Local Wisdom of Structure and Building System Traditional Architecture in Responding to Nature
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Reconstruction of Legislative Regulations on Indigenous Peoples' Food Security in Indonesia
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2017): 7.296 Reconstruction of Legislative Regulations on Indigenous Peoples' Food Security in Indonesia Stefanus Laksanto Utomo1, Edy Lisdiyono2, Liza Marina3 1Faculty member of Law Departmnt, Sahid University Jakarta, Indonesia 2Faculty Member of Law Departmnt, Universitas 17 Agustus 1945 (Untag) Semarang, Indonesia 3Faculty Member of Law Department, Sahid University, Jakarta, Indonesia Abstract: This research is to explain, express, and prove the regulations of indigenous peoples food security legislation and the context of indigenous peoples' local wisdom towards food security. Second, explain some of the legal obstacles and conflicts faced by indigenous peoples in the direction of food sovereignty. Research locations in the community are Sedulur Sikep Sukolilo Pati in Central Java, the Kampung Naga Community, Tasik Malaya in West Java, the Baduy Community in Banten Propisi and the Ogan Komering Ulu Community, in South Sumatra. Field Research primary data through observation, questionnaires and interviews. Secondary data is collected by way of library research.It reveals taht land ownership of Indigenous Peoples with agricultural land is very closely related. The pattern of land management in indigenous peoples is largely concerned with the impact of environmental sustainability Government intervention through the Green Revolution program Keywords: Law and legislations, Green Revolutions, indigenous people, local wisdom, Food security 1. Introduction amendment states “Each person has the right to live and the right to defend his life and existence" Every citizen has the The concept of food security emerged in the mid-1970s, the right to live physically and mentally, live and get a good and focus of which was to ensure the availability and stability of healthy environment and has the right to service health, in prices of staple foods at international and national levels. -
JIA Volume 2 Issue 1 June 2012
THE DYNAMICS OF THE FORM OF NUSANTARA MOSQUE: ARCHITECTURAL HOMOGENEITY VIS A VIS ARCHITECTURAL HYBRIDITY Pudji Pratitis Wismantara Department of Architecture, Faculty of Science and Technology, State Islamic University Maulana Malik Ibrahim of Malang, Indonesia e-mail: [email protected] Abstract There are two points of departure in the design of mosque architecture in Nusantara, namely architectural homogeneity and architectural hybridity. Each provides the legitimacy of the architecture of identity formation. This paper seeks to explore the comparative, the concept of homogeneity and hybridity architecture, with a critical theory approach. The results of this search is, the concept of architectural homogeneity establishing assumption that certain architectural forms are supposed to represent "universal identity and modernity" of Muslim architecture. Meanwhile, the concept of architectural hybridity to show enrichment architecture identity because of the attempt to combine aspects of the universality of Islam with locality of Nusantara. Both these aspects can be positioned as the two subjects of mutual dialogue in a parallel position. As architecture strategy, the concept of hybridity reflects the effort or ijtihad in interpreting local and universal contextuality in the contemporary conditions that are constantly evolving and open. Keywords: Nusantara mosque, hybridity of architecture, homogeneity of architecture, architecture strategy Abstrak Ada dua titik tolak dalam desain arsitektur masjid di Nusantara, yaitu arsitektur homogenitas dan arsitektur hibriditas. Masing-masing memberikan legitimasi arsitektur dalam pembentukan identitas. Tulisan ini dimaksudkan untuk mengeksplorasi, perbandingan konsep arsitektur homogenitas dan hibriditas, dengan pendekatan teori kritis. Hasil dari pencarian ini adalah konsep homogenitas arsitektur yang membangun asumsi bahwa bentuk-bentuk arsitektur tertentu dianggap mewakili "identitas universal dan modernitas" arsitektur Muslim. -
The Royal Mosques in Indonesia from 16Th to Early 20Th Centuries As a Power Representation
I.P. Nasution, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 494–502 THE ROYAL MOSQUES IN INDONESIA FROM 16TH TO EARLY 20TH CENTURIES AS A POWER REPRESENTATION ISMAN Pratama NASUTION Department of Archaeology, Faculty of Humanities, Universitas Indonesia, Indonesia. ABstract This study describes the characteristics of the royal mosques in Indonesia from the 16th century to the early 20th century through the architectural and archaeological study of the building’s components. Royal mosques are meaningful in the concept of building because they are the places for sultans and their people to pray, and these mosques are located in the capital cities of the Islamic empires that rep- resent the sultans and became the identity of the characters of the Islamic empires in the past. Through architectural and archaeological studies of several kingdom’s mosques in Java, Sumatra, Borneo, Sulawesi and North Maluku, this research observes the data with the context of space (spatial) with the central government (the palace), squares, markets, tombs and other buildings of a king. In addition, this paper studied the aspects of power relations with the palace mosque as the centre of power, to reveal the power of representation in the mosque, with attention to the style of the building and ritual. The results obtained show that the royal mosques in Indonesia have special characteristics displayed in the building form and the local ritual practices that are different from non-royal mosques and the mosques outside of Indonesia as a strategy and resistance against global Islamic power relations in the past. Keywords: identity and resistance, royal mosque, the representation of power. -
Indonesian Architecture and Earthquake Vulnerability: the Development of Building Safety Through the Civilization
MATEC Web of Conferences 280, 01004 (2019) https://doi.org/10.1051/matecconf /20192800 1004 ICSBE 2018 Indonesian Architecture and Earthquake Vulnerability: the Development of Building Safety through the Civilization Noor Cholis Idham1,* 1Architecture Department, Universitas Islam Indonesia, Yogyakarta, Indonesia Abstract. Please let the above author information blank for the first subission of this paper to maintain annonymity during double-blind review process. If your paper is accepted, you will be required to submit the final (camera ready) version in which a completed author information as exemplified above must be provided. You should leave 8 mm of space above the abstract and 10 mm after the abstract. The heading Abstract should be typed in bold 9-point Arial. The body of the abstract should be typed in normal 9-point Times in a single paragraph, immediately following the heading. The text should be set to 1 line spacing. The abstract should be centred across the page, indented 17 mm from the left and right page margins and justified. It should not normally exceed 200 words. 1 Background Indonesia is the largest archipelago country that consists of five major islands and about 30 smaller island groups. Altogether there are 17,508 islands of which about 6,000 are inhabited. The archipelago is on a crossroad between the Pacific and the Indian oceans, and bridges two continents of Asia and Australia (Fig.1). Its strategic position and fertile nature of the land have always influenced the cultural, social, political and economic life of the country through its civilization. Not surprisingly, it has a great variety of architectural styles which are unique such as traditional Javanese, Minangkabau, Toraja and others. -
Boat Representation in Nusantara Architecture
International Journal of Architecture and Urbanism Vol. 03, No. 01, 2019 | 81- 94 Boat Representation in Nusantara Architecture Vini Asfarilla 1*, Yulianto P. Prihatmaji 1 1Department of Architecture, Faculty of Civil Engineering and Planning, Universitas Islam Indonesia, Yogyakarta, Indonesia Abstract. Architecture is one of the arts of cultural product, archipelago culture rooted in traditional culture, vice versa. Traditional architecture is very diverse in Indonesia, along with the diversity of its ethnic. Traditional architecture is building with form and function which has its own characteristic, inherited from generation to generation that can be used to hold activity by the people around it. Therefore, traditional architecture is the cultural expression and direct reflection in presenting something by its people. Some Nusantara Architectures adopt boat as the representation for building’s form. Therefore, the author is interested to prove the correlation of boat as representation in some archipelago architectures. This research uses data search method through literature studies by collecting data on some researched archipelago architecture buildings' form and construction system. From these data, a correlation between boat form representation and construction system used in boats and buildings can be concluded. Keyword: nusantara architecture, form of architecture, boat construction, boat representation. 1. Introduction Nusantara architecture is a shelter architecture that develops in humid tropics. Spread over the Archipelago around 17,000 islands, located in the ring fire region of the world, have wet forest wealth that is able to contribute oxygen to the world significantly. The Nusantara architecture as the shelter has characteristics in foundation structures, walls and roofs [18]. Exploration knowledge of Nusantara Architecture using traditional architectural data to be analyzed and interpreted architectural. -
Change of Meaning in Space and Form of Contemporary Karo Architecture
Change of Meaning in Space and Form of Contemporary Karo Architecture Mohammed Nawawiy Loebis1,2 , Imam Faisal Pane1, 2, Wahyu Abdillah1, 2, Aurora S Lubis1, 2 1Department of Architecture, Faculty of Engineering, Universitas Sumatera Utara, Indonesia. 2Laboratory History, Theory and Criticism of Architecture, Department of Architecture, Universitas Sumatera Utara, Indonesia. [email protected] Abstract: Karo Plateau is one of the most valuable assets for North Sumatra Province, Indonesian. In addition to fertile soil and producing good quality vegetables and fruit, this plain also has architectural heritage to be proud of. Several villages up to now can be seen and visited which stores various Karo architectural works including some traditional buildings and houses. Change with the times, the movement of people also occurs for various reasons. The development of the city in this province makes the villagers look for livelihood in the city. However, the inheritance of ancestors was still held firmly to the present with a different format. The Karo family currently lives in shophouse and is no longer in a traditional house and they have a business there. The perception of space in traditional houses really carried over in their daily lives. Using qualitative methods, this article explains the interpretation of the different perceptions of Karo people regarding the space and form of their place of residence. However, the essence or meaning that exists in the traditional Karo architecture is still approved until now in a different form and format. Keywords: Karo architecture; space meaning; shophouse I. Introduction Over time though, changes and developments always occur on earth. -
Viewing the Cultural Trace of the Mosque Building in the Cirebon Sultanate
Research on Humanities and Social Sciences www.iiste.org ISSN 2224-5766 (Paper) ISSN 2225-0484 (Online) Vol.8, No.14, 2018 Viewing the Cultural Trace of the Mosque Building in the Cirebon Sultanate Nyai Kartika 1* Yasraf Amir Piliang 2 Imam Santosa 2 Reiza D. Dienaputra 3 1. Doctoral student on Art and Design Studies, Faculty of Art and Design Bandung Institute of Technology 2. Faculty of Art and Design Bandung Institute of Technology 3. Faculty of Cultural Sciences, Padjadjaran University Abstract Indonesian nation has a long historical record, not only about the physical resistance in the struggle for Indonesian independence, but also the culture of its dynamic society and continues to evolve with the changing times. The history of the past brings Indonesian culture into contact with and against the outside culture which then affects various aspects of people's lives. Acculturation, assimilation, and even shock culture also coloring the cultural changes caused by external cultural influences. Included in the field of building architecture, one of which is building a mosque located in the Sultanate of Cirebon, which will provide many interpretations of cultural forms through visual media. The emergence of ports in Cirebon become entrance of various cultures in Cirebon such as Arab and Chinese, in addition to Hindu culture, Buddhism which is already much more rooted in public life. Therefore, studying the development of culture through building a mosque becomes an interesting thing to do.The method used in this study is the historical method. This method uses four stages of work namely heuristics, criticism, interpretation, and historiography. -
Migration and Karo Ethnic Identity in the Coastal of Serdang Bedagai, North Sumatra
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 208 1st International Conference on Social Sciences and Interdisciplinary Studies (ICSSIS 2018) Migration and Karo Ethnic Identity in the Coastal of Serdang Bedagai, North Sumatra 1st Muhammad Emil Riza Tarigan 2nd Erond L. Damanik 3rd M. Rivai Postgraduate of Social Anthropology Department of Anthropology Center for Historical Studies and Social Universitas Negeri Medan Faculty of Social Sciences Sciences Medan, Indonesia Universitas Negeri Medan, Idonesia Universitas Negeri Medan [email protected] [email protected] Medan, Indonesia [email protected] 4th Hidayat 5th Ichwan Azhari Department of Historical Education Department of Historical Education Universitas Negeri Medan Universitas Negeri Medan Medan, Indonesia Medan, Indonesia [email protected] [email protected] Abstract-This paper discusses the migration of Karo is the Langkat Regency area, while the southern Dusun is people to the village of Kuala Lama which is located on the in the Deli Serdang Regency area. coast of Serdang Bedagai Regency, North Sumatra, and their efforts to shape their self-image as a separate ethnic group Most Karo people in the highlands and Dusun work as and different from the Malay tribe as the host community. farmers. Karo farmers who settled in the lower part of the This study concluded that the migration of Karo people to Dusun carried out cultivation on land directly adjacent to Kuala Lama was driven by political conflict in the form of the Malay community. Ethnic groups of Malays occupy arrests and massacres of inland communities involved in the the entire eastern coastline of North Sumatra which just PKI (Indonesian Communist Party) in the late 1960s. -
Tongging Leisure Park with Neo-Vernacular Architecture Approach
Jurnal Koridor: Jurnal Arsitektur dan Perkotaan Vol. 11 No. 02, Juli 2020 32-40 TONGGING LEISURE PARK WITH NEO-VERNACULAR ARCHITECTURE APPROACH M. FATHUR RAHMAN1and NURLISA GINTING1* 1. Architecture Department, Faculty of Engineering, Universitas Sumatera Utara Perpustakaan Street, J07 Building, Medan, 20155, Indonesia *Email: [email protected] Submit: 30th July 2020 Revision: 23th September 2020 Online: 28th September 2020 ABSTRACT Tourism in Indonesia is one of the economic and welfare generators for the local community as well as improving the quality of life of tourists through various activities such as recreation, resting, and getting new knowledge. The Indonesian government through the Ministry of Tourism has chosen ten priority destinations that are rich in natural and cultural products which are expected to bring millions of tourists every year, one of them is Lake Toba in North Sumatra. A village near Lake Toba, namely Tongging Village is still not optimized as a tourist destination, so to attract tourists and support a variety of vacation needs, a leisure park is needed. In designing leisure park, the Neo Vernacular architecture approach is applied because it is not only suitable with the design location, but also very concerned about the elements of locality in the area, and intended to preserve and introduce the rich cultural heritage of Karo District to the general public. Keywords: Neo Vernacular, Architecture, Leisure, Park, Tongging INTRODUCTION Specifically, in Indonesia, the Indonesia is a country that is rich in government through the Ministry of Tourism tourism potential, because it has a lot of natural selected ten priority destinations in Indonesia. -
The Tongkonan in Toraja, Indonesia
ITU A|Z • Vol 14 No 1 • March 2017 • 111-126 Daylighting and architectural concept of traditional architecture: The Tongkonan in Toraja, Indonesia Parmonangan MANURUNG [email protected] • Department of Architecture, Faculty of Architecture and Design, Universitas Kristen Duta Wacana, Yogyakarta, Indonesia Received: May 2016 • Final Acceptance: March 2017 Abstract Indonesia has more than three hundred tribes distributed in various islands. Since each tribe is divided into several traditions, this means Indonesia has hun- dreds of traditional architecture. One of the traditional architecture which has a unique design and a representation of Austronesian style is a traditional house Tongkonan. Tongkonan, built by the ancestors of the Toraja people, is based on their belief which called Aluk Todolo. This belief arranges the orientation of Tongkonan, sun has a great influence in the arrangement of exterior and interior space in Tongkonan. The aim of this study is to find the relationship between the spatial patterns generated through Aluk Todolo belief and the quantity/quality of daylighting ob- tained based on light measurements and the review of the various theories on daylighting. The method used in this research is quantitative by measuring the quantity of daylight. This is supplemented by a review of theories about Aluk Tod- olo belief and architecture of Tongkonan within the framework of the theories of daylighting. The results of the research show that although designed by ancestral belief, the architectural design of Tongkonan has already met the rules of daylighting de- sign. The quantity of daylight inside Tongkonan has accommodated the needs of functions and activities. -
The Royal Mosques in Indonesia from 16Th to Early 20Th Centuries As a Power Representation
216 Islamic Heritage Architecture THE ROYAL MOSQUES IN INDONESIA FROM 16TH TO EARLY 20TH CENTURIES AS A POWER REPRESENTATION ISMAN Pratama NASUTION Department of Archaeology, Faculty of Humanities, Universitas Indonesia, Indonesia. ABstract This study describes the characteristics of the royal mosques in Indonesia from the 16th century to the early 20th century through the architectural and archaeological study of the building’s components. Royal mosques are meaningful in the concept of building because they are the places for sultans and their people to pray, and these mosques are located in the capital cities of the Islamic empires that rep- resent the sultans and became the identity of the characters of the Islamic empires in the past. Through architectural and archaeological studies of several kingdom’s mosques in Java, Sumatra, Borneo, Sulawesi and North Maluku, this research observes the data with the context of space (spatial) with the central government (the palace), squares, markets, tombs and other buildings of a king. In addition, this paper studied the aspects of power relations with the palace mosque as the centre of power, to reveal the power of representation in the mosque, with attention to the style of the building and ritual. The results obtained show that the royal mosques in Indonesia have special characteristics displayed in the building form and the local ritual practices that are different from non-royal mosques and the mosques outside of Indonesia as a strategy and resistance against global Islamic power relations in the past. Keywords: identity and resistance, royal mosque, the representation of power. 1 INTRODUCTION Ancient mosques in Indonesia have typical characteristic patterns or shapes when compared with shades of mosques in other countries. -
Mixing of Traditional and Modern Forms in Architecture of Sunan Ampel Mosque, East Java, Indonesia
International Journal of Built Environment and Scientific Research Volume 01 Number 02 | December 2017 e-issn: 2580-2607 | p-issn: 2581-1347 | Pg. 53- 60 Mixing of Traditional and Modern Forms in Architecture of Sunan Ampel Mosque, East Java, Indonesia Ashadi Associate Professor, Department of Architecture, Universitas Muhammadiyah Jakarta Email address: [email protected] ABSTRACT The architectural form of Sunan Ampel mosque was alleged that there was mixing of traditional and modern forms. Traditional forms were shown by local forms, while its modern forms were shown by non local forms. This study aimed to understand mixing of traditional and modern forms in architecture of Sunan Ampel mosque. The method used in this study was descriptive, analytical, and interpretive, based on empirical evidence. The steps of analysis and interpretation were as follows. The first step, was opening architectural forms consisting of under cover, side cover, and top cover. The second step, was comparing the architectural forms of Sunan Ampel mosque with the reference of architectural forms. The third step, was analyzing and interpreting that comparing. The results of this study concluded that mixing occurred in architectural form of Sunan Ampel mosque showed domination of traditional forms to modern forms. This study was expected to contribute knowledge about mixing of traditional and modern forms in architecture of mosques in Indonesia, and could position it in global context. © 2017 IJBESR. All rights reserved Keywords: mixing, architectural forms, traditional, modern, domination 1. Introduction spirit of openness and willingness to accept other cultural influences or non local culture. Globalization issues began to bloom around Globalization had change the perspective in the 1990s, because of the economic boom that the architectural planning and designing of swept the world.