Unit 5: Epic and Myth
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Dionysus, Wine, and Tragic Poetry: a Metatheatrical Reading of P.Koln VI 242A=Trgf II F646a Anton Bierl
BIERL, ANTON, Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of a New Dramatic Papyrus , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.353 Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of P.Koln VI 242A=TrGF II F646a Anton Bierl EW DRAMATIC PAPYRUS1 confronts interpreters with many ~puzzling questions. In this paper I shall try to solve some of these by applying a new perspective to the text. I believe that this fragment is connected with a specific literary feature of drama especially prominent in the bnal decades of the bfth century B.C., viz. theatrical self-consciousness and the use of Dionysus, the god of Athenian drama, as a basic symbol for this tendency. 2 The History of the Papyrus Among the most important papyri brought to light by Anton Fackelmann is an anthology of Greek prose and poetry, which includes 19 verses of a dramatic text in catalectic anapestic tetrameters. Dr Fackelmann entrusted the publication of this papyrus to Barbel Kramer of the University of Cologne. Her editio princeps appeared in 1979 as P. Fackelmann 5. 3 Two years later the verses were edited a second time by Richard Kannicht and Bruno Snell and integrated into the Fragmenta Adespota in 1 This papyrus has already been treated by the author in Dionysos und die griechische Trag odie. Politische und 'metatheatralische' Aspekte im Text (Tiibingen 1991: hereafter 'Bieri') 248-53. The interpretation offered here is an expansion of my earlier provisional comments in the Appendix, presenting fragments of tragedy dealing with Dionysus. 2 See C. -
2010 Njcl Certamen Novice Division Round One
2010 NJCL CERTAMEN NOVICE DIVISION ROUND ONE 1. What effect did the flower of the lotus have upon the men of Odysseus? STOPPED CARING ABOUT HOME / DID NOT WANT TO GO BACK HOME / WANTED TO STAY IN LOTUS-EATER LAND / WEEP BITTERLY AS ODYSSEUS FORCED THEM BACK TO SHIPS B1: Who ate six of Odysseus' crewmen at another stop? POLYPHEMUS B2: What race of giant man-eaters crushed all but one of Odysseus' ships at another stop? LAESTRYGONIANS 2. From what Latin verb do we derive “adroit,” “dress,” “escort,” and “director”? REGŌ B1: Which one of these English words is also derived from regō: reciprocal, ruler, unrequited, rigidity? RULER B2: What English derivative of regō is a noun meaning “the denotation of a place where a person is located”? ADDRESS/REGION 3. Whose arrow was the first to strike the Calydonian boar? ATALANTA’S B1: What son of Oeneus, the king of Calydon, subsequently killed the boar? MELEAGER B2: What deity inflicted the monstrous boar upon Calydon after being offended by Oeneus? ARTEMIS 4. Give the vocative singular of the Latin noun meaning “son.” FĪLĪ B1: Give the vocative singular of the Latin noun meaning “poet.” POĒTA B2: Give the vocative of the phrase “my good friend.” MĪ AMĪCE BONE 5. What emperor lived a life of leisure while his father ruled the empire, and continued to do so in Campania after he was deposed by Odoacer? ROMULUS AUGUST(UL)US B1: What year was that overthrow of Romulus Augustulus? 476 AD B2: Who was Romulus Augustulus’ father, a name shared with a matricide in Greek tragedy? ORESTES 6. -
From the Odyssey, Part 1: the Adventures of Odysseus
from The Odyssey, Part 1: The Adventures of Odysseus Homer, translated by Robert Fitzgerald ANCHOR TEXT | EPIC POEM Archivart/Alamy Stock Photo Archivart/Alamy This version of the selection alternates original text The poet, Homer, begins his epic by asking a Muse1 to help him tell the story of with summarized passages. Odysseus. Odysseus, Homer says, is famous for fighting in the Trojan War and for Dotted lines appear next to surviving a difficult journey home from Troy.2 Odysseus saw many places and met many the summarized passages. people in his travels. He tried to return his shipmates safely to their families, but they 3 made the mistake of killing the cattle of Helios, for which they paid with their lives. NOTES Homer once again asks the Muse to help him tell the tale. The next section of the poem takes place 10 years after the Trojan War. Odysseus arrives in an island kingdom called Phaeacia, which is ruled by Alcinous. Alcinous asks Odysseus to tell him the story of his travels. I am Laertes’4 son, Odysseus. Men hold me formidable for guile5 in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca6 under Mount Neion’s wind-blown robe of leaves, in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I shall not see on earth a place more dear, though I have been detained long by Calypso,7 loveliest among goddesses, who held me in her smooth caves to be her heart’s delight, as Circe of Aeaea,8 the enchantress, desired me, and detained me in her hall. -
APRIL GIFTS 2011 Compiled By: Susan F
APRIL GIFTS 2011 Compiled by: Susan F. Glassmeyer Cincinnati, Ohio, 2011 LittlePocketPoetry.Org APRIL GIFTS 2011 1 How Zen Ruins Poets Chase Twitchel 2 Words Can Describe Tim Nolan 3 Adjectives of Order Alexandra Teague 4 Old Men Playing Basketball B.H. Fairchild 5 Healing The Mare Linda McCarriston 6 Practicing To Walk Like A Heron Jack Ridl 7 Sanctuary Jean Valentine 8 To An Athlete Dying Young A.E. Housman 9 The Routine After Forty Jacqueline Berger 10 The Sad Truth About Rilke’s Poems Nick Lantz 11 Wall Christine Garren 12 The Heart Broken Open Ronald Pies, M.D. 13 Survey Ada Jill Schneider 14 The Bear On Main Street Dan Gerber 15 Pray For Peace Ellen Bass 16 April Saturday, 1960 David Huddle 17 For My Father Who Fears I’m Going To Hell Cindy May Murphy 18 Night Journey Theodore Roethke 19 Love Poem With Trash Compactor Andrea Cohen 20 Magic Spell of Rain Ann Blandiana 21 When Lilacs Frank X. Gaspar 22 Burning Monk Shin Yu Pai 23 Mountain Stick Peter VanToorn 24 The Hatching Kate Daniels 25 To My Father’s Business Kenneth Koch 26 The Platypus Speaks Sandra Beasley 27 The Baal Shem Tov Stephen Mitchell 28 A Peasant R.S. Thomas 29 A Green Crab’s Shell Mark Doty 30 Tieh Lien Hua LiChing Chao April Gifts #1—2011 How Zen Ruins Poets I never know exactly where these annual “April Gifts” selections will take us. I start packing my bags in January by preparing an itinerary of 30 poems and mapping out a probable monthlong course. -
The Chinese Navy: Expanding Capabilities, Evolving Roles
The Chinese Navy: Expanding Capabilities, Evolving Roles The Chinese Navy Expanding Capabilities, Evolving Roles Saunders, EDITED BY Yung, Swaine, PhILLIP C. SAUNderS, ChrISToPher YUNG, and Yang MIChAeL Swaine, ANd ANdreW NIeN-dzU YANG CeNTer For The STUdY oF ChINeSe MilitarY AffairS INSTITUTe For NATIoNAL STrATeGIC STUdIeS NatioNAL deFeNSe UNIverSITY COVER 4 SPINE 990-219 NDU CHINESE NAVY COVER.indd 3 COVER 1 11/29/11 12:35 PM The Chinese Navy: Expanding Capabilities, Evolving Roles 990-219 NDU CHINESE NAVY.indb 1 11/29/11 12:37 PM 990-219 NDU CHINESE NAVY.indb 2 11/29/11 12:37 PM The Chinese Navy: Expanding Capabilities, Evolving Roles Edited by Phillip C. Saunders, Christopher D. Yung, Michael Swaine, and Andrew Nien-Dzu Yang Published by National Defense University Press for the Center for the Study of Chinese Military Affairs Institute for National Strategic Studies Washington, D.C. 2011 990-219 NDU CHINESE NAVY.indb 3 11/29/11 12:37 PM Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the U.S. Department of Defense or any other agency of the Federal Government. Cleared for public release; distribution unlimited. Chapter 5 was originally published as an article of the same title in Asian Security 5, no. 2 (2009), 144–169. Copyright © Taylor & Francis Group, LLC. Used by permission. Library of Congress Cataloging-in-Publication Data The Chinese Navy : expanding capabilities, evolving roles / edited by Phillip C. Saunders ... [et al.]. p. cm. Includes bibliographical references and index. -
An 'Innocent' Abroad
THE CHICAGO TRIBUNE: MONDAY. DECEMBER 24, 1877, 3 the porter about tt, and he nail the prairie was and cake stands which line either aide. On en- oysb-rs In that way—never cat them at all, In The snMl«-« confuted of old stran* nod strings It I* devoid of pleasure—very much so. The seats, TVA*TF,I>-ITIALE uut on lire at all. I now have tlicopinion that tering the auditorium, a strange sight presents fact, unless they arc smuggled into soup. on a woo !cn hw. pa>Mi><] with old carpet. The with theiriron partition". are about as uncom- fortablefor emild he. Trndee. ‘INNOCENT’ ABROAD the writer o( that hook Is an untruthful per* l,«c;ir. The gener.il effect Is that of a theatre: OS* DAT SPENT IS OAKLAND bridles were part leather and part rope. t felt, some purpose m they well AN nn',e*a \irANTr.T)-MRTAL PATrr.IWdIAKP.R. ACCHS- mildest thingI cm say of there are the stage, and actors, and was pleasure. The linn. W, C. Han- sorry They Yon cannot lie down upon them at all »V tornrd non, and that Is the audience. brimful of for the horses. seemed to feel yon happen to be without rlbe, to maklnct raitern* for malleable ;t«m But everything Is socoarse and orna- formerly comoany made anil ara esstlnx*. A<ldreM St. Louts Malleable Iron Company, him. devoid of nah, a prominent lawyer, of I.aporte. ashamed of having to appear before to yourself sp Sidney there Is a place called mentation that It gives you the impression that but now living In this looking able roll like a piece of carpel. -
National Forest Imagery Catalog Collection at the USDA
National Forest Imagery Catalog collection at the USDA - Farm Service Agency Aerial Photography Field Office (APFO) 2222 West 2300 South Salt Lake City, UT 84119-2020 (801) 844-2922 - Customer Service Section (801) 956-3653 - Fax (801) 956-3654 - TDD [email protected] http://www.apfo.usda.gov This catalog listing shows the various photographic coverages used by the U.S. Department of Agriculture and archived at the Aerial Photography Field Office. This catalog references U.S. Forest Service (FS) and other agencies imagery. For imagery prior to 1955, please contact the National Archives & Records Administration: Cartographic & Architectural Reference (NWCS-Cartographic) Aerial Photographs Team http://www.archives.gov/research/order/maps.html#contact Coverage of U.S. Forest Service photography is listed alphabetically for each forest within a region. Numeric and alpha codes used to identify FS projects are determined by the Forest Service. The original film type for most of this imagery is a natural color negative. Line indexes are available for most projects. The number of index sheets required to cover a project area is shown on the listing. Please reference the remarks column, which may identify a larger or smaller project area than the National Forest area defined in the header. Offered in the catalog listing at each National Forest heading is a link to locate the Regional and National Forest office address and phone number at: http://www.fs.fed.us/intro/directory You may wish to visit the National Forest office to view the current imagery and have them assist you in identifying aerial imagery from the APFO. -
Mark Twain's Theories of Morality. Frank C
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1941 Mark Twain's Theories of Morality. Frank C. Flowers Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Flowers, Frank C., "Mark Twain's Theories of Morality." (1941). LSU Historical Dissertations and Theses. 99. https://digitalcommons.lsu.edu/gradschool_disstheses/99 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MARK TWAIN*S THEORIES OF MORALITY A dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College . in. partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Prank C. Flowers 33. A., Louisiana College, 1930 B. A., Stanford University, 193^ M. A., Louisiana State University, 1939 19^1 LIBRARY LOUISIANA STATE UNIVERSITY COPYRIGHTED BY FRANK C. FLOWERS March, 1942 R4 196 37 ACKNOWLEDGEMENT The author gratefully acknowledges his debt to Dr. Arlin Turner, under whose guidance and with whose help this investigation has been made. Thanks are due to Professors Olive and Bradsher for their helpful suggestions made during the reading of the manuscript, E. C»E* 3 7 ?. 7 ^ L r; 3 0 A. h - H ^ >" 3 ^ / (CABLE OF CONTENTS ABSTRACT . INTRODUCTION I. Mark Twain— philosopher— appropriateness of the epithet 1 A. -
Homer's Odyssey in the Hands of Its Allegorists: Many Paths to Explain the Cosmos
Safari Grey Homer’s Odyssey in the Hands of its Allegorists: Many Paths to Explain the Cosmos Summary The allegorical exegetic tradition was arguably the most popular form of literary criticism in antiquity. Amongst the ancient allegorists we encounter a variety of names and philo- sophic backgrounds spanning from Pherecydes of Syros to Proclus the Successor. Many of these writers believed that Homer’s epics revealed philosophical doctrines through the means of hyponoia or ‘undermeanings’.Within this tradition was a focus on cosmological, cosmogonical and theological matters which attracted a variety of commentators despite their philosophical backgrounds. It is the intention of this paper to draw attention to two writers: Heraclitus, and Porphyry of Tyre. This paper also intends to demonstrate that the tradition of cosmic allegorical exegesis is still practiced in modern scholarship. Keywords: Homer; literary criticism; allegory; Heraclitus; Porphyry; cosmology; metaphor Die allegorische exegetische Tradition war wohl die populärste Form der Literaturkritik in der Antike. Unter den antiken Allegorien begegnen wir einer Vielzahl von Namen und phi- losophischen Hintergründen, die von Pherecydes von Syros bis zu Proclus der Nachfolger reichen. Viele dieser Autoren glaubten, Homers Epen enthüllten philosophische Lehren durch Hyponoie oder ,Unterschätzung‘. In dieser Tradition lag der Fokus auf kosmologi- schen, kosmogonischen und theologischen Fragen, die trotz ihrer philosophischen Hinter- gründe eine Vielzahl von Kommentatoren anzogen. -
The Odyssey Homer Translated Lv Robert Fitzç’Erald
I The Odyssey Homer Translated lv Robert Fitzç’erald PART 1 FAR FROM HOME “I Am Odysseus” Odysseus is in the banquet hail of Alcinous (l-sin’o-s, King of Phaeacia (fë-a’sha), who helps him on his way after all his comrades have been killed and his last vessel de stroyed. Odysseus tells the story of his adventures thus far. ‘I am Laertes’ son, Odysseus. [aertes Ia Men hold me formidable for guile in peace and war: this fame has gone abroad to the sky’s rim. My home is on the peaked sea-mark of Ithaca 4 Ithaca ith’. k) ,in island oft under Mount Neion’s wind-blown robe of leaves, the west e ast it C reece. in sight of other islands—Dulichium, Same, wooded Zacynthus—Ithaca being most lofty in that coastal sea, and northwest, while the rest lie east and south. A rocky isle, but good for a boy’s training; I (I 488 An Epic Poem I shall not see on earth a place more dear, though I have been detained long by Calypso,’ 12. Calypso k1ip’sö). loveliest among goddesses, who held me in her smooth caves, to be her heart’s delight, as Circe of Aeaea, the enchantress, 15 15. Circe (sür’së) of Aeaea e’e-). desired me, and detained me in her hail. But in my heart I never gave consent. Where shall a man find sweetness to surpass his OWfl home and his parents? In far lands he shall not, though he find a house of gold. -
"Then Said the Lady Circe: 'So: All Those Trials Are Over. Listen With
5 beauty to ! woe to th( He will nc in ioy, cro the Sirens on their s~ of dead m and flayec keep well with bees should he let the m~ and {oot, so you m shout as your crex and keep What th~ and you plan the tell you, and dart roars ar. the gods Not eve i 30 lies betx piercing dissolvi to sho~ 35 NO toOl as land so shee "Then said the Lady Circe: Midwa ’So: all those trials are over. 2-3 in Circe opens t Listen with care valuable ally, In tl 40 this in lines, she describes in your rr to this, now, and a god will arm your mind. danger that he a~ Square in your ship’s path are Sirens, crying meet on their way home, would UNIT SIX PART 1: THE ODYSSEY 5 beauty to bewitch men coasting by; woe to the innocent who hears that sound! He will not see his lady nor his children in joy, crowding about him~ home from sea; the Sirens will sing his mind away 10 on their sweet meadow lolling. There are bones of dead men rotting in a pile beside them and flayed skins shrivel around the spot. 12 flayed: torn off; stripped. Steer wide; keep well to seaward; plug your oarsmen’s ears with beeswax kneaded soft; none of the rest 14 kneaded (n~’dYd): squeezed and is should hear that song. pressed. But if you wish to listen, 15-21 Circe suggests a way for Odysseus to hear the Sirens safely. -
THE ODYSSEY of HOMER Translated by WILLIAM COWPER LONDON: PUBLISHED by J·M·DENT·&·SONS·LTD and in NEW YORK by E·P·DUTTON & CO to the RIGHT HONOURABLE
THE ODYSSEY OF HOMER Translated by WILLIAM COWPER LONDON: PUBLISHED by J·M·DENT·&·SONS·LTD AND IN NEW YORK BY E·P·DUTTON & CO TO THE RIGHT HONOURABLE COUNTESS DOWAGER SPENCER THE FOLLOWING TRANSLATION OF THE ODYSSEY, A POEM THAT EXHIBITS IN THE CHARACTER OF ITS HEROINE AN EXAMPLE OF ALL DOMESTIC VIRTUE, IS WITH EQUAL PROPRIETY AND RESPECT INSCRIBED BY HER LADYSHIP’S MOST DEVOTED SERVANT, THE AUTHOR. THE ODYSSEY OF HOMER TRANSLATED INTO ENGLISH BLANK VERSE BOOK I ARGUMENT In a council of the Gods, Minerva calls their attention to Ulysses, still a wanderer. They resolve to grant him a safe return to Ithaca. Minerva descends to encourage Telemachus, and in the form of Mentes directs him in what manner to proceed. Throughout this book the extravagance and profligacy of the suitors are occasionally suggested. Muse make the man thy theme, for shrewdness famedAnd genius versatile, who far and wideA Wand’rer, after Ilium overthrown,Discover’d various cities, and the mindAnd manners learn’d of men, in lands remote.He num’rous woes on Ocean toss’d, endured,Anxious to save himself, and to conductHis followers to their home; yet all his carePreserved them not; they perish’d self-destroy’dBy their own fault; infatuate! who devoured10The oxen of the all-o’erseeing Sun,And, punish’d for that crime, return’d no more.Daughter divine of Jove, these things record,As it may please thee, even in our ears.The rest, all those who had perdition ’scapedBy war or on the Deep, dwelt now at home;Him only, of his country and his wifeAlike desirous, in her hollow grotsCalypso, Goddess beautiful, detainedWooing him to her arms.