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Neneh Cherry Får 2016 Års Ganneviksstipendium Inom Musik
2016-05-02 19:47 CEST Neneh Cherry får 2016 års Ganneviksstipendium inom musik Neneh Cherry får 500 000 kronor från Per Ganneviksstiftelsen för sina insatser inom konsten. Stipendiet delades ut under en ceremoni på Kulturhuset Stadsteatern i Stockholm på måndagskvällen. Det är fjärde året som Per Ganneviks stiftelse för kulturella ändamål delar ut fem stipendier som enligt donatorns vilja ska stödja konstnärskap som kan förväntas få stor betydelse för kulturarvet. Motivering Neneh Cherry är en levande ikon som alltid legat i konstnärlig framkant. Hon har konstant fortsatt att utvecklas musikaliskt och utforska olika uttryck på ett unikt sätt. Hon är en av Sveriges största artister i modern tid, med ett inflytande på samtida popkultur som saknar motsvarighet. Per Ganneviks stiftelse för kulturella ändamål 2012 donerade finansmannen och konstälskaren Per Gannevik cirka 60 miljoner kronor till Konstnärsnämnden. I enlighet med testamentvillkoren bildades då Per Ganneviks stiftelse för kulturella ändamål. Stiftelsens ändamål är att stödja nu verksamma konstnärer som kan förväntas ha betydelse för kulturarvet. Stipendiaterna kommer att sökas inom de fem konstområden som Konstnärsnämnden vanligtvis stödjer – bild och form, musik, teater, dans och film. Stiftelsens styrelse är i enlighet med stadgarna densamma som Konstnärsnämndens styrelse. Om Neneh Cherry Neneh Cherry är född 1964 i Stockholm. Hon växte upp i Skåne, men hoppade av skolan i Hässleholm och flyttade som fjortonåring till London för att ägna sig åt musik. Hon har under perioder bott i flera andra länder sedan dess, men den brittiska huvudstaden är hennes nuvarande bostadsort. Neneh Cherry kom till den engelska musikscenen i slutet av punkeran och var med i flera olika band. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
An Anthem for Sad Girls Who Don't Know Heartbreak, but Do Know The
An Anthem for Sad Girls Who Don’t Know Heartbreak, But Do Know the Bible Hannah Gordon You are my sweetest downfall Regina Spektor I loved you first, I loved you first “Samson” The first time I heard “Samson” by Regina Spektor, I cried. Begin to Hope I’m sure you did, too. It’s just that kind of song. 06/2006 Sire I was in my best friend Rebecca’s bedroom, staring at the ceiling fan going round and round, and pretending I was someone else. We were drinking her parents’ liquor—too much Jack mixed with not enough Coke—and texting boys with our plans to sneak out later that night. All of our weekends were spent like this, so we knew that we’d never actually follow through with it. We’d end up re-watching Pride and Prejudice or Breakfast at Tiffany’s, just drunk enough to feel dizzy and fall asleep early. In the morning, we’d make banana pancakes doused in maple syrup, lumpy and sticky sweet. Hearing that song was a revelation. It was transcendent. Maybe it was all the Jack and Cokes. But maybe it wasn’t. At fifteen, I thought I knew heartbreak, if only vicariously: I’d read books, seen movies, and listened to songs like “Samson.” My aching, teenage heart would shatter anew with each fictional iteration of something I had yet to experience myself. This hurt, this pain— I thought it was the real thing. Or, at least, I thought it could compare. “What is this?” I asked her once the song finished. -
Furtado Yeah Yeah Yeahs the Long Blondes Magda
Nummer 9 • 2006 Sveriges största musiktidning Nelly The Magic Numbers Furtado Yeah Yeah Yeahs The Long Blondes Magda Juliette & the Licks • Tora Vinter • Sofi a Härdig • Bif Naked • Psalm One • Jara Ana • Maia Hirasawa • Miss Li • Mona Nylin • Firefox AK Groove 9 • 2006 Sofia Härdig sidan 5 Galor hit och Fyra frågor till Firefox AK sidan 5 Men jag har i alla fall kunnat galor dit spela blockflöjt sidan 5 Även om flera favoriter (Snoop, Tim- Men alla intervjuer med artister Bif Naked sidan 6 baland, Kelis, Kanye, Diddy, Cassie, gick ut på att höra var de skulle festa The Stooges vs Steve Albini sidan 6 Pharrell, Killers, Justin) lockade känns efter galan och till viss del vilka mär- Omslag av Mitsuaki Koshizuka MTV-galan numera tradig även på tv. keskläder de valt kvällen till ära. Pin- Juliette & the Licks sidan 7 Groove är en oberoende musiktidning Jag var på Globen 2000 när U2 och samt tunn soppa således. Om musik-tv som ges ut av Musiktidning i Göteborg AB. Jara sidan 7 Madonna uppträdde och det inget satsar på mer yta och mindre på inne- Groove Psalm One sidan 8 spännande hände, träsmak var det enda håll är det lika bra att skriva manus som kändes efteråt. I tv finns ju i alla och animera hela tillställningen – kan- Box 112 91 Yeah Yeah Yeahs sidan 8 fall chans att se reportage, intervjuer, ske kan det hela bli mer spännande då. 404 26 Göteborg Ana sidan 10 spelningar och backstage-aktion. Men självklart är stjärnglansen det Telefon 031–833 855 Men årets upplaga i Köpenhamn enda viktiga en sådan här kväll. -
Sex Object’ Offers by BEN SCHMITZ Duction of a Brash, Overdriven TER’S” Sonic Build
PAGE 8 / campustimes.org MONDAY, OCTOBER 3, 2016 ARTS & ENTERTAINMENT Bon Iver Drops ‘22, A Million’ ‘Sex Object’ Offers BY BEN SCHMITZ duction of a brash, overdriven TER’s” sonic build. Truth, Reality in CONTRIBUTING WRITER drum groove and choppy vocal Closing the album, “00000 samples about halfway through. Million” brings back the folk- Upon the release of his sopho- The last few lines of the lyrics like songwriting of “29 #Straf- Feminism, Life more self-titled release, Bon Iv- profess a desire and motivation ford APTS” and closes the al- er’s Justin Vernon made it abun- in Vernon to move on from his bum’s lyrical themes powerfully. BY ISABEL DRUKKER “The Baby”) and creating an dantly clear that he is a master demons, with him singing, “I The line, “If it’s harmed, it’s A&E EDITOR aesthetic (“Subways,” “Grilled of balancing between too radi- could go forward in the light, harmed me, it’ll harm, I let Cheese,” “Ice”). But if there is a cal and not different enough. well, I better fold my clothes.” it in,” is a clear final word on Jessica Valenti’s first memoir, consistent aesthetic of the mem- Typically, when an artist finds “22, A Million’s” is the best Vernon’s acceptance of the de- “Sex Object” (2016), says a lot. oir, I have yet to see it. success in a given style, they And it should come to no But I don’t think this is a fault. continue their body of work in surprise that the founder of the Valenti’s memoir reads as a a way that is cohesive and non- award-winning site Feminist- tale of transformation and the alienating to their newfound ing and regular columnist for idea that no person has to be, or fan base. -
KREATOR, EDGUY, SALAMANDRA, PANDEMIA, DEAD POETS SOCIETY - KREATOR - Phantom Victims of the Holy Season Brno, Babylon - 9
St ředa Registrace 22.7.2015 id overkill Denní verze heslo ●●●● dnes logIn s kapelou KREATOR: DEAD POETS SOCIETY KREATOR, EDGUY, SALAMANDRA, PANDEMIA, DEAD POETS SOCIETY - KREATOR - Phantom Victims Of The Holy Season Brno, Babylon - 9. listopadu 2002 Antichrist [Stray] (jako CRUSADER) (1999) KREATOR - Hordes Of Fait Accompli (2001) Chaos [Louis] Březen za kamna vlezem! Ale vzhledem k faktu, že je teprve listopad, vlezeme si raději KREATOR - Enemy of God EDGUY do nějakého pěkného klubu, ne? 9.listopadu nám k tomu dala příležitost novodobá [Louža] The Savage Poetry (1995) Mekka brněnského klubismu – klub Babylon, který toho dne přivítal zajímavou KREATOR - Violent Kingdom of Madness (1996) národnostní a žánrovou směsici – bratislavské speedery DEAD POETS SOCIETY, Revolution [Marigold] Vain Glory Opera (1998) západočeské deathery PANDEMIA, ostravské melodiky SALAMANDRA a německý KREATOR - Endorama [Rudi] Theater of Salvation (1999) dvojzápřah – EDGUY a KREATOR. KREATOR - Outcast [Rudi] The Savage Poetry KREATOR - Cause For (remastered 2CD) (2000) Vzhledem k tomu, že trpím několika královskými chorobami či vlastnostmi, z nichž Conflict [Rudi] Mandrake (2001) musím jmenovat mimo dny hlavně dochvilnost a přesnost, dostavil jsem se pozdě. KREATOR - Renewal [Rudi] Burning Down The Opera KREATOR - Coma Of Souls Paradox? Ani ne. Pořadatelé totiž nečekaně a zákeřně posunuli začátek hudební seance (2003) [Stray] Hellfire Club (2004) na 18:30 hod (místo plánovaných 19:00), tudíž jsem přišel o jistě skvělé vystoupení KREATOR - Extreme Rocket Ride (2006) DEAD POETS SOCIETY vedených famózním petržalským bardem Mayem „Štětulobijcem“ Aggression [Louis] Tinnitus Sanctus (2008) Petraninem. Nezbývá, než pogratulovat „chalanom“ k dalšímu výraznému milníku jejich KREATOR - Terrible Age Of The Joker (2011) kariéry – přece jen dělat předskokana KREATOR, to je věc, které se některým kolegům Certainty [Stray] Space Police: Defenders Of nepodaří, ani kdyby chlastali a lemtali s tuctem promotérů dvě noci v kuse. -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
Tal Og Perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S
MUSIK- SELSKABER 2016 tal og perspektiver MUSIKSELSKABERFOTO: WIFOPRO.DK 2016 - TAL OG PERSPEKTIVER S. 2 FORORD I mere end et århundrede har man kunnet høre musik Løsningen ligger imidlertid lige for. Den europæiske i de danske hjem. I starten af 1900-tallet var det dog lovgivning – og særligt den aktuelle reform af ophavs- kun de velbjærgede borgere forundt at opleve grammo- retten – bør understrege, at alle tjenester, der aktivt fonen frembringe lyd i stuen. På daværende tidspunkt udbyder musik, selvfølgelig skal indhente tilladelse fra kostede en grammofon nemlig mere end en månedsløn dem, der leverer musikken, før den kan udbydes. Også for de fleste danskere. amerikanske giganter som YouTube, der baserer de- res succesfulde forretningsmodel på, at brugerne selv Sådan er det heldigvis ikke i dag. Tværtimod kan alle uploader musik til tjenesten. nu få adgang til millioner af musiknumre med en lav månedlig ydelse og få klik på mobilen. Forbruget af Det er bekymrende, at artister, sangskrivere og mu- indspillet musik har således næppe været større, end sikselskaber ikke får en anstændig betaling for deres det er i dag. hårde arbejde fra sådanne tjenester i dag. Mindst lige så bekymrende er det imidlertid, at konkurrencesitua- Derfor er det ikke med udelt begejstring, vi kan konsta- tionen mellem tjenesterne er så grotesk, at den reelt er tere, at musikselskabernes indtægter for salg af ind- en bombe under udviklingen af nye spændende mulig- spillet musik udgør 494 mio. kr. i 2016. For selvom der heder til forbrugerne. er tale om en vækst på 9 % sammenlignet med 2015, burde markedet være markant større, når man ser på For hvor er incitamentet til videreudvikling hos tje- det faktiske forbrug af musik i Danmark. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET -
News Media Industry
Spring 2007 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2007 ABSTRACT: The ability of US citizens to freely express their views and opinions is a gift we must never take for granted. A key means by which our government and citizens communicate is the News Media. This critical industry is now experiencing tremendous change. Technological advances have led to an explosion in communication media that now provide consumers more news options than ever before. Traditional media such as newspapers, television and radio are being forced to develop digital media in order to maintain and attract a wider customer base. Historical advertising and business models are no longer adequate, but finding a replacement has proven difficult. This critical industry will survive the challenges of today, but the future state of the industry remains uncertain. Ms. Janet Anderson, Defense Intelligence Agency COL Florentin Buhos, Romanian Armed Forces Mr. Ed Celentano, The Boeing Company MG Yadmaa Choijamts, Mongolian Armed Forces Ms. Iris Cooper, Dept of Transportation/Maritime Administration Col Ed Daniel, US Air Force-ANG Ms. Nhu-Nga Do, US Navy Ms. Tara Feret Erath, Dept of State LtCol Yori R. Escalante, USMC Mr. Paul Guinee, USCG CDR James Landers, US Navy CDR Joe Mahan, US Navy Col BJ Marshall, US Air Force-ANG COL Bill McCarver, US Army Ms. Shelia Moyer, Dept of State CDR Aaron Stanley, US Navy CAPT Eric Myhre, US Navy, Faculty Col Theodore Ogren, US Air Force, Faculty Lt Col Sean Herr, US Air Force, Faculty Dr. -
Presseinfo 2020 PDF (0.2
BUSH UK-Rockstars Bush kehren zurück auf die Bühnen! 8. Album ›The Mind Plays Tricks on You‹ erscheint im Frühjahr Im Juni drei Deutschland-Shows in Hamburg, Berlin & Münster Die großartigen britischen Rocker Bush kommen 2020 mit einem neuen Album, sowie einer ganzen Reihe von Live-Shows, zurück auf Tour. Die Band mit dem charismatischen Frontmann Gavin Rossdale kündigte unlängst an, dass ihr achtes Album ›The Mind Plays Tricks on You‹ im März oder April diesen Jahres veröffentlicht wird. Im Zuge der Veröffentlichung werden Bush weltweit einige Shows spielen, dadrunter auch u.a. am 5. Juni 2020 in der Grossen Freiheit 36 in Hamburg. Seit ihrer Gründung im Jahr 1991 gelten Bush als eine Rockband, die auf eine kuriose Weise stets antizyklisch zu den jeweils aktuellen musikalischen Strömungen in Großbritannien agierten. Nur so lässt sich auch erklären, dass sie außerhalb ihrer Heimat und allen voran in den USA immer erfolgreicher waren. Diese Besonderheit begann bereits mit der Veröffentlichung ihres Debüts ›Sixteen Stone‹ im Jahr 1994. Während das Album in England gerade einmal bis auf Platz 42 stieg, knackte es in den USA direkt die Top Ten und wurde dort bis heute mit sechsfach Platin ausgezeichnet. Auch in Australien, Neuseeland und Kanada erhielt die Platte vielfach Platin und konnte sich teils monatelang in den Top Ten halten mit fünf ausgekoppelten Hit-Singles wie ›Everything Zen‹, ›Comedown‹ und ›Glycerine‹. Mit ihrem zweiten, 1996 veröffentlichten Album ›Razorblade Suitcase‹, gelang Bush endgültig der Schritt in die Oberliga der globalen Rockmusik. Die Strategie der Band bestand darin unter Zuhilfenahme eines renommierten, für jeweils einen sehr eigenen Sound bekannten Produzenten ein Unikum darzustellen, welches mit keinem anderen ihrer Alben vergleichbar schien. -
Music's On-Line Future Shapes up by Juliana Koranteng Line Music Market
ave semen JANUARY 22, 2000 Music Volume 17, Issue 4 Media. £3.95 W-411` talk -C41:30 rya dio M&M chart toppers this week Music's on-line future shapes up by Juliana Koranteng line music market. Also, the deal could untoward about one of the world's Eurochart Hot 100 Singles catapult Warner Music Group (WMG), media groups merging with the world's EIFFEL 65 LONDON - Last week's unexpectedTime Warner's music division, intomost successful on-line group," notes Move You Body takeover of Time Warner by on-linefrontrunner positioninthedigital New York -based Aram Sinnreich, ana- (Bliss Co.) giant America Online (AOL) not only delivery race among the five majors. lyst at Jupiter Communications. "It will European Top 100 Albums confirms the much predicted conver- The AOL/Time Warner merger help speed the adoption of on-line music immediatelyovershadowedother by consumers." Sinnreich adds that "It CELINE DION gence of old and new media, but also acknowledges the Internet as the importantdownloadable could even make or break a All The Way..A Decade of Song biggest influence on the future music deals announced band, which has not been (Epic/Columbia) growth of global music sales. A M ER ICA shortly beforehand byTI\IF. ARNFR done so far on the Internet. European Radio Top 50 According to analysts, Universal Music But AOL has the ability to CELINE DION shareholderandregulatory Group(UMG) andSony do so. As a well-known global brand, AOL's ambitions will be far-reaching. That's The Way It'Is approval of AOL/Time Warn- Music Entertainment (SME).