An Introduction to Japanese Society, Third Edition
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Mariko Mori and the Globalization of Japanese “Cute”Culture
《藝術學研究》 2015 年 6 月,第十六期,頁 131-168 Mariko Mori and the Globalization of Japanese “Cute” Culture: Art and Pop Culture in the 1990s SooJin Lee Abstract This essay offers a cultural-historical exploration of the significance of the Japanese artist Mariko Mori (b. 1967) and her emergence as an international art star in the 1990s. After her New York gallery debut show in 1995, in which she exhibited what would later become known as her Made in Japan series— billboard-sized color photographs of herself striking poses in various “cute,” video-game avatar-like futuristic costumes—Mori quickly rose to stardom and became the poster child for a globalizing Japan at the end of the twentieth century. I argue that her Made in Japan series was created (in Japan) and received (in the Western-dominated art world) at a very specific moment in history, when contemporary Japanese art and popular culture had just begun to rise to international attention as emblematic and constitutive of Japan’s soft power. While most of the major writings on the series were published in the late 1990s, problematically the Western part of this criticism reveals a nascent and quite uneven understanding of the contemporary Japanese cultural references that Mori was making and using. I will examine this reception, and offer a counter-interpretation, analyzing the relationship between Mori’s Made in Japan photographs and Japanese pop culture, particularly by discussing the Japanese mass cultural aesthetic of kawaii (“cute”) in Mori’s art and persona. In so doing, I proffer an analogy between Mori and popular Japanimation characters, SooJin Lee received her PhD in Art History from the University of Illinois-Chicago and was a lecturer at the School of Art Institute of Chicago. -
Washoku Guidebook(PDF : 3629KB)
和 食 Traditional Dietary Cultures of the Japanese Itadaki-masu WASHOKU - cultures that should be preserved What exactly is WASHOKU? Maybe even Japanese people haven’t thought seriously about it very much. Typical washoku at home is usually comprised of cooked rice, miso soup, some main and side dishes and pickles. A set menu of grilled fish at a downtown diner is also a type of washoku. Recipes using cooked rice as the main ingredient such as curry and rice or sushi should also be considered as a type of washoku. Of course, washoku includes some noodle and mochi dishes. The world of traditional washoku is extensive. In the first place, the term WASHOKU does not refer solely to a dish or a cuisine. For instance, let’s take a look at osechi- ryori, a set of traditional dishes for New Year. The dishes are prepared to celebrate the coming of the new year, and with a wish to be able to spend the coming year soundly and happily. In other words, the religion and the mindset of Japanese people are expressed in osechi-ryori, otoso (rice wine for New Year) and ozohni (soup with mochi), as well as the ambience of the people sitting around the table with these dishes. Food culture has been developed with the background of the natural environment surrounding people and culture that is unique to the country or the region. The Japanese archipelago runs widely north and south, surrounded by sea. 75% of the national land is mountainous areas. Under the monsoonal climate, the four seasons show distinct differences. -
Peace in Vietnam! Beheiren: Transnational Activism and Gi Movement in Postwar Japan 1965-1974
PEACE IN VIETNAM! BEHEIREN: TRANSNATIONAL ACTIVISM AND GI MOVEMENT IN POSTWAR JAPAN 1965-1974 A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE AUGUST 2018 By Noriko Shiratori Dissertation Committee: Ehito Kimura, Chairperson James Dator Manfred Steger Maya Soetoro-Ng Patricia Steinhoff Keywords: Beheiren, transnational activism, anti-Vietnam War movement, deserter, GI movement, postwar Japan DEDICATION To my late father, Yasuo Shiratori Born and raised in Nihonbashi, the heart of Tokyo, I have unforgettable scenes that are deeply branded in my heart. In every alley of Ueno station, one of the main train stations in Tokyo, there were always groups of former war prisoners held in Siberia, still wearing their tattered uniforms and playing accordion, chanting, and panhandling. Many of them had lost their limbs and eyes and made a horrifying, yet curious, spectacle. As a little child, I could not help but ask my father “Who are they?” That was the beginning of a long dialogue about war between the two of us. That image has remained deep in my heart up to this day with the sorrowful sound of accordions. My father had just started work at an electrical laboratory at the University of Tokyo when he found he had been drafted into the imperial military and would be sent to China to work on electrical communications. He was 21 years old. His most trusted professor held a secret meeting in the basement of the university with the newest crop of drafted young men and told them, “Japan is engaging in an impossible war that we will never win. -
On the Internationalization of the Japanese Yen
This PDF is a selection from an out-of-print volume from the National Bureau of Economic Research Volume Title: Macroeconomic Linkage: Savings, Exchange Rates, and Capital Flows, NBER-EASE Volume 3 Volume Author/Editor: Takatoshi Ito and Anne Krueger, editors Volume Publisher: University of Chicago Press Volume ISBN: 0-226-38669-4 Volume URL: http://www.nber.org/books/ito_94-1 Conference Date: June 17-19, 1992 Publication Date: January 1994 Chapter Title: On the Internationalization of the Japanese Yen Chapter Author: Hiroo Taguchi Chapter URL: http://www.nber.org/chapters/c8538 Chapter pages in book: (p. 335 - 357) 13 On the Internationalization of the Japanese Yen Hiroo Taguchi The internationalization of the yen is a widely discussed topic, among not only economists but also journalists and even politicians. Although various ideas are discussed under this heading, three are the focus of attention: First, and the most narrow, is the use of yen by nonresidents. Second is the possibility of Asian economies forming an economic bloc with Japan and the yen at the center. Third, is the possibility that the yen could serve as a nominal anchor for Asian countries, resembling the role played by the deutsche mark in the Euro- pean Monetary System (EMS). Sections 13.1-13.3 of this paper try to give a broad overview of the key facts concerning the three topics, above. The remaining sections discuss the international role the yen could play, particularly in Asia. 13.1 The Yen as an Invoicing Currency Following the transition to a floating exchange rate regime, the percentage of Japan’s exports denominated in yen rose sharply in the early 1970s and con- tinued to rise to reach nearly 40 percent in the mid- 1980s, a level since main- tained (table 13.1). -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Exponent of Breath: The Role of Foreign Evangelical Organizations in Combating Japan's Tuberculosis Epidemic of the Early 20th Century Permalink https://escholarship.org/uc/item/32d241sf Author Perelman, Elisheva Avital Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Exponent of Breath: The Role of Foreign Evangelical Organizations in Combating Japan’s Tuberculosis Epidemic of the Early 20th Century By Elisheva Avital Perelman A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Andrew E. Barshay, Chair Professor John Lesch Professor Alan Tansman Fall 2011 © Copyright by Elisheva Avital Perelman 2011 All Rights Reserved Abstract The Role of Foreign Evangelical Organizations in Combating Japan’s Tuberculosis Epidemic of the Early 20th Century By Elisheva Avital Perelman Doctor of Philosophy in History University of California, Berkeley Professor Andrew E. Barshay, Chair Tuberculosis existed in Japan long before the arrival of the first medical missionaries, and it would survive them all. Still, the epidemic during the period from 1890 until the 1920s proved salient because of the questions it answered. This dissertation analyzes how, through the actions of the government, scientists, foreign evangelical leaders, and the tubercular themselves, a nation defined itself and its obligations to its subjects, and how foreign evangelical organizations, including the Young Men’s Christian Association (the Y.M.C.A.) and The Salvation Army, sought to utilize, as much as to assist, those in their care. -
The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Clothing Fantasies: a Case Study Analysis Into the Recontextualization and Translation of Subcultural Style
Clothing fantasies: A case study analysis into the recontextualization and translation of subcultural style by Devan Prithipaul B.A., Concordia University, 2019 Extended Essay Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree Program in Global Communication) Faculty of Art, Communication and Technology © Devan Prithipaul 2020 SIMON FRASER UNIVERSITY Summer 2020 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Devan Prithipaul Degree: Master of Arts Title: Clothing fantasies: A case study analysis into the recontextualization and translation of subcultural style Program Director: Katherine Reilly Sun-Ha Hong Senior Supervisor Assistant Professor ____________________ Katherine Reilly Program Director Associate Professor ____________________ Date Approved: August 31, 2020 ii Abstract Although the study of subcultures within a Cultural Studies framework is not necessarily new, what this research studies is the process of translation and recontextualization that occurs within the transnational migration of a subculture. This research takes the instance of punk subculture in Japan as a case study for examining how this subculture was translated from its original context in the U.K. The frameworks which are used to analyze this case study are a hybrid of Gramscian hegemony and Lacanian psychoanalysis. The theoretical applications for this research are the study of subcultural migration and the processes of translation and recontextualization. Keywords: subculture; Cultural Studies; psychoanalysis; hegemony; fashion communication; popular communication iii Dedication Glory to God alone. iv Acknowledgements “Ideas come from pre-existing ideas” was the first phrase I heard in a university classroom, and this statement is ever more resonant when acknowledging those individuals who have led me to this stage in my academic journey. -
Art Projects in Japan a Society That Co-Creates with Art
An Overview of Art Projects in Japan A Society That Co-Creates with Art Written by Sumiko Kumakura and The Art Project Research Group Translated by Art Translators Collective Table of Contents Introduction 2 What are Art Projects?: History and Relationship to Local Areas 3 by Sumiko Kumakura and Yūichirō Nagatsu What are “Art Projects”? The Prehistory of Art Projects Regional Art Projects Column 1 An Overview of Large-Scale Art Festivals in Japan Case Studies from Japan’s Art Projects: Their History and Present State, 1990-2012 13 by The Art Project Research Group 1 Universities and Art Projects: Hands-On Learning and Hubs for Local Communities 2 Alternative Spaces and Art Projects: New Developments in Realizing Sustainable Support Systems 3 Museums and Art Projects: Community Projects Initiated by Museums 4 Urban Renewal and Art Projects: Building Social Capital 5 Art Project Staff: The Different Faces of Local Participants 6 Art Projects and Society: Social Inclusion and Art 7 Companies and Art Projects: Why Companies Support Art Projects 8 Artists and Art Projects: The Good and Bad of Large-Scale Art Festivals Held in Depopulated Regions 9 Trends After the 3.11 Earthquake: Art Projects Confronting Affected Areas of the Tōhoku Region Thinking about the Aesthetic and Social Value of Art Projects 28 by Sumiko Kumakura Departure from a Normative Definition of the Artwork Trends and Cultural Background of Art Project Research in Japan Local People as Evaluators of Art Projects Column 2 Case Studies of Co-Creative Projects 1: Jun Kitazawa’s -
The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment. -
Japanese Monetary Policy: the Effectiveness of Quantitative Easing" (2013)
Johnson & Wales University ScholarsArchive@JWU Honors Theses - Providence Campus College of Arts & Sciences Fall 2013 Japanese Monetary Policy: The ffecE tiveness of Quantitative Easing Colin James Flynn Johnson & Wales University - Providence, [email protected] Follow this and additional works at: https://scholarsarchive.jwu.edu/student_scholarship Part of the Arts and Humanities Commons Repository Citation Flynn, Colin James, "Japanese Monetary Policy: The Effectiveness of Quantitative Easing" (2013). Honors Theses - Providence Campus. 14. https://scholarsarchive.jwu.edu/student_scholarship/14 This Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ScholarsArchive@JWU. It has been accepted for inclusion in Honors Theses - Providence Campus by an authorized administrator of ScholarsArchive@JWU. For more information, please contact [email protected]. Japanese Monetary Policy: The Effectiveness of Quantitative Easing Colin James Flynn RSCH 3002: Directed Academic Experience Dr. Michael Fein, Director Professor Jean Holt Professor Ernest Mayo Fall 2013 Abstract The purpose of this paper is to analyze the effects of Japanese monetary policy from 2001-2010. In 2001 the Bank of Japan, Japan’s central bank, began using an unconventional monetary policy tool known as quantitative easing. The desired effect of quantitative easing is to inject money directly into the country’s money supply. This is accomplished through the purchasing of commercial and private financial assets, mainly bonds, by the central bank of the participating country. This paper tests the hypothesis that when the value of the Japanese yen (JPY) is lowered versus the United States Dollar (USD) that the number of Japanese goods purchased by the United States from Japan would increase. -
Willieverbefreelikeabird Ba Final Draft
Háskóli Íslands Hugvísindasvið Japanskt mál og menning Fashion Subcultures in Japan A multilayered history of street fashion in Japan Ritgerð til BA-prófs í japönsku máli og menningu Inga Guðlaug Valdimarsdóttir Kt: 0809883039 Leðbeinandi: Gunnella Þorkellsdóttir September 2015 1 Abstract This thesis discusses the history of the street fashion styles and its accompanying cultures that are to be found on the streets of Japan, focusing on the two most well- known places in Tokyo, namely Harajuku and Shibuya, as well as examining if the economic turmoil in Japan in the 1990s had any effect on the Japanese street fashion. The thesis also discusses youth cultures, not only those in Japan, but also in North- America, Europe, and elsewhere in the world; as well as discussing the theories that exist on the relation of fashion and economy of the Western world, namely in North- America and Europe. The purpose of this thesis is to discuss the possible causes of why and how the Japanese street fashion scene came to be into what it is known for today: colorful, demiurgic, and most of all, seemingly outlandish to the viewer; whilst using Japanese society and culture as a reference. Moreover, the history of certain street fashion styles of Tokyo is to be examined in this thesis. The first chapter examines and discusses youth and subcultures in the world, mentioning few examples of the various subcultures that existed, as well as introducing the Japanese school uniforms and the culture behind them. The second chapter addresses how both fashion and economy influence each other, and how the fashion in Japan was before its economic crisis in 1991. -
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:KHQ6H[7KUHDWHQHGWKH6WDWH,OOLFLW6H[XDOLW\1DWLRQDOLVPDQG3ROLWLFV LQ&RORQLDO1LJHULD²E\6DKHHG$GHULQWR UHYLHZ -XGLWK$%\ILHOG &DQDGLDQ-RXUQDORI+LVWRU\9ROXPH1XPEHUVSULQJVXPPHUSULQWHPSVpWp SS 5HYLHZ 3XEOLVKHGE\8QLYHUVLW\RI7RURQWR3UHVV '2,FQK )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by Fondren Library, Rice University (17 May 2016 17:11 GMT) 206 reviews family structure. It adds to the comparative analysis of Puerto Rican com- munities in the Midwest with other historical groups, such as Mexican Americans (Lilia Ferna´ndez’s Brown in the Windy City, Chicago, 2012). We Are Left without a Father Here exposes the complexities derived from a colonial apparatus that is carving its own formula of modernization. In the process, concepts of class, gender, and race intersect in very subtle ways throughout the migration process. This book can be used as a reference or complementary text for a college and graduate level course. It is a valuable source for any course on American, Caribbean, Latino, and Latin American studies, and any other related fields. Milagros Denis-Rosario, Hunter College, City University of New York Middle East, Central Asia, and Africa Le Moyen-Orient, l’Asie centrale, et l’Afrique When Sex Threatened the State: Illicit Sexuality, Nationalism, and Politics in Colonial Nigeria, 1900–1958, by Saheed Aderinto. Urbana, University of Illinois Press, 2015. xviii, 241 pp. $95.00 US (cloth), $32.00 US (paper). In seven engaging chapters and an epilogue, Saheed Aderinto has pro- duced a very important contribution to African social history and Nigerian historiography specifically. His intellectual journey, as revealed in his introduction, is a ‘‘must read’’ for graduate students for this book is the outcome of a scholar who listened closely to his sources and grappled with the complex realities they revealed.