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{Read} {PDF EPUB} ~Download Come Undone by Mila Hale {Read} {PDF EPUB} ~download Come Undone by Mila Hale "Undone" lyrics. I'm sorry, I let me fall for you I can erase you and forget you but I can't undo you You're the hand I can't hold, the words I'm not told when I'm lonely And I don't want you back, I just want to have what you took from me. Stars fade away they just crash into space Disappear from the night like you and I. Tell me where love goes when it's gone Tell me where hearts go when they go wrong Suddenly someone is no one I've come Undone, undone, undone. I'll come around again I know it's not the end But right now I've got nowhere to begin To begin. Tell me where love goes when it's gone Tell me where hearts go when they go wrong Suddenly someone is no one I've come Undone, undone, undone. Nothing but emptiness inside Love leaves a black hole where it dies How can I ever love again, I've come Undone, undone, undone Undone, undone, undone Undone, undone. REVAMP/Ex-AFTER FOREVER Singer To Join ADRENALINE MOB On Stage In Bochum. Dutch singer Floor Jansen ( REVAMP , AFTER FOREVER ) will join ADRENALINE MOB on stage on July 7 at Matrix in Bochum, Germany. Jansen states, "I will sing the DURAN DURAN cover 'Come Undone' with Russell Allen . On the [ ADRENALINE MOB ] album, the vocals are done by [ HALESTORM ] singer Lzzy Hale . She had the most amazing rock voice. I'm honored to sing it live! I hope to see you in Germany to rock with me and the MOB . " ADRENALINE MOB features in its ranks frontman Russell Allen ( SYMPHONY X ), drummer Mike Portnoy (formerly of DREAM THEATER ), bassist John Moyer (also of DISTURBED ) and guitar virtuoso Mike Orlando ( SONIC STOMP ). ADRENALINE MOB 's "Indifferent" video was filmed in March in the desert in California and throughout Los Angeles with director Scott Hansen , who has previously worked with A DAY TO REMEMBER , UNEARTH and WILLIE NELSON , among others. "Indifferent" comes off ADRENALINE MOB 's debut album, "Omertá" , which sold around 6,600 copies in the United States in its first week of release to land at position No. 70 on The Billboard 200 chart. The CD was released in Europe on March 19 in Europe via Century Media Records and in the U.S. on March 13 through the newly formed Elm City Music in conjunction with EMI Label Services . The 11-song effort — which was produced by ADRENALINE MOB and mixed by Jay Ruston , who has previously worked on ANTHRAX 's "Worship Music" and STEEL PANTHER 's "Balls Out" — includes a blistering reinterpretation of DURAN DURAN 's classic "Come Undone" featuring guest vocals by Lzzy Hale of HALESTORM . Omertá. Adrenaline Mob is probably the most controversial metal supergroup to come out in recent memory. Originally masterminded by Symphony X singer Russell Allen and Sonic Stomp guitarist Mike Orlando, the Mob wouldn’t be half as infamous if it wasn’t the first project to feature drummer Mike Portnoy after his publicized departures from Dream Theater and Avenged Sevenfold. While the band was quick to put out a five-song EP late last year to give listeners a taste of what is to come, this full-length release could be regarded as their true debut. It not only includes the four original tracks that were on the EP but also includes several other songs that show what else the band is capable of. The best way to describe Adrenaline Mob’s style is that it sounds like 2002. The album is on the weird line between groove and alternative metal in the vein of groups like Disturbed, Rob Zombie, Godsmack, and Black Label Society. While the style is far removed from the prog metal put out by its more famous members but it isn’t exactly unheard of at this point. After all, there’s no denying the impact that touring with A7X had on Portnoy and Dream Theater dabbled with a similar sound on 2003’s Train of Thought. Hell, the beginning of “Indifferent” sounds like a song from one of James Labrie’s solo albums! The band’s dynamics are a little rocky but they go well with the songwriting’s bare bones approach. Orlando’s guitar riffs are a little stiff and the bass never seems to stand out, but he does have a nice chunky delivery and his solos show off a lot of Dimebag-influenced theatrics. On the other side, Sir Allen’s vocals still utilize a scratchy Ronnie James Dio impersonation with bits of Phil Anselmo while Portnoy is hard hitting though predictably not as technical as previous performances. I’d like to know who decided that the latter’s spoken bit on “Psychosane” was a good idea… As somewhat expected, the songs that previously appeared on the EP may be some of the strongest on here. “Down To The Floor” serves as an energetic anthem while “Believe Me” offers a more melodic sing-along hook to go along with its grooves. And despite the previously mentioned spoken bits, “Psychosane” stands out thanks to its contrasting structures and memorable guitar solos. Of course, the other heavy tracks manage to stand up pretty well. Lead single “Undaunted” opens the album nicely and channels a great deal of Disturbed influence with its jumpy guitar runs and vocals full of Draiman imitations. And now that I’ve seen a veteran band with major influence from Disturbed, I officially feel old… The Mob also has a nice soft side with there being three ballads on display. While “Indifferent” and “All On The Line” are a bit more subdued, “Angel Sky” is an all-out lighter holder that would’ve made a great closer and actually reminds me of Kamelot’s “House On A Hill” in a way. And like every other alternative/nu metal band, the album also includes a cover of a hit song by a random 80s band, this time being a heavy take on “Come Undone” by Duran Duran. Thankfully, the track avoids sounding like a gimmick and actually ends up being a highlight thanks to its unique guitar tone and an excellent duet between Allen and Halestorm’s Lizzy Hale. Quite frankly, I don’t expect anyone to really like this album. It’s definitely a little too simple-minded for most fans of these musicians and I doubt they’ll get too much attention from the target demographic for this release. But at any rate, it’s pretty much what you’d expect and manages to be a fun groove metal listen, even if it is a little bone-headed. And now that the band has recruited Disturbed bassist John Moyer, one can only wonder how the band’s style will evolve from here. Let’s just hope they don’t decide to hop on any contemporary trends in the near future; the world just doesn’t need anymore nu metal dubstep… Current Highlights: “Undaunted” “Psychosane” “Down To The Floor” “Come Undone” “Angel Sky” See? Radio rock can be good! - 80% As a drummer and fan of all things progressive metal, I fell in love with Mike Portnoy and Dream Theater the moment that I heard them. The crazy odd time work, the four-way shred sessions that take up most of the many of their songs, the fact that they were able to make a 42 minute song interesting the entire way through, I loved it all. So when I first read that Mike Portnoy had left the band, I was both surprised and saddened as one of my favorite drummers was now separated from one of my favorite bands. However, upon discovering that he was starting a new band with Symphony X frontman Russell Allen, an easy front runner for most powerful vocalist in metal history, I was pretty excited. This excitement escalated to "Holy crap, this is awesome" when hearing the band's live cover of the Black Sabbath tune "The Mob Rules", which was filled with such an undeniably exquisite energy among all the men on stage that there was no feasible way the band could screw things up. Omerta shows that Adrenaline Mob do make some good stuff, even if their heads may be stuck in the year 2002. Musically the record is not at all what you would expect from two kings of progressive metal in Portnoy and Allen in that it's not progressive in any way at all. In fact, this could very easily be filed under the category of "regressive metal", as the music of Omerta very much sounds in many places like the bouncy, groove-based radio rock of the early 2000s. There are some absolutely metal moments on here though, such as the entirety of "Hit the Wall" with its crazy shred lead breaks and the endings of "Believe Me" and "Freight Train" where Mike Portnoy channels his inner Slayer for some thrashy drumming. Much like in the aforementioned live cover of "The Mob Rules", there is a head pounding, somewhat youthful energy to most of these songs. It's much like the new Darkthrone record in that you can tell that these guys are having the time of their lives playing this music. In a sense, Adrenaline Mob are very much a radio metal band in the same way that Fozzy is, in that both combine energetic heavy metal with alternative rock and end up wiping the floor with all the over made-for-radio bands of both the early 2000s and the early 2010s (both eras, I might add, having almost zero difference in terms of sound and identity, or lack thereof).
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