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Cold War II: Hollywood's Renewed Obsession with Russia
H-USA Edited Collection: Cold War II: Hollywood’s Renewed Obsession with Russia Discussion published by Tatiana Konrad on Monday, August 13, 2018 Date: October 1, 2018 The Cold War, with its bald confrontation between the United States and the Soviet Union, has been widely depicted in film. Starting even before the conflict actually began with Ernst Lubitsch’s portrayals of communism in Ninotschka (1939), and ranging from Stanley Kubrick’s openly “Cold War” Dr. Strangelove (1963) to Fred Schepisi’s The Russia House (1990), Hollywood’s obsession with the Cold War, the Soviets/Russians, communism, and the political and ideological differences between the U.S. and Russia were pronounced. This obsession has persisted even after the fall of the Berlin Wall and the breakup of the Soviet Union. Cold War tropes continue to be (ab)used, as can be seen in multiple representations of evil Russians on screen, including Wolfgang Petersen’s Air Force One (1997), Jon Favreau’s Iron Man 2 (2010), Phillip Noyce’s Salt (2010), Brad Bird’s Mission: Impossible – Ghost Protocol (2011), John Moore’s A Good Day to Die Hard (2013), and Antoine Fuqua’s The Equalizer (2014), to name just a few. All these films portray Russians in a rather similar manner: as members of the mafia or as plain criminals. Yet recently Hollywood cinema has made a striking turn regarding its portrayals of Russians, returning to the images of the Cold War. This turn and the films that resulted from it are what the collection proposes to examine. The sanctions imposed on Russia during the Ukrainian crisis in 2014 by several Western countries, including the United States, along with Trump’s admiration for Putin, Russian attempts to influence the 2016 American election, the fatal poisoning in the UK, etc., have led to a tense relationship between Russia and the Western world. -
Copyrighted Material
9781405170550_6_ind.qxd 16/10/2008 17:02 Page 432 INDEX 4 Little Girls (1997) 93 action-adventure movie 147, 149, 254, 339, 348, 352, 392–3, 396–7, 8 Mile (2002) 396–7 259, 276, 287–8, 298–9, 410 402–3 20th Century-Fox 21, 30, 34, 40–2, 73, actualities 106, 364, 410 Against All Odds (1984) 289 149, 184, 204–5, 281, 335 ACT-UP (AIDS Coalition to Unleash Agar, John 268 25th Hour, The (2002) 98 Power) 337, 410 Aghdashloo, Shohreh 75 27 Dresses (2008) 353 ADA (Americans with Disabilities Act) Ahn, Philip 130 28 Days (2000) 293 398–9, 410 AIDS 99, 329, 334, 336–40 48 Hours (1982) 91 Adachi, Jeff 139 AIDS Coalition to Unleash Power see 100-to-1 Shot, The (1906) 174 Adams, Evan 118–19 ACT-UP 300 (2007) 74, 298, 300 ADC (American-Arab Anti- AIM (American Indian Movement) 111, Discrimination Committee) 73–4, 116–17, 410 Abbott and Costello 268 410 Air Force (1943) 268 ABC 340 Addams Family, The (1991) 156 Akins, Zoe 388–9 Abie’s Irish Rose (stage) 57 Addams Family Values (1993) 156 Aladdin (1992) 73–4, 246 Abilities United Productions 384 Adiarte, Patrick 72 Alba, Jessica 76, 155, 159 ability 359–84, 410 adult Western 111, 410 Albert, Eddie 72 ableism 361, 381, 410 Adventures of Ozzie & Harriet, The (TV) Albert, Edward 375 Abominable Dr Phibes, The (1971) 284 Alexie, Sherman 117–18 365 Adventures of Priscilla, Queen of the Algie, the Miner (1912) 312 Abraham, F. Murray 75, 76 COPYRIGHTEDDesert, The (1994) 348 MATERIALAli (2001) 96 Academy Awards (Oscars) 29, 58, 63, Adventures of Sebastian Cole, The (1998) Alice (1990) 130 67, 72, 75, 83, 92, 93, -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
A Good Day to Die Hard, Limited to Onlyone Application Per Household
MEDIA PROMOTION COVERAGE Front Page Coverage Full Page Coverage Reader Offer HaveFREE TEA BAGS a Yippee drink Ki-Yay! on us! Make Mine a Builders tea is sold through *Morrisons, *Ocado and *Staples and selected *Asda and *Tesco stores *Packs cannot be redeemed through any of these retailers o celebrate the DigitalHD™, Blu-ray McClane, the heroic New York cop with a knack Terms and conditions and DVD release of Bruce Willis’s for being in the wrong place at the right time. Offer closing date: Sunday 30 June 2013. Applications His latest predicament takes him all the way received after this date will not be processed. Offer is strictly action movie A Good Day to Die Hard, limited to onlyone application per household. Multiple we’re giving away a FREE pack of to Russia to track down his estranged son, Jack applications from the same address will not be processed. TMake Mine a Builders tea – the thirst-quenching (Jai Courtney), who has been imprisoned in Offer availability is strictly subject to while stocks last. Offer Moscow and is awaiting a life sentence. But the item will be despatched after the closing date – please strong cuppa that’s built on flavour, not frills. allow up to a further 10 days for the item to be received. For Yippee Ki-Yay! John McClane is back, this mission takes a deadly turn as father and son full terms and conditions please visit www.promooffers. time with his son – and twice the excitement. must join forces to thwart a nuclear weapons co.uk/diehard5 and view ‘Terms and Conditions’. -
Proceedings 2012
TABLE OF CONTENTS Introduction iv Beacon 2012 Sponsors v Conference Program vi Outstanding Papers by Panel 1 SESSION I POLITICAL SCIENCE 2 Alison Conrad “Negative Political Advertising and the American Electorate” Mentor: Prof. Elaine Torda Orange County Community College EDUCATION 10 Michele Granitz “Non-Traditional Women of a Local Community College” Mentor: Dr. Bahar Diken Reading Area Community College INTERDISCIPLINARY STUDIES 18 Brogan Murphy “The Missing Link in the Puzzling Autism Epidemic: The Effect of the Internet on the Social Impact Equation” Mentor: Prof. Shweta Sen Montgomery College HISTORY 31 Megan G. Willmes “The People’s History vs. Company Profit: Mine Wars in West Virginia, the Battle of Blair Mountain, and the Ongoing Fight for Historical Preservation” Mentor: Dr. Joyce Brotton Northern Virginia Community College COMMUNICATIONS I: POPULAR CULTURE 37 Cristiana Lombardo “Parent-Child Relationships in the Wicked Child Sub-Genre of Horror Movies” Mentor: Dr. Mira Sakrajda Westchester Community College ALLIED HEALTH AND NURSING 46 Ana Sicilia “Alpha 1 Anti-Trypsin Deficiency Lung Disease Awareness and Latest Treatments” Mentor: Dr. Amy Ceconi Bergen Community College i TABLE OF CONTENTS (CONTINUED) SESSION II PSYCHOLOGY 50 Stacy Beaty “The Effect of Education and Stress Reduction Programs on Feelings of Control and Positive Lifestyle Changes in Cancer Patients and Survivors” Mentor: Dr. Gina Turner and Dr. Sharon Lee-Bond Northampton Community College THE ARTS 60 Angelica Klein “The Art of Remembering: War Memorials Past and Present” Mentor: Prof. Robert Bunkin Borough of Manhattan Community College NATURAL AND PHYSICAL SCIENCES 76 Fiorella Villar “Characterization of the Tissue Distribution of the Three Splicing Variants of LAMP-2” Mentor: Prof. -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
CTBL Alphabetic Descriptive Video List
CTBL Alphabetic Descriptive Video List Number Movie Title Rating Cartoon VO 14 101 Dalmatians G No VO 245 40 Year Old Virgin R No VO 31 A Beautiful Mind PG-13 No VO 203 A Christmas Carol PG No VO 285 Abilene Town G No VO 33 Addams Family PG-13 No VO 32 Aladdin G Yes VO 4 Alice in Wonder Land G Yes VO 89 Alien R No VO 204 Amelia Earhart: The Price of Courage G No VO 262 America Quilts Creatively G No VO 272 America Sews with Sue Hausmann: G No Episode #2201 VO 273 America Sews with Sue Hausmann: G No Episode #2202 VO 274 America Sews with Sue Hausmann: G No Episode #2203 VO 275 America Sews with Sue Hausmann: G No Episode #2204 VO 288 American Empire R No VO 121 Amistad R No VO 15 Anne of Avonlea G No VO 27 Anne of Green Gables G No VO 159 Anne of Green Gables the Continuing Story NR No VO 83 Apollo 13 PG No VO 232 Autism is a World (DVD) G No VO 113 Babe G No VO 78 Bambi G Yes VO 87 Basic Instinct R No VO 248 Batman Begins PG-13 No VO 7 Beaches PG No VO 1 Beauty and the Beast G Yes VO 311 Becket R No VO 6 Beethoven PG No J:\Videos\Video_list_Alpha.doc 9/11/08 VO 160 Bells of St. Mary’s NR No VO 20 Beverly Hills Cop R No VO 79 Big PG No VO 163 Big Bear NR No VO 289 Blackbeard, The Pirate R No VO 118 Blue Hawaii NR No VO 290 Border Cop R No VO 63 Breakfast at Tiffany's NR No VO 180 Bridget Jones’ Diary R No VO 183 Broadcast News R No VO 254 Brokeback Mountain R No VO 199 Bruce Almighty Pg-13 No VO 77 Butch Cassidy and the Sun Dance Kid PG No VO 158 Bye Bye Blues PG No VO 164 Call of the Wild PG No VO 291 Captain Kidd R No VO 94 Casablanca -
The Ideology of the Long Take in the Cinema of Alfonso Cuarón by BRUCE ISAACS
4.3 Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuarón BY BRUCE ISAACS Between 2001 and 2013, Alfonso Cuarón, working in concert with long-time collaborator, cinematographer Emmanuel Lubezki, produced several works that effectively modeled a signature disposition toward film style. After a period of measured success in Hollywood (A Little Princess [1995], Great Expectations [1998]), Cuarón and Lubezki returned to Mexico to produce Y Tu Mamá También (2001), a film designed as a low- budget, independent vehicle (Riley). In 2006, Cuarón directed Children of Men, a high budget studio production, and in March 2014, he won the Academy Award for Best Director for Gravity (2013), a film that garnered the praise of the American and European critical establishment while returning in excess of half a billion dollars worldwide at the box office (Gravity, Box Office Mojo). Lubezki acted as cinematographer on each of the three films.[1] In this chapter, I attempt to trace the evolution of a cinematographic style founded upon the “long take,” the sequence shot of excessive duration. Reality Effects Each of Cuarón’s three films under examination demonstrates a fixation on the capacity of the image to display greater and more complex indices of time and space, holding shots across what would be deemed uncomfortable durations in a more conventional mode of cinema. As Udden argues, Cuarón’s films are increasingly defined by this mark of the long take, “shots with durations well beyond the industry standard” (26-27). Such shots are “attention-grabbing spectacles,” displaying the virtuosity of the filmmaker over and above the requirement of narrative unfolding. -
Today's TV Programming Aces on Bridge Decodaquote® Celebrity
KITSAPSUN «Saturday, April 16,2016 «9A Today’s TV programming MOVIES NEW 4/16/16 11:00 11:30 NOON 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 [KBTC] Fit Quilting Quilt Motor Rough Woods. House Old Steves Pépin Simply Cook Kitchen Cooking Antiques Keep Up Keep Up Time/By Time/By Vicar of Dibley Dwarf Dwarf Dr. Who [KOMO] Games NBA NBA Basketball First Round: Teams TBA. Rescue Wildlife Rock- Cougar Rise News ABC KOMO 4News Wheel J’pardy! Funny Videos Funny Videos 20/20 (TVPG) News [KING] Soccer Goal NHL Hockey New York Rangers at Pittsburgh Penguins. Ruf- Astrob Biz Kid$ Kds News Boxing Premier Boxing Champions. (N) Car Raw XTERRA Champ. Dateline NBC News [KONG] Old Home Hazel House Garden Garden Paid Paid GT Paid Paid Paid Raw Best Made Holly Access Hollywood Movie: Benny &Joon (1993) ‘PG’ News Hiring Holly [KIRO] Sexy CIZE! PGA Tour Golf RBC Heritage, Third Round. (N) Paid Easy Chan Sports News News News News Ent. Tonight Movie: Hear My Song (2014) ‘NR’ 48 Hours (TVPG) News [KCTS] 30 Days to aYounger Heart In Defense of Food (TVPG) Aging Backwards Suze Orman’s Financial Solutions Week News Dave Matthews Band: Live Dave Matthews Band: Live Celtic Thunder Legacy [KMYQ] Paid Outages Paid Green Laughs Laughs Bones (TV14) Bones (TV14) Elementary Person of Interest Laughs Pre- MLS Soccer: Union at Sounders Post Wanted Ray Ray Anger [KSTW] Dream Hatched Words Paid Arthri Paid Paid Paid Paid Body Middle King Fam Fam Mike Mike Broke Broke Rizzoli &Isles The Closer (TV14) The Good Wife Band [KBCB] Jimmy Swaggart Living Waters Donnie Swaggart (TVG) Message-Cross FWC Donnie Frances and Friends (TVG) Family Worship Center Service (TVG) Crossfire Service Jimmy Swaggart (TVG) [KCPQ] Soccer Pre AMA Supercross Racing UFC Fight Night UFC Fight Night Teixeira vs. -
On Anamorphic Adaptations and the Children of Men
ISSN 1751-8229 Volume Eleven, Number Two On Anamorphic Adaptations and the Children of Men Gregory Wolmart, Drexel University, United States Abstract In this article, I expand upon Slavoj Zižek’s “anamorphic” reading of Alfonso Cuarón’s Children of Men (2006). In this reading, Zižek distinguishes between the film’s ostensible narrative structure, the “foreground,” as he calls it, and the “background,” wherein the social and spiritual dissolution endemic to Cuaron’s dystopian England draws the viewer into a recognition of the dire conditions plaguing the post-9/11, post-Iraq invasion, neoliberal world. The foreground plots the conventional trajectory of the main character Theo from ordinary, disaffected man to self-sacrificing hero, one whose martyrdom might pave the way for a new era of regeneration. According to Zižek, in this context the foreground merely entertains, while propagating some well-worn clichés about heroic individualism as demonstrated through Hollywood’s generic conventions of an action- adventure/political thriller/science-fiction film. Zižek contends that these conventions are essential to the revelation of the film’s progressive politics, as “the fate of the individual hero is the prism through which … [one] see[s] the background even more sharply.” Zižek’s framing of Theo merely as a “prism” limits our understanding of the film by not taking into account its status as an adaptation of P.D. James’ The Children of Men (1992). This article offers such an account by interpreting the differences between the film and its literary source as one informed by the transition from Cold War to post-9/11 neoliberal conceptions of identity and politics. -
Oscars and America 2011
AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. I spent some time with Ben this summer in the exotic venues of Oxford and Cambridge, but it was on the bus ride between the two where we got to share our visions and see the similarities between the two. I am excited about what is happening here at Arizona State and look forward to seeing what comes of your efforts. I’m sure you realize the opportunity you have. And it is an opportunity to study, as Karl Barth once put it, the two Bibles. One, and in many ways the most important one is the Holy Scripture, which tells us clearly of the great story of Creation, Fall, Redemption and Consummation, the story by which all stories are measured for their truth, goodness and beauty. But the second, the book of Nature, rounds out that story, and is important, too, in its own way. Nature in its broadest sense includes everything human and finite. Among so much else, it gives us the record of humanity’s attempts to understand the reality in which God has placed us, whether that humanity understands the biblical story or not. And that is why we study the great novels, short stories and films of humankind: to see how humanity understands itself and to compare that understanding to the reality we find proclaimed in the Bible. Without those stories, we would have to go through the experiences of fallen humanity to be able to sympathize with them, and we don’t want to have to do that, unless we have a screw loose somewhere in our brain. -
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer Selected Credits as Costume Designer: UNTITLED OBI-WAN KENOBI SERIES – Disney+ / Lucas Films – Deborah Chow, director BOND 25: NO TIME TO DIE (feature) – MGM - Cary Joji Fukunaga, director GEMINI MAN (feature) – Skydance / Paramount Pictures - Ang Lee, director AMERICAN GODS (season 1) – Fremantle Media / Starz – various directors STEVE JOBS (feature) – Universal Pictures - Danny Boyle, director THE WALK (feature) – Sony Pictures Entertainment - Robert Zemeckis, director TEN THOUSAND SAINTS (feature) – Archer Gray - Shari Springer & Robert Pulcini, directors THE GOOD LIE (feature) – Imagine Entertainment - Philippe Falardeau, director 2012 SUMMER OLYMPICS – OPENING CEREMONY, LONDON - Danny Boyle, director TRANCE (feature) – Fox Searchlight Pictures / Pathé – Danny Boyle, director CINEMA VERITE (mow) – HBO - Shari Springer& Robert Pulcini, directors Nominee – Outstanding Costumdes for a Miniseries, Movie, or Special – Emmy Awards 2011 127 HOURS (feature) – Fox Searchlight Pictures - Danny Boyle, director Nominee – Best Picture – 2011 Academy Awards Nominee – Best Film – 2011 BAFTA Awards THE AMERICAN (feature) – Focus Features - Anton Corbijn, director BEASTLY (feature) – CBS Films - Daniel Barnz, director THE EXTRA MAN (feature) – Magnolia Pictures - Shari Springer & Robert Pulcini, directors Sundance Film Festival, World Premiere 2010 PEACOCK (feature) – Mandate Pictures - Michael Lander, director SLUMDOG MILLIONAIRE (feature) – Fox Searchlight Pictures – Danny Boyle, director