PHILIP M. DIGENNARO CELL: +1 585-313-0035 EMAIL: [email protected] Current City: Los Angeles

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PHILIP M. DIGENNARO CELL: +1 585-313-0035 EMAIL: Phildigennaro1@Me.Com Current City: Los Angeles

PHILIP M. DIGENNARO CELL: +1 585-313-0035 EMAIL: [email protected] Current City: Los Angeles Suny Brockport – Sports managements and communications Full Sail University - Film ESPN Monday Night Football Intro, Production Assistant. Helped set up stages and lights. 24/7 Casting Heinz Productions, Casting Assistant. Helped with casting process, taking pictures and filing paper work, as well as wrangled talent on set. Clown Delivery Smokin Penguins LLC Short film, Grip. Assisted with setting up lights, c-stands as well, moving the sets around. NBC’s The Voice Season 2 Auditions, Production Assistant, Wrangled and directed talent through the audition process. My Christian Films Kraze, Volunteer Cam Op. Worked the camera during live broadcasts. Mudjumper feature film, Casting Coordinator. Recruited people to help fill out scenes as well as direct/wrangle them. Supernanny reality show, Production assistant. Help set up camera and lights. The N.OC. Premier Youtube channel, Production Assistant. Help set up camera, lights and direct talent. Fox’s Kitchen Nightmare, Casting Recruiter. Recruited Restaurants to be on the show, taking pictures as well as getting them to fill out paper work. Southern Nights Reality show, Logger. Tracked shot’s and logged them in an excel spreadsheet. Experienced with AfterEffects, Final Cut pro, and Adobe Premier Activision – QA Tester Freelance Capture artist – Editing and capturing footage. Making and creating scenes, and montages with game play. Guerilla Games - Killzone 3 Beta Tester. Slant Six Games - Socom Confrontation Beta Tester. Naughty Dog - Uncharted 3 Beta Tester. Electronic Arts - Battlefield 3 Beta Tester. Zipper Interactive -Socom 4 Beta Tester. Insomniac Games - Resistance 3 Beta Tester. Ubisoft - Ghost Recon Future Soldier Beta Tester. CCP - Dust514 Beta tester. Tested games for bugs, while paying close attention to quality, entertainment, visual, appeal, sound, environments, difficulty level, and overall functionality of the product. Experienced with AAA console game testing, mobile applications, console applications as well as web applications. • Isolated and reported anomalies and technical issues a consumer might encounter in the product. • Verified that fixes were implemented correctly throughout the product cycle in both the consumer and development environment. • Ensured bug reports were written clearly and accurately, detailing anomalies found and the steps required to reproduce those anomalies. • Reviewed software documentation for accuracy and completeness as it pertained to test objectives for the product. • Familiar with bug tracking software, such as DevTest and DevTrack. • Used Admin site to remove and moderate user content on gaming forums and web applications Familiar with Lotcheck, TCR and TRC requirements. .

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Philip Thesis 3Nd Final Version
WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Global gamers, transnational play, imaginary battlefield: encountering the gameplay experience in the war-themed first-person-shooter, Call of Duty Philip Lin School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Global Gamers, Transnational Play, Imaginary Battlefield: Encountering the Gameplay Experience in the War-Themed First-Person-Shooter, Call of Duty Philip Lin A thesis submitted in partial fulfillment of the requirements of the University of Westminster, for the degree of Doctor of Philosophy Communication and Media Research Institute University of Westminster Thesis Title: Global Gamers, Transnational Play, Imaginary Battlefield: Encountering the Gameplay Experience in the War-Theme First-Person-Shooter, Call of Duty Candidate: Philip Lin Supervisors: Director of Studies: Professor Daya Thussu Supervisor: Dr.
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Du Mutisme Au Dialogue
École Nationale Supérieure Louis Lumière Promotion Son 2015 Du mutisme au dialogue Les interactions vocales dans le jeu vidéo Partie pratique : v0x Mémoire de fin d'étude Rédacteur : Charles MEYER Directeur interne: Thierry CODUYS Directrice externe : Isabelle BALLET Rapporteur : Claude GAZEAU Année universitaire 2014-2015 Mémoire soutenu le 15 juin 2015 Remerciements : Je tiens à remercier chaleureusement mes deux directeurs de mémoire pour leur implication, leur confiance et leur exigence. Je remercie tout particulièrement Nicolas GIDON, sans qui la réalisation de la partie pratique de ce mémoire aurait été plus chronophage et complexe.. Je remercie et salue Nicolas FOURNIER et Baptiste PALACIN, dont les travaux et la gentillesse ont été une source d'inspiration et de détermination. Je remercie également ma mère, ma tante, Jordy, Julien et Julien (n'en déplaise à Julien), Timothée et mes amis pour leur soutien indéfectible. Merci à madame VALOUR, monsieur COLLET, monsieur FARBRÈGES ainsi qu'à leurs élèves. Enfin, merci à From Software et à NetherRealm Studios pour leur jeux, qui auront été un défouloir bienvenu. Page 2 Résumé Ce mémoire de master a pour objet d'étude les interactions vocales dans le jeu vidéo. Cependant, il ne se limite pas à une étude historique de l'évolution de la vocalité au sein des jeux vidéo mais en propose une formalisation théorique autour de trois concepts essentiels : Mécanique, Narration et Immersion. De ces trois concepts découlent trois types de voix : les voix système, les voix narratives (linéaires et non- linéaires) et les voix d'ambiance. Dans le prolongement de cette étude et en s'appuyant sur les travaux menés dans le cadre des parties expérimentale et pratique de ce mémoire, ayant abouti à la réalisation d'un jeu vidéo basé sur l'analyse spectrale de la voix du joueur, v0x, nous proposons une extension de cette théorie de la vocalité vidéo-ludique afin d'intégrer l'inclusion de la voix du joueur au sein de ce cadre d'étude.
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Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play.
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École Nationale Supérieure Louis Lumière Promotion Son 2015 Du mutisme au dialogue Les interactions vocales dans le jeu vidéo Partie pratique : v0x Mémoire de fin d'étude Rédacteur : Charles MEYER Directeur interne: Thierry CODUYS Directrice externe : Isabelle BALLET Rapporteur : Claude GAZEAU Année universitaire 2014-2015 Mémoire soutenu le 15 juin 2015 Remerciements : Je tiens à remercier chaleureusement mes deux directeurs de mémoire pour leur implication, leur confiance et leur exigence. Je remercie tout particulièrement Nicolas GIDON, sans qui la réalisation de la partie pratique de ce mémoire aurait été plus chronophage et complexe.. Je remercie et salue Nicolas FOURNIER et Baptiste PALACIN, dont les travaux et la gentillesse ont été une source d'inspiration et de détermination. Je remercie également ma mère, ma tante, Jordy, Julien et Julien (n'en déplaise à Julien), Timothée et mes amis pour leur soutien indéfectible. Merci à madame VALOUR, monsieur COLLET, monsieur FARBRÈGES ainsi qu'à leurs élèves. Enfin, merci à From Software et à NetherRealm Studios pour leur jeux, qui auront été un défouloir bienvenu. Page 2 Résumé Ce mémoire de master a pour objet d'étude les interactions vocales dans le jeu vidéo. Cependant, il ne se limite pas à une étude historique de l'évolution de la vocalité au sein des jeux vidéo mais en propose une formalisation théorique autour de trois concepts essentiels : Mécanique, Narration et Immersion. De ces trois concepts découlent trois types de voix : les voix système, les voix narratives (linéaires et non- linéaires) et les voix d'ambiance. Dans le prolongement de cette étude et en s'appuyant sur les travaux menés dans le cadre des parties expérimentale et pratique de ce mémoire, ayant abouti à la réalisation d'un jeu vidéo basé sur l'analyse spectrale de la voix du joueur, v0x, nous proposons une extension de cette théorie de la vocalité vidéo-ludique afin d'intégrer l'inclusion de la voix du joueur au sein de ce cadre d'étude.
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