Anthropology &Aging Quarterly
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University
REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University The Studies of the Weatherhead East Asian Institute of Columbia University were inaugu rated in 1962 to bring to a wider public the results of significant new research on modern and contemporary East Asia. REVOLUTION GOES EAST Imperial Japan and Soviet Communism Tatiana Linkhoeva CORNELL UNIVERSITY PRESS ITHACA AND LONDON This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website, which can be found at the following web address: openmono graphs.org. The text of this book is licensed under a Creative Commons Attribution-Non Commercial-NoDerivatives 4.0 International: https://creativecommons.org/ licenses/by-nc-nd/4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress. cornell.edu. Copyright © 2020 by Cornell University First published 2020 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Linkhoeva, Tatiana, 1979– author. Title: Revolution goes east : imperial Japan and Soviet communism / Tatiana Linkhoeva. Description: Ithaca [New York] : Cornell University Press, 2020. | Series: Studies of the Weatherhead East Asian Institute, Columbia University | Includes bibliographical references and index. Identifiers: LCCN 2019020874 (print) | LCCN 2019980700 (ebook) | ISBN 9781501748080 (pbk) | ISBN 9781501748097 (epub) | ISBN 9781501748103 (pdf) Subjects: LCSH: Communism—Japan—History—20th century. -
Toshio Matsumoto Filmography 松本俊夫フィルモグラフィー
Toshio Matsumoto Filmography 松本俊夫フィルモグラフィー Non-Profit Organization Postwar Japan Moving Image Archive | PJMIA (Release date: Jul 26, 2019) NPO 法人戦後映像芸術アーカイブ（2019 年 7 月 26 日公開） This Matsumoto’s filmography is a compilation of information on 83 works that he participated in the director, 9 works that he participated in the screenplay (including collaboration) and 3 works that he participated in the assistant director or second-unit director. This filmography was created with reference to “Kawasaki City Museum Cinematheque News (Kawasaki City Museum. Oct, 2006)”. We added found information from primary source and interview with artist for this filmography. The rules of description are as follows. 1: Clarification of the basic information. (Title | Date | Event title and venue) 2: Clarification of the format. (Film gauge or video type and aspect ratio; Presence or absence of color; Presence or absence of sound; Run time) 3: Clarification of the used medium. (For example, expanded cinema, installation and performance) 4: Clarification of the production staff. When there are sponsor company and production company, we listed on the first line. Basically, the production staff was listed in this order; Planner, Producer, Screenplay, Director, Cinematographer, Gaffer, Production Designer, Editor, Music Composer, Audio Engineer, Others, Production Coordinator, Assistant, Actor and Narrator, etc. Attached square bracket on the actor's name indicate name of the role. このフィルモグラフィーは、これまでの調査で判明した、松本俊夫が監督または演出として関わった 83 作品、脚 本として関わった 9 作品（協力含む）、助監督もしくは B 班監督として関わった 3 作品の情報をまとめたものです。 『川崎市市民ミュージアム シネマテーク・ニュース』（川崎市市民ミュージアム、2006年 10 月）に記載された情 報を参照して、作家への聞き取り調査、および一次資料の調査を経て作成されました。記述のルールは以下の通 りです。 1：作品タイトルなどの基本情報を明記する。（作品タイトル｜完成日・公開日または初演日・放送日｜催事の名 称もしくは会場） 2：フォーマットを明記する。（フィルム・ビデオの種類および画面サイズ／カラーの有無／サウンドの有無／時 間の長さ） 3：使用されたメディウムを明記する。（エクスパンデッドシネマやインスタレーション、パフォーマンスの場合） 4：製作スタッフを明記する。企画会社や製作会社などが存在する作品の場合は、それらを一行目に表記する。製 作スタッフは「企画・製作・脚本・監督または演出・撮影・照明・美術・編集・音楽・録音・その他・進行・助手・ 出演・解説」という呼称および順番で表記することを基本方針とする。出演者の名前に付記された角括弧は作中 での役名を指す。 1 1: Participated in the director 監督または演出として関わった作品 1_1. -
Autumn 1974 Through Summer 2016) Symposium on Gender and Women in Japan
Symposium on Japanese Society. Introduction by Susan B. Hanley. 8,1 Symposium on Ie Society. THE JOURNAL OF JAPANESE Introduction by Kozo Yamamura. 11,1 STUDIES Symposium: Transition From Medieval to Early Modern Japan. Introduction by Michael P. Birt and Kozo Yamamura. 12,2 Special Issue: A Forum on the Trade Crisis. Introduction by Kenneth B. Pyle. 13,2 Index to Volume 1, Number 1 through Symposium: Social Control and Early Socialization. Volume 42, Number 2 Introduction by Thomas P. Rohlen. 15,1 (Autumn 1974 through Summer 2016) Symposium on Gender and Women in Japan. Introduction by Susan B. Hanley. 19,1 Symposium on Contemporary Japanese Popular Culture. Introduction by John Whittier Treat. 19,2 © 2000–2016 by the Society for Japanese Studies Symposium on Teaching and Learning in Japan. Introduction by Thomas P. Rohlen. 20,1 This index is divided into eight parts: Symposia, Articles, Book Reviews, Opinion and Comment, Communications, Publications Symposium on Continuity and Change in Heisei Japan. of Note, Miscellaneous, and a List of Contributors. Introduction by Susan B. Hanley and John Whittier Treat 23,2 ARTICLES SYMPOSIA Akita, George. An Examination of E.H. Norman's Scholarship. 3,2 - Allen, Laura W. Images of the Poet Saigyo as Recluse. 21,1 Workshop on the Economic and Institutional History of Medieval Japan. Allinson, Gary Dean. The Moderation of Organized Labor in Postwar Introduction by Kozo Yamamura. 1,2 Japan. 1,2 Symposium: The Ashio Copper Mine Pollution Incident. Allison, Anne. Memoirs of the Orient. 27,2 Introduction by Kenneth B. Pyle 1,2 Ambaras, David R. -
INFORMATION to USERS the Quality of This Reproduction Is
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. ÜMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy suhmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains indistinct, slanted and or light print. All efforts were made to acquire the highest quality manuscript from the author or school. -
THE CENTER for JAPANESE STUDIES University of Michigan| 2018 Newsletter from The
THE CENTER FOR JAPANESE STUDIES University of Michigan | 2018 Newsletter From the IN THIS ISSUE Director 2 From the Director reetings from our new Weiser Hall office! We are happy to report that we have successfully moved 4 News from the Gfrom the School of Social Work building to the 4th Publications Program floor of Weiser Hall. This newly renovated building (formerly known as Dennison) is filled with ample sunlight, plenty of 5 News from the U-M Museum of Art open space, and beautiful furniture, not to mention CJS’s own tatami space and the new attraction known as the Green 6 News from the Asia Library Wall. Whenever you’re in the neighborhood, please be sure to Japanese Studies Collection visit us in this new space. Our excellent staff didn’t miss a beat as we quickly News from the 7 transitioned from the office move to an academic year Japanese Language Program filled with special events that commemorated CJS’s 70th anniversary. In Fall 2017, we organized three special 8 CJS 70th Anniversary conferences that covered CJS’s luminous history from the Conference Series early years under our founding director Robert B. Hall through the Okayama Field Station of the 1950s and the trade friction 12 Michigan in Tokyo of the 1980s to the recent collaboration with the city of Ishinomaki in its efforts to recover from the 2011 earthquake. 14 CJS Welcomes The festivities overflowed into Winter/Spring 2018 with 2 Princess Akiko of Mikasa events such as the conference on US-Japan relationships that spotlighted the role of CJS in shaping this important 16 Opportunity Time bilateral relation, and a visit by Princess Akiko of Japan’s Imperial House, the first visit to CJS by members of the 18 A Champion for Japanese Language Imperial House since 1953, when then Crown Prince (current Emperor) Akihito toured CJS. -
An Introduction to Japanese Society, Third Edition
This page intentionally left blank An Introduction to Japanese Society Third Edition Essential reading for students of Japanese society, An Introduction to Japanese Society now enters its third edition. Here, internationally renowned scholar Yoshio Sugimoto writes a sophisticated, yet highly readable and lucid text, using both English and Japanese sources to update and expand upon his original narrative. The book challenges the traditional notion that Japan comprises a uniform culture, and draws attention to its subcultural diversity and class competition. Covering all aspects of Japanese society, it includes chapters on class, geographical and generational variation, work, educa- tion, gender, minorities, popular culture and the establishment. This new edition features sections on: Japan’s cultural capi- talism; the decline of the conventional Japanese management model; the rise of the ‘socially divided society’ thesis; changes of government; the spread of manga, animation and Japan’s popu- lar culture overseas; and the expansion of civil society in Japan. Yoshio Sugimoto is Professor Emeritus in the School of Social Sciences at La Trobe University in Melbourne, Australia. An Introduction to Japanese Society Third Edition Yoshio Sugimoto CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521879569 © Yoshio Sugimoto 2010 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
THE GOLDEN YEARS HAWAII I M I , NISEI and SANSEI
THE GOLDEN YEARS HAWAII i m i , NISEI AND SANSEI BIOGRAPHICAL RECORD OF JAPANESE ANCESTRY ie Golden Years o ’ ssei, Nisei and Sansei State of Hawaii Table O f Contents Introduction ......................................................................................................... 7 Period of Contract Im m igration ....................................................................8 Period of World War II ................................................................................. 17 Post War Period ..............................................................................................19 O ahu ....................................................................................................................29 H a w a ii............................................................................................................ 1 27 M a u i................................................................................................................. 145 K a u a i............................................................................................................... 172 Business Directory .................................................................................... 184 This valuable publication may be purchased at leading bookstores or write to us at P.O. Box 8848, Honolulu, Hawaii 96815. Who would have dreamed on that June day in 1868 much more than a toleration of diversity; it is an active when the first 149 Japanese contract laborers arrived cultivation of differences for their own intrinsic sakes. in -
Trajectories of Form in Modern Japanese Poetry
Trajectories of Form in Modern Japanese Poetry by Ryan Kyle Beville A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Daniel O’Neill, Chair Professor Mack Horton Professor Kristin Hanson Fall 2015 Trajectories of Form in Modern Japanese Poetry Copyright 2015 Ryan Kyle Beville Abstract Trajectories of Form in Modern Japanese Poetry by Ryan Kyle Beville Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Daniel O’Neill, Chair Form is central to poetry, if not all artistic endeavor. The Japanese literary tradition contains an array of poetic forms since its earliest extant texts, though some, like waka and kanshi, dominated poetic production for centuries. With Japan’s increased exposure to Western literary forms after the start of the Meiji era in 1868, the variety of new forms expanded rapidly. For many of Japan’s readers and poets, exposure to European and American literature was initially mediated by translation anthologies. As this dissertation seeks to show, many of the translators grafted new poetic practice onto pre-existing techniques, resulting in new forms and styles of poetry. Vernacular poets, often working with keen awareness of the translations, further adapted and altered those forms in their own work. Each chapter that follows documents and analyZes key aspects of form in modern Japanese poetry, including meter and rhyme. My primary tool of analysis is close reading, down to the phonemes, as rhyme and meter require, together with textual comparisons. -
Summer Festival at Suntory Hall Concert Details and Commissioned Works 2013
Summer Festival MUSIC TODAY 21 at Suntory Hall Concert details and commissioned works Suntory Foundation for Arts ●Abbreviations picc Piccolo p-p Prepared piano S Soprano fl Flute org Organ Ms Mezzo-soprano A-fl Alto flute cemb Cembalo, Harpsichord A Alto fl.trv Flauto traverso, Baroque flute cimb Cimbalom T Tenor ob Oboe cel Celesta Br Baritone obd’a Oboe d’amore harm Harmonium Bs Bass e.hrn English horn, cor anglais ond.m Ondes Martenot b-sop Boy soprano cl Clarinet acc Accordion F-chor Female chorus B-cl Bass Clarinet E-k Electric Keyboard M-chor Male chorus fg Bassoon, Fagot synth Synthesizer Mix-chor Mixed chorus c.fg Contrabassoon, Contrafagot electro Electro acoustic music C-chor Children chorus rec Recorder mar Marimba n Narrator hrn Horn xylo Xylophone vo Vocal or Voice tp Trumpet vib Vibraphone cond Conductor tb Trombone h-b Handbell orch Orchestra sax Saxophone timp Timpani brass Brass ensemble euph Euphonium perc Percussion wind Wind ensemble tub Tuba hichi Hichiriki b. … Baroque … vn Violin ryu Ryuteki Elec… Electric… va Viola shaku Shakuhachi str. … String … vc Violoncello shino Shinobue ch. … Chamber… cb Contrabass shami Shamisen, Sangen ch-orch Chamber Orchestra viol Violone 17-gen Jushichi-gen-so …ens … Ensemble g Guitar 20-gen Niju-gen-so …tri … Trio hp Harp 25-gen Nijugo-gen-so …qu … Quartet banj Banjo …qt … Quintet mand Mandolin …ins … Instruments p Piano J-ins Japanese instruments ● Titles in italics : Works commissioned by the Suntory Foudation for Arts Summer Festival MUSIC TODAY 21 at Suntory Hall Concert details and commissioned works 2007 The 20th Anniversary of Suntory Music Foundation's Summer Festival Special Program of the 20th Anniversary 1 September , 19:00 Saturday Main Hall Orchestral Works Atsuhiko GONDAI : ( khõla/matrix ) for sho and organ op.107 world premiere ( the commissioned work celebrating the 20th anniversary of the Summer Festival ) Luigi Nono : 2) No hay caminos, hay que caminar.. -
The Perils of Proximity
The Perils of Proximity 00-0474-4 fm.indd 1 9/2/10 11:59 AM 00-0474-4 fm.indd 2 9/2/10 11:59 AM The Perils of Proximity China-Japan Security Relations Richard C. Bush Brookings Institution Press Washington, D.C. 00-0474-4 fm.indd 3 9/2/10 11:59 AM Copyright © 2010 the brookings institution 1775 Massachusetts Avenue, N.W., Washington, DC 20036 www.brookings.edu All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Brookings Institution Press. Library of Congress Cataloging-in-Publication data Bush, Richard C., 1947– The perils of proximity : China-Japan security relations / Richard C. Bush. p. cm. Includes bibliographical references and index. Summary: “Explores the factors underlying the security dilemma confronting Japan and China despite their positive economic interaction, including China’s growing military capability, the Japan-U.S. security alliance, and issues such as Japan’s occupation of China in the mid-twentieth century and rights in the East China Sea”—Provided by publisher. ISBN 978-0-8157-0474-4 (hardcover : alk. paper) 1. Japan—Military relations—China. 2. China—Military relations—Japan. 3. National security—Japan. 4. National security—China. I. Brookings Institution. II. Title. UA845.B88 2010 355'.03109510952—dc22 2010029382 9 8 7 6 5 4 3 2 1 Printed on acid-free paper Typeset in Minion Composition by Cynthia Stock Silver Spring, Maryland Printed by R. R. Donnelley Harrisonburg, Virginia 00-0474-4 fm.indd 4 9/2/10 11:59 AM For -
Singing in Life's Twilight: Serious Karaoke As
SINGING IN LIFE’S TWILIGHT: SERIOUS KARAOKE AS EVERYDAY AGING PRACTICE IN URBAN JAPAN KOON FUNG (BENNY) TONG (B.A. (Hons.), M.A., National University of Singapore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY OF THE AUSTRALIAN NATIONAL UNIVERSITY JUNE 2018 © Copyright by Koon Fung (Benny) Tong, 2018 All Rights Reserved i ii DECLARATION I hereby declare that this thesis is my original work and has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. Koon Fung (Benny) Tong 4 June 2018 iii iv Acknowledgments From conceptualizing the PhD research project to distilling the immense knowledge that the academics, karaoke enthusiasts, friends and family have generously given me, I have received gracious help from many people in making this thesis come into form. In these acknowledgments, I wish to thank everyone who has contributed to my undertaking. I also ask for forgiveness in advance for any inadvertent omissions and imperfections, both in these acknowledgments and in the book as a whole. Firstly, I would like to express my heartfelt thanks to Roald Maliangkay, my primary supervisor at the Australian National University (ANU). Roald has been an amazing source of support not only intellectually, but also personally. Even before my admission into the PhD program at the School of Culture, History and Language (CHL) at ANU, he patiently guided me through my application process. I believe that his substantial help here was crucial in my securing of the ANU University Research Scholarship (International) stipend, and the ANU HDR Fee Remission Merit Scholarship tuition fee waiver, which provided important financial support for my PhD candidature. -
Cultural Origins of the Kamikaze Special
CULTURAL ORIGINS OF THE KAMIKAZE SPECIAL ATTACK CORPS AND THE 442ND REGIMENTAL COMBAT TEAM DURING WORLD WAR II: A COMPARISON BETWEEN THE JAPANESE SOLDIERS RAISED IN JAPAN AND THE NISEI SOLDIERS RAISED IN AMERICA By YUKIE O Bachelor of Arts in History Colorado State University Fort Collins, Colorado 2000 Master of Arts in History University of Central Oklahoma Edmond, Oklahoma 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May 2011 © 2011, Yukie O ii CULTURAL ORIGINS OF THE KAMIKAZE SPECIAL ATTACK CORPS AND THE 442ND REGIMENTAL COMBAT TEAM DURING WORLD WAR II: A COMPARISON BETWEEN THE JAPANESE SOLDIERS RAISED IN JAPAN AND THE NISEI SOLDIERS RAISED IN AMERICA Dissertation Approved: Dr. Ronald A. Petrin Dissertation Adviser Dr. Yonglin Jiang Dr. Michael F. Logan Dr. R. Michael Bracy Dr. Jean Van Delinder Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS For the completion of my dissertation, I would like to express my sincere gratitude to my advisor and mentor, Dr. Ronald A. Petrin for the opportunity to study under his leadership as well as for his scholarly guidance, encouragement, and continuous support throughout the course of this study. Without Dr. Petrin’s understanding and patience, it would have been next to impossible for me to complete this study. I am especially indebted to Dr. Michael F. Logan for his extensive knowledge of World War II that has been the source of inspiration for me to pursue this study. Dr.