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Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
02.12.20 Draft Minutes
ARFF PARISH DISTRICT COMMISSIONERS Monthly Meeting of the Commissioners 35 New Road, Laxey Minutes of the Meeting Wednesday 2nd December 2020, 7.00 pm Present: Mrs M. Fargher (MF) (Chair), Mr T. Kenyon (TK), Mr P. Kinnish (PK), Mr L. Miller (LM), Mr A. J. Moore (AJM), Mrs J. Pinson (JP), Mr J. Smith (JS). In Attendance: Mr P. Burgess (PB), Clerk, Mr M. Royle (MR), Deputy Clerk, Mrs J. Mattin, Housing Manager. Apologies: Mr N. Dobson (ND)(Vice-Chair). 7.00 pm Public Session - Preliminary Matters for consideration a) To open the meeting and request that Members consider this agenda and declare any interest that they may, or may be perceived to have, in its business. There were no declarations made at this stage of the meeting. MF referred to the meeting that took place on the 18th of November 2020 and reminded Members that they should not raise matters is relation to individual staffing issues during the public section of the meeting. This was noted. 215/20 Planning Matters Planning Applications a) 20/01282/B Baldromma House Maughold, Erection of front porch canopy and alterations to existing windows. It was noted that the application site was within the Maughold Conservation Area. Some Members expressed concern that the proposed style of the porch was not in keeping with the vernacular of traditional Manx buildings. It was agreed to raise this aspect in the submission to be made to the Planning Authority. b) 20/01053/B Tebekwe Mount Old Laxey Hill Laxey, Installation of replacement front door. There were no objections to these proposals. -
What Lies Beyond an Extended Bestiary for Beyond the Wall and Other Adventures by Colin Chapman
WHAT LIES BEYOND AN EXTENDED BESTIARY FOR BEYOND THE WAll AND OTHER ADVENTURES BY COLIN CHAPMAN Amphisbaena for cruelty and a curious nature. Though not physically A venomous desert-dwelling reptile, the amphisbaena strong, their bites are paralyzing, and small bands of is a large serpent with a head at each end of its sinuous these beings delight in observing and tormenting all body, allowing it to swiftly move in either direction or they encounter. attack with a pair of bites. Its lambent green eyes attract insects to it during the hours of darkness, these being Hit Dice: 1d6 (4 HP) its preferred prey, though it will aggressively protect AC: 15 itself from anything it deems a threat. Attack: +1 to hit, 1d4 damage + poison (bite) Alignment: Chaotic Hit Dice: 2d4 (5 HP) XP: 15 AC: 13 Notes: Poisonous (anyone bitten by a attorcroppe Attack: +2 to hit, 1d6 damage + poison (bite) must make a saving throw versus poison or be para- Alignment: Neutral lyzed for 1d4 hours), True Name (attorcroppes have XP: 60 true names which give their foes power over them), Notes: Poisonous (anyone bitten by an amphisbaena Vulnerable to Iron (attorcroppes take double damage must make a saving throw versus poison or suffer an from iron) immediate extra 2 damage), Two-Headed (the amphis- baena may make two bite attacks per round) Black Dog Large faerie hounds with coats the color of coal and Animated Statue eyes that glimmer red, black dogs silently prowl the Animated via sorcerous means, statues serve as the night, haunting old roads and pathways, running with ideal guardians, ever-vigilant, unmoving, and unrecog- the Wild Hunt, and howling at stormy skies. -
Folklore, Folk Belief, and the Selkie
Supernatural Beings in the Far North: Folklore, Folk Belief, and The Selkie NANCY CASSELL MCENTIRE Within the world of folklore, stories of people turning into animals are well known. Either by accident or by design, a person may become a malevolent wolf, a swan, a helpful bird, a magic seal, a dog, a cat. Sometimes these stories are presented as folktales, part of a fictitious, make-believe world. Other times they are presented as legends, grounded in a narrator’s credibility and connected to everyday life. They may be sung as ballads or their core truths may be implied in a familiar proverb. They also affect human behavior as folk belief. Occasionally, sympathetic magic is involved: the human imagination infers a permanent and contiguous relationship between items that once were either in contact or were parts of a whole that later became separated or transformed. A narrative found in Ireland, England, and North America depicts a man who spends a night in a haunted mill, where he struggles with a cat and cuts off the cat’s paw. In the morning, the wife of a local villager has lost her hand (Baughman: 99; Disenchantment / Motif no. D702.1.1). France, French-speaking Canada and French-speaking Louisiana have stories of the loup-garou, a shape- shifter who is a person trapped in the body of an animal. One might suspect that he or she has encountered a loup-garou if that the animal is unusually annoying, provoking anger and hostile action. One penetrating cut will break the spell that has kept it trapped in animal form. -
Manx National Heritage Sites Information
Historic Buildings Architect/Surveyor Thornbank, Douglas: Architects rendering for restoration of Baillie-Scott House owned by MNH (Horncastle:Thomas) Information for Applicants Manx National Heritage Historic Buildings Architect/Surveyor Our Organisation Manx National Heritage (MNH) is the trading name given to the Manx Museum and National Trust. The Trust was constituted in 1886 with the purpose of creating a national museum of Manx heritage and culture and has grown steadily in scope and reach and it is now the Islands statutory heritage agency. MNH exists to take a lead in protecting, conserving, making accessible and celebrating the Island’s natural and cultural heritage for current and future generations whilst contributing to the Island’s prosperity and quality of life MNH is a small organisation sponsored but operating at arm’s length from the Isle of Man Government. Our small properties management team is responsible for thirteen principle sites of historic and landscape significance, an array of field monuments and around 3000 acres of land. MNH welcomes around 400,000 visits to its properties every year and is also home to the National Museum, the National Archives and the National Art Gallery. Our Vision, principles and values MNH’s vision is “Securing the Future of Our Past”. Underpinning this vision are key principles and values which guide everyone who works for the organisation as they conduct their core business and their decision-making. Being led by and responsive to our visitors and users Working in collaboration -
Freshly Caught Fairy Folk Captured by the Fairy Catcher Catching Fairies Since 1991
Freshly Caught Fairy Folk Captured by The Fairy Catcher catching fairies since 1991 The Fairy Catcher specialises in the capture of fairy folk. Using an ointment made from a four leafed Clover to protect you from their magic powers, but please never let them escape from their jars as we cannot be responsible for the consequences. Good Luck! These pages describe the fairies that we catch. The fairies are all held captive in glass jars, and the following descriptions appear on their individual labels. Please visit www.thefairycatcher.com to see them. Good luck! Pisky Ferrishyn Piskies are from Cornwall and The Ferrishyn are the trooping fairies of although they are fond of The Isle of Man. They love hunting and playing practical jokes have very good hearing, on people who have lost they can hear whatever their way in the countryside is said out of doors. they can bring luck and Every wind stirring good fortune carries the sound to their ears. Take care to speak well of them, then Knocker luck and good fortune Knockers come from Cornwall and used to help the Tin Miners could be yours. by knocking to indicate where a rich batch of ore Buggane could be found. Listen The Buggane is a goblin from The Isle of Man. He lives in a for their knocking, Dub into which the Spooty falls. He will change his shape if there could be he is set free, and it isnot unusual for a Buggane to turn into a rich vein in store a very large water horse! for you! Browney The Browney is a cornish guardian of the bees. -
Fíanaigecht in Manx Tradition FÍANAIGECHT in MANX TRADITION 1
Fíanaigecht in Manx Tradition FÍANAIGECHT IN MANX TRADITION 1 GEORGE BRODERICK University of Mannheim Introduction: The Finn Cycle In order to set the Manx examples of Fíanaigecht in context I cite here Bernhard Maier's short sketch of the Finn Cycle as it appears in Maier (1998: 118). Finn Cycle or Ossianic Cycle. The prose naratives and ballads centred upon the legendary hero Finn mac Cumaill and his retinue, the Fianna. They are set in the time of the king Cormac mac Airt at the beginning of the 3rdC AD. The heroes, apart from Finn, the leader of the Fianna, are his son Oisín, his grandson Oscar, and the warriors Caílte mac Rónáin, Goll mac Morna and Lugaid Lága. Most of the stories concerning F[inn] are about hunting adventures, love-affairs [...] and military disputes [...]. The most substantial work of this kind, combin- ing various episodes within a narrative framework, is Acallam na Senórach . The ballads concerning F[inn] gained in popularity from the later Middle Ages onwards and were the most important source of James Mac- pherson's "Works of Ossian" (Maier 1998: 118). The individual texts of the poems and ballads concerned with the Finn Cycle seemingly date over a period from the learned scribal tradition of the eleventh 2 to the later popular oral tradition of the early seventeenth century. Sixty-nine poems from this corpus survive in a single manuscript dating from 1626-27 known as Duanaire Finn ('Finn's poem book') (cf. Mac Neill 1908, Murphy 1933, 1953, Carey 2003). According to Ruairí Ó hUiginn (2003: 79), Duanaire Finn forms part of a long manuscript that was compiled in Ostend in 1626-7. -
The Archetypal Mythology of Horses by Beverley Kane
the archetypal mythology of horses DAY MARES AND NIGHT STALLIONS — ARCHETYPES IN THE MYTHOLOGY OF HORSES AND HORSE DREAMS by Beverley Kane PART 1 – MYTH, ARCHETYPE, AND SOMARCHETYPE Myths are the dreams of the race. Dreams are the myths of the individual. Sigmund Freud, Dreams and Myths, p. 73 […]Excellent dream work can be done whether or not one knows these myths and folk stories. When the dreams call up archetypal images, the unconscious dreamer already knows what the basic story is, whether or not the interesting parallels to sacred narratives in other distant and obscure cultures are immediately available to consciousness. The universal themes can be discovered by "ordinary" explorations of the images for their personal associations and basic symbolic implications. The archetypal amplifications drawn from knowledge of the religious and folk traditions of other cultures enrich the work; but they are not necessary, since the same essential symbolic dramas and relationships can be revealed by the dream images themselves, even without their specific archetypal associations. Jeremy Taylor, The Living Labyrinth, p 107-8 THE LIVING MYTH Speed. Strength. Grace. Power. Beauty. Every physical horse is a living myth unto its beholder. W e do not require a book of fairy tales or a Joseph Campbell to articulate the deep personal awe we feel in the presence of Horse. To see, smell, touch, fear, and Copyright ≤ 2004 Beverley Kane, MD Page 1 of 20 the archetypal mythology of horses mount a horse in the flesh is to feel the stirrings of archetypal energies arising from at least 35,000 years of human awareness of Horse. -
Kelliwig Ke Akua
Ke Akua Kelliwig It takes eight men above and eight this black warrior, with one leg Kekri2 Baltic below to pull his eyelids apart so that and one eye in the middle of his a Finnish festival in honour of the he can see. forehead, guarded the property of the god Kekri Ke Akua (see Akua) Black Knight and put those seeking kekri3 Baltic Keagyihl Depguesk North American adventure on the road to meeting the a Finnish ghost or spirit a whirlpool Black Knight in combat. kekritar Baltic This whirlpool had claimed the lives Keevan (see Ciabhan) masks, or the people wearing them, in of many young men so the tree-spirit, Keh Egyptian the Kekri festival Hanging Hair, called a meeting in a primordial god portrayed as having Kekrops (see Cecrops) Festival House of all the river-spirits the head of a frog Keku (see Kekui) who agreed to curb its power. The Kehama Hindu Kekui Egyptian storm-spirit blew part of a cliff into a prince [Emen.Kek(u).Kuk] the river, so diverting the flow of He drank some amrita but failed to a primaeval god water and reducing the whirlpool to a achieve immortality. Instead, he found consort of Kekuit gentle eddy. himself acting as one of the four With Kekuit he represented the Keats, John English supporting the throne of Yama, the darkness of the primordial chaos. (1795–1821) god of the dead. He is depicted sometimes with a a poet Kehtahn North American frog’s head, sometimes as a baboon. He was author of several works an offering to the gods of the Navajo, Kekuit Egyptian on mythological themes including a reed filled with tobacco etc. -
Pathfinder Bestiary 1
Pathfinder bestiary 1 Continue The following creatures are presented in alphabetical order. The monster version is listed with their main content. B C D E G H I J K L M N O P T U W W Y - Bestiari Bestiary 2 Bestiari 3 Bestiary 4 Bestiari 5 GameMastery Guide Monster Code NP Code 1 Aatheriexa Abaya Abaya Abaya Abolet Abrak Viparner Executed Fisherman, halfling simplicity 4 Achaierai acid drop traps acid terror, human sorcerer 9 / Dragon Apprentice 4 Acolyte, man adept 1 Acolyte, human clergyman 1 Adaro Adherer Adlet Adventures of the Blacksmith, semi-elf fighter 6 Adlet, Shaman Agation, Cervinal Agation, Leonal Agation, Reptile Agationion, Silvanshi Agationion, Vulpine Tasteless Master, Human Monk 20 Akhat Akhuizotl Akaname, Giant Akanam, Giant Akanama Ahlu Alput Almiraj Allouf Archer, Elven Warrior 8 Aulof Scientist, Human Bard 7/Patfinder Chronicler 2 Allephihra Alrau, Giant Amphisbaena Amphiptere Ancient Gravedigger , Ghoul Oracle 10 Android Rogue 1 Angel Slayer, Half-Horde Ranger 15 Animal Lord, Bear Man Ranger 10 Animal Lord, Man Ranger Dog 10 Animal Lord, Cat Man Ranger 10 Animal Lord, Crocodile Man Ranger 10 Animal Lord, Dinosaur Man Ranger 10 Animal Lord, Raptor Man Ranger 10 Animal Lord, Rat Man Ranger Snake Man Ranger 10 Animal Lord, Human Shark Ranger 10 Animated Hair Animated Object (Colossal) Animated Object (Gargantuan) Animated Object (Huge) Animated Object (Big) Animated Object (Middle) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Tiny) -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people.