Grand Tour Printable Handout

Total Page:16

File Type:pdf, Size:1020Kb

Grand Tour Printable Handout 12/09/2017 Rome - Pantheon, Marcus Aurelius, Spinario and Horse Tamers Dürer studies of Male Nude with snake and Female Nude with Shield Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Maerten van Heemskerck Panorama with the Abduction of Helen and self portrait in front of the Colosseum Apollo Belvedere and Dürer’s Adam and Eve engraving of 1504 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Van Heemskerck St Luke painting Mary with classical sculpture in the background and the Great Pyramid from “Seven Wonders of the World” 1572 Giambologna Mercury and Hercules slaying a centaur Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 1 12/09/2017 One of the Horse Tamers and Hans Eworth’s allegorical portrait of Sir John Luttrell commemorating the Treaty of Boulogne in 1550 Pieter Breughel the Elder Landscape with the Fall of Icarus Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Callipygian Aphrodite Laocöon discovered 1506 Hans Eworth Queen Elizabeth with Juno, Minerva and Venus 1569 Adriaen de Vries Laocöon c 1600 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Detail of Phaeton from Rubens’s Fall of Phaeton (turned for comparison) Barberini Faun Rubens’s The Fall of Phaeton 1604 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 2 12/09/2017 Marcantonio Raimondi’s engraving of the Crouching Venus 1505-6 and a detail from Rubens’s Fall of Phaeton (flipped for comparison) Rubens’s Venus, Cupid, Bacchus and Ceres of 1612 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Rubens’s Treaty of Angers from Marie de Borghese Gladiator discovered 1610 Medici cycle in the Louvre 1622-5 Botticelli’s Primavera Dr William Sterling Dr William Sterling www.williamsterling.co.uk Three Graces Roman C2nd (Met) www.williamsterling.co.uk Raphael’s Three Graces Rubens’s three Graces 1635 Rubens’s Judgement of Paris 1600 (National Gallery) Three Graces in Rubens’s Marie de Medici cycle (Education) Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 3 12/09/2017 Hermes from Pompeii Titian The Fall Rubens The Fall Workshop of Rubens and Jan Breughel Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk The Collector Earl of Arundel by Rubens Inigo Jones by Hogarth after Van Dyck Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk John De Critz’s portraits of Lucy Harington in Inigo Jones’s costumes for Ben Jonson’s Masque of Hymen 1606 Dr William Sterling Inigo Jones’s Masque costumes: Artemisia and Oberon Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 4 12/09/2017 Inigo Jones’s The Queen’s House Greenwich Inigo Jones’s Masque costumes: Penthesilea and Oceania Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Inigo Jones’s St Paul’s Covent Garden and Whitehall Banqueting House Aurora dispersing the Shades of Night from the Queen’s Presence Chamber, Queen’s House Greenwich possibly by John de Critz Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Drawing by John Evelyn made on his Grand Tour 1642-7 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 5 12/09/2017 Van Dyck’s Equestrian Portrait of Charles I c 1637 (National Gallery) Marcus Aurelius Hubert Le Sueur’s Equestrian Statue of Charles I in Trafalgar Square Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Van Dyck’s Cupid and Psyche 1638 Van Dyck’s Equestrian Portrait of Charles I with M Ludovisi Dionysus with a panther and a de St Antoine 1633 satyr Dr William Sterling Van Dyck’s Daedalus and Icarus c 1625 Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk The ceiling of the Great Hall in the Queen’s House depicting Peace surrounded the Muses by Orazio and Artemisia Gentileschi (copy based on the original now in Marlborough House) Orazio Gentileschi’s Sibyl owned by Charles I and painted at the same time as the Great Hall ceiling c 1635 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 6 12/09/2017 Claude Lorrain’s Landscape with Apollo and the Muses 1650 Dr William Sterling Claude Lorrain’s Dido and Aeneas Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Poussin’s Death of Germanicus 1628 Claude Lorrain’s Embarkation of the Queen of Sheba 1648 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk The Meleager Sarcophagus from the Borghese Collection – inspiration for Poussin’s Death of Germanicus including the figures of Germanicus and Agrippina Dr William Sterling Poussin’s Et In Arcadia Ego 1637-8 Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 7 12/09/2017 Charles Le Brun’s portrait of his brother Nicolas de Largillière’s portrait of Charles Le Jean Nocret’s Allegorical Family Portrait of Louis XIV c 1669 including Louis as Apollo Nicholas with model of Farnese Hermes Brun with model of Farnese Hermes Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Nicolas de Largillièrre’s self- portrait with model of Farnese Hermes Charles Le Brun Hercules Slaying the Centaur c 1660 (using the Dr William Sterling Dr William Sterling www.williamsterling.co.uk composition of the Farnese Bull) www.williamsterling.co.uk Engraving after Kneller of the 5th earl of Salisbury as a child in Roman costume Dr William Sterling Lorenzo Castro’s Battle of Actium of 1672 inspired by the recent Dr William Sterling www.williamsterling.co.uk English translation of Virgil’s Aeneid www.williamsterling.co.uk 8 12/09/2017 Le Gros’s 1695 copy in Paris The Belvedere Apollo and Le Gros’s interpretation Veturia or Thusnelda in Florence Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk One of the Rome Horse Tamers and one of Coustou’s Marly Horses Marcus Aurelius in Rome and drawing for Bouchardon’s statue of Louis XV Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Groups of Grand Tourists Dr William Sterling Two groups from the Society of Dilettanti by Joshua Reynolds Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 9 12/09/2017 Ramsay’s Judith Morrice as Diana c 1739 Boreas by James “Athenian” Stuart from the Antiquities of Athens 1761 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Le Gros’s Apollo Ramsay’s Norman MacLeod 1747 Le Gros’s Apollo Studio of Allan Ramsay George III after 1762 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Gavin Hamilton’s Death of Lucretia 1760s Gavin Hamilton’s William Hamilton of Bangour in classical dress with classical figures on the predella c 1748 Gavin Hamilton’s Venus Giving Helen to Paris 1782-4 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 10 12/09/2017 Gavin Hamilton’s Achilles Lamenting over the Body of Patroclus 1760-3 Le Gros’s Apollo Reynolds’s Captain Augustus Keppel 1753 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Reynolds’s Colonel Acland and Lord Sydney Athletes from the House of the Papyri, Pompeii 1769 Meneleus and Patroclus with Reynolds’s sketch Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Reynolds’s Jane Countess of Harrington Reynolds’s Banaster Tarleton based on Hermes Banastre Tarleton flipped for comparison based on Le Gros’s Apollo tying his sandal Dr William Sterling Hermes Tying his Sandal (Cincinnatus) Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 11 12/09/2017 The Various Inspirations for Reynolds’s Montgomery Sisters Reynolds’s The Montgomery Sisters based on a variety of others works Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Reynolds’s Earl of Bellamont in the same pose as the Farnese Heracles Dr William Sterling Reynolds’s Richard Peers Symons with the Farnese Heracles in the Dr William Sterling www.williamsterling.co.uk background www.williamsterling.co.uk Zoffany’s painting of Charles Townley surrounded by his collection 1782 Zoffany’s Tribuna of the Uffizi with Antique Sculptures 1772-8 Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 12 12/09/2017 Zoffany’s portrait of Archduchess Maria Christina of Austria with statue of Athena of the Vescovali type 1776 Zoffany’s Sir Lawrence Dundas and grandson with collection of Dr William Sterling classical models on the mantlepiece c 1775 Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Kauffmann’s Judgement of Paris Wilson’s The Destruction of Niobe’s Children Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Wricklemarsh House Fragonard’s The Swing and Progress of Love both containing classical statues Dr William Sterling Batoni’s Sir Gregory Page-Turner c 1768 Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 13 12/09/2017 Batoni’s Thomas Dundas 1764 with various Batoni’s Thomas Coke with
Recommended publications
  • Gods and Heroes: the Influence of the Classical World on Art in the 17Th & 18Th Centuries
    12/09/2017 Cycladic Figure c 2500 BC Minoan Bull Leaper c 1500 BC Gods and Heroes: the Influence of the Classical World on Art in the 17th & 18th centuries Sophia Schliemann wearing “Helen’s Jewellery” Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Heracles from the Parthenon Paris and Helen krater c 700 BC Roman copy of Hellenistic bust of Homer Small bronze statue of Alexander the Great c 100 BC Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Judgement of Paris from Etruria c 550 BC Tiberius sword hilt showing Augustus as Jupiter Arrival of Aeneas in Italy Blacas Cameo showing Augustus with aegis breastplate Augustus of Prima Porta c 25 AD Dr William Sterling (discovered 1863) Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk 1 12/09/2017 Romulus and Remus on the Franks Casket c 700 AD Siege of Jerusalem from the Franks Casket Mantegna Triumph of Caesar Mantua c 1490 Très Riches Heures du Duc de Berry c 1410 – tapestry of Trojan War Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk The Colosseum Rome The Parthenon Athens The Pantheon Rome Artist’s Impression of the Mausoleum of Halicarnassus showing surviving sculpture Dr William Sterling Dr William Sterling www.williamsterling.co.uk www.williamsterling.co.uk Hera and Zeus on the Parthenon Frieze in the British Museum Hermes, Dionysus, Demeter and Ares on the Parthenon Frieze Dr William Sterling Dr William Sterling www.williamsterling.co.uk
    [Show full text]
  • Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
    Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F.
    [Show full text]
  • Art List by Year
    ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High
    [Show full text]
  • Market Values in Eighteenth-Century Rome
    Market values in eighteenth-century Rome Review of: The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, edited by Paolo Coen, Leiden and Boston: Brill, 2018 [Studies in the History of Collecting and Art Markets, vol. 5], xii + 234 pp., 80 colour illus., €116/$134 hdbk, ISBN 978-90-04-33699-5. Jeffrey Collins Anyone who doubts that a society’s art market reveals its underlying values need only consider the case of Inigo Philbrick, the high-flying young dealer who sold investors overlapping shares of the same blue-chip contemporary works and who was recently apprehended in Vanuatu. The present volume boasts no one quite so colourful, though it too concerns a moment in which the business side of art acquired new prominence. Based on an international congress held at Rome’s Palazzo Barberini, the anthology’s ten chapters consider diverse facets of art’s production, circulation, and recirculation in early modern Rome, unfortunately not all centred on the time and place announced in the title. This is a limitation in a study of art markets, which are typically localized and responsive to shifting conditions. While less focused than one would wish, the collection nonetheless illuminates a key phase in the market’s development while contextualizing our own age of glossy magazines, glamorous fairs, ‘specullectors’, and illicit trafficking of cultural property. Both symposium and anthology reflect the efforts of Paolo Coen, professor of the history of art at the Università degli Studi di Teramo, to bring to Rome something of the economic perspective long established in studies of the seventeenth-century Netherlands.
    [Show full text]
  • Terms and Facts- Hierarchical Scale
    Terms and facts- Hierarchical scale From the Prehistoric and Neolithic- Post and Lintel, Megalith, tumulus, henge From Mesopotamia- The Code of Hammurabi, Shamash, Lamassu, Ziggurat, load bearing architecture, The Sumerians, the Akkadians, the Assyrians, the Babylonians, Stele or Stela From Minoa- Labrys, The myth of King Minos and the Minotaur From Mycenae- Corbelled vaults and domes, repousse, Tholos, Megaron, krater From Ancient Egypt- Ben-ben, mastaba, Imhotep, Ma’at, Canon (of artistic laws), cartouche, Canopic jars, Shabti or ushabti, the imagery of nine in connection to the pharaoh, the Amarna Period From Ancient Greece- Polykleitos, Humanism, contrapposto, Exekias, kouros and Kore, archaic smile, Praxiteles, some Greek mythology-especially the main gods and goddesses, meander (key design) Know the seven steps to lost wax casting Know the basic architecture of a Greek Temple-peristyle, the three column orders, (Doric, Ionic, Corinthian), stylobate, cella, shaft, caryatids, pediment, capital The two styles of Greek vase painting-black figure and red figure-the basic differences in look You should look up exam one of these myths and know the basic story or the main story about the character listed: Prometheus and Fire Apollo and Daphne Pygmalion and Galatea Niobe Persephone and Hades Pandora Tantalus-Son of Zeus The Danaides Alcyone and Ceyx Idas and Marpessa The Fall of Icarus Theseus and the Minotaur Perseus and the Medusa Jason and Medea Hercules and the Stymphalian Birds Chapter 2.9 Sculpture PART 2 MEDIA AND PROCESSES Seven steps in the lost-wax casting process Build and armature, sculpt the piece (clay), cover with ½ “ layer of wax, cover the entire piece with debris mixture, heat the entire work to melt out the wax through pre-drilled hole, pour the molten metal into the work through pre-drilled holes, break away the debris layer, clean and polishGateways to Art: Understanding the Visual Arts, Debra J.
    [Show full text]
  • Catalogue of Paintings, Sculptures and Other Objects Exhibited During The
    ART ' INSTITUTE OF CHICAGO CATALOGUE • OF PAINTINGS, ScuLPTURES AND OTHER OBJECTS EXHIBITED DURING THE WoRLD'S CoNGREssEs MAY 15 TO OCT. 31, 1893. THE ART INSTITUTE, Lake Front, opposite Adams Street, Chicago. THE ART INSTITUTE OF CHICAGO. CATALOGUE -OF- PAINTINGS, SCULPTURES AND OTHER OBJECTS EXHIBITED DURING THE WORLD'S CON- GRESSES. · SEPTEMBER, I893. CHICAGO, LAKE FRONT, HEAD OF ADAMS STREET. TRUSTEES OF THE ART INSTITUTE OF CHICAGO, !892-J. CHARLES L. HUTCHINSON, SAMUEL M. NICKERSON, DAVID W. IRWIN, MARTIN A. RYERSON, EDWARD E. A YER, WILLIAM . T. BAKER, ELIPHALET W. BLATCHFORD, NATHANIEL K. FAIRBANK, JAMES H. DOLE, ALBERT A. SPRAGUE, JOHN C. BLACK, ADOI;PHUS C. BARTLETT, . JOHN J. GLESSNER, CHARLES D. HAMILL, EDSON KEITH, TURLINGTON W. HARVEY. ALLISON V. ARM01J.R, HOMER N. HIBBARD, MARSHALL FIELD, GEORGE N . CULVER, PHILANDER C. HANFORD. OFFICERS CHARLES L. HUTCHINSON, JAMES H. DOLE, President. V{ce-President. LYMAN J . GAGE, N.H. CARPENTER, Treasurer. Secretary. W . M. R. FRENCH, ALFRED EMERSON, Director. Curator of Classical Antiquities. EXECUTIVE COMMITTEE <;HARLES L. HUTCHINSON, CHARLES D. HAMILL, JA)iES H. DOLE, JOHN C. BLACK, ALBERT A. SPRAGUE, MARTIN A. RYERSON, WILLIAM T . BAKER. THE ART INSTITUTE OF CHICAGO was incorporated May 24, 1879, for the purpose of maintaining a Museum and School of Art. The present building is built by the Art Institute and the World's Columbian Exposition jointly, at a cost of ~625,000, upon land granted by the city. At the end of the Fair the building will become the permanent and exclusive possession of· the Art Institute . During the Fair it is occupied by the World's Congresses.
    [Show full text]
  • Greek Sculpture Archaic Kore 660 BC to 590 BC • Archaic Period • All Female Youth Sculptures Were Called Kore
    Greek Sculpture Archaic Kore 660 BC to 590 BC • Archaic Period • All female youth sculptures were called Kore. • Made of marble • Would have been painted with bright colors and decorated. • Archaic smile-corners of her mouth slightly lifted. • Hair is carved down the back showing Egyptian influence. • Would have been found in and around temples holding an offering in her outstretched hand. • The Kore were always clothed. • Not meant to house the soul or KA at death but may have been used as graver markers. • Represented the ideal female youth. • Flesh would have been painted lighter than the male kouros. Kouros 660 BC to 590 BC • 1st appearance coincides with trade with Egypt. • Usually a votive statue (representing a hero or athlete) or a grave marker. • Represented the god Apollo. • All male statues were called kouros and were nude. • Represented the ideal male youth. • Flesh would have been painted brown or red. classical The Discus Thrower by Myron • 480-440 BC • Roman copy of a Greek sculpture. • Shows an athlete in motion performing the Olympic event discus throwing. • Athletes performed nude • Romans copied all the Greek sculptures. Venus de Milo 150 BC • Classical Period • Sculpted by Alexandros of Antioch • Statue of Aphrodite (Venus) • Located at the Louvre museum in Paris • Found on the island of Milos in 1820 • Milos means “apple” in Greek • Would have been painted and adorned with jewelry • Made of marble • 6’8 feet tall • The arms were lost in transport. • Her face is neutral and drapery is realistic • Known for perfect graceful proportions Doryphorus (the spear bearer) 450 BC-415 BC • Polykleitos of Argos • Bronze • Known for his sculptures of young athletes • Known only through Roman copies • Perfect proportions • Idealized • Classical period • Contrapposto stance Hellenistic The Seated Boxer 225 BC • Votive statue- commemorated a known boxer.
    [Show full text]
  • Defeat, Poised in Stone Anatomical Dissection and the Indignity of Smugglerius
    Defeat, poised in stone Anatomical dissection and the indignity of Smugglerius Trahern Jones The author is a member of the Class of 2013 at Mayo ofmedicalandartstudents.Recently,theskilledworkofan- Medical School College of Medicine. thropologistDr.JeanneCannizzoandartistJoanSmithhasled us,forthefirsttime,toapotentialidentityofthe“donor”:a curious specimen resides in the Royal Academy of footpadnamedJamesLangar.2 theArtsinLondon:agrotesquecastmadefromthe Langarwasprobablyexecutedsometimearound1776for flayedfigureofaman.Inasurrealneoclassicaltwist, highway robbery rather than smuggling, making the epithet AitisposedintheattitudeofthefamousHellenisticsculpture, Smuggleriusabitofamisnomer.2Occupyingashamefulplace Dying Gaul.ArecastofanoriginalconceivedbyDr.William inthehistoryofmedicineandanatomy,heisbutonemanin Hunter,thepremiereighteenth-centuryanatomistandobste- a long line of victims of body-snatching and nonconsenting trician,1itisnamedSmuggleriusinapseudo-Latinizedepithet bodydonors.Tobesure,thetreatmentofhisbodyafterhis referencingthe“donor’s”supposedpreviousoccupation.Ithas execution,likethatofmanyothers,isbothanindignityand longservedintheAcademyasaremarkabledisplayofhuman aninjustice—butwecanlearnsomethingfromthepeculiar, formandanatomy,andhasinspiredandtutoredgenerations significantchoiceofposegiventohisbodybyWilliamHunter. 22 The Pharos/Spring2011 AstheDying Gaulgeneratesaprofound,instructive pathos and sense of respect in the viewer, so does Langar’stragedyasanunwillingbodydonor;weare inducted by the cast’s naked vulnerability
    [Show full text]
  • Chapter 5 Th a F a I G E Art of Ancient Greece (Iron Age)
    Chapter 5 The Art of A nci ent G reece (Iron Age) Famous Greeks: Playwriters: Aeschylus (“father of Greek tragedy”), Sophocles (Antigone, Oedipus), Euripides, Aristophanes (Comedies. Lysistrata) Philosophers: Heraclitus (“You can never step into the same river twice”) Plato,,, Socrates, Aristotles Mathematicians and scientists: Archimedes, Pythagoras, Aristotles, Euclid Authors and poets: Homer (Odyssey and Iliad), Sappho of Lesbos, Aesop Historians: Herodotus ("The Father of History,"). Thucydides The Greek World GtiPid(9Geometric Period (9-8th c. BCE) Early Geometric Krater. C. 800 BCE Krater A bowl for mixing wine and water Greek key or Meander An ornament consisting of interlocking geometric motifs. An ornamental pattern of contiguous straight lines joined usually at right angles. Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. Approx. 3’ 4 1/2” high. Metropolitan Museum of Art, New York. Geometric krater, from the Dipylon cemetery. Detail. Hero and Centaur (Herakles and Nessos? Achilles and Chiron?) ca. 750–730 BCE. Bron ze, a pprox. 4 1/2” high. Metropolitan Museum of Art, New York. Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. Approx. 3’ 4 1/2” high. Hero and Centaur (Herakles and Nessos? Achilles and Chiron?) ca. 750–730 BCE. Bronze, approx. 4 1/2” high. Greek Vase Painting Orientalizing Period (7th c. BCE) Pitcher (olpe) Corinth, c. 600 BCE Ceramic with black-figure decoration, height 11½ " British Mus . London Rosette: A round or oval ornament resembling a rose Comppyarison: Assyrian.. Lamassu, ca. 720–705 BCE. Pitcher (olpe) Corinth, c. 600 BCE Ceramic with black-figure decoration, height 11½" British Mus.
    [Show full text]
  • Rome Tourist Information
    Rome As capital of the Roman Empire, the Papal States and Italy, Rome truly is the "Eternal City". One of the world's most elegant capitals the layers of history and the city's sheer excess of beauty can prove overwhelming to the unsuspecting visitor. This is a city best explored on foot, with every corner offering an overlooked treasure or unforgettable panorama. Roman columns soar up aimlessly next to medieval basilicas, the sound of water splashing in fountains fills the air in front of Renaissance palaces and exuberant Romans jostle through multi-coloured markets and winding cobbled streets. Breathe the air of the Caesars in the Roman forum, stroll through the menacing Colosseum, marvel at the splendours of the Vatican Palace - and you will wonder if this can be the capital of a modern industrial nation or whether you have stepped back into the pages of history. But around these relics of history Rome is still evolving. It's at the cutting edge of fashion and cuisine and is one of the most popular shopping destinations on Earth. So prepare to soak up history and modernity in equal measure in one of Europe's most fascinating cities. Sightseeing Rome is a work of art in itself and you'll never tire of wandering its streets and plazas, discovering new and ever greater architectural gems with every turn. Seeing the many treasures the city contains would take a lifetime, but there are several highlights that remain essential on a trip to the Eternal City. The Roma Archeologia Card costs EUR20 and is valid for 7-days.
    [Show full text]
  • A.P. Art History Simplified Timeline Through 1900 Note: These Are Approximate Dates
    Marsha K. Russell 1 St. Andrew's Episcopal School, Austin, TX A.P. Art History Simplified Timeline through 1900 Note: These are approximate dates. Remember periods and styles overlap. Prehistory Paleolithic: up to about 10,000 BCE • Venus/Goddess of Willendorf • Lascaux Cave Paintings • Altamira Cave Paintings Neolithic in England: about 2,000 BCE • Stonehenge Mesopotamia/Near East (ignore time lapses) Sumerian: ~3500 - 2300 BCE • Standard of Ur • Ram offering stand • Bull-headed lyre • Bull holding a Vase • Ziggurats Akkadian: ~2300 - 2200 BCE • Victory Stele of Naram-Sin Neo Sumerian: ~2200 - 2000 BCE • Gudea statues Babylonian: ~1900 - 1600 BCE • Stele of Hammurabi Assyrian: ~900 - 600 BCE • Lamassu (Winged Human-Headed Bull) • Lion Hunt Bas Reliefs Egypt Predynastic: 3500 - 3000 BCE • Palette of Narmer Old Kingdom: ~3000 - 2200 BCE • Khafre • Menkaure and Khamerernebty • Seated Scribe • Ti Watching a Hippo Hunt • Prince Rahotep and his wife Nofret • Pyramid of King Djoser by Imhotep Middle Kingdom: ~2100 - 1600 BCE • Rock-cut tomb New Kingdom: ~1500 - 40 BCE (includes the Amarna Period 1355 – 1325 BCE) • Funerary Temple of Hatshepsut • Temple of Ramses II • Temple of Amen-Re at Karnak • Akhenaton • Akhenaton and His Family Marsha K. Russell 2 St. Andrew's Episcopal School, Austin, TX Aegean & Greece Minoan: ~2000 - 1500 BCE • Snake Goddess • Palace at Knossos • Dolphin Fresco • Toreador Fresco • Octopus Vase Mycenean: ~1500 - 1100 BCE • "Treasury of Atreus" with its corbelled vault • Repoussé masks • Lion Gate at Mycenae • Inlaid dagger
    [Show full text]
  • Texts to the Illustrations
    UvA-DARE (Digital Academic Repository) Antiquity in plaster : production, reception and destruction of plaster copies from the Athenian Agora to Felix Meritis in Amsterdam Godin, F.T.J. Publication date 2009 Link to publication Citation for published version (APA): Godin, F. T. J. (2009). Antiquity in plaster : production, reception and destruction of plaster copies from the Athenian Agora to Felix Meritis in Amsterdam. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Venus or Diana (ancient Roman statue in Treves) ill.3-6 Victory: statue at the temple in Henna 38 Victory statue: controversy over the statue at the Curia in Rome 43 Vier Bücher von menschlicher Proportion
    [Show full text]