Aristotle on Helios’ ‘Omniscience’ in Iliad 3 and Odyssey 12: on Schol
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From the Odyssey, Part 1: the Adventures of Odysseus
from The Odyssey, Part 1: The Adventures of Odysseus Homer, translated by Robert Fitzgerald ANCHOR TEXT | EPIC POEM Archivart/Alamy Stock Photo Archivart/Alamy This version of the selection alternates original text The poet, Homer, begins his epic by asking a Muse1 to help him tell the story of with summarized passages. Odysseus. Odysseus, Homer says, is famous for fighting in the Trojan War and for Dotted lines appear next to surviving a difficult journey home from Troy.2 Odysseus saw many places and met many the summarized passages. people in his travels. He tried to return his shipmates safely to their families, but they 3 made the mistake of killing the cattle of Helios, for which they paid with their lives. NOTES Homer once again asks the Muse to help him tell the tale. The next section of the poem takes place 10 years after the Trojan War. Odysseus arrives in an island kingdom called Phaeacia, which is ruled by Alcinous. Alcinous asks Odysseus to tell him the story of his travels. I am Laertes’4 son, Odysseus. Men hold me formidable for guile5 in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca6 under Mount Neion’s wind-blown robe of leaves, in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I shall not see on earth a place more dear, though I have been detained long by Calypso,7 loveliest among goddesses, who held me in her smooth caves to be her heart’s delight, as Circe of Aeaea,8 the enchantress, desired me, and detained me in her hall. -
Homer's Odyssey in the Hands of Its Allegorists: Many Paths to Explain the Cosmos
Safari Grey Homer’s Odyssey in the Hands of its Allegorists: Many Paths to Explain the Cosmos Summary The allegorical exegetic tradition was arguably the most popular form of literary criticism in antiquity. Amongst the ancient allegorists we encounter a variety of names and philo- sophic backgrounds spanning from Pherecydes of Syros to Proclus the Successor. Many of these writers believed that Homer’s epics revealed philosophical doctrines through the means of hyponoia or ‘undermeanings’.Within this tradition was a focus on cosmological, cosmogonical and theological matters which attracted a variety of commentators despite their philosophical backgrounds. It is the intention of this paper to draw attention to two writers: Heraclitus, and Porphyry of Tyre. This paper also intends to demonstrate that the tradition of cosmic allegorical exegesis is still practiced in modern scholarship. Keywords: Homer; literary criticism; allegory; Heraclitus; Porphyry; cosmology; metaphor Die allegorische exegetische Tradition war wohl die populärste Form der Literaturkritik in der Antike. Unter den antiken Allegorien begegnen wir einer Vielzahl von Namen und phi- losophischen Hintergründen, die von Pherecydes von Syros bis zu Proclus der Nachfolger reichen. Viele dieser Autoren glaubten, Homers Epen enthüllten philosophische Lehren durch Hyponoie oder ,Unterschätzung‘. In dieser Tradition lag der Fokus auf kosmologi- schen, kosmogonischen und theologischen Fragen, die trotz ihrer philosophischen Hinter- gründe eine Vielzahl von Kommentatoren anzogen. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
New Achilles Folder.Pdf
ffi ffi Achilles (uh-KlH-leez) was a mighty Greek hero. r. Greeks and Romans told many stories about him. The stories said that Achilles could not be harmed. He was i: ',' , ; \: i ", : : The stories also said that gods helped Achilles and other heroes. During one battle, a hero named Hector threw his spear at Achilles. The goddess Athena (uh-THEE-nuh) knocked the spear down. Then Achilles raised his spear to throw at Hector. But the god Apollo created a fog around Hector. Achilles could not see Hector. Hector ran from Achilles. As Hector ran, Athena approached him. She had i: r i i, ,. , :,: ,'. , herself as one of his brothers. So Hector stopped. Athena offered him a new spear, but it was a trick. When Hector reached for the spear, it disappeared. Achilles then caught up to Hector. He attacked and killed Hector. Achilles defeated many enemies in battle. Achilles' mother was Thetis (THEE-tuhss). She was a sea : ' . Nymphs were creatures that never grew old or died. They w€re : . Achilles' father was the human King Peleus (PEE-1ee-uhss). Peleus ruled an area of Greece called Phthia (THYE-uh). Because Achilles was part human, he would grow old and die. He was : ,, ,, . Thetis wanted to keep Achilles from dying of old age. At night, Thetis put Achilles into a fire to burn off his mortal skin. In the morning, she rubbed ambrosia (am-BRoH-zhuh) on him to heal his body. Ambrosia was the food of the gods. Achilles' mother also wanted to protect her son from harm. -
"Then Said the Lady Circe: 'So: All Those Trials Are Over. Listen With
5 beauty to ! woe to th( He will nc in ioy, cro the Sirens on their s~ of dead m and flayec keep well with bees should he let the m~ and {oot, so you m shout as your crex and keep What th~ and you plan the tell you, and dart roars ar. the gods Not eve i 30 lies betx piercing dissolvi to sho~ 35 NO toOl as land so shee "Then said the Lady Circe: Midwa ’So: all those trials are over. 2-3 in Circe opens t Listen with care valuable ally, In tl 40 this in lines, she describes in your rr to this, now, and a god will arm your mind. danger that he a~ Square in your ship’s path are Sirens, crying meet on their way home, would UNIT SIX PART 1: THE ODYSSEY 5 beauty to bewitch men coasting by; woe to the innocent who hears that sound! He will not see his lady nor his children in joy, crowding about him~ home from sea; the Sirens will sing his mind away 10 on their sweet meadow lolling. There are bones of dead men rotting in a pile beside them and flayed skins shrivel around the spot. 12 flayed: torn off; stripped. Steer wide; keep well to seaward; plug your oarsmen’s ears with beeswax kneaded soft; none of the rest 14 kneaded (n~’dYd): squeezed and is should hear that song. pressed. But if you wish to listen, 15-21 Circe suggests a way for Odysseus to hear the Sirens safely. -
The Cyclops in the Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts
THE CYCLOPS IN THE ODYSSEY, ULYSSES, AND ASTERIOS POLYP: HOW ALLUSIONS AFFECT MODERN NARRATIVES AND THEIR HYPOTEXTS by DELLEN N. MILLER A THESIS Presented to the Department of English and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts December 2016 An Abstract of the Thesis of Dellen N. Miller for the degree of Bachelor of Arts in the Department of English to be taken December 2016 Title: The Cyclops in The Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts Approved: _________________________________________ Paul Peppis The Odyssey circulates throughout Western society due to its foundation of Western literature. The epic poem thrives not only through new editions and translations but also through allusions from other works. Texts incorporate allusions to add meaning to modern narratives, but allusions also complicate the original text. By tying two stories together, allusion preserves historical works and places them in conversation with modern literature. Ulysses and Asterios Polyp demonstrate the prevalence of allusions in books and comic books. Through allusions to both Polyphemus and Odysseus, Joyce and Mazzucchelli provide new ways to read both their characters and the ancient Greek characters they allude to. ii Acknowledgements I would like to sincerely thank Professors Peppis, Fickle, and Bishop for your wonderful insight and assistance with my thesis. Thank you for your engaging courses and enthusiastic approaches to close reading literature and graphic literature. I am honored that I may discuss Ulysses and Asterios Polyp under the close reading practices you helped me develop. -
The Marriage of Peleus & Thetis
The Marriage of Peleus & Thetis [Groton & May, Chapter 18] Peleus Thetis m. was a mortal man, the son was a sea nymph, one of of Endeis and Aeacus, king the fifty daughters of of Aegina. As a young Nereus, termed Nereids, Achilles man, Peleus and his described by Homer as, brother, Telemon were “silver-footed.” involved in the murder of their half-brother, Phocus. In exile, he married Antigone, then accidentally killed her father, Eurytion. After Antigone killed herself, Peleus again went into exile Portrait of Achilles from a Greek Black-figure vase, c. 530 BC where he met his next wife. The Nuptials The wedding was planned by Zeus (Jupiter) himself and took place on Mt. Pelion. Mortals and immortals alike were invited and all were required to bring gifts. Poseidon (Neptune) gave Peleus a pair of immortal horses, named Balius & Xanthus. The wedding is described by the Greek playwright, Euripides, in “Iphigenia at Aulis” and by the Latin poet, Catullus in poem 64. Discordia [Greek, Ερισ] The goddess of discord and the personification of strife, Discord was the only immortal not invited to the wedding of Peleus and Thetis. Angered, she threw out a golden apple inscribed with the words, “For the Fairest.” Three goddesses, Hera (Juno), Aphrodite (Venus), and Athena (Minerva), immediately begin to quarrel over the apple. Jupiter handed the decision over to the Trojan, Paris, who awards the apple to Aphrodite. Venus in turn offers him the golden apple Helen, wife of Menelaus, King of Sparta. created by Jessica Fisher, 2007 . -
Back-To-Back Synopses.Indd
Storykit: Back-to-back Synopses Short Synopsis (in 3s!) for ease of memorisation: The Wooden Horse 1. The Greeks go to war with the Trojans. 2. Odysseus comes up with the Wooden Horse ploy. 3. The Greeks win the war. The Ciconians 1. They are brought to the Ciconian shores by a freak wind. 2. The Greeks attack them because they were allies of Troy. 3. The Ciconians attack them back and the Greeks are forced to retreat. The Lotus Eaters 1. Arrive on a wooded isle and lose a searching-garrison. 2. Go in search and find them drinking the juice of happiness and forgetting. 3. Just get away before they are all stuck on the island under the influence of the juice. The Cyclops 1. Arrive on a barren island and search it. 2. Find the home of the Cyclops and are trapped in it. 3. Odysseus (‘Nobody’) tricks his way out, blinding the Cyclops, and they just escape. http://education.worley2.continuumbooks.com © Peter Worley (2012) The If Odyseey. London: Bloomsbury Illustrations © Tamar Levi 2012 Aeolus 1. Arrive on a fortified island and are finally welcomed as guests. 2. Odysseus is given a bag as a gift by Aeolus. 3. Crew mutiny just as they reach home and release the winds from inside the bag, blowing them back out to sea. The Laestrygonians 1. Arrive on another island with an encircled harbour. 2. Find out the hard way that this is an island of giant cannibals. 3. They only just escaped with their lives. Circe 1. Arrive on yet another island only for some of the men to be turned into pigs by the goddess Circe. -
Thetis-Hebrew.Pdf
Thetis Not be confused with the sea-goddess Tethys, or Themis, 1 Thetis as goddess the embodiment of law. For other uses, see Thetis (dis- ambiguation) Most extant material about Thetis concerns her role as “Thetys” redirects here. For the animal genus, see Thetys mother of Achilles, but there is some evidence that as the (salp). sea-goddess she played a more central role in the religious Thetis (/ˈθɛtɪs/; Ancient Greek: Θέτις, [tʰétis]), is en- beliefs and practices of Archaic Greece. The pre-modern etymology of her name, from tithemi (τίθημι), “to set up, establish,” suggests a perception among Classical Greeks of an early political role. Walter Burkert[3] considers her name a transformed doublet of Tethys. In Iliad I, Achilles recalls to his mother her role in de- fending, and thus legitimizing, the reign of Zeus against an incipient rebellion by three Olympians, each of whom has pre-Olympian roots: You alone of all the gods saved Zeus the Darkener of the Skies from an inglorious fate, when some of the other Olympians—Hera, Poseidon, and Pallas Athene—had plotted to throw him into chains... You, goddess, went and saved him from that indignity. You quickly summoned to high Olympus the monster of the hundred arms whom the gods call Briareus, but mankind Aegaeon,[4] a giant more power- ful even than his father. He squatted by the Son Head of Thetis from an Attic red-figure pelike, c. 510–500 BC, of Cronos with such a show of force that the Louvre. blessed gods slunk off in terror, leaving Zeus countered in Greek mythology mostly as a sea nymph or free known as the goddess of water, one of the fifty Nereids, —E.V. -
Unit 5: Epic and Myth
The Burning of Troy, 1606. Pieter Schoubroeck. 944 Archivo Iconografico, S.A./CORBIS UNIT FIVE Epic and Myth Looking Ahead Many centuries ago, before books, magazines, paper, and pencils were invented, people recited their stories. Some of the stories they told offered explanations of natural phenomena, such as thunder and lightning, or the culture’s customs or beliefs. Other stories were meant for entertainment. Taken together, these stories—these myths, epics, and legends—tell a history of loyalty and betrayal, heroism and cowardice, love and rejection. In this unit, you will explore the literary elements that make them unique. PREVIEW Big Ideas and Literary Focus BIG IDEA: LITERARY FOCUS: 1 Journeys Hero BIG IDEA: LITERARY FOCUS: 2 Courage and Cleverness Archetype OBJECTIVES In learning about the genres of epic and myth, • identifying and exploring literary elements you will focus on the following: significant to the genres • understanding characteristics of epics and myths • analyzing the effect that these literary elements have upon the reader 945 Genre Focus: Epic and Myth What is unique about epics and myths? Why do we read stories from the distant past? answer. He thought that in order for us to under- Why should we care about heroes and villains long stand the people we are today, we have to learn dead? About cities and palaces that were destroyed about those who came before us. One way to do centuries before our time? The noted psychologist that, Jung believed, was to read the myths and and psychiatrist Carl Jung thought he knew the epics of long ago. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
Symbolism of the Apple in Greek Mythology Highgate Private School Nicosia, CYPRUS
Symbolism of the Apple in Greek Mythology Highgate Private School Nicosia, CYPRUS Apples appear throughout numerous world religions and mythologies as a common symbol and motif. It is important to note though that in Middle English as late as the 17th century, the word ‘apple’ was used as a generic term to describe all fruit other than berries, so the appearance of apples in ancient writings may not actually be the apples known today. The etymology of 'apple' is an interesting one. That aside, Greek mythology presents several notable apples: the Golden Apples in the Garden of Hesperides, different golden apples associated with Atalanta, and of course the golden Apple of Discord. Each appearance of apples presents unique examples of symbolism. The Golden Apples in the Garden of Hesperides were a wedding gift to Hera from Gaia and were protected by a great serpent called Ladon. The Apples as well as the rest of the life in the Garden were tended by the Hesperides, minor earth goddesses or nymphs and daughters of the Titan, Atlas. The Garden itself rested in an inaccessible spot near the edge of the world under the power of the Olympians. For his Eleventh Labor, Hercules was sent to the Garden to retrieve three Golden Apples for King Eurystheus. The exact location of the Garden and the Apples was unknown and Hercules had to pry the information from Nereus, the Old Man of the Sea. Along the way, he also encountered and freed Prometheus who told not to try pick the Golden Apples himself, but to ask Atlas.