Origins and Bardic Drift: Three Ravens / Twa Corbies
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Notes on the Folk-Lore of the Northern Counties of England and The
S*N DIEGO) atitty, ESTABLISHED IN . THE YEAK MDCCCLXXVIII Alter et Idem. PUBLICATIONS OF THE FOLK-LOKE SOCIETY. II. LONDON: PRINTED BY NICHOLS AND SONS, STREET. 25, PARLIAMENT FOLK-LORE OP THE NORTHERN COUNTIES OF ENGLAND AND THE BORDERS. A NEW EDITION WITH MANY ADDITIONAL NOTES. BY WILLIAM HENDERSON, AUTHOR OF " MY LIFE AS AN ANGLER." " Our mothers' maids in our childhood . have so frayed us with hullbeggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, sylvans.kit-with-the-candlestick (will-o'-the-wisp), tritons (kelpies), centaurs, dwarfs, giants, imps, calcars (assy-pods), conjurors, nymphs, changelings, incubus, Rohin-Goodfellow (Brownies), the spoorey, the man in the oak, the hellwain, the firedrake (dead light), the Puckle, Tom Thumb, Hobgoblin, Tom Tumbler, Bouclus, and such other bug- bears, that we are afraid of our own shadows." REGINALD SCOTT. LONDON: PUBLISHED FOR THE FOLK-LORE SOCIETY BY W. SATCHELL, PEYTON AND CO., 12, TAVISTOCK STREET, COVENT GARDEN. W.C. 1879. TO THE MOST HONOURABLE THE MARQUESS OF LONDONDERRY, IN EEMEMBRANCE OF MUCH KINDNESS AND OF MANY PLEASANT HOURS SPENT TOGETHER, THIS VOLUME IS, BY PERMISSION, INSCRIBED WITH EVERY SENTIMENT OE RESPECT AND ESTEEM BY HIS LORDSHIP'S ATTACHED FRIEND, WILLIAM HENDERSON. VI The Council of the Folk-Lore Society, in issuing this work as one of the publications for the year 1879, desire to point out to the Members 'that it is chiefly owing to the generous proposal of Mr. Henderson they arc enabled to produce in the second year of the Society's existence a book so much appreciated by the Folk-Lore student. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Make We Merry More and Less
G MAKE WE MERRY MORE AND LESS RAY MAKE WE MERRY MORE AND LESS An Anthology of Medieval English Popular Literature An Anthology of Medieval English Popular Literature SELECTED AND INTRODUCED BY DOUGLAS GRAY EDITED BY JANE BLISS Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval M English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twel�h century onwards. Uniquely, the AKE book is divided by genre, allowing readers to make connec�ons between texts usually presented individually. W This anthology offers a frui�ul explora�on of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and E ballads. Familiar texts such as the visions of Margery Kempe and the Paston family le�ers M are featured alongside lesser-known works, o�en oral. This striking diversity extends to the language: the anthology includes Sco�sh literature and original transla�ons of La�n ERRY and French texts. The illumina�ng introduc�on offers essen�al informa�on that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary M explaining the par�cular delights of the literature selected and the ra�onale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture ORE AND of the period, this is essen�al reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the �me. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
Download Extract
BLOOMSBURY CHILDREN’S BOOKS Bloomsbury Publishing Plc 50 Bedford Square, London WC1B 3DP , UK BLOOMSBURY, BLOOMSBURY CHILDREN’S BOOKS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain in 2019 by Bloomsbury Publishing Plc Text copyright © T.C. Shelley, 2019 T.C. Shelley has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers A catalogue record for this book is available from the British Library ISBN: PB: 978-1-5266-0083-7; eBook: 978-1-5266-0082-0 2 4 6 8 10 9 7 5 3 1 Typeset by RefineCatch Limited, Bungay, Suffolk To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters iv t is a well- known fact that fairies are born from a baby’s I first laugh. What is not as well docu mented is how monsters come into being. Monsterkind is divided into three categor ies. The Great Monsters – iden ti fi able by their huge size – include trolls, ogres, goblins, dragons, abom in ables and other such monstros it ies. The subgenus, Imps, covers all stunted and smaller species – pixies, brownies, lepre chauns, sprites, boggarts, gargoyles and so on. And, lastly, of course, there are the Monster Witches: banshees, Baba Yagas, snitches, hags, wyrd sisters (hatched in triplets), and the wet witches like sirens and Jenny Greenteeth. -
Folklore of The
1 Cailleach – old woman Altough the Cailleach lives in various mountain homes every year she comes to the Coire Bhreacain (Cauldren of the Plaid) to wash her massive yellow plaid in the swirling waters in order to summon the cold winds as Scotia’s Winter goddess. During archeological excavations in 1880 a figure of an ancient goddess was discovered in the peat bogs of Scotland, a figure who 2,500 years ago stood near the shore of Loch Leven as a symbol of an ancient religion or deity that has now been lost to time. Today she is known as the Ballachulish Woman & is a figure who stands at almost five feet tall & carved from a single piece of alder wood, her eyes are two quartz pebbles which even today, have a remarkable ability to draw the attention to the face of this mysterious relic. Although the identity of the Ballachulish Woman still remains a mystery many have speculated as to who this figure represented, there are some who believe that she is a depiction of a deity known as the Cailleach Bheithir, an ancient goddess of winds & 2 storms, also known as the Winter Hag, who had associations with a nearby mountain called Beinn a’Bheithir. (Hill of the thunderbolt) Another theory is that she could represent a goddess of the straits, this is due to the figures location near the straits where Loch Levan meets the sea, & was a deity that prehistoric travellers would make offerings too in an attempt to secure their safety while travelling dangerous waters. -
Knights&Knaves
K NIGHTS & K NAVES TABLE OF CONTENTS Introduction 2 Skills 2 Combat 6 Equipment 8 Miscellaneous 10 Magic and Spells 11 The Setting 13 Bestiary 17 HOW THIS PDF IS ORGANIZED CHARACTER CREATION If you're new to this game, it might help to know First, get an idea for what kind of character you're that learning how to play requires only that you read the going to want to play, write a short background for the PDF in order. The first section of the PDF covers gameplay character, including their goals and motivations (you'll mechanics, including character creation, the attribute and probably want more than one goal for each character and skill system, combat, and equipment. The second section a different motivation for each goal), and a short covers the optional rules to include magic in the setting. description of the character. Then, you're going to want to The third section covers the setting itself, all the way from make your characters statistics (attributes, skills, and the world and cosmology to key places of interest and equipment) reflect your description and background. You important figures from throughout its history. The fourth start with 30 Experience Points (EP) to do this, which and final section of this PDF covers the bestiary, which must be spent on developing the character before the includes stats for common NPC archetypes, wild animals, game begins. EP is used to increase your characters monsters, and even alternatives to sentient races that the attributes and skills. players can play as instead humans, which the PDF assumes you'll be playing by default. -
Popular British Ballads : Ancient and Modern
11 3 A! LA ' ! I I VICTORIA UNIVERSITY LIBRARY SHELF NUMBER V STUDIA IN / SOURCE: The bequest of the late Sir Joseph Flavelle, 1939. Popular British Ballads BRioky Johnson rcuvsrKAceo BY CVBICt COOKe LONDON w J- M. DENT 5" CO. Aldine House 69 Great Eastern Street E.G. PHILADELPHIA w J. B. LIPPINCOTT COMPANY MDCCCXCIV Dedication Life is all sunshine, dear, If you are here : Loss cannot daunt me, sweet, If we may meet. As you have smiled on all my hours of play, Now take the tribute of my working-day. Aug. 3, 1894. eooccoc PAGE LIST OF ILLUSTRATIONS xxvii THE PREFACE /. Melismata : Musical/ Phansies, Fitting the Court, Cittie, and Countrey Humours. London, 1 6 1 i . THE THREE RAVENS [MelisMtata, No. 20.] This ballad has retained its hold on the country people for many centuries, and is still known in some parts. I have received a version from a gentleman in Lincolnshire, which his father (born Dec. 1793) had heard as a boy from an old labouring man, " who could not read and had learnt it from his " fore-elders." Here the " fallow doe has become " a lady full of woe." See also The Tiua Corbies. II. Wit Restored. 1658. LITTLE MUSGRAVE AND LADY BARNARD . \Wit Restored, reprint Facetix, I. 293.] Percy notices that this ballad was quoted in many old plays viz., Beaumont and Fletcher's Knight of the xi xii -^ Popular British Ballads v. The a Act IV. Burning Pestle, 3 ; Varietie, Comedy, (1649); anc^ Sir William Davenant's The Wits, Act in. Prof. Child also suggests that some stanzas in Beaumont and Fletcher's Bonduca (v. -
Last Children of the Gods
Last Children of The Gods Adventures in a fantastic world broken by the Gods By Xar [email protected] Version: alpha 9 Portals of Convenience Portals of Convenience 1 List of Tables 3 List of Figures 4 1 Childrens Stories 5 1.1 Core Mechanic ............................................... 5 1.2 Attributes.................................................. 6 1.3 Approaches................................................. 6 1.4 Drives.................................................... 7 1.5 Considerations ............................................... 8 2 A Saga of Heroes 9 2.1 Character Creation............................................. 9 2.2 Player Races ................................................ 9 2.3 Talents.................................................... 11 2.4 Class..................................................... 13 2.5 Secondary Characteristics......................................... 14 2.6 Bringing the character to life ....................................... 14 2.7 Considerations ............................................... 14 3 Grimoire 16 3.1 Defining Mages............................................... 16 3.2 The Shadow Weave............................................. 16 3.3 Elemental Magic .............................................. 16 3.4 Rune Magic................................................. 16 3.5 True Name Magic.............................................. 16 3.6 Blood Magic ................................................ 17 3.7 Folklore .................................................. -
Grandioso Gosling
Cine El PrimEr HombrE En la luna Sección Especial Cine El PrimEr HombrE En la luna C O R A Z Ó N DE MÉXICO Miembro SER [ Socio Estratégico REFORMA ] VIERNES 9 / NOVIEMBRE /2018 CANCÚN, Q. ROO, MÉX. AÑO II NÚMERO 734 $10.00 Proyectos fallidos GrGranandidiososoo GoGoslslinging Reforma Agencia Foto: Se enfatiza lo increíble- adrianaadriana Se enfatiza lo increíble- fernández mentemen peligrosote peligroso que era que ser era ser califernándezfica: 3 astronauta —pocos vivían pa- califica: 3 astronauta —pocos vivían pa-A pesar de que fue un compromiso de campaña, Enrique Peña Nieto no cumplirá con la entrega de la obra del Puente Bojórquez en @adriana99 ra contarlo— y de ahí, la atrac- Cancún, ni la Marina de Cozumel que se quedó al 22 por ciento de construcción. @adriana99 tiva imagenra contarlo que se— pr yoye dect aah deí, la atrac- Siempre ha habido un primer estostiva nave imagengantes queespaciales: se proye cta de hombre:Siempre elha que habido se adentr un primeró eminen estetoss cient naveíficogans que,tes ade-espaciales: máshombre: allá de el la quemonta señ a,adentr cru- ó más, emineneran hombrestes cient deífi accicosón. que, ade-Peña Nieto metió tijera o incumplió obras comprometidas para QR zmásó primero allá deun rlaío, montadespuésñ a,un cru-Hay más,muchos eran momen hombrestos de de acción. oczóé pano.rimero Un p rimerun río, hombre despu enés un tensióHayn y peligr muchoso, enmarcados momen tos de en una producción de primera. buscaocéano. de Unlo desconocido. primer hombre De en tensión y peligro, enmarcados un explorador así nos habla El Para encarnar a esos hé- en una producción de primera. -
James-Potter-El-Hilo-Carmesi.Pdf
TRADUCIDO POR “Latin Gremlins” JAMES POTTER Y EL HILO CARMESÍ G. NORMAN LIPPERT CARIÑOSAMENTE BASADO EN LOS MUNDOS Y PERSONAJES DE J.K. ROWLING © G. NORMAN LIPPERT, 2017 TRADUCIDO POR “Latin Gremlins” NOTAS Y AGRADECIMIENTOS DEL GRUPO TRADUCTOR La traducción de James Potter y el Hilo Carmesí, es gracias a: Latin Gremlins y El Blog de Divel Henos aquí, con un libro más, terminado y traducido al español para todos ustedes, lo lamentable es que es el último de la serie James Potter de George Norman Lippert (así lo confirmó el autor). Aun así, infinitas gracias a él por ser el artífice de este estupendo fanfiction, una fiel continuación de la serie Harry Potter de J.K. Rowling. La idea de traducir esta historia a partir del tercer libro y sin ánimo de lucro, solo pasó porque estábamos ansiosos y tal vez un “poco locos” por hacerlo, pero no nos pueden culpar por ser fanáticos de esta serie desde la original. Como ya saben, esta versión traducida no es perfecta, pero tratamos de hacerla lo más comprensible posible, manteniendo las coherencias desde los dos primeros libros traducidos por el Equipo LLL, que gracias a su trabajo, a Ronald Bautista y a Xènia Senserrich, pudimos continuar y culminar la traducción. Así mismo, un enorme agradecimiento a los compañeros que se unieron después al grupo Latin Gremlins: -Augusto Hernández, quien nos ayudó desde “La Red Morrigan”. -Federico Pérez De Berti, quien se hizo a cargo de una gran cuota de capítulos en este quinto libro y quien demostró gran conocimiento del inglés. -
A BOOK of OLD BALLADS Selected and with an Introduction
A BOOK OF OLD BALLADS Selected and with an Introduction by BEVERLEY NICHOLS ACKNOWLEDGMENTS The thanks and acknowledgments of the publishers are due to the following: to Messrs. B. Feldman & Co., 125 Shaftesbury Avenue, W.C. 2, for "It's a Long Way to Tipperary"; to Mr. Rudyard Kipling and Messrs. Methuen & Co. for "Mandalay" from _Barrack Room Ballads_; and to the Executors of the late Oscar Wilde for "The Ballad of Reading Gaol." "The Earl of Mar's Daughter", "The Wife of Usher's Well", "The Three Ravens", "Thomas the Rhymer", "Clerk Colvill", "Young Beichen", "May Collin", and "Hynd Horn" have been reprinted from _English and Scottish Ballads_, edited by Mr. G. L. Kittredge and the late Mr. F. J. Child, and published by the Houghton Mifflin Company. The remainder of the ballads in this book, with the exception of "John Brown's Body", are from _Percy's Reliques_, Volumes I and II. CONTENTS FOREWORD MANDALAY THE FROLICKSOME DUKE THE KNIGHT AND SHEPHERD'S DAUGHTER KING ESTMERE KING JOHN AND THE ABBOT OF CANTERBURY BARBARA ALLEN'S CRUELTY FAIR ROSAMOND ROBIN HOOD AND GUY OF GISBORNE THE BOY AND THE MANTLE THE HEIR OF LINNE KING COPHETUA AND THE BEGGAR MAID SIR ANDREW BARTON MAY COLLIN THE BLIND BEGGAR'S DAUGHTER OF BEDNALL GREEN THOMAS THE RHYMER YOUNG BEICHAN BRAVE LORD WILLOUGHBEY THE SPANISH LADY'S LOVE THE FRIAR OF ORDERS GRAY CLERK COLVILL SIR ALDINGAR EDOM O' GORDON CHEVY CHACE SIR LANCELOT DU LAKE GIL MORRICE THE CHILD OF ELLE CHILD WATERS KING EDWARD IV AND THE TANNER OF TAMWORTH SIR PATRICK SPENS THE EARL OF MAR'S DAUGHTER EDWARD,