulberry if just the right depth. A hat with slightly drooping brim faced with some shade of rose will add color to the cheeks. No reds should be worn unless the skin is clear. -
Radio Mirror
, RADIO JlIVJD TELEVISION MIRROR NOVEMBER • 25c HSU Blondie—My Favorite Mother—page 40 Dagwood's House of Happiness—page 42 Come and visit ART LINK LET lE R YOUNG WIDDER BROWN n pictures A Lovelier Skin is yours with your First Cake of Camay! You're as lovely as your complexion! And your skin can grow in loveliness with your first cake of Camay. Do this! Give up careless cleansing— go on the Camay Mild-Soap Diet. Doctors tested Camay care on scores of women — found most complexions grew softer and smoother with just one cake of Camay! Follow the directions on the wrapper for a really lovelier skin! MEET MR. AND MRS. GAVERT! Paul proposed in a tiny New York restau- rant. No wonder! Christine's lovely com- plexion calls for love! "My very first cake of Camay led to a lovelier skin," says she. The Gaverts have lots of mutual interests be- sides music. And Paul takes a special in- terest in Christine's complexion. She'll stay on the Camay Mild-Soap Diet! MRS. PAUL A. GAVERT the former Chrittine Lindseth of Grand Rapids, Mich, bridal portrait painted by THE SOAP OF BEAUTIFUL WOMEN Heepcjour hmxk ei/etv'ng-soft all cku Ioiip'/a ~]his- fabulous lotion if double-beaatu mdPie here ... as well ^ as here. §f t tard-at-work and "on display, your all your lotion needs—a joy to use any Smoothed on your hands before doing •*- * hands lead a double life. So- -pamper time. Every fragrant, peach-colored drop dishes or light laundry, Trushay protects them with the double-beauty magic of is so rich, your hands feel softer and them even in hot, soapy water. -
Hollywood Films and Foreign Markets in the Studio Era: a Fresh Look at the Evidence
Centre for International Business History Discussion Paper Hollywood Films and Foreign Markets in the Studio Era: A Fresh Look at the Evidence December 2014 Peter Miskell Henley Business School, University of Reading Discussion Paper Number: IBH-2014-08 The aim of this discussion paper series is to disseminate new research of academic distinction. Papers are preliminary drafts, circulated to stimulate discussion and critical comment. Henley Business School is triple accredited and home to over 100 academic faculty who undertake research in a wide range of fields from ethics and finance to international business and marketing. www.henley.ac.uk/research/research- centres/the-centre-for-international-business- history © Miskell, December 2014 ii © Miskell, December 2014 Henley Discussion Paper Series Hollywood Films and Foreign Markets in the Studio Era: A Fresh Look at the Evidence Abstract The international appeal of Hollywood films through the twentieth century has been a subject of interest to economic and film historians alike. This paper employs some of the methods of the economic historian to evaluate key arguments within the film history literature explaining the global success of American films. Through careful analysis of both existing and newly constructed datasets, the paper examines the extent to which Hollywood’s foreign earnings were affected by: film production costs; the extent of global distribution networks, and also the international orientation of the films themselves. The paper finds that these factors influenced foreign earnings in quite distinct ways, and that their relative importance changed over time. The evidence presented here suggests a degree of interaction between the production and distribution arms of the major US film companies in their pursuit of foreign markets that would benefit from further archival-based investigation. -
Volume 38 Number 1 •Torical Society of Wisconsin
VOLUME 38 NUMBER 1 •TORICAL SOCIETY OF WISCONSIN Here is portrayed a lazy-hazy autumnal landscape, on the threshold of winter, drenched, no doubt, with the pungent odor of Indian summer's ivoodsmoke. This is one of thousands of glorious pastoral scenes well- known and well-loved in Wisconsin. The sea and the mountain states have their admirers, too, but if you were ON THE COVER: asked to choose the loveliest spot on earth, would you not reply: ^'Make mine Wisconsin"? This picture, taken by Richard Vesey, Madison, was given honorable mention in the Society's Photographic Competition, 1950. It is Simpson's Valley, northeast of Richland Center, in southwestern Wisconsin. The WISCONSIN MAGAZINE OF HISTORY is published by the State Historical Society of Wisconsin, 816 State Street, Madison 6, Wisconsin. Distributed to members as part of their dues (Annual Membership, $4.00; Contributing, $10; Business and Professional, $25: Life, $100; Sustaining, $100 or more annually). Yearly subscription, $4.00; single numbers, $1.00. As of July 1, 1954, introductory offer for NEW members only. Annual dues $1.00, Magazine subscription $3.00. Communications should be addressed to the editor. The Society does not assume responsibility for statements made by contributors. Entered as second-class matter at the post office at Madison, Wisconsin, under the act of August 24, 1912. Copyright 1954 by the State Historical Society of Wisconsin. Paid for in part by the Maria L. and Simeon Mills Editorial Fund and by the George B. Burrows Fund. PERMISSION—Wisconsin newspapers may reprint any article appearing in the Wisconsin Magazine of History provided the story carries the following credit line: Reprinted from the State Historical Society's Wisconsin Magazine of History for [insert the season and year which appears on the Magazine^. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
The Globalisation of Hollywood Entertainment, C.1921-1951
International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951 Article Accepted Version Miskell, P. (2016) International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951. Media History, 22 (2). pp. 174-200. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2016.1141044 Available at http://centaur.reading.ac.uk/44329/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688804.2016.1141044 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951 The international appeal of Hollywood films through the twentieth century has been a subject of interest to economic and film historians alike. This paper employs some of the methods of the economic historian to evaluate key arguments within the film history literature explaining the global success of American films. Through careful analysis of both existing and newly constructed datasets, the paper examines the extent to which Hollywood’s foreign earnings were affected by: film production costs; the extent of global distribution networks; and also the international orientation of the films themselves. -
Medienwissenschaft / Hamburg: Berichte Und Papiere
CORE Metadata, citation and similar papers at core.ac.uk Provided by Hochschulschriftenserver - Universität Frankfurt am Main Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Für Hinweise danke ich Christine Noll Brinckmann, Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz und Gerlinde Waz. I. Die Filme (A-Z) II. Die Regisseure (A-Z) III. Die Stars (A-Z) IV. Chronologie V. Bibliographie I. Die Filme A Adam‘s Rib (Ehekrieg); USA 1949, George Cukor, D: Spencer Tracy, Katharine Hepburn. The Affairs of Annabel; USA 1938, Ben Stoloff, D: Jack Oakie, Lucille Ball. After Office Hours (Nach Büroschluss, aka: Ein Paar wie Katz und Hund; aka: Zwei wie Katz und Hund); USA 1935, Robert Z. Leonard, D: Clark Gable, Constance Bennett. After the Thin Man (Nach dem dünnen Mann; aka: Dünner Mann, zweiter Fall); USA 1936, W.S. Van Dyke, D: William Powell, Myrna Loy. Amazing Adventure; USA 1937, Alfred Zeisler, D: Cary Grant, Mary Brian. The Amazing Mr. Williams; USA 1940, Alexander Hall, D: Melvyn Douglas, Joan Blondell. And Baby Makes Three (Zwei Männer und drei Babies); USA 1949, Henry Levin, D: Robert Young, Barbara Hale. Angel (Engel); USA 1937, Ernst Lubitsch, D: Marlene Dietrich, Herbert Marshall. Annabel Takes a Tour; USA 1938, Lew Landers, D: Jack Oakie, Lucille Ball. Another Thin Man (Noch ein dünner Mann; aka: Dünner Mann, dritter Fall); USA 1939, W.S. Van Dyke, D: William Powell, Myrna Loy. Arise My Love; USA 1940, Mitchell Leisen, D: Ray Milland, Claudette Colbert.