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BOBBY HOLLAND HANTON Joined Register 2009 PROBATIONARY MEMBER Mobile 07766 656144 Flat 4, 103 Maple Road Email: [email protected] Surbiton Surrey KT6 4AP Measurements: Height 6ft 1” Chest 44” Waist 31” Leg 32” Weight 13 Stone 8 lbs Hip 38” Shoes 9uk Hair Light Ash Brown Collar 16” Eyes Green/Blue Credits Include: (As a Stunt Performer) Bad Times at the El Royale (Stunt Double Chris Hemsworth) Fantastic Beasts: The Crimes of Grindelwald (Stunt Performer) David Yates Mission Impossible 6: Fall Out (Stunt Double Henry Cavill) Untitled Avengers Movie (Thor stunt double) Fantastic Beasts and Where to Find Them (stunt performer) A Star Wars Story: Untitles Han Solo Film (stunt performer) Avengers 3: Infinity War (Thor stunt double) Thor 3: Ragnarok (Thor stunt double) Wonder Woman (Chris Pine stunt double) The Promise (Christian Bale stunt double) Avengers 2: Age of Ultron (Thor/Captain America stunt double) Quantum of Solace (Daniel Craig double) The Huntsman: Winter’s War (Chris Hemsworth stunt double) The Dark Knight Rises (Batman stunt double) Thor 2 - The Dark World (Thor stunt double) The Green Lantern (Green Lantern stunt double) In the Heart of the Sea (Chris Hemsworth stunt double) Jupiter Ascending (Channing Tatum stunt double) Prince of Persia (Jake Gyllenhaal double) Captain America - The First Avenger (stunt double) First They Killed My Father Fantastic Beasts And Where To Find Them Assassin’s Creed Spectre Star Wars Episode VII Skyfall Snow White And The Huntsman Harry Potter and the Deathly Hallows 1&2 (Snatcher) Pirates of the Caribbean 4 - On stranger Tides Inception (Bodyguard) Sherlock Holmes - A Game of Shadows Robin Hood (Soldier) Ford B-MAX Car Commercial (Barcelona) Game of Thrones: Season 5.6 & 7 Adidas Predator Commercial (David Beckham double) Adidas Football Commercial (Steven Gerrard double) Pepsi Commercial (Fernando Torres double) Experience/Achievements Include: Gymnastics - GB National Squad Member Acrobatics, Tumbling, Trampolining, Football Freestyler, Wire Work, High Falls, Swimming, Scuba Diving, Free Running,Parkour, Trampette, Rachets, Winches, Jerks, Kickboxing, Kung Fu. High diving (10m) Cliff Diving (20m) Acting Experience Full Driving License Guinness World Record Holder 2009 .

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Netflix's Sense8 and Accompanying Twitter Communication Transnationale Ident
Transnational Identity in Online Discourse – Netflix’s Sense8 and accompanying Twitter communication Transnationale Identität im Online Diskurs – Netflix’s Sense8 und Anschlusskommunikation auf Twitter by Anna Carolin Antonia Rohmann A thesis presented to the University of Waterloo and the Universitaet Mannheim in fulfilment of the thesis requirement for the degree of Master of Arts in Intercultural German Studies Waterloo, Ontario, Canada / Mannheim, Germany, 2020 © Anna Carolin Antonia Rohmann 2020 Author’s declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, in- cluding any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. Ehrenwörtliche Erklärung Ich versichere, dass ich die Arbeit selbstständig und ohne Benutzung anderer als der angege- benen Hilfsmittel angefertigt habe. Alle Stellen, die wörtlich oder sinngemäß aus Veröffentli- chungen in schriftlicher oder elektronischer Form entnommen sind, habe ich als solche unter Angabe der Quelle kenntlich gemacht. Mir ist bekannt, dass im Falle einer falschen Versiche- rung die Arbeit mit „nicht ausreichend“ bewertet wird. Ich bin ferner damit einverstanden, dass meine Arbeit zum Zwecke eines Plagiatsabgleichs in elektronischer Form versendet und gespeichert werden kann. Mannheim, 10.08.2020 ii Abstract Digital media has become ubiquitous and immensely shapes communitarisation, and thus identity construction. As media does not rely on physical border crossing to bring us in con- tact with different subject positions, traditional forms of mobility are not necessary to include people in transnational discourse and narratives of transnational identification. However, scholarly attention has been focused on discourses of transnational identities tied to tradition- al transgressions of national space.
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Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content.
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Sense8 Roundtable
Moya Bailey, micha cárdenas, Laura Horak, Lokeilani Kaimana, Cáel M. Keegan, Geneveive Newman, Roxanne Samer, and Raffi Sarkissian Sense8 Roundtable Abstract In “Sense8: A Roundtable,” eight scholars, myself included, think through key questions regarding one of today’s most impressive trans-produced mainstream media productions, Lana and Lilly Wachowski’s Netflix series Sense8, which has yet to receive substantive scholarly attention. We analyze how Sense8 both follows and breaks from the Wachowskis’ prior approach to narrative; offers a distinctly trans* engagement with the histories of cinematic and televisual genres; often relies on western colonial conceptions for its global imagination and marginalizes characters of color; and theorizes contemporary media spectatorship in its appeal to affect and eroticism. We do so believing Sense8 to be an important cultural interlocutor, not only with regard to the exploration of transgender representation but also questions of sexuality, race, and capital in the global present. However, we also share a conviction that the series’ potentiality still leaves substantial room for growth. We take a critical approach to our collective analysis, seeing in the series a glimmer of the kind of global utopian envisioning very much needed in our ceaselessly dystopian present. The first season of J. Michael Straczynski and was the prime decree of those reviewers who were Lana and Lilly Wachowski’s Sense8 was released looking to witness a similar “seamless marriage on Netflix on June 5, 2015. The series’ critical of style and substance.”2 Those reviewers who did reception was mixed. Many found Sense8—which appreciate Sense8 were those who saw the series as tells the story of eight individuals from across purposefully demanding the labor of an attentive the globe, who, having recently been “birthed” by audience.
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lifestyle MONDAY, FEBRUARY 9, 2015 MOVIES BIFF ‘Queen ‘Birdman’ bests ‘Boyhood’ of the Desert’ on the road to the Oscars is no history lesson he long takes of Alejandro Inarritu’s In a special segment, Steven Spielberg also fter opening with an Arctic adventure, the “Birdman” won out over the long pro- announced that starting in 2016, the DGA Berlin International Film Festival heated up duction of Richard Linklater’s will award a prize for first-time feature film Friday with “Queen of the Desert,” a film about T A “Boyhood” at the Directors Guild Awards directors. “If we were to travel back in our British diplomat and spy Gertrude Bell starring Nicole Saturday. Both formally ambitious in very legacy, we might have honored Orson Kidman and James Franco. The film about Bell, who different ways, “Boyhood” and “Birdman” Welles for his masterpiece ‘Citizen Kane’ or played a key role in reshaping the Middle East during have been neck-in-neck throughout the Sidney Lumet for ‘12 Angry Men,’” said the early 20th century, comes at a time of renewed awards race. But after dominating the act- Spielberg. “Our hope is this new award will turmoil in the region. But director Werner Herzog ing and producing guild awards, Inarritu’s shine a light on up-and-coming voices.” insists it’s just a story, not a history lesson, and doesn’t tale about a washed-up actor looking for The solid predictive track record of the attempt to criticize those who carved up the Middle some authenticity on the New York stage DGAs might suggest that there was a cut- East by drawing lines in the sand 100 years ago.
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Photo by Diana Haecker IDITAROD TRAIL— The Iditarod trail at Farley’s Camp about two miles east of Nome has barely enough snow to allow for smooth traveling by snowmachine or dog team. C VOLUME CXV NO. 8 February 26, 2015 Port of Nome in the finals for Arctic deep-draft port By Sandra L. Medearis mid-1980’s, an additional 2,100 feet long dock to go on the harbor side of northern waters. While climate change has caused The U.S Army Corps of Engi- farther into Norton Sound to better the causeway extension to provide “This is a historic beginning for receding ice to open millions of neers Alaska District has released a serve increasing numbers of deeper moorage to vessels requiring depths the Alaska Arctic, its people and our square miles of circumpolar waters study that calls for an estimated $118 draft vessels coming to arctic waters. of minus 28 feet. nation,” Nome Mayor Denise to red hot interest in resource recov- million deep-water port to be built in Additional work would include The study is a segment of an on- Michels said Monday in a statement. ery, increased marine shipping and Nome’s harbor on Norton Sound. removing the existing spur that turns going consideration of navigation “Together we can forge a strong reductions in time and cost for trans- The selection is tentative, subject southwest at the end of the breakwa- improvements as part of a larger sys- economic center for the region, ference of goods along the Northern to further analysis including exami- ter and dredging the entrance chan- tem of port facilities in the Arctic and strengthen our national security, in- Sea Route, additional navigation in nations by an independent agency nel to a depth of minus 28 feet Mean sub-Arctic region.
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PETER WALPOLE Production Designer Peterwalpole.Com
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IMAX Corporation (Exact Name of Registrant As Specified in Its Charter)
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FOR IMMEDIATE RELEASE July 20, 2013 CONTACT: Mayor's Press
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“I Am Also a We”: the Interconnected, Intersectional Superheroes of Netflix's Sense8
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