DOCSLIB.ORG

Volume 3 (2018)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 3 (2018) VOLUME 3, SPRING 2018 Journal of Asian Humanities at Kyushu University Journal of Asian Humanities at Kyushu University VOLUME 3, SPRING 2018 Te Journal of Asian Humanities at Kyushu University (JAH-Q) is a peer-reviewed journal published by Kyushu University, School of Letters, Graduate School of Humanities, Faculty of Humanities 九州大学文学部 大学院人文科学府 大学院人文科学研究院. COPYRIGHT © 2018 KYUSHU UNIVERSITY Journal of Asian Humanities at Kyushu University Editorial Board Information about the journal and submissions EDITOR Cynthea J. Bogel (Kyushu University) The Journal of Asian Humanities at Kyushu University (JAH-Q) is a non-subscription publication available MANAGING EDITOR online and in print: as PDFs indexed by article on the Tomoyuki Kubo (Kyushu University) Kyushu University Library website at https://www.lib.kyushu-u.ac.jp/publications_kyushu/jahq; CONSULTING EDITORS as a single-volume PDF at Ellen Van Goethem (Kyushu University) http://www2.lit.kyushu-u.ac.jp/en/impjh/jahq/; and Ashton Lazarus (Kyushu University) as a free printed volume for contributors, libraries, and individuals (based on availability). ADVISORY MEMBERS Karl Friday (Saitama University) We consider for publication research articles, state- Seinosuke Ide (Kyushu University) of-the-field essays, and short reports on conferences Fabio Rambelli (University of California, Santa Barbara) and other events related to Asian humanities subjects James Robson (Harvard University) (broadly defined). We also seek articles or reports for Yasutoshi Sakaue (Kyushu University) the themed section, “Kyushu and Asia,” and reviews Tansen Sen (NYU Shanghai) (book, exhibition, film) for the “Reviews” section. Takeshi Shizunaga (Kyushu University) Melanie Trede (Heidelberg University) If you would like your book to be reviewed or have [email protected] Catherine Vance Yeh (Boston University) questions, contact . Potential contributors should send an e-mail to the editor after referring to the Submission Guidelines: http://www2.lit.kyushu-u.ac.jp/en/impjh/ Contents VOLUME 3, SPRING 2018 DAVID WEISS CHARI PRADEL Slaying the Serpent: Comparative Mythological Illuminating the Sacred Presence of Hasedera’s Eleven- Perspectives on Susanoo’s Dragon Fight . 1 Headed Avalokiteśvara . 87 TOSHIFUMI KAWAHIRA D. MAX MOERMAN Chinese Poetry in Hiragana: Kana-shi in Thought and Underground Buddhism: The Subterranean Landscape Practice . 21 of the Ise Shrines . 115 YAN YANG Review Yamato-e: Illuminating a Concept through Historio- graphical Analysis . 39 BOOK REVIEW BY JAMES ROBSON Tansen Sen. India, China, and the World: A Connected FABIO RAMBELLI History. New York: Rowman & Littlefield, 2017. 129 Dharma Devices, Non-Hermeneutical Libraries, and Robot-Monks: Prayer Machines in Japanese Kyushu and Asia Buddhism . 57 LINDSEY E. DEWITT SATOMI YAMAMOTO Report on the 2017 Inscription of “Sacred Island of Futanari, Between and Beyond: From Male Shamans Okinoshima and Associated Sites in the Munakata to Hermaphrodites in Te Illustrated Scroll Region” as a UNESCO World Heritage Site . 135 of Illnesses . 77 Article Contributors and Summaries Slaying the Serpent: Comparative written versions of the early eighth century. Mythological Perspectives on Susanoo’s Dragon Fight DAVID WEISS Chinese Poetry in Hiragana: Kana-shi in Thought and Practice THE UNIVERSITY OF TÜBINGEN RESEARCH FELLOW, DEPARTMENT OF JAPANESE TOSHIFUMI KAWAHIRA STUDIES KYUSHU UNIVERSITY ASSOCIATE PROFESSOR OF JAPANESE LITERATURE In the “Slaying of the Great Eight-Headed Serpent,” one of the most iconographic episodes in Japanese In the Edo period there was a type of poetry called myth, the god Susanoo rescues a maiden from a dragon kana-shi. In terms of form and style it was modeled on and marries her. Comparing the Japanese narrative Chinese poetry (kanshi) yet written with a mixture of with international dragon-slayer tales, this essay draws hiragana and kanji. It can be thought of as a literary attention to the dragon’s close connection to water and form that occupied the space in between haikai and iron. It argues that myths have to be adapted to new Chinese poetry. Kana-shi was frequently composed circumstances in order to remain relevant to the group in the early eighteenth century by Morikawa Kyoriku, that transmits them. In the myth of Susanoo’s dragon Kagami Shikō, and other disciples and associates fight, as related in the ancient chronicles Kojiki and of Matsuo Bashō, and it took shape amid rising Nihon shoki, these repeated adaptations are still visible nationalist sentiment and an accompanying decline as various layers of meaning. The essay illuminates in the status of Chinese poetry and prose. Influenced some of these layers and connects them to cultural by the mood of this intellectual environment, kana- techniques such as wet-rice cultivation or metallurgy. shi seems to have emerged as an ambitious literary This approach makes it possible to trace the evolution form that, while modeled on Chinese poetry, sought to of the myth, which found its culmination in the reconstruct it as Japanese. This essay considers these iv and related issues through analyses of specific poems. periods and ritual contexts (the shakuhachi flute as It also introduces several related poetic styles that performed by adepts of the Fuke Zen sect, prayer developed in the same time period, arguing that kana- wheels and rotating sutra repositories, Tokugawa shi was a precursor of famous works like Yosa Buson’s period automata, and, more recently, robot-monks and “Mourning the Old Sage Hokuju” as well as the new- virtual [online] ritual services), the article discusses form poetry (shintaishi) of the Meiji period. the status of those devices within the Buddhist cultural system and the conceptual challenge that they pose to issues of individual agency, religious practice, and, Yamato-e: Illuminating a Concept through ultimately, soteriology. Historiographical Analysis YAN YANG Futanari, Between and Beyond: From BOROUGH OF MANHATTAN COMMUNITY COL- Male Shamans to Hermaphrodites in The LEGE, CITY UNIVERSITY OF NEW YORK Illustrated Scroll of Illnesses ASSISTANT PROFESSOR OF ART HISTORY SATOMI YAMAMOTO Yamato-e is a familiar but confounding concept KYŌRITSU WOMEN’S UNIVERSITY in Japanese art history. Meaning simply “Japanese PROFESSOR OF JAPANESE ART HISTORY pictures,” the term is widely understood as much more. Scholars use it to refer to an alleged genre that In ancient and medieval Japan, female shamans had includes pictorial artworks featuring Japanese subject the task of divining messages from the gods. Yet there matter and a distinct style most often characterized were also male shamans (otoko miko) who donned as soft, colorful, and independent from outside female clothing. The “Futanari” section of Yamai influences (especially Chinese). This paper analyzes no sōshi (The Illustrated Scroll of Illnesses) depicts the twentieth-century historiography of yamato-e in one such figure: an intersex (futanari) soothsayer. terms of semantics, parameters, and narrative histories The scroll is thought to have been completed in the as established by various Japanese scholars, explains late twelfth century, around the zenith of Emperor why our current definition of yamato-e is problematic, Goshirakawa’s cultural influence. It was Goshirakawa and examines how the concept of yamato-e reveals who compiled the collection of imayō (popular songs) more about scholarly concerns of the early twentieth entitled Ryōjin hishō (Songs to Make the Dust Dance century than a specific painting style or type. on the Beams), which includes songs that ridicule male shamans for belonging to the marginal cultures of the eastern hinterlands and the emerging warrior Dharma Devices, Non-Hermeneutical class. This same mocking gaze is cast upon the intersex Libraries, and Robot-Monks: Prayer soothsayer by the figures in the scene and potentially Machines in Japanese Buddhism by the contemporaneous reader/viewer for “Futanari.” By focusing on representations of male shamans, as FABIO RAMBELLI well as Buddhist teachings that informed the treatment UNIVERSITY OF CALIFORNIA, SANTA BARBARA of intersex figures, this essay explores the basis of the PROFESSOR OF JAPANESE RELIGIONS AND ISF multiple meanings of “Futanari” and futanari. ENDOWED CHAIR IN SHINTO STUDIES This article explores the little-known subject of the presence, in the Japanese Buddhist tradition, of machines (understood here as special tools, instruments, and various mechanical devices) used for the production and proliferation of prayers and prayer-related activities. Following a description of representative examples from various historical SPRiNG 2018 JOURNAL OF ASiAN HUMANiTiES AT KYUSHU UNivERSiTY v Illuminating the Sacred Presence of material culture produced by and for the priestly Hasedera’s Eleven-Headed Avalokiteśvara lineages of the Ise Shrines established a sustaining relationship between the gods and the buddhas and CHARI PRADEL lay the necessary substructure for later Buddhist CALIFORNIA STATE POLYTECHNIC UNIVERSITY, developments at the Ise Shrines. POMONA PROFESSOR OF ART HISTORY REVIEW The Buddhist mountain-temple of Hasedera (Nara Tansen Sen. India, China, and the World: A Prefecture) is famous for its miraculous icon, Connected History. New York: Rowman & Hase Kannon, a monumental image of Jūichimen Littlefeld, 2017. Kannon (Sk. Ekādaśamukha, the Eleven-Headed Avalokiteśvara). This essay focuses on the origins BOOK REVIEW BY JAMES ROBSON of the Hase Kannon statue as narrated in Hasedera HARVARD UNIVERSITY
Load more

Recommended publications
  • An Introduction to the Chinese Naming Tradition of Both Ming and Zi
    ǂãϒZƜ 100 ě 12 , 101 Ȃ 167-188 ÚɅjΩôȖď Ȭ®d Οɳ1Zķ͵:ɓI ͻ:, Ŵ Ů ΚɎ˚ΚɎ˚jjjˆôˆôˆôϜďϜďϜďôďΚôďΚôďΚ 167 An Introduction to the Chinese Naming Tradition of Both Ming and Zi Chun-Ping Hsieh Associate Professor of General Education Center National Defense University Abstract Since ancient times, the Chinese have paid high respect to their own full names. A popular saying goes: “While sitting on the seat (or staying at the homeland), one never changes one’s surname; while walking on the road (or traveling abroad), one never changes one’s given name.” To the Chinese, a kind of sacredness lies so definitely in everyone’s name. The surname signifies the continuity of his lineage, whereas the personal name ming signifies blessings bestowed by the parents. A model gentleman of Chinese gentry, jun zi, means a person who conscientiously devotes himself to a virtuous and candid life so as symbolically not only to keep his name from being detained but also to glorify his parents as well as the lineage ancestors. To our surprise, however, the Chinese of traditional elite gentry would adopt, in addition, a courtesy name, zi, at the age of twenty. To avoid deviating from the sense of filial piety, the meaning of this courtesy name must evoke a response to that of the primary personal name. The present paper will thus focus on the strategic naming of zi as ingenious responses to ming, which discloses the most astonishingly wonderful wisdom in the art of Chinese naming. In the first place, we must understand that the need of zi cannot be separated from the address etiquette with which the Chinese of traditional hierarchical society were greatly concerned.
    [Show full text]
  • Abstracts # DIJ-Mono 65 Blecken ENGLISH.Fm
    LAURA BLECKEN “SELF-RESPONSIBILITY” IN JAPANESE SOCIETY: A CONCEPTUAL HISTORY AND DISCOURSE ANALYTIC STUDY APPLYING TOOLS FROM THE DIGITAL HUMANITIES * (ENGLISH SUMMARY) * This text is a summary of the PhD thesis on “‘Selbstverantwortung’ in der japa- nischen Gesellschaft: Eine begriffsgeschichtliche und diskursanalytische Unter- suchung mit Methoden der Digital Humanities”, composed under the supervision of Prof. Dr. Christian Oberländer at Martin-Luther-University Halle-Wittenberg. “Self-responsibility” in Japanese Society “SELF-RESPONSIBILITY” IN JAPANESE SOCIETY A CONCEPTUAL HISTORY AND DISCOURSE ANALYTIC STUDY APPLYING TOOLS FROM THE DIGITAL HUMANITIES (ENGLISH SUMMARY) Hostages in war zones, nuclear refugees from Fukushima and workers in pre- carious conditions are just a few examples of the many Japanese assigned per- sonal responsibility for their situation by the word jikosekinin. The term – lit- erally translated as “self-responsibility” – has become a keyword in contem- porary Japanese society. But what does jikosekinin mean, and how was it es- tablished in the Japanese language? This study examines this multi-faceted concept by combining methods of conceptual history and discourse analysis with tools from the digital humanities. It traces the word back to its roots and creates a model for different meanings of jikosekinin, through which various discourses converge. Finally, the study investigates how the word is used to- day by analyzing almost 40,000 blog posts. This procedure allows the omni- presence of jikosekinin in everyday life to be broken down and this concept, torn as it is between traditional moral values and the impacts of global neolib- eralism, to be discussed. 1) INTRODUCTION Around the year 2000, the word jikosekinin started to be called the “keyword of the era” (TAKIKAWA 2001: 32) and was described as “circulating with terrify- ing momentum” (ISHIDA 2001: 46).
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • Shaping Darkness in Hyakki Yagyō Emaki
    Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon.
    [Show full text]
  • Die Riten Des Yoshida Shinto
    KAPITEL 5 Die Riten des Yoshida Shinto Das Ritualwesen war das am eifersüchtigsten gehütete Geheimnis des Yoshida Shinto, sein wichtigstes Kapital. Nur Auserwählte durften an Yoshida Riten teilhaben oder gar so weit eingeweiht werden, daß sie selbst in der Lage waren, einen Ritus abzuhalten. Diese zentrale Be- deutung hatten die Riten sicher auch schon für Kanetomos Vorfah- ren. Es ist anzunehmen, daß die Urabe, abgesehen von ihren offizi- ellen priesterlichen Aufgaben, wie sie z.B. in den Engi-shiki festgelegt sind, bereits als ietsukasa bei diversen adeligen Familien private Riten vollzogen, die sie natürlich so weit als möglich geheim halten muß- ten, um ihre priesterliche Monopolstellung halten und erblich weiter- geben zu können. Ein Austausch von geheimen, Glück, Wohlstand oder Schutz vor Krankheiten versprechenden Zeremonien gegen ge- sellschaftliche Anerkennung und materielle Privilegien zwischen den Urabe und der höheren Hofaristokratie fand sicher schon in der späten Heian-Zeit statt, wurde allerdings in der Kamakura Zeit, als das offizielle Hofzeremoniell immer stärker reduziert wurde, für den Bestand der Familie umso notwendiger. Dieser Austausch verlief offenbar über lange Zeit in sehr genau festgelegten Bahnen: Eine Handvoll mächtiger Familien, alle aus dem Stammhaus Fujiwara, dürften die einzigen gewesen sein, die in den Genuß von privaten Urabe-Riten gelangen konnten. Bis weit in die Muromachi-Zeit hin- ein existierte die Spitze der Hofgesellschaft als einziger Orientie- rungspunkt der Priesterfamilie. Mit dem Ōnin-Krieg wurde aber auch diese Grundlage in Frage gestellt, da die Mentoren der Familie selbst zu Bedürftigen wurden. Selbst der große Ichijō Kaneyoshi mußte in dieser Zeit sein Über- leben durch Anbieten seines Wissens und seiner Schriften an mächti- ge Kriegsherren wie z.B.
    [Show full text]
  • University of Nevada, Reno American Shinto Community of Practice
    University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice.
    [Show full text]
  • The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer.
    [Show full text]
  • Taosrewrite FINAL New Title Cover
    Authenticity and Architecture Representation and Reconstruction in Context Proefschrift ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de Ruth First zaal van de Universiteit op maandag 10 november 2014 om 10.15 uur door Robert Curtis Anderson geboren op 5 april 1966 te Brooklyn, New York, USA Promotores: prof. dr. K. Gergen prof. dr. A. de Ruijter Overige leden van de Promotiecommissie: prof. dr. V. Aebischer prof. dr. E. Todorova dr. J. Lannamann dr. J. Storch 2 Robert Curtis Anderson Authenticity and Architecture Representation and Reconstruction in Context 3 Cover Images (top to bottom): Fantoft Stave Church, Bergen, Norway photo by author Ise Shrine Secondary Building, Ise-shi, Japan photo by author King Håkon’s Hall, Bergen, Norway photo by author Kazan Cathedral, Moscow, Russia photo by author Walter Gropius House, Lincoln, Massachusetts, US photo by Mark Cohn, taken from: UPenn Almanac, www.upenn.edu/almanac/volumes 4 Table of Contents Abstract Preface 1 Grand Narratives and Authenticity 2 The Social Construction of Architecture 3 Authenticity, Memory, and Truth 4 Cultural Tourism, Conservation Practices, and Authenticity 5 Authenticity, Appropriation, Copies, and Replicas 6 Authenticity Reconstructed: the Fantoft Stave Church, Bergen, Norway 7 Renewed Authenticity: the Ise Shrines (Geku and Naiku), Ise-shi, Japan 8 Concluding Discussion Appendix I, II, and III I: The Venice Charter, 1964 II: The Nara Document on Authenticity, 1994 III: Convention for the Safeguarding of Intangible Cultural Heritage, 2003 Bibliography Acknowledgments 5 6 Abstract Architecture is about aging well, about precision and authenticity.1 - Annabelle Selldorf, architect Throughout human history, due to war, violence, natural catastrophes, deterioration, weathering, social mores, and neglect, the cultural meanings of various architectural structures have been altered.
    [Show full text]
  • Discourses on Religious Violence in Premodern Japan
    The Numata Conference on Buddhist Studies: Violence, Nonviolence, and Japanese Religions: Past, Present, and Future. University of Hawaii, March 2014. Discourses on Religious Violence in Premodern Japan Mickey Adolphson University of Alberta 2014 What is religious violence and why is it relevant to us? This may seem like an odd question, for 20–21, surely we can easily identify it, especially considering the events of 9/11 and other instances of violence in the name of religion over the past decade or so? Of course, it is relevant not just permission March because of acts done in the name of religion but also because many observers find violence noa, involving religious followers or justified by religious ideologies especially disturbing. But such a ā author's M notion is based on an overall assumption that religions are, or should be, inherently peaceful and at the harmonious, and on the modern Western ideal of a separation of religion and politics. As one Future scholar opined, religious ideologies are particularly dangerous since they are “a powerful and Hawai‘i without resource to mobilize individuals and groups to do violence (whether physical or ideological of violence) against modern states and political ideologies.”1 But are such assumptions tenable? Is a quote Present, determination toward self-sacrifice, often exemplified by suicide bombers, a unique aspect of not violence motivated by religious doctrines? In order to understand the concept of “religious do Past, University violence,” we must ask ourselves what it is that sets it apart from other violence. In this essay, I the and at will discuss the notion of religious violence in the premodern Japanese setting by looking at a 2 paper Religions: number of incidents involving Buddhist temples.
    [Show full text]
  • Harai-Kiyome Di Kuil Takekoma Takekoma Jinja De No Harai
    HARAI-KIYOME DI KUIL TAKEKOMA TAKEKOMA JINJA DE NO HARAI-KIYOME SKRIPSI Skripsi ini diajukan kepada panitia ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk melengkapi salah satu syarat ujian Sarjana dalam Bidang Ilmu Sastra Jepang Oleh: M. BRAWIJAYA NIM: 140708100 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Puji dan syukur penulis ucapkan kepada Allah SWT karena dengan rahmat dan hidayah-Nya penulis diberikan kesehatan selama mengikuti perkuliahan hingga penulis dapat menyelesaikan skripsi ini. Usaha yang diiringi dengan doa merupakan dua hal yang membuat penulis mampu menyelesaikan skripsi ini. Penulisan skripsi yang berjudul “HARAI-KIYOME DI KUIL TAKEKOMA” ini penulis susun sebagai salah satu syarat untuk meraih gelar sarjana pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. Dalam penulisan skripsi ini penulis tidak terlepas dari bimbingan, dukungan, dorongan serta bantuan dari berbagai pihak. Oleh karena itu, pada kesempatan ini penulis ingin menyampaikan rasa terima kasih yang sebesar- besarnya kepada: 1. Bapak Dr. Budi Agustono, M.S selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Bapak Prof. Hamzon Situmorang, M.S, Ph.D., selaku ketua Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara. 3. Bapak Drs. Amin Sihombing.,M.Si selaku dosen pembimbing sekaligus Dosen Penasehat Akademik, yang telah ikhlas memberikan dorongan dan meluangkan banyak waktu, pikiran, serta tenaga dalam membimbing penulis sehingga skripsi ini dapat penulis selesaikan dengan baik. 4. Bapak Alimansyar, SS,M.A.,Ph.D selaku dosen Bahasa Jepang yang bersedia membimbing, meluangkan waktu, pikiran serta memberikan i UNIVERSITAS SUMATERA UTARA sumber-sumber data untuk penulis sehingga skripsi ini dapat penulis selesaikan dengan baik.
    [Show full text]
  • The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
    2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities.
    [Show full text]
  • Alexander Vovin 1 Curriculum Vitae for Alexander Vovin
    Alexander Vovin Curriculum Vitae for Alexander Vovin ADDRESSES home address: work address: 1, rue de Jean-François Lépine EHESS-CRLAO 75018 Paris FRANCE 131, bd Saint-Michel 75005 Paris, FRANCE [email protected] [email protected] PERSONAL DATA Born 01/27/1961 in St. Petersburg (formerly Leningrad), Russia US citizen, married (spouse: Sambi Ishisaki Vovin (石崎（ボビン）賛美), two children EDUCATION Leningrad State U. "Kandidat filologicheskikh nauk"(=Ph.D.) 10/29/87 Dissertation: The Language of the Japanese prose of the second half of the XI Century. 189 pp. In Russian. Leningrad State U. "Vysshee Obrazovanie" (=MA) June, 1983 Philological Faculty, Department of Structural and Applied Linguistics. Thesis: The Dictionary Bongo zōmyō (『梵語雑名』) as a Source for the Description of some Peculiarities of the Phonetics of Early 18th Century Japanese. 73 pp. In Russian. EMPLOYMENT 01/01/2014 Directeur d’études, linguistique historique du Japon et de l’Asie du Nord- present Est, EHESS/CRLAO, Paris, France 08/01/2003 - Professor of East Asian Languages and Literatures, Department of 01/10/2014 East Asian Languages and Literatures, University of Hawai’i at Mānoa, USA 08/01/1997- Associate Professor of Japanese, Department of 07/31/2003 East Asian Languages and Literatures, University of Hawai’i at Mānoa, USA 08/01/1995- Assistant Professor of Japanese, Department of 07/31/1997 East Asian Languages and Literatures, University of Hawai’i at Mānoa, USA 08/01/1994- Assistant Professor of Japanese, Department of 07/31/1995 German, Russian, and East Asian Languages, Miami University, USA 9/1/1990 - Assistant Professor of Japanese Language & 06/30/1994 Linguistics, Department of Asian Languages & Cultures, University of Michigan, USA 1 Alexander Vovin 6/1/1990 - Visiting Lecturer in Japanese, Department of Asian Languages 8/31/1990 & Cultures, University of Michigan, USA 3/1/1989 - Junior Scientific Researcher, Far East Sector, May, 1990 Japanese Group, Inst.
    [Show full text]