PROCÉDURES DE SAUVEGARDE DES ENTREPRISES (Décret No 2005-1677 Du 28 Décembre 2005) PROCÉDURES DE RÉTABLISSEMENT PROFESSIONNEL (Décret No 2014-736 Du 30 Juin 2014)

Total Page:16

File Type:pdf, Size:1020Kb

PROCÉDURES DE SAUVEGARDE DES ENTREPRISES (Décret No 2005-1677 Du 28 Décembre 2005) PROCÉDURES DE RÉTABLISSEMENT PROFESSIONNEL (Décret No 2014-736 Du 30 Juin 2014) o Quarante-huitième année. – N 184 A ISSN 0298-296X Jeudi 25 septembre 2014 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE DIRECTION DE L’INFORMATION Standard......................................... 01-40-58-75-00 LÉGALE ET ADMINISTRATIVE Annonces....................................... 01-40-58-77-56 Accueil commercial....................... 01-40-15-70-10 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-15-67-77 www.dila.premier-ministre.gouv.fr (9 h à 12 h 30) www.bodacc.fr Télécopie........................................ 01-40-58-77-57 BODACC “A” Ventes et cessions - Créations d’établissements Procédures collectives Procédures de rétablissement personnel Avis relatifs aux successions Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Modifications diverses........................................ BODACC “B” Radiations ............................................................ } Avis de dépôt des comptes des sociétés ....... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Infogreffe, Questel SAS, Tessi (Defitech), Pouey International, Scores & Décisions, Les Echos, Creditsafe France, Coface Services, Cartegie, Infolegale & Marketing, France Telecom SA Kiosque Internet Entreprises, Telino, Docapost, Bureau Van Dijk EE (Bureau Van Dijk Electronic publishing), Tinubu, Data Project, Clic Formalités et Binq Media BV. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction de l’information légale et administrative. Le numéro : 3,80 € Abonnement. − Un an (arrêté du 17 décembre 2013 publié au Journal officiel du 19 décembre 2013) : France : 462,10 €. Pour l’expédition par voie aérienne (outre-mer) ou pour l’étranger : paiement d’un supplément modulé selon la zone de destination ; tarif sur demande Paiement à réception de facture. En cas de règlement par virement, indiquer obligatoirement le numéro de facture dans le libellé de votre virement. www.bodacc.fr Toutes les annonces civiles et commerciales sur Internet 7:HRBLJL=YV]YUW: . 2 − BODACC no 184 A − 25 septembre 2014 VENTES ET CESSIONS CRÉATIONS D’ÉTABLISSEMENTS IMMATRICULATIONS (Décrets nos 67-237 et 67-238 du 23 mars 1967, no 78-705 du 3 juillet 1978) 02 - AISNE Créations d’établissements GREFFE DU TRIBUNAL DE COMMERCE DE SAINT-QUENTIN 4 - * 397 473 695 RCS Cannes. PINON (Marie Christine). Nom d’usage : MARTIN. Origine du fonds : Création d’un fonds de Ventes et cessions commerce. Etablissement : Etablissement principal. Activité : vente fleurs plantes compositions poteries verrerie vannerie. Adresse : 239 1-o 484 962 774 RCS Soissons. SOCIETE INTERMEDIAIRE rue Santo Reino 06210 Mandelieu la Napoule. Date de commencement D’ETUDE ET DE CONSEIL EN ASSURANCE PAR ABREVIA- d’activité : 1er janvier 2008. TION : SIECA-PROTECTION DU PATRIMOINE. Forme : Société à responsabilité limitée. Nom commercial : SIECA PROTECTION DU 5 - * 804 608 966 RCS Cannes. JOB. Forme : Société à responsabilité PATRIMOINE. Adresse : 22 rue du Général Leclerc 02600 Villers- limitée. Administration : Gérant : POIRIER Fabrice Abel Henri . Capi- Cotterêts. Origine du fonds : Achat au prix stipulé de 170000,00 tal : 1000.00 euros. Adresse : 12 boulevard Jean Hibert 06400 Cannes. euros. Etablissement : Etablissement secondaire. Activité : Intermé- Commentaires : Cette société n’exerce aucune activité. diaire en assurances placées auprès des compagnies, institutions ou courtiers. Enseigne : SIECA PROTECTION DU PATRIMOINE. 6 - * 804 604 437 RCS Cannes. M. M. Forme : Société à responsabi- Adresse : 9 rue Georges Herbin 02430 Gauchy. Précédent propriétaire : lité limitée. Nom commercial : SARL MM. Administration : Gérant : 405 211 228 RCS Saint-Quentin. ASSURANCES CONSEILS BUONALANA Marc René . Capital : 1000.00 euros. Adresse : 133 FINANCE. A dater du : 17 décembre 2008. Date d’effet : 6 août 2014. avenue Francis Tonner 06150 Cannes la Bocca. Origine du fonds : Date de commencement d’activité : 6 août 2014. Publication légale : Le Création d’un fonds de commerce. Etablissement : Etablissement Démocrate De l’Aisne du 19 septembre 2014. Oppositions : Me Jean- principal. Activité : fabrication et vente de pizza à emporter, Sand- Pierre Rouquette 5 bis rue des Jacobins 02100 Saint Quentin pour la wicherie, vente de crème glacée, sorbets, vente de boissons sans validité. alcool. Date de commencement d’activité : 17 juillet 2013. Immatriculations 7 - * 804 607 885 RCS Cannes. VI DENT. Forme : Société civile immobilière. Administration : Gérant Associé : HAYAT Mikaël Asso- 2-o 803 404 383 RCS Saint-Quentin. LEPTIR. Forme : Société par cié : GAYNULINA Indira . Capital : 1000.00 euros. Adresse : 145 à actions simplifiée. Administration : Président : Hublin, Philippe 151 Rue d’Antibes Résidence Éden Palace 06400 Cannes. Etablisse- Didier, Commissaire aux comptes titulaire : CABINET BERSON ET ment : Etablissement principal. Activité : la propriété, la gestion, ASSOCIÉS, Commissaire aux comptes suppléant : CREATIS l’administration de biens et la disposition de biens et droits immo- AUDIT-REGEC. Capital : 951000 euros. Adresse : 167 avenue Pierre biliers. Date de commencement d’activité : 5 septembre 2014. Mendès France 02000 Laon. Origine du fonds : Création. Etablisse- 8 - * 804 610 509 RCS Cannes. COULEUR SAFRAN. Forme : Société ment : Etablissement principal. Activité : Exploitation d’un fond de par actions simplifiée. Administration : Président : MALERBA Jean- commerce sous l’enseigne Intermarche. Adresse : 167 avenue Pierre François Philippe Directeur général : HALKIN Anne Madeleine Mendès France 02000 Laon. A dater du : 18 juillet 2014. Date d’effet : Pierrette . Capital : 2500.00 euros. Adresse : 12 rue Reyer 28 juillet 2014. Date de commencement d’activité : 28 juillet 2014. Com- 06400 Cannes. Origine du fonds : Création d’un fonds de commerce. mentaires : Immatriculation d’une personne morale suite au transfert Etablissement : Etablissement principal. Activité : toute activité de du siège hors ressort. vente au détail de produits cosmétiques et de parfumerie, ainsi que la vente de bijoux fantaisie ou de créateur. Date de commencement d’activité : 1er octobre 2014. 06 - ALPES-MARITIMES 9 - * 804 618 544 RCS Cannes. ELOUAN. Forme : Société par actions simplifiée à associé unique. Administration : Président : I. C. H. GREFFE DU TRIBUNAL DE COMMERCE DE CANNES HOTELS USA LLC représenté par LE COUTELLER Loic . Capital : 1000.00 euros. Adresse : 32 boulevard de Lorraine 06400 Cannes. Ori- Ventes et cessions gine du fonds : Création d’un fonds de commerce. Etablissement : Eta- blissement principal. Activité : acquisition, administration et gestion 3 - * 489 103 747 RCS Cannes. SARATTO. Forme : Société à respon- par location ou autrement de tous immeubles, biens immobiliers. sabilité limitée. Nom commercial : SO CREPE & PIZZA. Administra- Date de commencement d’activité : 15 septembre 2014. tion : Gérant : SECCO Nathalie en fonction le 24 Avril 2008 . Capi- tal : 1500.00 euros. Adresse : allée Dieudonné Costes GREFFE DU TRIBUNAL DE COMMERCE DE GRASSE 06210 Mandelieu-la-Napoule. Origine du fonds : Achat d’un fonds de commerce au prix stipulé de 120000 Euros. Etablissement : Etablisse- Ventes et cessions ment principal. Activité : restaurant. Adresse : allée Dieudonné Costes 06210 Mandelieu la Napoule. Précédent propriétaire : 537 531 10 - * 513 675 132 RCS Grasse. ELIANTE INGENIERIE ENVI- 527 RCS Cannes. SO CREPE. Date de commencement d’activité : RONNNEMENT. Forme : Société à responsabilité limitée. Adresse : 1er mars 2006. Publication légale : L’Avenir Côte d’Azur du 33 boulevard de la Liberté Epace Liberté 13001 Marseille. Origine du 15 août 2014. Oppositions : chez la SELARL BANON & PHILIPS 13 fonds : Achat d’un fonds de commerce au prix stipulé de 53000 rue d’Antibes 06400 Cannes pour la validité et pour la correspon- Euros. Etablissement : Etablissement secondaire. Activité : bureau dance. Commentaires : Modification de l’adresse du siège. Modifica- d’études spécialisé dans la collecte de déchets. Adresse : 1300 route tion du nom commercial. Modification de l’activité. des Crêtes 06560 Valbonne. Précédent propriétaire : 483 543 567 . BODACC no 184 A − 25 septembre 2014 − 3 RCS Avignon. EBHYS. Date de commencement d’activité : 25 août 2014. Bm2i Conseil 06200 Nice. Origine du fonds : Création d’un fonds de Publication légale : L’Avenir Côte d’Azur du 19 septembre 2014. commerce. Etablissement : Etablissement principal. Activité : pose de Oppositions : Me GIOANNI Venezia et Kermarrec Huissiers, 12 ave- Placo, faux plafonds, peinture générale du bâtiment. Date de nue du Gal de Gaulle 06131 GRASSE pour la validité et pour la commencement d’activité : 11 septembre 2014. correspondance. 19 - * 804 613 081 RCS Nice. OLIVIER GIROD. COM. Forme : Créations d’établissements Société à responsabilité limitée. Nom commercial : OLIVIER GIROD. COM. Administration : Gérant : ADELAIDE Michel Marie François . 11 - * 804 554 020 RCS Grasse. SCI LE PINET 2. Forme : Société Capital : 5000.00 euros. Adresse : 148 avenue Sainte-Marguerite civile immobilière. Administration : Gérant : ANTHONY Henry, 06200 Nice. Origine du fonds : Création d’un fonds de commerce. Robert, Maurice Associé : INSTITUT FUR ANGEWANDTE
Recommended publications
  • CLOTHING Gown : Áo Đầm Dài Frock
    TRANG PHỤC - CLOTHING Gown : áo đầm dài Frock : áo đầm, áo thầy tu Tailcoat : áo đuôi tôm Topcoat : áo bành tô Pallium/pallia : áo bào (của tổng giám mục) Blouse : áo cánh nữ Caftan : áo cáptân (Thổ Nhĩ Kì) Windbreaker : áo chống gió Cassock : áo chùng (tu sĩ) Frock coat : áo choàng Gown : áo choàng (quan tòa; luật sư) Capote : áo choàng dài (thường có mũ trên đầu) Cloak : áo choàng không tay Pelisse : áo choàng lông (nữ) Roe : áo choàng mặc trong nhà Mantlet/ mantelet : áo choàng ngắn Mackinaw : áo choàng ngắn, dày Dress : áo đầm Vest : áo ghi lê Waistcoat : áo ghi lê Jacket : áo jắc két Parka : áo jắc két dày có mũ 76 Trần Quang Khải, Hồng Bàng, Hải Phòng | 02256.538.538 | 01286.538.538 | www.myenglish.edu.vn | facebook.com/MyEnglishCenter Coat : áo khoác Bolero : áo khoác ngắn của nữ (không có nút, khuy phía trước) Overcoat : áo khoác ngoài Smock : áo khoác ngoài (để làm việc); áo chửa Manteau : áo khoác, áo măng tô Kimono : áo ki mô nô Skivvies : áo lót Undershirt : áo lót Vest : áo lót Chemise : áo lót phụ nữ Cardigan : áo len Surplice : áo lễ Chasuble : áo lễ (tu sĩ) Cope : áo lễ (tu sĩ) Blazer : áo màu (thể thao) Mackintosh : áo mưa Raincoat : áo mưa Waterproof : áo mưa Trench coat : áo mưa (quân đội) Slicker : áo mưa thụng dài Nightshirt : áo ngủ (nam) Jersey : áo nịt len Poncho : áo pôn sô (áo cánh dơi) 76 Trần Quang Khải, Hồng Bàng, Hải Phòng | 02256.538.538 | 01286.538.538 | www.myenglish.edu.vn | facebook.com/MyEnglishCenter T-shirt : áo thun có tay Nightclothes : áo quần ngủ Pyjamas, pajamas : áo quần ngủ (nam) Shirt : áo
    [Show full text]
  • I Was Tempted by a Pretty Coloured Muslin
    “I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) .
    [Show full text]
  • Fashion,Costume,And Culture
    FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • Hunting Shirts and Silk Stockings: Clothing Early Cincinnati
    Fall 1987 Clothing Early Cincinnati Hunting Shirts and Silk Stockings: Clothing Early Cincinnati Carolyn R. Shine play function is the more important of the two. Shakespeare, that fount of familiar quotations and universal truths, gave Polonius these words of advice for Laertes: Among the prime movers that have shaped Costly thy habit as thy purse can buy, But not expressed infancy; history, clothing should be counted as one of the most potent, rich not gaudy; For the apparel oft proclaims the man.1 although its significance to the endless ebb and flow of armed conflict tends to be obscured by the frivolities of Laertes was about to depart for the French fashion. The wool trade, for example, had roughly the same capital where, then as now, clothing was a conspicuous economic and political significance for the Late Middle indicator of social standing. It was also of enormous econo- Ages that the oil trade has today; and, closer to home, it was mic significance, giving employment to farmers, shepherds, the fur trade that opened up North America and helped weavers, spinsters, embroiderers, lace makers, tailors, button crack China's centuries long isolation. And think of the Silk makers, hosiers, hatters, merchants, sailors, and a host of others. Road. Across the Atlantic and nearly two hundred If, in general, not quite so valuable per pound years later, apparel still proclaimed the man. Although post- as gold, clothing like gold serves as a billboard on which to Revolution America was nominally a classless society, the display the image of self the individual wants to present to social identifier principle still manifested itself in the quality the world.
    [Show full text]
  • Cora Ginsburg 2013 Catalogue
    CORA GiNSbuRG llC TiTi HAlle OWNeR A Catalogue of exquisite & rare works of art including 16th to 20th century costume textiles & needlework 2013 by appointment 19 east 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] BLACKWORK PANEL English, ca. 1590 Embroidered costume came into fashion in England in the mid-sixteenth century and was out of style by the time of the Civil War. In its earliest manifestations, decorative geometric stitches were confined to the borders of smocks and chemises and were typically executed in a single color of silk thread, with black being one of the most stylish. The repertoire of motifs employed in blackwork gradually expanded to include elaborate floral and faunal designs adapted from new prints and illustrated books. The botanist John Gerrard’s Herball, or Generall Historie of Plantes, first published in 1597, was the earliest fully illustrated book of its type in England, and it specifically invoked embroidery in its preface: For if delight may provide men’s labour, what greater delight is there than to behold the earth appareled with plants, as with a robe of imbroidered works, set with orient pearles and garnished with great diversitie of rare and costly jewels. This panel comes from one of the most exceptional assemblages of Elizabethan blackwork to have survived from the period. It likely originated as part of a pair of balloon sleeves, which were fashionable for women’s dress in the late-sixteenth century, or as a petticoat worn over a drum farthingale.
    [Show full text]
  • The History of Fashion in France;
    :J**T i-HOl RARE BOOK COLLECTION fM THE LIBRARIES The University of Georgia ~i?<j>tf . - THE HISTORY OF FASHION IN FRANCE. P- „,-.</<'•', I THE HISTORY OF FASHION IN FRANCE; OR, THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME. FROM THE FRENCH OF M. AUGUST] X CH.\LL.\MEI. EY MRS. CASHEL HOEY AND MR. JOHN LILLIE. jgclu |9orh : S C R T J5 V £ K A N LJ V V, L V • ) 1< U 1882. w\&r T2SO CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets—Character of Frenchwomen—The refinement of their tastes and fancies— Paris the temple of fashion—The provinces—Mdlle. Mars' yellow gown—The causes of fashion—A saying of Mme. de Girardin's—A remark of Mrs. Trollope's— The dress of actresses—Earliest theories of fashion—The Gynseceum of Amman— First appearance of the "Journal des Dames et des Modes"—Lamesangere— Other publications—An anecdote concerning dolls—Plan of the History of t"sJ,oriBOK Fashion in France ............ PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. JOHN©S SQUARE. CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors" and "Palla" —Cleanliness of the Gallic women -The froth of beer or "kourou"—The women of Marseilles ; their marriage-portions — Gallo-Roman period — The Roman garment—The'' stola "—Refinement of elegance—Extravagant luxury of women— Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—Jewels and ornaments—The amber and crystal ball—Influence of the barbarians CHAPTER II.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • A History of the French Revolution Through the Lens of Fashion, Culture, and Identity Bithy R
    Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2012 The oM dernity of la Mode: a History of the French Revolution Through the Lens of Fashion, Culture, and Identity Bithy R. Goodman Bucknell University Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the History Commons Recommended Citation Goodman, Bithy R., "The odeM rnity of la Mode: a History of the French Revolution Through the Lens of Fashion, Culture, and Identity" (2012). Honors Theses. 123. https://digitalcommons.bucknell.edu/honors_theses/123 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. i ii iii Acknowledgments I would like to thank my adviser, David Del Testa, for his dedication to history as a subject and to my pursuits within this vast field. His passion and constant question of “So what?” has inspired me to think critically and passionately. Furthermore, he has helped me to always face the task of history with a sense of humor. Thank you to my secondary advisor and mentor, Paula Davis, who has always encouraged me to develop my own point of view. She has helped to me to recognize that my point of view is significant; for, having something to say, in whatever medium, is a creative process. Thank you to the History, Theater, and English Departments, which have jointly given me the confidence to question and provided me a vehicle through which to articulate and answer these questions.
    [Show full text]
  • Operational Definitions
    Operational Definitions The operational definitions that follow are intended to aid the reader in understanding the review of literature, particularly those sections pertaining to dress. The definitions were gathered through review of literature, as well as analysis of the poetry. Definitions that are marked with an asterisk indicate that they were mentioned in the poetry that was analyzed. Arisaid – a long garment reaching from neck to ankles, pleated and fastened at the breast with a large brooch or buckle, and belted at the waist; worn by Scottish Highland women (Bain, 1954; Stewart, 1974). Balloon hat –a hat style that women wore after 1740; also known as a lunardi (Maxwell & Hutchison, 1958). *Belted plaid – a Scottish Highland male garment created from a piece of tartan two yards in width and six yards in length. A man would center the plaid over a belt laid on the ground; he would then pleat the lower section of the plaid, while leaving the side and upper sections unpleated. The belt was fastened at the waist and the unpleated upper section of the plaid was thrown over one shoulder and held in place with a brooch. Also called a breacan-feile (Bain, 1954; Wilson, 1990). Bicorne hat – man’s hat of the Napoleonic era in shape of a crescent, with front and back brims pressed against each other making points on either side. Frequently trimmed with a cockade (Calasibetta, 1998). *Bonnet – headcovering for women, children, and infants usually fitting over back and top of head and tying with strings under chin. Bonnets were first worn in the Middle Ages.
    [Show full text]
  • Fashion,Costume,And Culture
    FCC_TP_V3_930 3/5/04 3:57 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V3_930 3/5/04 3:57 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 3: European Culture from the Renaissance to the Modern3 Era SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • GARDEHUSAR REGIMENTET Rettet.Partl 1 Officer
    nbj Side 1 06/01/15 GUARD HUSSAR REGIMENT Part 1 This paper is a description of the regiment’s full dress uniform (rød galla). The uniform has been worn by the Danish Guard Hussar Regiment during more than 150 years. In this period of time, only minor changes have taken place, for example the kepi is presently lower than in 1885, and a pouch belt with pouch was worn until after WWI when abolished. The regiment is founded the 10th of February 1762; the regimental history can be consulted in a number of publications. Due to this the paper only describes the main changes in regimental history, which took place in 1999- 2000. A postcard from 1957, drawn by the well- known uniform artist, Preben Kannik. The card shows the modern dual task for the regiment, firstly as an armoured regiment and secondly as supplying mounted escort for HM the Queen or King (at that time a king). The armoured vehicles at that time were the Centurions, which were upgraded several times and were in service until the 1999ìes. The card also depicts the regimental badge used until the year 2001 when a new one was introduced. The figures are both privates. nbj Side 2 06/01/15 The old regimental badge With a political decision of reducing the army in 1999 and the amalgamation of three old regiments - all of them with a very long history - the state of play came to an end. The name of the regiment continued to be GARDEHUSARREGIMENTET. nbj Side 3 06/01/15 It was decided that, the regiment should maintain its duties at the Royal Court as a Guard Regiment, but primarily be a modern mechanised infantry regiment.
    [Show full text]