Black Nights Stars Programme
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Cold War II: Hollywood's Renewed Obsession with Russia
H-USA Edited Collection: Cold War II: Hollywood’s Renewed Obsession with Russia Discussion published by Tatiana Konrad on Monday, August 13, 2018 Date: October 1, 2018 The Cold War, with its bald confrontation between the United States and the Soviet Union, has been widely depicted in film. Starting even before the conflict actually began with Ernst Lubitsch’s portrayals of communism in Ninotschka (1939), and ranging from Stanley Kubrick’s openly “Cold War” Dr. Strangelove (1963) to Fred Schepisi’s The Russia House (1990), Hollywood’s obsession with the Cold War, the Soviets/Russians, communism, and the political and ideological differences between the U.S. and Russia were pronounced. This obsession has persisted even after the fall of the Berlin Wall and the breakup of the Soviet Union. Cold War tropes continue to be (ab)used, as can be seen in multiple representations of evil Russians on screen, including Wolfgang Petersen’s Air Force One (1997), Jon Favreau’s Iron Man 2 (2010), Phillip Noyce’s Salt (2010), Brad Bird’s Mission: Impossible – Ghost Protocol (2011), John Moore’s A Good Day to Die Hard (2013), and Antoine Fuqua’s The Equalizer (2014), to name just a few. All these films portray Russians in a rather similar manner: as members of the mafia or as plain criminals. Yet recently Hollywood cinema has made a striking turn regarding its portrayals of Russians, returning to the images of the Cold War. This turn and the films that resulted from it are what the collection proposes to examine. The sanctions imposed on Russia during the Ukrainian crisis in 2014 by several Western countries, including the United States, along with Trump’s admiration for Putin, Russian attempts to influence the 2016 American election, the fatal poisoning in the UK, etc., have led to a tense relationship between Russia and the Western world. -
Polish Cinema 2008
New Polish Films: WITH SENSE AND SENSIBILITY Andrzej Wajda’s School: THE MASTER AND HIS TRAINEES “Peter and the Wolf”: SECOND OSCAR FOR A FILM MADE IN SE-MA-FOR STUDIO Russia, Afghanistan and Belarus: IN POLISH DOCUMENTARIES „PETER AND THE WOLF” Polish Cinema 2008 THE TRAGEDY OF PRISONERS OF WAR, THE MISERY OF THEIR FAMILIES ANDRZEJ WAJDA’S “KATYŃ” Polish Cinema 2008 editorial “Kino” monthly , a journal providing a perceptive and original insight into various aspects of the film industry, has accompanied Polish cinema for over forty years now. In line with this tradition, in this special English language issue, we present a selection of articles published in “Kino” in the last year. They include reviews, interviews, as well as articles concerning the history of Polish cinema and opinion columns. However, we focus on the most interesting Polish feature films (of which 41 have been made there between the beginning of 2007 and May 2008), as well as documentary and animated films of the last year. Some of them could be seen at various international festivals, where they received numerous awards. The most prestigious award, an Oscar, came to the short animated film, “Peter and the Wolf”, which is a British-Polish co-production, directed by Suzie Templeton and made in the Studio Se-Ma-For in Łódź. On the other hand, the most awarded Polish film was “Tricks” by Andrzej Jakimowski, which till April 2008 received 12 awards, including at the festivals in Gdynia, Venice, Tokyo, Mannheim, Sao Paulo and Miami. However, what counts more than awards is the fact that Polish viewers have regained pleasure in watching Polish films. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Işıl Eğrikavuk
ELÇİLİKLER, KÜLTÜR MERKEZLERİ EMBASSIES, CULTURAL CENTERS SPONSORLAR SPONSORS İLETİŞİM SPONSORLARI MEDIA SPONSORS FESTİVAL EKİBİ FESTIVAL TEAM FESTİVAL YÖNETMENİ DIRECTOR BAŞAK EMRE GENEL SEKRETER GENERAL SECRETARY AHMET BOYACIOĞLU KOORDİNATÖR COORDINATOR PINAR EVRENOSOĞLU PROGRAM PROGRAMME BAŞAK EMRE, AHMET BOYACIOĞLU, PINAR EVRENOSOĞLU FESTİVAL DANIŞMANI FESTIVAL ADVISOR AHMET GÜRATA PROGRAM DANIŞMANI PROGRAMME ADVISOR FREDDY OLSSON KISA FİLM DANIŞMANI SHORT FILMS ADVISOR KURTULUŞ ÖZYAZICI MEDYA KOORDİNASYONU MEDIA COORDINATION TUĞÇE KÖKSAL FESTİVAL ASİSTANI FESTIVAL ASSISTANT MAZLUM DEMİR SOSYAL MEDYA YÖNETİMİ SOCIAL MEDIA MANAGEMENT MEDYA GAGA (EMRAH GÜLER, ÖZGE GÖNENÇ) GRAFİK TASARIM GRAPHIC DESIGN LEVENT Y. İNCE TEKNİK KOORDİNATÖR TECHNICAL COORDINATOR GÜRKAN BÜYÜKTURAN GÖSTERİM KOORDİNATÖRLERİ PROJECTION COORDINATORS SERDAR AYGÜN, BURAK TAYLAN YILMAZ ALTYAZI SUBTITLING GÖKÇENUR ŞEHİRLİ, MUHİTTİN YAKIŞIKLI KATALOG ÇEVİRİLERİ CATALOGUE TRANSLATIONS DEMET EVRENOSOĞLU, LUCY WOOD FİLM ÇEVİRİLERİ FILM TRANSLATIONS MELEK MEMİŞ, NERMİN SAATÇİOĞLU, NÜKET TANTÜRK, SERDAR AYGÜN, YAPRAK ERDEM GÖNÜLLÜLER VOLUNTEERS AYSUN BADAK, AYŞENUR AKIN, BURCU KANDAR, DİLAN YILDIRIM, MELİS KÖROĞLU, ŞEVVAL CANSU ÇAYIR FESTİVAL AFİŞİ FESTIVAL POSTER BEHİÇ AK FESTİVAL TANITIM FİLMİ PROMOTION FILM PUNCTUM CREATIVE PRODUCTIONS (punctumcp.com) YÖNETMENLER DIRECTORS NECMİ DENİZ AKINCI , SELDA TAŞKIN PASTA TASARIM CAKE DESIGN DUYGU SEBER (PÖTİ’NİN ATÖLYESİ) KURGU EDITING SELDA TAŞKIN, BERKHAN AY KAMERA CAMERA YEKTA ATAÇ, NECMİ DENİZ AKINCI CANLANDIRMA ANIMATION -
A Good Day to Die Hard, Limited to Onlyone Application Per Household
MEDIA PROMOTION COVERAGE Front Page Coverage Full Page Coverage Reader Offer HaveFREE TEA BAGS a Yippee drink Ki-Yay! on us! Make Mine a Builders tea is sold through *Morrisons, *Ocado and *Staples and selected *Asda and *Tesco stores *Packs cannot be redeemed through any of these retailers o celebrate the DigitalHD™, Blu-ray McClane, the heroic New York cop with a knack Terms and conditions and DVD release of Bruce Willis’s for being in the wrong place at the right time. Offer closing date: Sunday 30 June 2013. Applications His latest predicament takes him all the way received after this date will not be processed. Offer is strictly action movie A Good Day to Die Hard, limited to onlyone application per household. Multiple we’re giving away a FREE pack of to Russia to track down his estranged son, Jack applications from the same address will not be processed. TMake Mine a Builders tea – the thirst-quenching (Jai Courtney), who has been imprisoned in Offer availability is strictly subject to while stocks last. Offer Moscow and is awaiting a life sentence. But the item will be despatched after the closing date – please strong cuppa that’s built on flavour, not frills. allow up to a further 10 days for the item to be received. For Yippee Ki-Yay! John McClane is back, this mission takes a deadly turn as father and son full terms and conditions please visit www.promooffers. time with his son – and twice the excitement. must join forces to thwart a nuclear weapons co.uk/diehard5 and view ‘Terms and Conditions’. -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
The Danish Girl February 2016
THE DANISH GIRL FEBRUARY 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 FEBRUARY 2016 • ISSUE 131 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm Try ourWe’re delicious HERE new for menu a perfect designed pre-theatre by supper BEST IN FEBRUARY chef . Jane’s credits include the DeliciousJane Collins dishes freshly prepared, and featuring local, Waterside Inn, Bray, Marco Pierre White’s seasonal produce Belvedere and, most recently, The Clarendon. FeaturingBring along local yourduck, ticketfine Hertfordshirefor a 15% discount steaks on our à la and home-madecarte breads. menu between 5pm & 7pm As ever, we’re open from morning till late from CONTENTS Monday to Saturday and Films At A Glance 16-17 for an expanded Obits 23 Awards 24-25 Brunch and roast lunch on Sundays. BOX OFFICE: 01442 877759 Le Mépris Mon to Sat 10.30-6.30 Brigitte Bardot: the template for every future dirty pout Sun 4.30-5.30 Page 12 SEAT PRICES FILMS OF THE MONTH Circle £9.00 Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through the gate on High Street (right of apartments) Grandma When Harry Met Sally Lily Tomlin storms the screen Valentines: fabulous one liners, Director: James Hannaway without a single dirty pout fake org, no pouts 01442 877999 Page 12 Page 13 Advertising: Lynn Hendry 01442 877999 Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG BERKHAMSTED www.therexberkhamsted.com To book a table call 01442 300870 The Assassin The Sea Inside HERE Café Bar, 28-30 Lower Kings Road, Berkhamsted HP42AB Beautiful, stunning, fast and Exquisite, timeless, heart lifting/ “ Unhesitatingly The Rex furious. -
International Theatrical Marketing Strategy
International Theatrical Marketing Strategy Main Genre: Action Drama Brad Pitt Wardaddy 12 Years a Slave, World War Z, Killing Them Softly Moneyball, Inglourious Basterds, The Curious Case of Benjamin Button Shia LaBeouf Bible Charlie Countryman, Lawless, Transformers: Dark of the Moon, Transformers: Revenge of the Fallen, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull Logan Lerman Norman Noah, Percy Jackson: Sea of Monsters, Stuck in Love, The Perks of being a Wallflower, The Three Musketeers Michael Peña Gordo Cesar Chavez, American Hustle, Gangster Squad, End of Watch, Tower Heist, 30 Minutes or Less CONFIDENTIAL – DO NOT DISTRIBUTE Jon Bernthal Coon-Ass The Wolf of Wall Street, Grudge Match, Snitch, Rampart, Date Night David Ayer Director Sabotage, End of Watch Target Audience Demographic: Moviegoers 17+, skewing male. Psychographic: Fans of historical drama, military fans. Fans of the cast. Positioning Statment At the end of WWII, a battle weary tank commander must lead his men into one last fight deep in the heart of Nazi territory. With a rookie soldier thrust into his platoon, the crew of the Sherman Tank named Fury face overwhelming odds of survival. Strategic Marketing & Research KEY STRENGTHS Brad Pitt, a global superstar. Pitt’s star power certainly is seen across the international market and can be used to elevate anticipation of the film. This is a well-crafted film with standout performances. Realistic tank action is a key interest driver for this film. A classic story of brotherhood in WWII that features a strong leader, a sympathetic rookie, and three other entertaining, unique personalities to fill out the crew. -
Annual Report 2012.Indd
Annual Report 2012 Yangon Film School Non-profit Association for the Promotion of Young Burmese Film and Video Artists Courses like this one are very rare indeed ... I don’t know of any others like it. YFS is really exceptional. I hope the film school goes from strength to strength. Zin Mar Oo, participant of 2012 Beginners’ Workshop I used to watch films without thinking about them but now I can analyse what’s going on. I started with zero knowledge but I definitely know something now! Cho Phyone, participant of 2012 Beginners’ Workshop CONTENTS PAGE I Summary of Activities in 2012 1 1. Breakdown of YFS Management Activities and Project Plan 5 2. Fundraising 7 (i) Comments 7 (ii) School building 7 3. Schedule, Methodology and Tutors 7 (i) Comments 8 4. Permits, Participants and Implementation 8 (i) Comments 9 (ii) Networks & Adversting 9 5. Training of Trainers 9 (i) Comments 10 II YFS Management Training 10 1. First Visit to YFS Yangon by Management Coach 10 2. Second On-Site Workshop in Management Transition Process 11 3. Media Management Workshop 12 (i) Rationale for the Workshop 12 (ii) Methodology 12 (iii) Topics Covered 13 4. Final Yangon Visit by Management Coach and Overall Results 13 (i) Objectives of the visit 13 (ii) Challenges 14 (iii) Conclusions & Recommendations 14 III Advanced Editing Clinic I 15 1. Rationale and Methodology 15 2. Participants 15 3. Individual Mentoring of Projects 15 4. Recommendations 16 IV The 2012 Art of Documentary Filmmaking Beginners’ Workshop 17 1. Participants From Far and Wide 17 2. -
1 the Film Crew There Are Many, Many Positions in a Film Crew. Here
The Film Crew There are many, many positions in a film crew. Here are the most significant ones. Producer A Film Producer creates the conditions for making movies. The Producer initiates, coordinates, supervises, and controls matters such as raising funding, hiring key personnel, and arranging for distributors. The producer is involved throughout all phases of the film making process from development to completion of a project. Executive Producer An Executive Producer (EP) is a producer who is not involved in the technical aspects of the filmmaking process, but has played a crucial financial or creative role in ensuring that the project goes into production. Executive Producers are responsible for the overall quality control of productions, as well as financing and marketing. Production Manager The Production Manager supervises the physical aspects of the production (not the creative aspects) including personnel, technology, budget, and scheduling. It is the Production Manager's responsibility to make sure the filming stays on schedule and within its budget. The PM also helps manage the day-to-day budget by managing operating costs such as salaries, production costs, and everyday equipment rental costs. The PM 1 directly supervises the Production Coordinator. Production Coordinator The Production Coordinator is the information center of the production, responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent. The PC is an integral part of film production. Screenwriter The Screenwriter, or Scriptwriter, may pitch a finished script to potential Producers, or may write a script under contract to a Producer. A Writer may be involved, to varied degrees, with creative aspects of production.