24Th International Congress on Medieval Studies
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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
The Image of the Cumans in Medieval Chronicles
Caroline Gurevich THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES MA Thesis in Medieval Studies CEU eTD Collection Central European University Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ CEU eTD Collection Examiner Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis -
Medieval Germany in America
GERMAN HISTORICAL INSTITUTE WASHNGTON, D.C. ANNUAL LECTURE SERIES No. 8 MEDIEVAL GERMANY IN AMERICA Patrick J. Geary With a comment by Otto Gerhard Oexle ANNUAL LECTURE 1995 German Historical Institute Washington, D.C. MEDIEVAL GERMANY IN AMERICA Patrick J. Geary With a comment by Otto Gerhard Oexle © 1996 by German Historical Institute Annual Lecture Series, No. 8 Edited by Detlef Junker, Petra Marquardt-Bigman and Janine S. Micunck ______________ GERMAN HISTORICAL INSTITUTE 1607 New Hampshire Avenue, N.W. Washington, DC 20009, USA MEDIEVAL GERMANY IN AMERICA Patrick J. Geary WAS THERE ANYTHING TO LEARN? American Historians and German Medieval Scholarship: A Comment Otto Gerhard Oexle Preface For the first time since the founding of the German Historical Institute in 1987, the topic of the 1995 Annual Lecture addressed the German Middle Ages—as perceived through American eyes. We invited two distinguished scholars from the United States and Germany, and their presentations made this evening a truly special event. In his lecture, Professor Patrick J. Geary traced the influence of German medievalists, especially their methods and historiography, on American academia. During the second half of the nineteenth century, German scholarship came to be regarded as an exemplary model, owing to its scholarly excellence. However, within a few decades, German medieval scholarship's function as a model for American academics declined. Professor Geary gave an engaging account of this development and offered at the same time an absorbing analysis of how the perception and interpreta- tion of German medieval history by American historians were shaped by their attempt to explain American history. -
Reading List for a Field in Medieval History This List Is Both Too Long for A
Reading List for a Field in Medieval History This list is both too long for a field and not even close to being comprehensive. So it is a starting point, a set of titles that each student will modify, adding and removing books, or sections, according to their particular goals and interests. General Barthélemy, Dominique. “The Year 1000 Without Abrupt or Radical Transformation,” in Debating the Middle Ages Bartlett, Robert. The Making of Europe Bloch, Marc. Feudal Society. Trans. L. A. Manyon. Chicago: University of Chicago Press, 1961. Bossy, John. Christianity in the West Brown, Peter. The Rise of Western Christendom Brown, Elizabeth A.R. “The Tyranny of a Construct: Feudalism and the Historians of Medieval Europe,” AHR 79 (1974): 1063-1088. Cameron, Avril. The Mediterranean World in Late Antiquity Duby, Georges. The Early Growth of the European Economy: Warriors and Peasants from the Seventh to the Twelfth Century. Ithaca, N.Y.: Cornell University Press, 1974. Duffy, Eamon. The Stripping of the Altars Fichtenau, Heinrich. The Carolingian Empire ______. Living in the Tenth Century Freedman, Paul and Gabrielle Spiegel, “Medievalisms Old and New: The Rediscovery of Alterity in North American Medieval Studies,” AHR 103 (1998): 677-704. Geary, Patrick. Before France and Germany Herlihy, David. The Black Death and the Transformation of the West. Ed. Samuel K. Cohn, Jr. Cambridge, Mass.: Harvard University Press, 1997. Huizinga, J. The Autumn of the Middle Ages Livi Bacci, Massimo. The Population of Europe: A History. Trans. Cynthia De Nardi Ipsen and Carl Ipsen. Oxford: Blackwell Publishers, 2000. McKitterick, Rosamund. The Frankish Kingdoms under the Carolingians McNeill, William Hardy. -
The Troubadours
The Troubadours H.J. Chaytor The Project Gutenberg EBook of The Troubadours, by H.J. Chaytor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Troubadours Author: H.J. Chaytor Release Date: May 27, 2004 [EBook #12456] Language: English and French Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TROUBADOURS *** Produced by Ted Garvin, Renald Levesque and the Online Distributed Proofreading Team. THE TROUBADOURS BY REV. H.J. CHAYTOR, M.A. AUTHOR OF "THE TROUBADOURS OF DANTE" ETC. Cambridge: at the University Press 1912 _With the exception of the coat of arms at the foot, the design on the title page is a reproduction of one used by the earliest known Cambridge printer, John Siberch, 1521_ PREFACE This book, it is hoped, may serve as an introduction to the literature of the Troubadours for readers who have no detailed or scientific knowledge of the subject. I have, therefore, chosen for treatment the Troubadours who are most famous or who display characteristics useful for the purpose of this book. Students who desire to pursue the subject will find further help in the works mentioned in the bibliography. The latter does not profess to be exhaustive, but I hope nothing of real importance has been omitted. H.J. CHAYTOR. THE COLLEGE, PLYMOUTH, March 1912. CONTENTS PREFACE CHAP. I. INTRODUCTORY II. -
Medieval Studies
College of Liberal Arts | Fall 2021-22 Minor - Medieval Studies ● Minor - Medieval Studies Minor - Medieval Studies Description The minor in medieval studies is an interdisciplinary course of study that covers the period from 476 to 1517. Students will be encouraged to take courses from a wide range of disciplines, which makes this minor well-suited to many majors. They will come to understand that "the Middle Ages" in fact includes a wide variety of cultures, artistic trends, literatures, languages, philosophies, and religious practices. In developing a deeper appreciation for the past, students will come to a better understanding of the foundation of our fast-paced, ever- changing present-day world. Course Requirements The minor in medieval studies consists of 18 semester hours, including Hst 309 or Eng 316 or Mlll 375. Students must complete 15 hours at the 300 level or above from the approved list of courses below. The 18 semester hours must be taken in at least three different areas (e.g., English, Spanish, German), with 15 hours in an area different from the student's major. The same course may not satisfy requirements for both the major and the minor. Medieval Studies Coursework AH 330 Medieval Art AH 332 Early Christian, Byzantine & Islamic Art AH 334 Early Medieval Art and Archaeology AH 336 Viking Art and Archaeology AH 338 Romanesque and Gothic Art AH 530 Topics in Medieval Art Eng 317 Chaucer Eng 318 Medieval Romance Eng 319 Medieval Drama Eng 320 The Heroic Age Eng 321 Literature of Medieval Europe Eng 322 Studies in Medieval -
51St International Congress on Medieval Studies
51st lntemational Congress on Medieval Studies May 12-15,2016 51st International Congress on Medieval Studies May 12–15, 2016 Medieval Institute College of Arts and Sciences Western Michigan University Kalamazoo, MI 49008-5432 wmich.edu/medieval 2016 Table of Contents Welcome Letter iii Registration iv-v On-Campus Housing vi Off-Campus Accommodations vii Travel viii Driving and Parking ix Food x-xi Campus Shuttles xii Construction xiii Hotel Shuttles xiv Hotel Shuttle Schedules xv Facilities xvi Logistics xvii Varia xviii Lecture/Performance xix Exhibits Hall xx Exhibitors xxi Plenary Lectures xxii Advance Notice—2017 Congress xxiii The Congress: How It Works xxiv Travel Awards xxv Richard Rawlinson Center xxvi Center for Cistercian and Monastic Studies xxvii M.A. Program in Medieval Studies xxviii Medieval Institute Affiliated Faculty xxix Medieval Institute Publications xxx–xxxi About Western Michigan University xxxii Endowment and Gift Funds xxxiii The Otto Gründler Book Prize xxxiv 2016 Congress Schedule of Events 1–175 Index of Sponsoring Organizations 177–183 Index of Participants 185–205 List of Advertisers A-1 Advertising A-2 – A-48 Maps M-1 – M-7 ii The Medieval Institute College of Arts and Sciences Dear Colleague, Summer passed with the Call for Papers; fall came with a change of colors to Kalamazoo and the organization of sessions; we are now in winter here at Western Michigan University, starting to look forward to the spring and the arrival of you, our fellow medievalists, to the 51st International Congress on Medieval Studies. The Valley III cafeteria and adjoining rooms will host booksellers and vendors; cafeteria meals will be served in Valley II’s dining hall. -
Challenge-Winter2009
V OLUME 49, ISSUE 3 CHALLENGE WINTER 2009 News for Lay Dominicans, Province of St Albert the Great From the President dent PC Delegates Start Search for New Leadership Fifteen delegates, plus elected and appointed officers Editor, Justice, Peace, and Care of Creation Promoter, Antiphons for Today were present at the October 2008 Provincial Council Corresponding Secretary, and Treasurer. Voting by O Wisdom – that comes from the Meeting in Plymouth, Michigan, to report on the activities Delegates will occur at the next Provincial Council gift of prudence of their communities. Provincial Promoter Fr Jim Motl Meeting, Oct. 22-25, 2009. O Adonai – That our Father leads said that he was heartened to learn that almost every com- Besides adoption of a new translation of the Rule , as each to His very being munity has a new member, and that younger people, as formulated by the Inter-Provincial Council earlier in O Root of Jesse – that we may well as more men, are joining the communities. the year, finishing touches were made to the By-Laws, respect the fountain of our roots President Ruth Kummer said that there have also been Handbook , and Guidelines and voted on in their final O Key of David – that our hearts growing pains, and that three chapters subdivided re- versions. Work was done on the Strategic Plan, headed open to Your gifts and strengthen cently. She recommended that in addition to ongoing by Chairman Ed Shea. Also discussed was the applica- one to close one’s hearts to faulting study in the cognitive domain, future training in the affec- tion process for the Province’s tax-exempt status, led O Dawn of Light – that you lead tive domain should be added to formation so as to en- by Treasurer Mary Lee Odders and her finance com- each from darkness with an open hance community life. -
The Life and Death of Richard Yea-And-Nay
The Life and Death of Richard Yea-And-Nay By Maurice Hewlett The Life and Death of Richard Yea-and-Nay CHAPTER I OF COUNT RICHARD, AND THE FIRES BY NIGHT I choose to record how Richard Count of Poictou rode all through one smouldering night to see Jehane Saint-Pol a last time. It had so been named by the lady; but he rode in his hottest mood of Nay to that, yet careless of first or last so he could see her again. Nominally to remit his master's sins, though actually (as he thought) to pay for his own, the Abbot Milo bore him company, if company you can call it which left the good man, in pitchy dark, some hundred yards behind. The way, which was long, led over Saint Andrew's Plain, the bleakest stretch of the Norman march; the pace, being Richard's, was furious, a pounding gallop; the prize, Richard's again, showed fitfully and afar, a twinkling point of light. Count Richard knew it for Jehane's torch, and saw no other spark; but Milo, faintly curious on the lady's account, was more concerned with the throbbing glow which now and again shuddered in the northern sky. Nature had no lamps that night, and made no sign by cry of night-bird or rustle of scared beast: there was no wind, no rain, no dew; she offered nothing but heat, dark, and dense oppression. Topping the ridge of sand, where was the Fosse des Noyées, place of shameful death, the solitary torch showed a steady beam; and there also, ahead, could be seen on the northern horizon that rim of throbbing light. -
Levitsky Dissertation
The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric Anne Levitsky Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Anne Levitsky All rights reserved ABSTRACT The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric Anne Levitsky This dissertation explores the relationship of the act of singing to being a human in the lyric poetry of the troubadours, traveling poet-musicians who frequented the courts of contemporary southern France in the twelfth and early thirteenth centuries. In my dissertation, I demonstrate that the troubadours surpass traditionally-held perceptions of their corpus as one entirely engaged with themes of courtly romance and society, and argue that their lyric poetry instead both displays the influence of philosophical conceptions of sound, and critiques notions of personhood and sexuality privileged by grammarians, philosophers, and theologians. I examine a poetic device within troubadour songs that I term ‘personified song’—an occurrence in the lyric tradition where a performer turns toward the song he/she is about to finish singing and directly addresses it. This act lends the song the human capabilities of speech, motion, and agency. It is through the lens of the ‘personified song’ that I analyze this understudied facet of troubadour song. Chapter One argues that the location of personification in the poetic text interacts with the song’s melodic structure to affect the type of personification the song undergoes, while exploring the ways in which singing facilitates the creation of a body for the song. -
Rewriting Dante: the Creation of an Author from the Middle Ages to Modernity
Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _______________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _________________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Laura Banella 2018 Abstract Rewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the Dante function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power. -
Luis De Lucena Repetición De Amores
UNIVERSITY OF NORTH CAROLINA STUDIES IN THE ROMANCE LANGUAGES AND LITERATURES LUIS DE LUCENA REPETICIÓN DE AMORES edited by JACOB ORNSTEIN Gradúate School, Department of Languages and Literature United States Department of Agriculture THE UNIVERSITY OF NORTH CAROLINA PRESS CHAPEL HILL NUMBER TWENTY-THREE 1954 1954 Copyright, 1954 The University of North Carolina Press Table of Contents INTRODUCTION Page Part I. General View of the Text and its Author 1 Part II. The Repetición de amores and the Feminist Debate 12 A Background and Orientation 12 B. Evolution of the Debate in Spain 14 1. Pro-Feminism — The Literature of the Defense 15 2. The Course of Anti-Feminism 20 C The Misogyny of Luis de Lucena 22 NOTES TO INTRODUCTION 101 NOTES TO TEXT 109 BIBLIOGRAPHYRAPHY 125 This page intentionally left blank PREFACE The present study was undertaken fifteen years ago at the Uni- versity of Wisconsin. Its publication after so long a period of time is indeed a source of personal satisfaction. At the same time, this broad span of years has permitted its writer to re-examine and revise various of his original views and interpretations. His hope is that it will be of some positive value and interest to students of early Span- ish literature in particular, and those of comparative Romance liter- atures in general. The writer wishes to express his special gratitude to Professor Lloyd Kasten, University of Wisconsin, and Professor Américo Cas- tro, Princeton University, for their unselfish assistance during the first phases of the study. Other individuals whose interest and sug- gestions have been extremely valuable include: Professor J.