Issue 3 April 2006

Total Page:16

File Type:pdf, Size:1020Kb

Issue 3 April 2006 X Volume 6, Issue 3 April 2006 to suck. Or you don’t rock. We get that all the time. “Oh you guys were way better than I thought you were going to be”. Well, why ? Because we have breasts. I wanted to ask you about the name PANTYCHRIST. Where did that come from and what is the significance of the name ? Did it come in anyway from the band CONDO-CHRIST because there was a band from London called CONDO-CHRIST ? P: No. We didn’t even know that. D: CONDOM CHRIST ? No CONDO-CHRIST. P: This guy from another band had been watching us jam and we were tossing around names and we couldn’t come up with anything and he named us. We didn’t even know but there is another PANTY CHRIST. Some cross- dressing Japanese sampling guy who e-mailed us and said “Cool, use my name”. That’s okay. So that was cool. That is good. D: It’s because Izabelle looks really good in underwear. When we first started playing she PANTYCHRIST (FROM LEFT TO RIGHT): Amy with her back to us, Danyell on vocals, and Izabelle used to wear her underwear on stage. It was on guitar. Bob the Builder underwear. A couple of times in a row. You must have had those on for a PANTYCHRIST are a 4-piece punk band from while. No just joking (laughter). the steel capital of Canada. At the time of this What is the scene like in Hamilton ? From interview the band had released an 8-song our perspective it seems like a pretty thriving demo, a self-released ep, and were about to scene. There are a lot of bands coming out have a full length titled “Never Love Anything” and there is a lot of releases coming out. And released. That was May 15th 2005. Here is a we are announcing tons of shows from transcript of our interview on-air. Hamilton. Were any of you in any bands previous to P: It’s kind of rank with indie rock. There is a Introduce yourselves and tell us what you this ? lot of that. If you are a punk band there is not a do in the band ? D: I was. I was in a band called DIE HUMAN lot of bands to play with. Danyell (D): I’m Danyell and I sing, scream, DIE from Kitchener. Who do you get to play out with then ? whatever. P: And me and Amy used to be in a punk band P: In town ? As you can tell from the lack of voice. with a guy who used to be in the HAMMER Do you either have to put up with it or….? D: I do a little bit of everything. Write songs, BOIZ called THE BITTER EX’s. We played P: We are lucky enough where we get to open musically, lyrically… like two shows maybe. up a lot of shows. If we are going to do our Amy (A): My name is Amy and I play bass. What is the idea behind the band ? On the own show there is a lot of good all ages bands. Patty (P): My name is Patty and I play drums. website there are a bunch of positive NON-PASSIVE RESISTANCE. Have you Izabelle (I): My name is Izabelle and I play references for being an all girl band. Is that heard of them ? They are from Hamilton. They guitar. one of the objectives of the band ? are a great little band. How did the band form ? How long has the P: Yeah, for sure. We all were in other bands They are doing a Rock Against Racism band been together ? How did you meet each with guys and the opportunity to have a band benefit coming up. other ? with all women was a really cool thing. P: Yeah they are. That’s my friend Randy. Yo P: We were all at a show at the Underground in Is there a practised feminism to the band or Randy. I don’t know. Who else do we play Hamilton and we were in the bathroom. Me do you just want to rock or is it a bit of both? with? We are playing with the DICKIES and and Amy were in there together and we heard P: We try not to let people tell us who we need the VAPIDS in July. Danyell and Izabelle talking… to be. That’s feminism. We could dress how D: RIOT STAR before. D: And they heard us talking in the bathroom we want, do what we want, but we’re aware of P: Yeah. The SINISTERS. stall and they came out and said “Hey do you that kind of stuff just because it gets shoved Is RIOT STAR still together ? guys play ?” and we were like “Hey, yeah we down our throats everywhere we go. P: On again off again. Maybe. Who’s asking ? do”. They were like “Hey do you want to jam?” D: A little bit of hostility there. D: They should be. and ever since then we have been inseparable. P: Well it’s true. People judge you if you’re a P: They will be. How long ago was this ? chick band. They think a) you’ve either sucked What about places to play ? Is there a lot of P: Two years. cock to get where you are or b) you are going places to play ? The Corktown is sometimes EQUALIZINGEQUALIZING VOLUME 6, ISSUE 3 EQUALIZING-X-DISTORT MONTHLY is an extension of the weekly radio show heard on CIUT 89.5 FM every Sunday nights from 10:00pm ‘til midnight (Participants: Jonah Falco, Stew Ogilvie, Stephe Perry, and Mark Rodenhizer). The show dedicates itself to the The multi-talented Patty Rotten on drums and vocals. underground hardcore punk scene. There is a happening and sometimes isn’t. That’s three. particular emphasis on international releases in the developing thrash, straight edge, retro punk, P: Yeech. The only cool thing about the P: Okay Bruce Springstein because I love him. garage, Killed By Death, the crust and d-beat Corktown is the regulars who sit on the other Sorry, I want punk records. scenes, which means we play material like side of the bar. Then they will come up and P: Ohhh. Well it’s not all about punk man. Second Opinion, Hostage Situation, Vicious, dance when you are playing. I prefer to play I know that but people listening are more Knaughtly Knights, Nervous Eaters, Abraham the Underground. The Corktown…we are interested in that. Cross, and Kvoteringen. st playing with BROADZILLA June 1 . We are P: Yeah, they don’t like Bruce Springstein. There is a weekly demo feature (paying playing May 27th with the SINISTERS. But Okay ANTI-FLAG. I like that band. The homage to the cassette format), weekly event usually we play the Underground just because INDEPENDENTS. Do you know who they listings, and a monthly top 10 retrospective look they have bigger bands that come through. are? at new releases. And Reigning Sound is open now. No. P: Yeah, Jimmy’s got live shows going in there. P: That’s a punk band from South Carolina. Equalizing-X-Distort So that is also a positive thing happening They used to be Joey Ramones backing band. CIUT 89.5 FM there. Ahhh. Sundays 10:00 pm - midnight P: Very very positive. D: I like a lot of local punk bands like for sure 35 Raglan Avenue, Unit 204 I wanted to ask you about the band’s musical RIOT STAR, ACTION HIGH, the Toronto, ON influences. Before we started we were talking SINISTERS, CG SLEEZE. A lot of local bands. M6C 2K7 about how there is a bit of a split. Who would DANZIG, MISFITS. Canada Request Line: (416) 946-7000 you credit as influences on your sound ? That’s six already. e-mail: [email protected] D: I found that me and Izabelle were into bands D: Sorry. I’ll keep going. Website: www.ciut.fm like L7, BABES IN TOYLAND, and HOLE I: GWAR “Scumdogs of the Universe”, and Patty and Amy were sort of into the RAMONES and stuff. So the two influences mixed together. CIUT 89.5 FM - “Equalizing Distort” P: BAD RELIGION. SCREECHING Top 10 Hardcore Releases WEASEL. for February 2006 I: I am like a huge GWAR fan. GWAR and ICP. P: Yeah Izabelle has …. Band Title Format Label 1. POSITIVE REINFORCEMENT / OUTRAGED “How Could Hell Be Any Worse ?” epUnholy Thrash I: I have an ICP tattoo and I get a lot of shit for 2. NO DICE “Suffer” ep 625 Productions it so fuck you. 3. GUNNAR HANSEN “Village Idiot” ep Audio Fellatio If you had to limit your record collections to 4. WASTED TIME “Shameless” ep Grave Mistake 5. VARIOUS ARTISTS “Deutschland in Decline” ep heartfirst recordings 5 records what would they be and I want 6. SKULLS AND FLAMES “Dead Area Paranoia” LP Underground Punk Support five from each of you if I could ? 7. SICK TERROR / MIGRA VIOLENTA split ep Underground Punk Support P: I would have MISFITS – any MISFITS 8. 3TARDS “Crystal Balls” CD Wounded Paw record I don’t care. SCREECHING WEASEL 9. MAXIMUM RNR “Horns Up” CD Self-Released 10. RUM RUNNER “Dead Men Are Heavier than Broken Hearts” ep Longshot Music – any record I don’t care. Maybe “Kill All Musicians”. RAMONES. Patsy Cline’s Equalizing Distort can be heard every Sunday night on CIUT 89.5 FM at 10:00 pm.
Recommended publications
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
    PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • Rocking 7” Vinyl and Compact Discs at Great Prices! New Integrated Ep and Cd Listings
    It’s the incredible free! MutantMutant PopPop AB Mailorder Catalog Here we go. Tonight is May 8. It is 10 pm. Sixteen blank pages are before me and I’m hitting the road on June 1. I work at the shoe store five days next week, I have exactly one day to get this bastard nailed to the wall... Everything has to click just right for me to get this catalog written, printed, mailed, delivered, and for you to get your checks in the mail and back to Corvallis before I leave town. It’s gonna create a very insane mailorder tsunami—it should be fun! I’ll do my part and get this to you by the 20th at the very latest. Please remember: you’ve gotta get your bix to me by May 30, if you wanna see your stuff fast rather than in early July... That means your envelope has to be in Corvallis by May 30. Hike! Okay, new release... First one out the gate is MP-515 THE PROMS Helpless Romatic. This one released on May 6, 1999 and the initial reac- tion to the album has been very, very positive. That sort of response from pop-punk fans is kinda a “no duh” to me, I knew this album kicked ass from the first time I heard the tape. It is gratifying to hear nice words none- theless. It’s quite a tremendous album when you get right down to it: awe- some songwriting, huge RAMONESy guitar riffs, and delightful deep har- monies akin to a very fine barbershop quartet.
    [Show full text]
  • It's the Amazing
    Just when you thought it was safe to go near the mailbox... It’s the amazing... MutantMutant PopPop C a t a l o g ONCE AGAIN IN THE ULTRA-TRADITIONALIST PHOTOCOPIED FORMAT! #38 This catalog is so far over due that the phrase “late” doesn’t begin to do the matter justice. Rather than spend this entire page offering up a wave of excuses and explanations—some lame, some valid—I’ll just refer anyone who cares to the Mutant Pop website: http://www.mutantpop.com, then click INTERVIEWS and select interview no. 10. That’s as complete a recita- tion of my discouragements and failings as anything.... I’m very sorry for any inconvenience that the “18 months of sloth” has caused. I’m actually a little amazed that I’m back with full avidity doing label stuff again—orders are shipping on time, and new stuff is once again being accumulated for the inventory here. The next wave of SRCDs is, at long last, in preparation— apologies and thanks are especially due to the long-suffering SRCD subscribers who have been patiently twiddling their thumbs waiting for me to get it back in gear. I thank you for your tolerance and kindness. While I may have earned a failing grade for my (non-)effort with Mutant Pop in 2001, the year was not a total loss. There may AttentionAttention DeficitDeficit have been only two MP releases for all of 2001, but they both kicked some major boo-tay... Take, for example, the full-length compact disc by ATTENTION DEFICIT, Adventures in Laissez-Faire Eco- nomics..
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Trip Hazzard 1.7 Contents
    Trip Hazzard 1.7 Contents Contents............................................ 1 I Got You (I Feel Good) ................... 18 Dakota .............................................. 2 Venus .............................................. 19 Human .............................................. 3 Ooh La La ....................................... 20 Inside Out .......................................... 4 Boot Scootin Boogie ........................ 21 Have A Nice Day ............................... 5 Redneck Woman ............................. 22 One Way or Another .......................... 6 Trashy Women ................................ 23 Sunday Girl ....................................... 7 Sweet Dreams (are made of this) .... 24 Shakin All Over ................................. 8 Strict Machine.................................. 25 Tainted Love ..................................... 9 Hanging on the Telephone .............. 26 Under the Moon of Love ...................10 Denis ............................................... 27 Mr Rock N Roll .................................11 Stupid Girl ....................................... 28 If You Were A Sailboat .....................12 Molly's Chambers ............................ 29 Thinking Out Loud ............................13 Sharp Dressed Man ......................... 30 Run ..................................................14 Fire .................................................. 31 Play that funky music white boy ........15 Mustang Sally .................................. 32 Maneater
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • Strapping Young Lad
    THE DAYGLO’S AUSSIE TOUR #3 APRIL/MAY 2005 - ABSOLUTELY FREE PUNK, HARDCORE & METAL - THE SCUM ALSO RISES STRAPPING YOUNG LAD and shitloads more! ABSOLUTE EDITORIAL Absolute Editorial #3 Things are coming together nicely for us here at Absolute Underground. This is starting go be fun! We’re getting into a few free shows and people are starting to send in CD’s for us to review. We’ve got a lot of new people pitching in to make this rag better than ever. Emily Kendy joins us from Vancouver and brings with her a very impressive resume (The Nerve, Discorder, Terminal City, Exclaim...). We’ll be featuring a different Vancouver based band each issue starting with scum punks the Excessives. With the new Arena and Rod Stewart having played Victoria, you can just feel that this is going to be a great year for live music around town. I’m always impressed with the turnout and energy of the younger crowds at the all-ages shows. Even if you’re old you should go check one out sometime. You might find it invigorating to jump in a circle pit of mohawked fury. It was great hanging out with the crew at Spitfire Tattoo special thanks to Rick and Amanda. Electric Frankenstein was an amazing show and just proves that Victoria gets wicked shows all the time. A big middle finger to the asshole bouncers @ Diego’s who wouldn’t let me in even though I was on the guest list and then proceeded to tell the headlining act CHOKE to “pack their shit, they weren’t going to play.” This was after two huge idiots working the door beat up CHOKE’s drummer who weighs about a buck ten soaking wet.
    [Show full text]
  • MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
    Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL
    [Show full text]
  • From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge.
    [Show full text]
  • Listesommer2010.Pdf
    Kink Records Tel.: 06221/729646 Alstater Str. 33 Stand: Sommer 2010 http://www.kink-records.de 69124 Heidelberg [email protected] Wie immer wurde die Mailorderliste wieder ein paar Wochen später fertiggestellt, als ich eigentlich geplant hatte, aber passend zu den sommerlichen Temperaturen der letzten beiden Wochen gibts jetzt endlich den Katalog für Sommer 2010. Mittlerweile sind die beiden, in der letzten Liste angekündigten, neuen Kink Records Releases erschienen und ihr könnte die Years of Decay / Sand Creek Massacre – Split LP und die Hellborn Messiah / Post War Depression – Split LP hier erwerben. Für den weiteren Verlauf des Jahres sind noch einige weitere Veröffentlichungen geplant - als nächstes wird wohl die Tape-Version des Demos von Life Ends (http://www.myspace.com/lifeendsgrindcore) erscheinen. Weiterhin geplant ist die Debüt 7" von The Rätz (http://www.myspace.com/1234theratz) zusammen mit That Lux Good Records und die Debüt 7" von SLUMP (http://www.myspace.com/slumpgrind) zusammen mit Vulgar Records. Vom SLUMP Demo-Tape habe ich noch ein paar wenige Exemplare hier, ebenso von der Lipkick 7". Um das alles realisieren zu können, hoffe ich auf eure Bestellungen ... Und zum Schluss noch meine persönlichen Favoriten von den neuen Platten in der Liste : All Aboard! 7", Atentado 7", Bernays Propaganda LP, Cold Death Demo Tape, Disco Vietnam – Dong Xuan 7", Dramamine LP, The Estranged LP, Government Flu 7", Government Warning – Executed 7", Herpes LP + 7", Hex Dispensers – Winchester Mystery House LP, Killerlady 7", Knuste Ruter LP + 7", Nails 7", Red Dons LP, Something Fierce 7", Vengeance 7" und natürlich die neue Ausgabe vom Short, Fast & Loud Fanzine inkl.
    [Show full text]