Undergarments Simple and Suit Able Types
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Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Centro Cultural De La Raza Archives CEMA 12
http://oac.cdlib.org/findaid/ark:/13030/kt3j49q99g Online items available Guide to the Centro Cultural de la Raza Archives CEMA 12 Finding aid prepared by Project director Sal Güereña, principle processor Michelle Wilder, assistant processors Susana Castillo and Alexander Hauschild June, 2006. Collection was processed with support from the University of California Institute for Mexico and the United States (UC MEXUS). Updated 2011 by Callie Bowdish and Clarence M. Chan University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Santa Barbara, California, 93106-9010 (805) 893-8563 [email protected] © 2006 Guide to the Centro Cultural de la CEMA 12 1 Raza Archives CEMA 12 Title: Centro Cultural de la Raza Archives Identifier/Call Number: CEMA 12 Contributing Institution: University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Language of Material: English Physical Description: 83.0 linear feet(153 document boxes, 5 oversize boxes, 13 slide albums, 229 posters, and 975 online items)Online items available Date (inclusive): 1970-1999 Abstract: Slides and other materials relating to the San Diego artists' collective, co-founded in 1970 by Chicano poet Alurista and artist Victor Ochoa. Known as a center of indigenismo (indigenism) during the Aztlán phase of Chicano art in the early 1970s. (CEMA 12). Physical location: All processed material is located in Del Norte and any uncataloged material (silk screens) is stored in map drawers in CEMA. General Physical Description note: (153 document boxes and 5 oversize boxes).Online items available creator: Centro Cultural de la Raza http://content.cdlib.org/search?style=oac-img&sort=title&relation=ark:/13030/kt3j49q99g Access Restrictions None. -
Isuy . Rt Goods I
I at CENTER »TnR>\ THE SHOPFTHG Tf^v J.K tst I White Petticoats Corset Coirers, Daintily Trim- II 00 and $1.19 med I, Special, 59c I . - le Muslin Petticoat* with em- Of sheer in nscloth and batiste The lacA I .a'.$.1; and beautiflert w ith rib- broidery flounce an d protecting "drop.'' At $1.19 embroidery trlmmlngi B iSuym Hie White Sateen I with ruffle bona. Some wit!i ribbon stiouldei straps. Won- B A ofAll 1918 II' WLili A T.T.ftfFD 'ettiooat*, pleated .to derful values at 59c. Ilaricain llimrmrat, B tleventh and C Streets are d Ranrmrai. only if Clearing E1677 JUL Both extra %oo values. Ranrnln DresseseducedPrices I * r; GARMENTS OF 1UNUSUAL BEAUTY I | 5 At $2, Ureat Januatry Salles Now in :1P $15, 3.50, $47.75 arkable Reductions At $47<:75.At this choose from the price I 5rices on AH Our - resscs our All - / i-. \ Finest D from regular stocks. at I an in ss F| crepe. Each exclusiveMostGeorgette Readines for Our Gre* d not to be duplicated in Washington. U" oys' Suits prices were up to S85. Tomorrow, ^4 [ Overcoats 75.Charming models assembled hat? large racks. Shown in sizes for worn- nisses. Fashioned of de chines, crepe fjovs> $j0.00 Mackinaws, sizes 8 to 12, Silk 5 e crepe and combinations. Colors are reduced tr $6.95 .......mary lues and black. Former prices were up L___ Tomorrow, $23.75. Boys' $12.50 to $15.00 Mackinaws, sizes 8 /"V f \ £~ to 14, reduc ed to$8-95 TO -41 to $20 Value Mackinaws sizes nl/» f FI a Im#II 00.A lot of ^ " \ )0 Worth Silks splendid pleated 8 toT/* re" iced to $11.95 Brand-New Chine Dresses, in navy, taupe, brown, Boy*' $10.00 Value Norfolk Suits, with A _ ^*#1 . -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
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* LOCAL MENTION. HIS CHECKERED CAREER. MILITARY TACTICS. From Rorkrlllr. CITY ITEMS. AMUSEMENTS. EDUCATIONAL. The The Much-Married Prisoner Practical Infractions for the COCKT MATTEBR.A T0V\0 MAX DBOWNKD.A Weather. Newman, Officers of PROMINENT RESIDENT Golden-Hatr NATIONAL THEATER .u. 11 n t k< i BKi.wnmc*A»*Ai»i i> Por the District of Colombia. Marvland. snd alius De Hughes. tbe National Guard. HTRICKKN WITH PARAX" Waak, guaranteed to bleach: MeUaal«. VS18.POLITICAL CELEBRATIONS. in any quantity to rait. Kolb* Pharmhot. JEW KiM>khM»J. *». Lmrlaud wy Wku Virginia, rain Thursday; fair Fridav- slightly 7th and E «to. TO XTC.HT AND BATVRDAT M VT1NEES M tta «»*., 1187 1 :uh at *.«. 1i» I; colder; wind* shifting to RRAJCEKAK. LAWTER ASD PREACHER.PART OF is Time or peace prhpare roa war.how to CoiTMivuOeiK-e of The Evrxrto Star. 16,17* Hoyt'« Very Funny Hun Comedy, ilrniiB. Dra«in* atad OnHaUwglra IWtMntti J^ar westerly. A Him IMIUNk and N«»CRR. Prlu.-(»*i«- Xomaal HIS EXPERIENCES AS PKEACHER AND MARRY- A BIOT.DEFENSE Or PCBLIO Rocktiluc, Mb., Not. 14, 1888. The Great Atlantic iH j-trtim iit for I cK hm. ttH-lm* Drop ix QUELL AND PRI¬ _ Pmcm Drum Goou«. -Woodward In the circuit court now in session H H OO L *KCMS * Lothrop wUl offer to-morrow 50 of 50 150 *0-THE 8TORT TOLD Bt AX EX-PHILA- VATE FBOPEBTT IX CASK OF AS ATTACK BT A here since And M H O O L t «> V i-m i.rs:*<N os niso lessons at and .>2-inch pieces DELPHIAN. -
Tm Array 1 Present Alcorn
v ; •&-Z: V. I--<f ,2 feilS ^^*;vV.'- s. 'v.", '.••< :, •-:• •;•;,&• ^rUO»V: ' S THE PRESS IS® A .A i*-.A /,{••'fo'jj-T An Institution Which Works wm-": THE PRESS A Home Town Paper For :0 For Community Ad- \ s!i vancement. r ; \ Home /Town •• . : -r I IS asie'. Folks. THE ONLY NEWSPAPER PUBLISHED IN THE TOWN OF ENFIELl), CONN. 't'H\}5% FORTY-SEVENTH YEAH—NO. 24. THOMPSONVILLE, CONNECTICUT, THURSDAY, OCTOBER 7, 1926 PRICE $2.00 A YEAR—SINGLE COPY 5c. .T.MARRAY 1 Frank A. Simmons TOWN SEEKS TO ^v*Civic Program DR. VAIL AGAIN First Selectmen TOWN MEETING fil New Tax Collector RECOVER AMOUNT i^v?Up To Nov. 2. HEADS THE TOWN James T. Murray MAKES NO CHANGE .. Saturday, Oct. 9, Wednesday, OF TAX SHORTAGE Oct. 13, and Saturday, Oct. 16: c •' 'v^ >-*' SCHOOL BOARD IN THE BUDGET Mill inn i i Meeting of the Selectmen and Defeats A. J. Epstein by Town Clerk to admit electors Formal Demand Made from the perfected list. Any Hertry R. Cooper is Also Finance Board Recom i Majority of 203 Votes— of the Surety Company prospective elector who is not made at this meeting cannot Reelected Secretary at mendations are Adopt Frank A. Simmons Is in Which Former Town vote at the state election, No Reorganization Meet I Successful in the Tax vember 2nd. I ed—Property Tax Col Was Bonded, To Make Monday, Oct. 11: Caucus of ing of the Board Held lector's Pay Made $1,- ? Collector Contest. • W Good the Defalcation. Republican electors in the Hig- gins School 'Auditorium, for the Tuesday Afternoon. -
Exporting Sleepwear to Europe 1. Product Description
Exporting sleepwear to Europe Last updated: 10 October 2018 The European market for sleepwear is growing. Most imports originate from developing countries. The middle to high-end segments offer you the most opportunities. Focus on design and quality to appeal to these consumers. Using sustainable fabrics and providing comfort can also give you a competitive advantage. Contents of this page 1. Product description 2. Which European markets offer opportunities for exporters of sleepwear? 3. Where is consumer demand located? 4. What is the role of European production in supplying European demand? 5. Which countries are most interesting in terms of imports from developing countries? 6. What role do exports play in supplying European demand? 7. What is the effect of real private consumption expenditure on European demand? 8. What trends offer opportunities on the European market for sleepwear? 9. What requirements should sleepwear comply with to be allowed on the European market? 10. What competition do you face on the European sleepwear market? 11. Through what channels can you put sleepwear on the European market? 12. What are the end-market prices for sleepwear? 1. Product description Sleepwear includes: adult onesie – all-in-one sleep suits worn by adults, usually cotton, similar to an infant onesie or children's blanket sleeper baby-doll – short, sometimes sleeveless, loose-fitting nightgown or negligee for women, generally designed to resemble a young girl's nightgown bathrobe – serving both as a towel and an informal garment, usually made -
Technological Studies Kunsthistorisches Museum Vienna
Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Translated from the German volume: Content Technologische Studien Kunsthistorisches Museum. Konservierung – Restaurierung – Forschung – Technologie, Sonderband Depot, Band 9/10, Wien 2012/13 PREFACE Sabine Haag and Paul Frey 6 Editor: Kunsthistorisches Museum Vienna INTRODUCTION Martina Griesser, Alfons Huber and Elke Oberthaler 7 Sabine Haag Editorial Office: ACKNOWLEDGEMENTS 9 Martina Griesser, Alfons Huber, Elke Oberthaler Assistant, Editorial Office: ESSAYS Stefan Fleck Building a Cost-Effective Art Storage Facility that 13 Tanja Kimmel maintains State-of-the-Art Requirements Joachim Huber Creating a Quantity Structure for Planning Storage 21 Translations: Equipment in Museum Storage Areas Aimée Ducey-Gessner, Emily Schwedersky, Matthew Hayes (Summaries) Christina Schaaf-Fundneider and Tanja Kimmel Relocation of the 29 Collections of the Kunsthistorisches Museum Vienna to the New Art Direction: Central Storage Facility: Preparation, Planning, and Implementation Stefan Zeisler Pascal Querner, Tanja Kimmel, Stefan Fleck, Eva Götz, Michaela 63 Photography: Morelli and Katja Sterflinger Integrated Pest Management (IPM) Christian Mendez, Thomas Ritter, Alexander Rosoli, -
SLIP-ON®, SLIP-ON One in Each Hand, and Engage the Hook CATALOG NO
Putting on Panties, Shorts, Pajama ® Bottoms, Slacks, etc. While sitting, hold the two parts of SLIP-ON®, SLIP-ON one in each hand, and engage the hook CATALOG NO. 73839-0000 end with the inside of the waistband of the apparel. Lower the apparel to the floor and MAKES pull it over the feet and up both legs until it can be reached by the hands and pulled DRESSING EASY into the desired position. If the waistband has an opening, as in slacks, close it before beginning and reopen before pulling over the hips. Hook and Loop tabs allow positive catch with easy release. SLIP-ON® helps you put on the following apparel without the aid of another person: Stockings–Socks • Shorts 6 Industrial Road • Pequannock, NJ 07440 Panties–Undershorts tel: 973-628-7600 • fax: 973-305-0841 email: [email protected] • www.maddak.com Pajama Bottoms • Slacks 973839002 0803 Can also be used to remove shoes. INSTRUCTIONS Engage the gear-like teeth to make SLIP-ON® As shown in Figure 3, keep the hook ends operable. As shown in Figure 1, hold engaged with the stocking and separate SLIP-ON® in one hand and insert the two parts of SLIP-ON®, holding one in the hook ends inside the each hand. Pull the stocking over the heel top opening of stocking. and up the leg to the point where it can Hold SLIP-ON® in the be reached by hand and adjusted to the left hand if you are desired position. putting the stocking Caution: When using with sheer stockings on the left foot; in the engage hook ends with reinforced top band right hand for the right to avoid rupturing the sheer knit. -
Clothing Guidelines
Clothing Guidelines We fully dress the deceased to preserve their dignity and help them look as “normal” as possible. As a general rule, the clothing is not returned to the family*, however jewelry and other items that are displayed in the casket can either be returned or left with the deceased. You may bring the clothing with you to the arrangement meeting or bring it to the funeral home later. However, we do prefer to have the clothing by 12 noon at least one day before the visitation. If you have any questions, please call our offices at 440-516-5555 or 216-291-3530. Clothing for the deceased should include: Long sleeves and a high neckline Undergarments - including underwear, socks, t-shirt, bra, stockings, etc. as appropriate Shoes (optional) Glasses, a wig or a hairpiece (if normally worn) Hair dye MUST be provided by the family and at the funeral home by 12 noon the day before the visitation A recent photo (You can e-mail photo to [email protected]) Jewelry, a rosary or any other items to be placed in the casket. All items (clothing, jewelry, etc.) will be inventoried by a DeJohn Funeral Homes staff person when you bring them in. We will ask you to sign the inventory list before you leave to ensure we have itemized all of the pieces. * If there is an article of clothing you wish to be returned, please be sure to tell the staff person when you bring the clothing in. Rev. 5-2016 Willoughby Hills ~ Chesterland ~ South Euclid ~ Chardon Clothing List FULL NAME OF DECEASED: Would you like the articles of clothing your loved one was wearing when taken into our care, or extra clothing, RETURNED to the family -or- DISCARDED by the funeral home? (please circle) Simply indicate below if you are bringing in the following items.