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Language Ideologies, Schooling and Islam in Qatar
Language in the Mirror: Language Ideologies, Schooling and Islam in Qatar Rehenuma Asmi Submitted in partial fulfillment of the Requirements for the degree of Doctorate of Philosophy under the executive committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Rehenuma Asmi All rights reserved ABSTRACT Language in the Mirror: Language Ideologies, Schooling and Islam Rehenuma Asmi My study explores language ideologies in the capital city of Doha, Qatar, where school reform movements are placing greater emphasis on English language acquisition. Through ethnography and a revised theory of language ideologies, I argue that as languages come in greater contact in multi-lingual spaces, mediation must occur between the new and old relationships that are emerging as a result of population growth, policy changes and cross-cultural interactions. I interrogate the development concept of the “knowledge economy” as it is used to justify old and new language ideologies regarding Arabic and English. As Qataris change their education systems in response to the economic development framework of the “knowledge economy,” they are promoting language ideologies that designate English as useful for the economy and “global” citizenship and Qatari Arabic and Standard Arabic as useful for religious and cultural reasons. I argue that Standard English, through its association with the “knowledge economy,” becomes “de-localized” and branded an “international” language. This ideology presents English as a modern language free of the society in which it is embedded, to circulate around the globe. In contrast, Standard Arabic is represented as stiff, archaic language of religious traditions and Qatari Arabic is presented as the language of oral culture and ethnonationalism. -
Belly Dance: an Example of Cultural Authentication? Redacted for Privacy Abstract Approved
AN ABSTRACT OF THE THESIS OF Jennie L. Embree for the degree of Master of Science in Apparel, Interiors, Housing, and Merchandising presented on September 24, 1998. Title: Belly Dance: An Example of Cultural Authentication? Redacted for Privacy Abstract Approved: Elaine Pedersen Cultural authentication is a concept that was developed by Erekosima (1979), Erekosima and Eicher (1981), and Eicher and Erekosima (1980, 1995) to aid in the description of the transfer of artifacts from one culture to another. The purpose of this study was to investigate whether the development of belly dance costume in the United States is an example of cultural authentication and, in so doing, further test and refine the concept of cultural authentication. Contemporary belly dance costume in the United States was described after conducting field research of the belly dance community over a period of ten months. The history of belly dance and its associated costume in America was explored through the review of previous historical research. Belly dance and its associated costume in the United States was then analyzed in terms of cultural authentication by addressing a series of seven questions. These seven questions were formulated to determine whether the four levels of cultural authentication (selection, characterization, incorporation, and transformation) occurred, and whether they occurred in that order. Contemporary belly dance costume in the United States was classified into two categories: replicated and creatively interpreted. The dancer who wears replicated costumes believes that he/she is imitating, to the best of his/her ability, a documented style of dress worn by a specific ethnic group, at a specific time, within the areas of the Near and Middle East. -
Poetry and the Arab Spring
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Poetry And The Arab Spring George A. Simon Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/624 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Poetry and the Arab Spring By George Simon A master’s thesis submitted to the Graduate Faculty in Middle Eastern Studies in partial fulfillment requirements for the degree of Master of Arts, The City University New York. 2015 i This manuscript has been read and accepted for the Graduate Faculty in Middle Eastern Studies in satisfaction of the requirement for the degree of Master of Arts. Approved by ______________________________________________ Date: ___________________ Prof. Christopher Stone Advisor ______________________________________________ Date: _____________________ Prof. Simon Davis Acting Director Master’s in Middle Eastern Studies THE CITY UNIVERSITY OF NEW YORK ii Poetry and the Arab Spring By: George Simon Advisor; Prof. Christopher Stone Abstract: In 2010-11 the world saw the rise of the Arab Spring, a series of uprisings across the Arab world. These uprisings were attempts by the Arab peoples to over throw their governments and bring freedom and change to their societies in order to live in dignity and grace. These populist uprisings produced powerful poetry that of cuses on the corruption of Arab governments and the rampant economic social prob lems. -
An Analysis of the Characteristics of Balinese Costume - Focus On The Legong Dance Costume
Print ISSN 1229-6880 Journal of the Korean Society of Costume Online ISSN 2287-7827 Vol. 67, No. 4 (June 2017) pp. 38-57 https://doi.org/10.7233/jksc.2017.67.4.038 An Analysis of the Characteristics of Balinese Costume - Focus on the Legong Dance Costume - Langi, Kezia-Clarissa · Park, Shinmi⁺ Master Candidate, Dept. of Clothing & Textiles, Andong National University Associate Professor, Dept. of Clothing & Textiles, Andong National University⁺ (received date: 2017. 1. 12, revised date: 2017. 4. 11, accepted date: 2017. 6. 16) ABSTRACT1) Traditional costume in Indonesia represents identity of a person and it displays the origin and the status of the person. Where culture and religion are fused, the traditional costume serves one of the most functions in rituals in Bali. This research aims to analyze the charac- teristics of Balinese costumes by focusing on the Legong dance costume. Quantitative re- search was performed using 332 images of Indonesian costumes and 210 images of Balinese ceremonial costumes. Qualitative research was performed by doing field research in Puri Saba, Gianyar and SMKN 3 SUKAWATI(Traditional Art Middle School). The paper illus- trates the influence and structure of Indonesian traditional costume. As the result, focusing on the upper wear costume showed that the ancient era costumes were influenced by animism. They consist of tube(kemben), shawl(syal), corset, dress(terusan), body painting and tattoo, jewelry(perhiasan), and cross. The Modern era, which was shaped by religion, consists of baju kurung(tunic) and kebaya(kaftan). The Balinese costume consists of the costume of participants and the costume of performers. -
Kamaaluddin Wa Tamaamun Ni'ma
Kamaaluddin wa Tamaamun Ni’ma 1 Kamaaluddin wa Tamaamun Ni’ma (Perfection of faith and completion of divine favor) Shaykh as-Sadooq Abi Ja’far Muhammad bin Ali bin al- Husain Babawahy Qummi Translated by: Sayyid Athar Husain S.H. Rizvi Published by: Kamaaluddin wa Tamaamun Ni’ma 2 Kamaaluddin wa Tamaamun Ni’ma 3 Table of Contents Preface .................................................................................................................... 6 A Brief Biography of the Author ........................................................................ 6 Valuable Writings ............................................................................................. 10 Teachers and Students of the Author ................................................................ 11 Death and Place of Burial ................................................................................. 12 Kamaaluddin Wa Tamaamun Ni’ma .................................................................... 13 Editions of this Book ........................................................................................ 13 Introduction ...................................................................................................... 14 Caliphate before Creation ................................................................................. 16 Necessity of Obeying the Caliph ...................................................................... 17 No one can choose a caliph except the Almighty Allah ................................... 21 Need of only one caliph -
The Spoken Arabic of Egypt ;
CORNELL UNIVERSITY LIBRARY WiLLARD FiSKE Endowment ""'""•"y PJ 6779.W7I" Library ..SROken Arabic of Egypt 3 19P4 026 887 152 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026887152 THE SPOKEN ARABIC OF EGYPT THE SPOKEN ARABIC OE EGYPT JiY- J. SELDEN WILLMOEE, M.A. ONE Of THE JUDGES OP THE NATIVE COURT OF APPEAL AT CAIRO LONDON DAVID NUTT, 57-59 LONG ACRE ?3 W13 ^ Printed by Ballantynb, Hanson &> Co. At the Ballantyne Press CX/vW^ INTRODUCTION Professor Sheldon Amos once remarked to me that Egyptian Arabic had been a hopeless puzzle to him, which he despaired of ever being able to master, until he fell across Spitta Bey's grammar of the language. Then all became clear at once. Spitta's work was indeed a model of the way in which a spoken living language should be scientifically studied. But it was necessarily the work of a pioneer. It opened the way which others should follow and complete. The work that was begun by Spitta seems to me to have been finished by Mr. Willmore. The present volume contains an exhaustive account of the Cairene dialect of Egyptian Arabic as it is spoken to-day. On the practical side it will be welcomed by those who live in Egypt and wish to understand and be understood by the natives. But it will be qiiite as much welcomed by the student of scientific philology. -
A Contemporary Cairo Raqs Sharqi Ethnography a Dissertation
UNIVERSITY OF CALIFORNIA RIVERSIDE Core Connections: A Contemporary Cairo Raqs Sharqi Ethnography A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Christine M. Şahin September 2018 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Sherine Hafez Dr. Anthea Kraut Copyright by Christine M. Şahin 2018 The Dissertation of Christine M. Şahin is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS Greatest thanks to God. Thank you for, and God bless, the beautiful dancing, stories, and people not only within these pages but throughout the vibrantly remarkable and resilient city of Cairo, Egypt. This dissertation has been a great collaborative effort, and there are many I wish to thank. Starting in Cairo, I owe deepest gratitude to the dancers, workers and staff, audiences, and management throughout the raqs sharqi dance industry. Additional gratitude goes to those that directly helped me as research collaborators in this project, and the transportation drivers (Mohamed and Ahmed, among many others) that made the links between my site-specific chapters so rich and insightful. Thank you Karim for being a key research partner and translator for this project, for your patience, kindness, support, and comradeship throughout my fieldwork. Thank you to Shahrzad, Vanessa, Sara Farouk Ahmed, Zara, Ramy, Khaled, Eman Zaki, Samia, Ali, Wael, Heba, and Nashwa for your generosity, assistance, and wealth of wisdom. Greatest gratitude to Sayyad Henkesh for keeping the history of music and dance on Mohamed Ali street alive and for your generosity in sharing your wealth of knowledge. Particular dancers and musicians I’d like to thank are Suzy, Julia, Amina, Randa Kamel, Camelia, Azizia and her husband Ahmed, Raqia Hassan, Farida Fahmy, Sahar Samara, Amie Sultan, Yossry el Hefni, Bossy, Mona, Donya, Aicha Babacar, Hussien Mansour, Luna, Kawakeb, Hamada, Tamra Henna, Tito Seif, Soraya, Shams, and Farah Nasri and her crew: Ahmed, Wael, Mahdy, and Salah. -
The Contribution of Arabic Literature to World Literature: Radwa Ashour’S Siraaj a Case in Point By: Dr
Dr. Doaa Nabil Embabi The Contribution of Arabic Literature to World Literature: Radwa Ashour’s Siraaj a Case in Point By: Dr. Doaa Nabil Embabi Dept. of English Language and Literature, Faculty of Arts, Ain Shams University Why world literature? Radwa Ashour identifies herself as an Arab woman and a Third World citizen (“My Experience with writing” 170). Throughout her career she has also consciously referred to her upbringing in the Cairo of the fifties and the sixties and her early schooling in a French school where teachers and students were predominantly French, and made her and her other Egyptian classmates feel inferior (“Tajrubati fil Kitaba” 121). She is also a graduate and later a scholar/ academic of English literature, in addition to the fact that she earned her PhD from the University of Massachusetts in the USA. This biographical snapshot is not meant introduce Ashour. It is rather meant to give a brief idea of the rich experience she had and to reflect on Ashour’s existence –by virtue of her background, historical moment, education, and choice – between the Arabic speaking world and the English speaking world in various capacities. Given her makeup as a person, academic and writer, and based on personal choices, Ashour was also an ‘oppositional’ and ‘worldly’ intellectual in the Saidian sense of the term. According to Edward Said, the critic/ criticism is “worldly and in the world so long as it opposes monocentrism, a concept …[Said] understand[s] as working in conjunction with ethnocentrism, which licenses a x I (83) The Contribution of Arabic Literature to World Literature: culture to cloak itself in the particular authority of certain values over others” (53). -
Contemporary Arab Music Video Clips: Between Simulating MTV’S Gender Stereotypes and Fostering New Ones” Ouidyane Elouardaoui August 27, 2013
REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE JOURNAL OF CROSS-CULTURAL IMAGE STUDIES IMAGINATIONS JOURNAL OF CROSS_CULTURAL IMAGE STUDIES | REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE Publication details, including open access policy and instructions for contributors: http://imaginations.csj.ualberta.ca “Contemporary Arab Music Video Clips: Between Simulating MTV’s Gender Stereotypes and Fostering New Ones” Ouidyane Elouardaoui August 27, 2013 To Cite this Article: Elouardaoui, Ouidyane. “Contemporary Arab Music Video Clips: Between Simulating MTV’s Gender Stereotypes and Fostering New Ones” Imaginations 4:1 (2013): Web (date accessed) 112-133. DOI: 10.17742/IMAGE.scandal.4-1.12 To Link to this article: http://dx.doi.org/10.17742/IMAGE. scandal.4-1.12 The copyright for each article belongs to the author and has been published in this journal under a Creative Commons Attribution NonCommercial NoDerivatives 3.0 license that allows others to share for non-commercial purposes the work with an acknowledgement of the work’s authorship and initial publication in this journal. The content of this article represents the author’s original work and any third-party content, either image or text, has been included under the Fair Dealing exception in the Canadian Copyright Act, or the author has provided the required publication permissions. CONTEMPORARY ARAB MUSIC VIDEO CLIPS CONTEMPORARY ARAB MUSIC VIDEO CLIPS Between Simulating MTV’s Gender Stereotypes and Fostering New Ones OUIDYANE ELOUARDAOUI MTV was the first 24-hour cable network MTV est la première chaîne de télévision to continuously broadcast music videos à diffuser en permanence des clips in the 1980s, thus establishing the genre. -
“As If I Am Not Human”
“As If I Am Not Human” Abuses against Asian Domestic Workers in Saudi Arabia Copyright © 2008 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 1-56432-351-X Cover design by Rafael Jimenez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] Poststraße 4-5 10178 Berlin, Germany Tel: +49 30 2593 06-10, Fax: +49 30 2593 0629 [email protected] Avenue des Gaulois, 7 1040 Brussels, Belgium Tel: + 32 (2) 732 2009, Fax: + 32 (2) 732 0471 [email protected] 64-66 Rue de Lausanne 1202 Geneva, Switzerland Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] 27 Rue de Lisbonne 75008 Paris, France Tel: +33 (1)43 59 55 35, Fax: +33 (1) 43 59 55 22 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] Web Site Address: http://www.hrw.org July 2008 1-56432-351-X “As If I Am Not Human” Abuses against Asian Domestic Workers in Saudi Arabia I. Summary......................................................................................................................... 1 Legal Framework and Recruitment Practices ................................................................... 2 Abuses against Domestic Workers.................................................................................. 4 Poor Redress Mechanisms.............................................................................................. 6 Key Recommendations to the Government of Saudi Arabia............................................. 8 Key Recommendations to the Governments of Migrants’ Countries of Origin (including Indonesia, Sri Lanka, the Philippines, and Nepal).......................................................... -
Generating Geographies and Genealogies: Jewish Women
GENERATING GEOGRAPHIES AND GENEALOGIES: JEWISH WOMEN WRITING THE TWENTIETH CENTURY IN FRENCH by NATALIE RACHEL KAFTAN BRENNER A DISSERTATION Presented to the Department of Romance Languages and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2019 DISSERTATION APPROVAL PAGE Student: Natalie Rachel Kaftan Brenner Title: Generating Geographies and Genealogies: Jewish Women Writing the Twentieth Century in French This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Romance Languages by: Evlyn Gould Chairperson and Advisor Karen McPherson Core Member Gina Herrmann Core Member Judith Raiskin Institutional Representative and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2019 ii © 2019 Natalie Rachel Kaftan Brenner iii DISSERTATION ABSTRACT Natalie Rachel Kaftan Brenner Doctor of Philosophy Department of Romance Languages June 2019 Title: Generating Geographies and Genealogies: Jewish Women Writing the Twentieth Century in French This dissertation offers an alternative account of Jewish history and experience from within the post-Holocaust and postcolonial Francophone world through the study of six autobiographically-inclined texts written by three generations of Francophone Jewish women of diverse geographical origins. While France was the first European nation-state to grant citizenship to Jews in 1791 and the French Republic has since branded itself as a beacon of tolerance, this tolerance has been contingent upon a strict politics of assimilation and has been challenged by French colonization and participation in the Holocaust. -
Arabic Connections: Translating Performative Sufism in the Malay Zapin Amongst Muslim Societies in Insular Southeast Asia1
ARABIC CONNECTIONS: TRANSLATING PERFORMATIVE SUFISM IN THE MALAY ZAPIN AMONGST MUSLIM SOCIETIES IN INSULAR SOUTHEAST ASIA1 Mohd Anis Md Nor University of Malaya, Kuala Lumpur Introduction Zapin is one of the oldest traceable forms of folk and social dance and music genre in the Malay world in Southeast Asia. Created through syncretic borrowing and adaptation to the eclectic performative nuances of the Arabic Zaffin of the Hadrahmaut Arabs in present day Yemen, the Malay Zapin is both a hybrid and a highly syncretized dance and music tradition of Muslim communities of Southern Thailand, Malaysia, Indonesia, Brunei and Singapore (Mohd Anis Md Nor, 2011: 42-47). From its beginning in the thirteenth century, Zapin music and dance have been reinvented through the syncretic adaptations of the Hadhrami-Arab trader-settlers’ performative dance and singing genre, creating a hybrid performance tradition embodying indigenous creative exploits merging two different worlds, the patriarchic Arab-Islamic performative traditions and the bilateral-Malay-Islamic influences. This has led to the creation of two different styles of zapin: in the Straits of Malacca, an older variant known as Zapin Arab (Arab Zapin) and the generic Malay Zapin known as Zapin Melayu. The Arab-Malay worlds came together to produce the Malay Zapin through the processes of engaging Islamic aesthetics while affirming an Islamic worldview and 67 JOURNAL OF ENGLISH STUDIES & COMPARATIVE LITERATURE belief system in the Malay maritime communities of the Straits of Malacca. Zapin Arab is an exclusive dance tradition of the Arab decent groups while Zapin Melayu is performed by Malays in Peninsular Malaysia, Singapore, Sumatra, and in the Riau Archipelago.