John Carpenter

Total Page：16

File Type：pdf, Size：1020Kb

JOHN CARPENTER ALBUMS OST: HALLOWEEN Varese Sarabande STV 81152 ??/81 OST: ESCAPE FROM NEW YORK ? ? ??/?? COMPACT DISCS OST: DARK STAR Varese Sarabande VSD 5327 ??/?? OST: HALLOWEEN Varese Sarabande VSD 47230 01/89 OST: THE FOG Colesseum VCD 47267 01/89 OST: THE FOG (EXPANDED) Silva Screen FILMCD 342 ??/00 OST: ESCAPE FROM NEW YORK Varese Sarabande CDFMC 8 01/89 OST: ESCAPE FROM NEW YORK Colesseum VCD 47224 ??/?? OST: ESCAPE FROM NEW YORK (EXPANDED) Silva Screen FILMCD 327 ??/00 OST: HALLOWEEN II Varese Sarabande VSD 47152 01/89 OST: HALLOWEEN III Varese Sarabande VSD 5243 02/90 OST: HALLOWEEN IV Varese Sarabande VSD 5205 12/88 OST: HALLOWEEN V Varese Sarabande VSD 5239 12/89 OST: CHRISTINE Varese Sarabande VSD 5240 01/90 OST: PRINCE OF DARKNESS Colesseum VCD 47310 ??/87 OST: THEY LIVE Demon Soundtracks DSCD 1 10/90 ASSAULT ON PRECINCT 13(compilation) Silva Screen FILMCD 13 09/92 GREATEST HITS(compilation) Colesseum VSD 5266 09/92 GRESTEST HITS VOLUME 2(compilation) Colesseum VSD 5336 12/92 HALLOWEEN - BEST OF CARPENTER Silva Screen FILMCD 113 ??/93 OST: BODY BAGS Varese Sarabande VSD 5448 02/94 OST: IN THE MOUTH OF MADNESS DRG DRGCD 12611 03/95 OST: VILLAGE OF THE DAMNED Varese Sarabande VSD 5629 06/95 OST: ESCAPE FROM LA Varese Sarabande 74321 40951-2 06/96 BEST OF HALLOWEEN 1-6 Varese Sarabande VSD 5773 12/96 IMPORTANT FOREIGN RELEASES OST: ESCAPE FROM NEW YORK Milan A120137 ??/81 [French LP] OST: THEY LIVE Varese Sarabande 73367.2 02/90 [US CD] OST: BIG TROUBLE IN LITTLE CHINA Enigma Records SJ-73227 ??/86 [US LP] OST: BIG TROUBLE IN LITTLE CHINA Enigma Records 4XJ-73227 ??/86 [US cassette] OST: HALLOWEEN ? CVS 3447230 ??/?? OST: THE FOG ? CVS 3447267 ??/?? OST: ESCAPE FROM NEW YORK ? CVS 348038 ??/?? OST: CHRISTINE ? CVS 345240 01/90 OST: PRINCE OF DARKNESS ? CVT 348031 ??/?? ©4 August 2005 GRAHAM NEEDHAM Last updated on 10/12/04 23:54 Do you have corrections and/or additions to this discography? Email: [email protected] World Wide Web: http://www.cybernoise.com/ Rarities/Second Hand for sale/trade: http://www.cybernoise.com/mocyber.htm .

Copy Link

Recommended publications

Demonstration Anthology Table of Contents
2011 Demonstration Anthology Table of Contents Paul Baumann, “Write to Live and Live to Write”---------------------------------------------------------------------------------1 Debbie Bower, “’I Remember’ Poem”-----------------------------------------------------------------------------------------------3 Megan Davis, “You Can’t Handle the Truth!”-------------------------------------------------------------------------------------6 Kathy Habing, “Transitions with Goldilocks”------------------------------------------------------------------------------------10 Ashton Harwood, “Creative Writing: Just Picture It!”---------------------------------------------------------------------------15 Robbie Kline, “Engaging Cause-And-Effect Relationships”-------------------------------------------------------------------17 Sarah Klingler, “Halloween Description Activity”-------------------------------------------------------------------------------27 Rebecca Lawson, “The Literary Resume”-----------------------------------------------------------------------------------------28 Mark Learnard, “Jumpstarting Student Writing”---------------------------------------------------------------------------------37 Misty Mapes, “Moodle ‘Power With Words’”-------------------------------------------------------------------------------------38 Mary St. Clair, “Creative Writing Haiku Project”---------------------------------------------------------------------------------42 Andrea Stack, “Using Voice in Artistic Writing”---------------------------------------------------------------------------------44
[Show full text]
Discussion Guide
DISCUSSION GUIDE The Expansive Worlds of Ages 8–14 Grades 3–8 PAM MUÑOZ RYAN Mañanaland Maximiliano Córdoba loves stories, especially the legend Buelo tells him about a mythical gatekeeper who can guide brave travelers on a journey into tomorrow. If Max could see tomorrow, he would know if he’d make Santa Maria’s celebrated fútbol team and whether he’d ever meet his mother, who disappeared when he was a baby. He longs to know more about her, but Papá won’t talk. So when Max uncovers a buried family secret—involving an underground network of guardians who lead people fleeing a neighboring country to safety —he decides to seek answers on his own. With a treasured compass, a mysterious stone rubbing, and Buelo’s legend as his only guides, he sets out on a perilous quest to discover if he is true of heart and what the future holds. This timeless tale of struggle, hope, and the search for tomorrow has much to offer today about compassion and our shared humanity. DISCUSSION QUESTIONS CHARACTERS THEMES (continued) Compare Max and his friend Chuy to Ortiz. How are Max’s father and grandfather are bridge builders, and the these boys alike and how are they different? Why do you bridges are an important part of this story. Discuss the think Ortiz is so sure of himself? Why do Max and Chuy practical use of bridges in the story and also what the quarrel? Why do you think Chuy does not defend Max to bridges represent metaphorically. the other boys? Discuss the themes of courage and hope in this book.
[Show full text]
"Life Should Not Be a Journey to the Grave with the Intention of Arriving
"Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!" — Hunter S. Thompson Read a book, watch a foreign film, do something you’ll be ashamed of, run naked, brazen, and screaming down the road of life! Don’t worry if you fall down, because after you get back up, dust yourself off, remember : chicks dig scars! —Nathan Schubert I‟ve never tried to complicate life. Try to be happy, travel the world, and experience anything you can get your hands on. This mindset has driven my passion for reading, movies, and travel; for me there exists little more to the human experience than trying to digest as much of this world as possible in our short time here. This has slowly led me towards teaching, to hopefully inspire that spark of curiosity, to fan the embers of possibility, to embolden that glimmer of imagination in a young student. Because missing out on the best things in life for the simple reason that no one ever showed you where the entrance was makes Nathan a very dull boy. Finding a Message Amongst the Horror: An I-Search Nathan Schubert Spring, 2011. “Give them pleasure - the same pleasure they have when they wake up from a nightmare.” —Alfred Hitchcock The darkness was suffocating. Its oppressive weight bore down upon me, closing in for the kill.
[Show full text]
Edition 1 | 2019-2020
2019 SSPA OFFICERS, DIRECTORS, TRUSTEES AND MEMBERS PRESIDENT DIRECTORS TRUSTEES Bruce T. Cameron Jason R. Cameron & MEMBERS Kurt DeVries * Roger Good VICE PRESIDENT John J. Hayes, III Kevin Leddy & CLERK N. Frank Neer Joy P. Schiffmann Richard L. Evans Meg Nelson Thomas D. Shipp Tina Watson TREASURER Brian S. Noble Susan Weisenfluh Robert C. Jordan, Jr. Jeffrey C. Pratt * Elizabeth A. Sullivan Rebecca J. Synnestvedt *Chairmen of Community Trust SOUTH SHORE MUSIC CIRCUS 3 CAPE COD MELODY TENT From The EXECUTIVE PRODUCER… Welcome It’s been almost 70 years of transformation in the live music and recording industries. Technology continues to advance at record speed and we appreciate you taking the time to slow down and smell the roses with us. Thank you for making your memories with us here at the Cape Cod Melody Tent and South Shore Music Circus. It’s because of your loyalty that we continue to do what we do. It is our pleasure to welcome back many performers who consider our venues more than just a stop on tour but a home away from home. They appreciate just as well as we do, the intimate concert setting experience our venues bring with our patrons. Artists like Lee Brice, Brett Eldredge, Chris Botti, and Jim Gaffigan are just a few of the many returning performers under the tents this summer. At the same time, the summer is a time to try new experiences and we invite you to do so by seeing our newcomers at the venue, artist like Brothers Osborne, Foreigner, and Squeeze. We’d like to thank our patrons for keeping their money where their heart is.
[Show full text]
John Carpenter Halloween (Original Soundtrack) Mp3, Flac, Wma
John Carpenter Halloween (Original Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Stage & Screen Album: Halloween (Original Soundtrack) Country: Japan Released: 1979 Style: Soundtrack, Score, Experimental, Minimal, Ambient MP3 version RAR size: 1282 mb FLAC version RAR size: 1373 mb WMA version RAR size: 1461 mb Rating: 4.9 Votes: 758 Other Formats: AIFF AAC DTS AHX DMF DXD APE Tracklist A1 Main Theme From "Halloween" A2 Boyfriend And Susan A3 Illinois Smith's Grove A4 Myers' House A5 At School Yard B1 Behind The Bush B2 Row 18 Lot 20 B3 Doctor And Sheriff In The Myer's House B4 Doyle Residence B5 The Night He Came Home B6 End Title Companies, etc. Made By – Nippon Columbia Co., Ltd. Credits Composed By – John Carpenter Performer – Bowling Green Jr. Philharmonic Orchestra Notes Limited pressing with "Spacesizer 360 System Recording". LP housed in poly bag, cover included OBI strip. Includes 4 page insert. Back cover states "Joy Pack Film" presents. Labels states date of August 1979 "℗ '79. 8" Other versions Category Artist Title (Format) Label Category Country Year Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US Unknown Carpenter Soundtrack) (LP, Album, Club) John Halloween (Original VSC-81176 Varèse Sarabande VSC-81176 US 1983 Carpenter Soundtrack) (Cass) Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US 1983 Carpenter Soundtrack) (LP, Album) Halloween (Original John CL 0008 Filmmusik) (LP, Celine Records CL 0008 Germany 1989 Carpenter Album, RE) Halloween (Original John 115980 Soundtrack) (CD, Marketing-Film 115980 Germany 2003 Carpenter Album, Ltd) Comments about Halloween (Original Soundtrack) - John Carpenter Pryl Interesting...I don't think the value of the OG presses will go down though.
[Show full text]
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
[Show full text]
Wicked Karnival October 2006
INTERVIEW WITH NOX ARCANA by Josh Haney Wicked Karnival October 2006 Could you give us a brief history of how you got started? Who does what in the band? Joseph: I began my career as a gothic fantasy artist, selling posters, t-shirts and calendars of my work through my own company, Monolith Graphics, and by 1997, I had established a large audience in the gothic realm. In 1998, I came up with the idea of doing a Halloween music CD that would sound like a soundtrack to a gothic horror movie. I branched out and began producing gothic soundtrack music with another band, but we parted ways after two albums. William and I were old friends and we formed Nox Arcana in 2003. He was very enthusiastic about the project and within a few weeks, we were in the studio working on the initial tracks for Darklore Manor. We work on all of our music together, although I’m more of the composer and William is the better musician. I write the majority of the basic melodies then we work together to flesh them out to create more elaborate compositions. We mix every song together but William handles all the engineering and mastering. I develop the concepts and write the lyrics. I also create the artwork and work together Since 2003 Joseph Vargo and William Piotrowski have been conjuring with Christine Filipak to design the CD the darkest realms imaginable, created solely through their musical packaging. project Nox Arcana, Latin for mysteries of the night. Over the course of five albums they have created their own genre of gothic horror How do you come up with your ideas? soundtracks, all the while amassing a loyal fanbase eager to let their William: A lot of our music has been collective minds eyes wander through the compositions that come inspired by Joseph's artwork.
[Show full text]
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F.
[Show full text]
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
[Show full text]
Recreation Brochure
Saint Peter Community & Family Education City of Saint Peter Recreation & Leisure Services Department 2021 Fall BrochureSeptember–December 2021 Classes & Activities REGISTRATION BEGINS IMMEDIATELY! Community Education & Recreation & Leisure Classes & Activities Brochure, published three times a year. 2021 / Issue #3 Saint Peter Community Center Nonprofit Org. 600 South Fifth Street U.S. Postage PAID St. Peter, MN 56082 Permit No. 10 St. Peter, MN 56082 POSTAL PATRON St. Peter, MN 56082 Download the PDF to your desktop for page navigation and active email and web links! TABLE of CONTENTS Registration Information .............................................................. 2 MEA BREAK Community Education scholarship details ................................. 2 ACTIVITIES Teen Pantry / Children’s Weekend Food Program ..................... 2 All ages and families, no registration required. Saints Overtime (School Age Care) ...................................... 1 & 2 Wed., Oct. 20, Tori’s Precious Pets, Youth General Interest ............................................................... 2-4 1:30–2:30 p.m., Saint Peter Public Library Youth STEAM classes ....................................................................3 Thu., Oct. 21, Creation Station, 1:30–2:30 p.m., Saint Peter Public Library Youth Music Lessons ................................................................... 3 Youth Sports .................................................................................. 4 Fri., Oct. 22, Movie in the Park, Movie starts at 7 p.m.,
[Show full text]
Impact of Audiovisual Culture in Roberto Sierra's
Dalí’s Eccentric Imagination: Impact of Audiovisual Culture in Roberto Sierra’s Sch SILVIA LAZO University of Texas Rio Grande Valley Abstract From the appearance of sound film in the late 1920s to the spread of media outlets such as television and personal computers to today’s video-enabled mobile phones, the immediacy of audiovisual culture has changed the way people navigate and manipulate content. Visual images often instinctively induce aural and musical associations, and vice versa. Yet musical analysis in audiovisual culture often presumes the constraint of the visual on the musical (i.e., the primacy of a visual product over its accompanying music). In this paper, I take a diverging approach. I present Roberto Sierra’s Sch. as a case study for the effects of multimedia technology in a twenty-first- century composer’s creative process and product, which conjures up the imagination in historical and contemporary ways. This investigation complements research in music analysis, film music, and music pedagogy in relation to audiovisual culture by highlighting the mutually influential effects of musical and visual cultures. Keywords: Latin American music, audiovisual culture, music imagination. Resumen Desde la aparición de la película sonora a finales de la década de 1920 hasta la difusión de los medios de comunicación, como la televisión y las computadoras personales, hasta los teléfonos móviles de vídeo, la inmediatez de la cultura audiovisual ha cambiado la forma en que las personas navegan y manipulan el contenido. Las imágenes visuales inducen instinctivamente asociaciones auditivas y musicales, y vice-versa. Sin embargo, el análisis musical en la cultura audiovisual a menudo supone la limitación de lo visual en lo musical (es decir, la primacía de un producto visual sobre su música acompañante).
[Show full text]
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry.
[Show full text]