DOCSLIB.ORG

DECK CHECKLIST Numero De DCI Numero De DCI

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DECK CHECKLIST Numero De DCI Numero De DCI COMPETIDOR REGISTRANDO EL MAZO COMPETIDOR USANDO EL MAZO _________________________________ _________________________________ _________________________________ _________________________________ Nombre Appellido Nombre Appellido ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ DECK CHECKLIST Numero de DCI Numero de DCI USADO USADOTOT USADOTOT USADOTOTAL USADOTOT USADOTOTAL TIERRAS BASICAS AL BLANCO AL AZUL NEGRO AL ROJO VERDE Adivinadora kitsune Apabullar Acosar Alma de magma Alcance del kodama Bosque Aliento bendecido Apagar el pensamiento Akuba perversa Alumnos de Kumano Anciano de la tribu Sakura Baño purificador Aprendiz jushi Arrastrar Atravesando la brecha Azusa, perdida pero buscando Isla Brillo de la vela Aura de dominio Avaricia devoradora Avalancheros akki Budoka humilde Bruma etérea Azami, señora de los pergaminos Baile de sombras Ben-Ben, ermitaño akki Corredor de raíces Llanura Bushi piesuave Buscar entre la niebla Colmillocorto nezumi Blandescarcha Desgarradora de la tribu Kashi Caminagrieta kitsune Campo de realidad Comerciante de harapos Ciego de furia Desgastar Montaña Cruzados samur i Consejo de los soratami Degollador nezumi Cólera devoradora Dosan la hoja cayendo Deber del vasallo Correr el velo El hambriento Corredor de lava akki En comunión con la naturaleza Pantano Hatamoto de Konda Cortar las ataduras Ensuciar Descarga de lava Festín de gusanos Hikari, guardián del crepúsculo Cuentacuentos Extracción craneana Dolor aplastante Fuerza de los cedros TOTAL Honden del fuego purificador Decana soratami Honden del alcance nocturno Entrenadora ronin Fuerza del vendaval Impostor severo Desafío de Hisoka Horobi, lamento de la muerte Furor incontrolable Guardabosque orochi Invertir las arenas Deslizanubes soratami Impostor cruel Godo, señor de la guerra de los bandidos Guerreros de la tribu Kashi USADOTOTAL TIERRAS NONBASICAS Isamaru, Hound of Konda Detener el tiempo Iname, aspecto de la muerte Hermanos Yamazaki Honden de la red vital Jaula de manos El innombrable Kami de la locura Honden de la ira infinita Impostor feral Boseiju, la que cobija a todos Kami de cien garras Elevado por nubes Kami de la luna menguante Impostor brutal Iname, aspecto de la vida Castillo Eiganjo Kami de la inocencia Estudiante de los elementos Kami quejumbroso Iniciado de la sangre Injertacardos Caverna Veloacuoso Kami de la ley antigua Guardia de espejos soratami Kiku, flor de la noche Inversión extraña Jardinero budoka Cementerio iluminado por linternas Kami de la linterna Guardia de Hisoka Kokusho, la estrella del atardecer Kami del brasero Jugan, la estrella ascendente Cordillera Crestaempinada Kami de los jardines del palacio Guardián de la soledad Kuro, señor del pozo Kami del dolor Kami de la caza Huerto prohibido Kami de piedra vieja Hisoka, sensei de Minamo Ladrón de la esperanza Kami del rugir del fuego Kami de la hana Jardín apacible Kami del sendero pintado Honden de los vientos atentos Leehuesos nezumi Kiki-Jiki, el rompe espejos Kami de la parra Lago Crestanubosa Kitsune digno Impostor insensible Lucha por la cordura Kumano, maestro yamabushi Kami de las mil piernas Minamo, la escuela al borde del agua Konda, Señor de Eiganjo Indagar en las profundidades Muerte precipitada Lanzacarbones akki Kami de musgo Okina, templo a los antepasados Llamar a la gloria Inspeccionar entre las arenas Myojin del alcance nocturno Llama del yamabushi Kodama del árbol del norte Salón del Señor de los bandidos Llanto de Terashi Kaijin del río Noche de la traición de las almas Llamarada mental Kodama del árbol del sur Shinka, la fortaleza ensangrentada Maestro de filo kitsune Kami del reflejo torcido Ogro muertemaldita Lluvia de piedras Kumo tejeorbe Shizo, depósito de la muerte Mantener la posición Keiga, la estrella de la marea Ogro sediento de sangre Marea de la guerra Kumo venerable Untaidake, guardián de las nubes Masako la malhumorada Liar el pensamiento Ogro villano Matón de Sokenzan Latido de la primavera TOTAL Místico kitsune Los errantes Oni demueledolor Myojin de la ira infinita Llamahojas orochi Myojin del fuego purificador Mago de espejos soratami Oni retuercetripas Ráfaga de almas Mensajero jukai USADOTOTAL Nagao, ligado por el honor Meloku el espejo nublado Pacto de medianoche Ráfaga hanabi Moldeasuelo ARTEFACTOS Ocho-colas-y-media Moldealluvia soratami Paria numai Rayo glacial Myojin de la red vital Bo de nueve anillos Polilla kabuto Myojin de los vientos atentos Pesadilla en la vigilia Revés Observahuevos orochi Campana junkyo Prisión fantasmagórica Obstaculizar Plaga devoradora Ritos sangrientos Orden de la campana sagrada Caparazón del último kappa Pureza silenciosa Ojo de la nada Portavoz de la sangre Ritual desesperado Piel de serpiente Cometa del viajante Reciprocar Perita agraciada Posesión oni Rocahablante akki Poder del kodama Espejo de anillo lunar Samurái de la cortina pálida Pétalos de la perspicacia Rasgar el espíritu Ronin enceguecido en la batalla Protectora orochi Estandarte de Konda Samurái jinete de polillas Procesión sobrecogedora Rasgar la carne Ryusei, la estrella fugaz Respiro alegre Estatua de imi Sanador kitsune Regalos no entregados Resucitación desalmada Shimatsu Mantosangriento Sachi, hija de Seshiro Gohei olvidado Semilla del horizonte Remolinear las nieblas Risa espantosa Sismo de maná Señuelo Guardián de promesas, daisho de Takeno Sensei Cola Dorada Restricción mística Robatumbas nezumi Socavador akki Señuelo de la tribu Matsu Hankyu Servidor devoto Retejer Roemédulas Tiemblatierra Seshiro el bendecido Idolo de jade Takeno, general samurái Señor de la tormenta Ronin maldito Tormenta del yamabushi Shisato, cazadora susurrante Incubadora orochi Viaje por otros mundos Titeretada psíquica Ronin nezumi Tragamineral Sosuke, hijo de Seshiro Kabuto del general Vigilancia Uyo, profeta silenciosa Seizan, pervertidor de la verdad Velocidad sobrenatural Tiempos difíciles Koto de cuerdas de cabellos Voluntad indomable Vidente soratami Tratos nocturnos Ventisca de otro mundo Vislumbrar la naturaleza Kusari-gama Yosei, la estrella de la mañana Vórtice consumidor Venas rasgadas Zo-Zu el castigador Voluntad de la naturaleza Linterna de Reito Zubera canto silencioso Zubera sueño flotante Zubera piel-de-cenizas Zubera puños-de-brasas Zubera lengua goteante Máscara de uba TOTAL TOTAL TOTAL TOTAL TOTAL No-dachi Shaku usado con honor Tatsumasa, el colmillo del dragón Primera Tenza, mazo de Godo Appellido Trompo adivinador del sensei Please fill out this TOTAL Letra del decklist carefully to avoid serious penalties..
Load more

Recommended publications
  • Echoing Spirits: a Composition for Shakuhachi, 21-String Koto, and Orchestra
    ECHOING SPIRITS: A COMPOSITION FOR SHAKUHACHI, 21-STRING KOTO, AND ORCHESTRA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN MUSIC IN COMPOSITION MAY 2021 By William Watson Dissertation Committee: Chairperson, Donald Womack Thomas Osborne Takuma Itoh Kate McQuiston Mark Merlin TABLE OF CONTENTS • List of Tables……….…………………………………………………………………………iii • List of Examples.……….……….……….……….……….……….……….….….….….……iv • Note on Japanese Names and Terms…….……….……………………………………………vi • Introduction…………………………………………………………………………………….1 • Motivation Behind the Instrumentation………………………………………………………..2 • Precedents………….……….…………….……………………………………………………4 • Cross-cultural Compositional Strategies…………….…………………………………………7 • Extramusical Ideas………………………………………………………………………….12 • Formal Application of Jo Ha Kyū……………………………………………………….…15 • Analysis of Echoing Spirits………………….………………………………………………..16 • Form………………………………………………………………………………………..16 • Harmonic Language………………………………………………………………………..29 • Orchestration……………………………………………………………………………….40 • Conclusion…………………………………………………………………………………….45 • Bibliography…………………………………………………………………………………..46 "ii LIST OF TABLES Table 1. Dominant Jo Ha Kyū in Kodama……………………………………………………….18 Table 2. Subordinate Jo Ha Kyū within the Jo Phase of Kodama……………………………….18 Table 3: Subordinate Jo Ha Kyū within the Ha Phase of Kodama………………………………19 Table 4: Dominant Jo Ha Kyū in Kappa…………………………………………………………20 Table 5. Cyclic Structure of Kappa………………………………………………………………23
    [Show full text]
  • Anime and Historical Inversion in Miyazaki Hayao's Princess
    Anime and Historical Inversion in Miyazaki Hayao’s Princess Mononoke John A. Tucker East Carolina University Introduction If box office receipts are any indication of cultural significance, then Miyazaki Hayao’s Princess Mononoke (Mononokehime, 1997) surely stands as one of the most important works of late-twentieth-century Japanese popular culture: currently it remains the highest-grossing (¥16.65 billion, approximately $150 million) domestic film in Japanese history. Prior to the release of The Titanic, Princess Mononoke eclipsed E.T. and reigned as the biggest box-office hit ever, domestic or foreign, in Japan. While The Titanic has since surpassed Princess Mononoke in overall ticket sales, over 13.53 million Japanese, or more than one-tenth of the population, have watched Princess Mononoke in theatres, and over five million copies of the video have been sold domestically (Yoneda, 204). Princess Mononoke also stands as the most expensive animated movie ever made in Japan, with a 3 billion yen (approximately $30 million) production cost (Wakita et al., 168). Critics have lauded it in literally hundreds of media reviews, especially in Japanese film and popular culture publications such as Kinema junpō, SAPIO, Nyūmedeia, AERA, uirumumeekaazu, Bessatsu Comicbox, Bessatsu Takarajima, Tech Win, Shunkan Kinyōbi, Video Doo!, Yurika, Cinema Talk, and SPA!, as well as in the major newspapers, periodicals, and regional media. Additionally, Princess Mononoke has been awarded numerous prizes, most notably the 21st Japan Academy Award for Best Film (Kuji, 3-4; Schilling, 3). Not surprisingly the film has been released internationally, with an English language version, featuring numerous familiar American voices, including that of Gillian Anderson and Billy Bob Thornton, thus making it exceptionally accessible in the United States for anime fans, and those interested in Japanese history and culture.
    [Show full text]
  • Japanese Folk Tale
    The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai."­ T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1.
    [Show full text]
  • Pandemonium and Parade
    Pandemonium and Parade Pandemonium and Parade Japanese Monsters and the Culture of YOkai Michael Dylan Foster UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. Frontispiece and title-page art: Details from Kawanabe KyOsai, HyakkiyagyO-zu: Biwa o ou otoko, c. 1879. Ink and color on paper. © Copyright the Trustees of The British Museum. Excerpt from Molloy, by Samuel Beckett, copyright © 1955 by Grove Press, Inc. Used by permission of Grove/Atlantic, Inc., and Faber and Faber Ltd., © The Estate of Samuel Beckett. An earlier version of chapter 3 appeared as Michael Dylan Foster, “Strange Games and Enchanted Science: The Mystery of Kokkuri,” Journal of Asian Studies 65, no. 2 (May 2006): 251–75, © 2006 by the Associ- ation for Asian Studies, Inc. Reprinted with permission. Some material from chapter 5 has appeared previously in Michael Dylan Foster, “The Question of the Slit-Mouthed Woman: Contemporary Legend, the Beauty Industry, and Women’s Weekly Magazines in Japan,” Signs: Journal of Women in Culture and Society 32, no. 3 (Spring 2007): 699–726, © 2007 by The University of Chicago. Parts of chapter 5 have also appeared in Michael Dylan Foster, “The Otherworlds of Mizuki Shigeru,” in Mechademia, vol. 3, Limits of the Human, ed. Frenchy Lunning (Minneapolis: University of Minnesota Press, 2008).
    [Show full text]
  • (MASA HEISEI) SKRIPSI Diajukan
    PERKEMBANGAN KEPERCAYAAN MASYARAKAT JEPANG TERHADAP SOSOK MITOLOGI KITSUNE PADA MASA SEKARANG (MASA HEISEI) SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar Sarjana Sastra Oleh Tri Angga Tody 2014110119 PROGRAM STUDI SASTRA JEPANG FAKULTAS SASTRA UNIVERSITAS DARMA PERSADA JAKARTA 2018 HALAMAN PERNYATAAN KEASLIAN SKRIPSI Merupakan karya ilmiah yang penulis susun di bawah bimbingan Ibu Dr. Nani Dewi Sunengsih, S.S., M.Pd. selaku pembimbing I dan Bapak Dr. Hermansyah Djaya, S.S., M.A. selaku pembimbing II. Karya ilmiah ini tidak merupakan jiplakan skripsi sarjana atau hasil karya orang lain, baik sebagian atau seluruhnya, dan isi seluruhnya menjadi tanggung jawab saya sendiri sebagai penulis. Nama : Tri Angga Tody NIM : 2014110119 Program Studi : Sastra Jepang S1 Fakultas : Sastra Bilamana dikemudian hari terbukti bahwa data dan judul tersebut merupakan hasil jiplakan atau plagiat dari karya tulis orang lain, maka sesuai kode etik ilmiah, saya menyatakan bersedia menerima sanksi termasuk pencopotan atau pembatalan gelar akademik saya oleh pihak Universitas Darma Persada. Jakarta, 2018 Yang Membuat Pernyataan, (Tri Angga Tody) iii Universitas Darma Persada iv ABSTRAK Nama : Tri Angga Tody Program Studi : Sastra Jepang Judul : Perkembangan Kepercayaan Masyarakat Jepang terhadap Sosok Mitologi Kitsune pada Masa Sekarang (Masa Heisei) NIM : 2014110119 Penelitian ini bertujuan untuk mengetahui perkembangan kepercayaan masyarakat Jepang terhadap sosok mitologi Kitsune pada masa sekarang. Metode penelitian yang digunakan yaitu
    [Show full text]
  • Repentance Does Not Come First by Robert Denton III
    Repentance Does Not Come First By Robert Denton III His father used to say that it wasn’t wise to “gamble as the dice fell,” but they were cast now, so there was no longer any room for doubt. From this moment onward, his heart and mind must be in accord. Isawa Tadaka steeled himself and pushed the door aside. “Tadaka!” Shiba Tetsu rose from his cushion with a bright grin. In the teahouse’s muted light, the crest of the Order of Chikai glowed on his crimson robes. Tadaka returned the smile. “You are a sight for sore eyes, Tetsu-san.” “I’m just glad to see you are in one piece. You take such needless risks these days!” Tadaka shrugged. “The fruit is at the end of the branch.” They sat before a short lacquered table, Tetsu setting his iron kettle on a bed of hot coals and readying his ladle and whisks. “How is your recovery going?” “As well as can be expected.” Tadaka resisted the urge to touch his bandaged side. “Garanto Province was…humbling.” “So I’ve heard,” said Tetsu, pouring fresh water into the kettle. “How did you find the Kaito?” “Charming, but naïve.” He laughed at that. “Such is to be expected when one spends one’s whole life in the mountains, cut off from the outside world.” He flashed a look Tadaka’s way. “But then, you wouldn’t know anything about that, right?” “I came down for festivals.” A pause. “Sometimes.” Tetsu grinned and readied two cups. “Even so,” Tadaka continued, “I believe they are an underutilized resource for the clan.
    [Show full text]
  • 3. Genji and Suzaku (2): the Possibility of Ukifune
    3. Genji and Suzaku (2): The Possibility of Ukifune This essay continues the previous one by suggesting that Suzaku’s bitterness toward Genji, precipitated by the misfortune of his daughter, may affect even the tale’s last heroine, Ukifune, through the mechanism of spirit possession. It also discusses more generally the nature and significance of Ukifune’s experience. Nearly all Genji readers, particularly non-specialists, have long taken it for granted that she throws herself into the nearby river in order to drown, but that she is instead swept downstream and washed ashore at the spot where she is then found.1 However, the narrative shows that a spirit, not the river, carries her. This spirit, the one exorcised in “Tenarai,” is the one that can be hypothetically associated with Suzaku. Ukifune’s reputation Ukifune is the last major female character in the tale, and the most striking part of her story is told in the final chapters (“Ukifune” to “Yume no ukihashi”). In “Ukifune” Kaoru and Niou, the young men most prominent in the Uji chapters, pursue her, and the success of both places her in an agonizing dilemma. She could save herself by choosing one lover over the other, but she remains unable to do so. Instead she sinks into paralyzing despair, and living as she does beside the Uji River, decides to drown herself. At the end of “Ukifune” the reader knows what she is about to do, and the next morning (the start of the next chapter, “Kagerō”) she has indeed disappeared. However, early in the chapter after that (“Tenarai”) she is found alive under a tree.
    [Show full text]
  • Kodama Pada Ajaran Shinto Sebagai Kearifan Lokal
    KODAMA PADA AJARAN SHINTO SEBAGAI KEARIFAN LOKAL TERHADAP KELESTARIAN HUTAN DI JEPANG NIHON NO MORI NO HOZEN NI TAISURU CHIHOU NO CHIE TO SHITE SHINTO NO KODAMA SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi Salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang Oleh: DEWINTA 140708095 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Puji dan syukur penulis ucapkan kepada Allah SWT karena atas berkat, rahmat anugrah dan perlindungannya-Nya lah penulis dapat menyelesaikan penulisan skripsi ini. Penulisan skripsi yang berjudul “KODAMA PADA AJARAN SHINTO SEBAGAI KEARIFAN LOKAL TERHADAP KELESTARIAN HUTAN DI JEPANG” ini diajukan untuk memenuhi persyaratan untuk meraih gelar Sarjana Sastra pada Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Sumatera Utara. Selama proses penelitian dan penulisan skripsi ini, penulis banyak menerima bantuan baik moril, materi dan ide dari berbagai pihak. Oleh sebab itu pada kesempatan kali ini, penulis ingin mengucapkan terimakasih, penghargaan dan penghormatan kepada : 1. Bapak Dr.Budi Agustono, M.S., selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Bapak Prof. Drs. Hamzon Situmorang, Ms.,Ph.D., selaku Ketua Program Sudi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. 3. Bapak Drs. Amin Sihombing, selaku Pembimbing , yang
    [Show full text]
  • Yokai and Japanese Folklore
    Háskóli Íslands Hugvísindasvið Japanskt mál og menning My Power is Your Power Representation of Yokai in the Game Persona 5 Ritgerð til BA-prófs í japönsku máli og menningu Marcelo Dias da Silva KT 040486-4459 Leiðbeinandi: Gunnella Þorgeirsdóttir January 2018 Table of Contents Abstract ............................................................................................................................. 1 Introduction ...................................................................................................................... 2 Video Games..................................................................................................................... 4 Games, Video Games and Genres ................................................................................ 4 Games as Object of Study ............................................................................................ 5 RPG .................................................................................................................................. 6 Role Playing ................................................................................................................. 6 Historical Background .................................................................................................. 6 Videogame RPG ............................................................................................................... 8 TRPG & VGRPG ......................................................................................................... 8 Relevant
    [Show full text]
  • Annual Report Volume 21 Fiscal 2018
    ISSN 1346-1192 Annual Report of the National Astronomical Observatory of Japan Volume 21 Fiscal 2018 Cover Caption This image shows the galaxy cluster MACS J1149.5+2223 taken with the NASA/ESA Hubble Space Telescope and the inset image is the galaxy MACS1149-JD1 located 13.28 billion light- years away observed with ALMA. Here, the oxygen distribution detected with ALMA is depicted in green. Credit: ALMA (ESO/NAOJ/NRAO), NASA/ESA Hubble Space Telescope, W. Zheng (JHU), M. Postman (STScI <http://www.stsci.edu/>), the CLASH Team, Hashimoto et al. Postscript Publisher National Institutes of Natural Sciences National Astronomical Observatory of Japan 2-21-1 Osawa, Mitaka-shi, Tokyo 181-8588, Japan TEL: +81-422-34-3600 FAX: +81-422-34-3960 https://www.nao.ac.jp/ Printer Kyodo Telecom System Information Co., Ltd. 4-34-17 Nakahara, Mitaka-shi, Tokyo 181-0005, Japan TEX: +81-422-46-2525 FAX: +81-422-46-2528 Annual Report of the National Astronomical Observatory of Japan Volume 21, Fiscal 2018 Preface Saku TSUNETA Director General I Scientific Highlights April 2018 – March 2019 001 II Status Reports of Research Activities 01. Subaru Telescope 048 02. Nobeyama Radio Observatory 053 03. Mizusawa VLBI Observatory 056 04. Solar Science Observatory (SSO) 061 05. NAOJ Chile Observatory (NAOJ ALMA Project / NAOJ Chile) 064 06. Center for Computational Astrophysics (CfCA) 067 07. Gravitational Wave Project Office 070 08. TMT-J Project Office 072 09. JASMINE Project Office 075 10. RISE (Research of Interior Structure and Evolution of Solar System Bodies) Project Office 077 11. Solar-C Project Office 078 12.
    [Show full text]
  • Deck Checklist Deck Checklist
    PLAYER REGISTERING DECK PLAYER USING DECK _________________________________ _________________________________ ______________________________________ __________________________________ Registrant’s First Name Registrant’s Last Name User’s First Name User’s Last Name DECK CHECKLIST ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ ____ Registrant’s DCI Number User’s DCI Number PLA TOT PLA TO PLA TO PLA TO PLA TOT YED AL YED TA YED TA YED TA YED AL WHITE L BLUE L BLACK L RED GREEN Day of Destiny Callow Jushi Bile Urchin Akki Blizzard-Herder Body of Jukai Empty-Shrine Kannushi Chisei, Heart of Oceans Blessing of Leeches Akki Raider Budoka Pupil Faithful Squire Disrupting Shoal Call for Blood Ashen Monstrosity Child of Thorns Final Judgment Floodbringer Crawling Filth Aura Barbs Enshrined Memories Genju of the Fields Genju of the Falls Eradicate Blademane Baku Forked-Branch Garami Heart of Light Heed the Mists Genju of the Fens Blazing Shoal Genju of the Cedars Hokori, Dust Drinker Higure, the Still Wind Goryo’s Vengeance Clash of Realities Gnarled Mass Hundred-Talon Strike Jetting Glasskite Hero’s Demise Crack the Earth Harbinger of Spring Indebted Samurai Kaijin of the Vanishing Touch Hired Muscle Cunning Bandit Isao, Enlightened Bushi Kami of False Hope Kira, Great Glass-Spinner Horobi’s Whisper First Volley Iwamori of the Open Fist Kami of Tattered Shoji Minamo Sightbender Ink-Eyes, Servant of Oni Flames of the Blood Hand Kodama of the Center Tree Kami of the Honored Dead Minamo’s Meddling Kyoki,
    [Show full text]
  • Toriyama Sekien Och Hans Arv En Analys Av Toriyama Sekiens Yōkai Kataloger, Deras Kawaii-Estetik Och Sekiens Inflytande På Det Japanska Folkets Föreställningsvärld
    Kandidatuppsats Toriyama Sekien och hans arv En analys av Toriyama Sekiens yōkai kataloger, deras kawaii-estetik och Sekiens inflytande på det japanska folkets föreställningsvärld Författare: Martin van der Linden Handledare: Johan Adetorp Examinator: Torsten Löfstedt Termin: HT17 Ämne: Religionsvetenskap Nivå: Grundnivå Kurskod: 2RK30E Abstract Toriyama Sekien and his legacy An analysis of Toriyama Sekien's yōkai catalogues, their "kawaii" aesthetics and Sekien’s influence on the imagination of the Japanese people In this essay, I study Toriyama Sekien’s yōkai (supernatural beings) catalogues and undertake a diachronic examination surrounding Sekien's imprint on his contemporaries and modern times, striving to highlight the aesthetic dimension that adds to the popularity of yōkai today. Through an image analysis based on a modified version of Roman Jakobson's communication model and a diachronic examination of Sekien’s influence on the imagination of the Japanese people, I have investigated how and why Sekien chose to depict yōkai in his catalogues as kawaii (cute). The questions that have driven my study are as follows: 1. Why does Toriyama Sekien kawaii use aesthetic codes in his four catalogues? 2. In what ways have Toriyama Sekien's catalogues influenced the Japanese people's imagination and world view? The study is anchored in cute studies theories, and with the theory Displacement of Meaning, I have identified possible answers to how Sekien has influenced the Japanese people's imagination: (1) kawaii aesthetic codes are found in Toriyama Sekien's work, because Sekien tried to make his creations as attractive as possible. To accomplish this, he used aesthetic elements which cute studies theories have found control what we perceive as kawaii and thus attractive.
    [Show full text]