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ART ' INSTITUTE OF CHICAGO CATALOGUE • OF PAINTINGS, ScuLPTURES AND OTHER OBJECTS EXHIBITED DURING THE WoRLD'S CoNGREssEs MAY 15 TO OCT. 31, 1893. THE ART INSTITUTE, Lake Front, opposite Adams Street, Chicago. THE ART INSTITUTE OF CHICAGO. CATALOGUE -OF- PAINTINGS, SCULPTURES AND OTHER OBJECTS EXHIBITED DURING THE WORLD'S CON- GRESSES. · SEPTEMBER, I893. CHICAGO, LAKE FRONT, HEAD OF ADAMS STREET. TRUSTEES OF THE ART INSTITUTE OF CHICAGO, !892-J. CHARLES L. HUTCHINSON, SAMUEL M. NICKERSON, DAVID W. IRWIN, MARTIN A. RYERSON, EDWARD E. A YER, WILLIAM . T. BAKER, ELIPHALET W. BLATCHFORD, NATHANIEL K. FAIRBANK, JAMES H. DOLE, ALBERT A. SPRAGUE, JOHN C. BLACK, ADOI;PHUS C. BARTLETT, . JOHN J. GLESSNER, CHARLES D. HAMILL, EDSON KEITH, TURLINGTON W. HARVEY. ALLISON V. ARM01J.R, HOMER N. HIBBARD, MARSHALL FIELD, GEORGE N . CULVER, PHILANDER C. HANFORD. OFFICERS CHARLES L. HUTCHINSON, JAMES H. DOLE, President. V{ce-President. LYMAN J . GAGE, N.H. CARPENTER, Treasurer. Secretary. W . M. R. FRENCH, ALFRED EMERSON, Director. Curator of Classical Antiquities. EXECUTIVE COMMITTEE <;HARLES L. HUTCHINSON, CHARLES D. HAMILL, JA)iES H. DOLE, JOHN C. BLACK, ALBERT A. SPRAGUE, MARTIN A. RYERSON, WILLIAM T . BAKER. THE ART INSTITUTE OF CHICAGO was incorporated May 24, 1879, for the purpose of maintaining a Museum and School of Art. The present building is built by the Art Institute and the World's Columbian Exposition jointly, at a cost of ~625,000, upon land granted by the city. At the end of the Fair the building will become the permanent and exclusive possession of· the Art Institute . During the Fair it is occupied by the World's Congresses. By the courtesy of the World's Congress Auxiliary, the Art Institute has been enabled to move the collections of the museum into the new building and to exhibit a considerable part of them. The present catalogue covers the paintings, sculptures, and other objects actually exhibited. It is not possible to arrange and classify the collection completely, and the catalogue is therefore no more tha·tt a· p·lain list of the works now exhib1ted. All friends of the Art Institute are'invited to become members. Annual Members pay a fee of ten dollars for the year. Governing Members pay ten dollars a year, and an initiation fee of one hun: dred dollars. All members are entitled, with their families and visiting friends, to admission to all exhibitions, receptions and pub- lic lectures and entertainments of the Institute, and to the use of the reference library upon art. THE ART SCHOOL of the Art Institute includes the departments of Drawing, Painting, Sculpture, Decorative Designing and Architecture. Last year the number of students was 929, and the number of teachers and lecturers about 40. The next school year begins Monday, October 2, 1893, and con- tinues until June 16, 1894. The tuition fee in all the departments is $25 for the term of twelve weeks, or $75 for the year, besides an entrance fee of $2. Circulars giving full information will be furnished by the guards, or at the desk in Room V, or upon application by mail to N. H. CARPENTER; Secretary, Art Institute, Chicago. The Collection of Reproductions of Old Italian Pictures, pub- lished by the Arundel S.ociety, the gift of Edward E. Ayer, is exhibited in Room XXVII. The Collection of Orig-inal Drawings for the Century and St. Nicholas magazines, a permanent loan from the Century Company, is exhibited in Room XXVIII. A Collection of Japanese Paintings, lent by Gustavus Goward: Esq., is exhibited in Room XXXI. WORKS OF OLD DUTCH MA.STERS. HOLBEIN( HANS, THE YOUNGER. 1497- 1543. Portrait of a Man. From the Collection of M. E. May, sold in Paris, June, 1890. 2 RUBENS, PETER PAUL. 1577-1646. Portrait of the Marquis Spinola. From the Demidoff Col- lection. 3 HALS, FRANS . 1581-1666. Portrait of his Son. From the Demidoff Collection. 4 VAN DYCK, ANTHONY. 1599--1641. Portrait of the Princess Helena Leonora de Sievere. ·From the Demidoff Collection. REMBRANDT VANRYN. I6o8-1669. Portrait of a Young Girl. From the Demidoff Collection. This picture has sometimes been called "The Child of the State." 6 TERBURG, GERARD. 1617-1681. The Guitar Lesson. From the Demidoff Collection. Pre- sented to the Art Institute by Charles T. Yerkes. 7 VAN 0STADE. ADRIAAN. 1610_:.1685 The Jubilee. From the DemidoffCollection. 8 TENIERS, DAVID. 1610-1694. The Guard House. From the Demidoff Collection. 9 VAN DE VELDE, ADRIAAN. c. 1635-1672. Landscape and Cattle. From the Demidoff Collection. 10 ZEEMAN (RENIER NOOMS). c. 1612-1673. Coast Scene. From the Demidoff Collection. Presented to the Art Institute by Byron L. Smith. 6 T!te Art Institute of Chicago. II JAN STEEN. 1626-1679. The Family Concert. Fron~ the Demidoff Collection. Pre- sented to the Art Institute by T. B. Blackstone. 12 RUYSDAEL. JAKOB VAN. c. I63o-I681. The Cast}e. From the Demidoff Collection. · 13 VAN DE VELDE, WILLEM. 1633-1707. Marine. From the Demidoff Collection. 14 HOBBEMA, MEJNDERT. c . 1638-1709· The Water Mill. From the Demidoff Collection. 15 VAN MIERIS, WILLEM. 1662-174 7· The Happy Mother. From the Demidoff Collection. Pre- sented to the Art Institute by Edson Keith. 16 SCHOOL OF PAUL V ERONESE. c . 1570. Music. 17 SCHOOL OF TITIAN. c . 1525 . Susanna and the E lders. Lent by Frederick Voltz. 18 VANDER NEER, AERT. 1603-1677. Moonlit Landscape. Lent by Durand-Ruel. 19. GOYEN, }AN VAN. 1596-1666. On the Banks of the Meuse. Lent by P. C. Hanford. 20 TITIAN (T!ZIANO V ECELLI). 1477-1574. Portrait of Philip II, King of Spain. Lent by P. C. H anford. 21 MURILLO, BARTOLOME ESTABAN. 1617-1682. The Immaculate Conception. Lent by P. C. Hanford. 22 RUYSDAEL, JAKOB V AN. c . I630-168I. A Wooded Landscape. Lent by P. C. H anford. 23 CUYP, AELBERT. 1605- 1691. Cavaliers on a Road in Holla nd. Lent by P. C. Hanford. 24 VELASQUEZ, DIEGO (RODRIGUEZ DA SILVA Y). 1599-166o. Portrait of Philip IV, King of Spain. From the Secretan Collection. T17orks of Old Dutch Masters. 7 25 SCHOOL OF TITIAN (TIZIANO VECELLI). 1477-1574· Mary Magdalen. Le.nt by John Neal Tilton. This picture formerly belonged to J. Rollin Tilton, the American artist in Rome, and was believed by him and other competent judges~to be a work of Tttian. 26 RUBENS, P. P. (attributed to) Woman's Head. Lent by Henry D. Winans. 27 REMBRANDT VAN RYN. r6o8-r669. Saul and David. Lent by Durand-Rue!. 28 REMBRANDT VAN RYN. I6o8-r669. The Accountant. Lent by P. C. Hanford. 29 SCHIDONE, BARTOLOMMEO. I56o-r6r6. The Rest in Egyrt. Presented by Albert A. Munger. 30 SCHIDONE, BARTOLOMMEO. St. John Preaching in the Wilderness.· . Presented by Albert A. Munger. MODERN PAINTINGS. 40 HEALY, G. P. A. Armenian Fathers. Purchased, 1879. 41 PEARCE, CHARLES SPRAGUE. The Beheading of John the Baptist. Bought by subscrip~ tion and presented, 1882. 42 HARRISON, ALEXANDER. Les Amateurs. Bought by subscription and presented, 1883. Now lent to Art Department, Columbia~ Exposition. 43 THOMPSON, HARRY. 1 Un Calvaire. Bought by subscription and presented, 1884. 44 DANNAT, WILLIAM T. A Sacristy in Aragon. Bought from Opera Festival Associ- ation Fund, 1887. 45 DANNAT, WILLIAM T. Still Life, Fruit. Bought from Opera Festival Association Fu~d, 1887. 46 DANNAT, WILLIAM T. Study Head of Aragonese Smuggler. Presented _by the artist, 1887. 47 NEAL, DAVID. Interior of St. Mark's. Presented by Samuel M. Nicker- son, 1887. 48 SHIRLAW, WALTER. Portrait of Himself. Presented by Joseph M. Rogers, 1887. 49 HITCHCOCK, GEORGE; Holland Flow.er Girl. Presented by Potter Palmer, 1888. Modern Paintings. --~-------· -·- ---- 50 CoL, DAVID. A Tavern Card Wrangle. Presented by John Cudahy, !889. 51 DAVIS, CHARLES H. The Close of Day. Purchased from Opera Festival Asso- ciation Fund, 1889. 52 BRETON, jULES. L'Etoile Du Berger (The Shepherd's Star). Presented by Philip D. Armour, 1889. 53 ]ETTEL, EUGENE. Marsh in the North of Holland. Presented by P. C. Han- ford, 1890. 54 BRIDGMAN, F. A. _ 'Nomen of Biskra Weaving the Burnoose. Presented by the artist, 1890. 55 BRIDGMAN, F. A. Young Woman's Head. Presented-by the artist, 1890. 56 CAZIN, J. C. Solitude. Presented by J. L. Norton, 189o. 57 ESCRIBE, CHARLES. Incident of Franco-Prussian War (Water Color). Presented by H. S. Van Gigch, 1891. 58 TOFT, P. Mount Saint Michael (Water Color). Presented by George E. Adams. 59 BIGELOW, FOLGER A. In the Old Garden. Presented by the artist's mother. PAINTINGS FROM THE PRIVATE COLLECTION OF MR. ALBERT A. · MUNGER, OF CHICAGO. 7 0 VIBERT, }EHAN GEORGES. The Trial of Pierrot (Water Color). 71 GIRARDET, EDOUARD. A New Arrival causing Consternation. 72 FROMENTIN, EUGENE, The Combat. 73 ZIMMERMANN, E . Needlessly Anxious . .74 HAGBORG, C. The Return of the Fishing Fleet. ·75 lYIAKOVSKI, CONSTANTINE. Alexandrovna. 76 MICHETTI. Springtime and Love. Now lent to Fine Art Department, Columbian Exposition. 77 FRAPPA, jOSE. Preparing the Sermon. 78 DELORT, CHARLES EDOUARD. The Admiral in Port. 79 JACQUET, G. The Queen of the Camp. So GEROME, jEAN LEON. The Grief of the Pasha . 81 VON BREMEN, MEYER. Coming from the Market. From the Collection of Mr. A. A. Munger. II' ~2 FAED, J. The Young Duchess. 83 ACHENBACH, ANDRES. Storm at Scheveningen. 84 VAN MARCKE, EMILE. Cattle in the Meadow Lands. 8S CHARLEMONT, HUGO. The Royal Library. 86 MUNKACSY, MIHALY. The Wrestler's Challenge. 87 ZIEM, FELIX. Evening at Marseilles. 8~ SCHEVENINGER, C. The Secret. 89 STEVENS, ALFRED. At the Railway Station. 90 WAHLBERG, ALFRED. Bright Moonlight in Sweden. 91 CLAYS, P. J. A Summer Day in Holland Waters. 92 DUPRE, JULIEN. In the Harvest Field. 93 BRETON, JULES.
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    Colby Quarterly Volume 5 Issue 9 March Article 5 March 1961 James Stephens at Colby College Richard Cary. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.9, March 1961, p.224-253 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary.: James Stephens at Colby College 224 Colby Library Quarterly shadow and symbolize death: the ship sailing to the North Pole is the Vehicle of Death, and the captain of the ship is Death himself. Stephens here makes use of traditional motifs. for the purpose of creating a psychological study. These stories are no doubt an attempt at something quite distinct from what actually came to absorb his mind - Irish saga material. It may to my mind be regretted that he did not write more short stories of the same kind as the ones in Etched in Moonlight, the most poignant of which is "Hunger," a starvation story, the tragedy of which is intensified by the lucid, objective style. Unfortunately the scope of this article does not allow a treat­ ment of the rest of Stephens' work, which I hope to discuss in another essay. I have here dealt with some aspects of the two middle periods of his career, and tried to give significant glimpses of his life in Paris, and his .subsequent years in Dublin. In 1915 he left wartime Paris to return to a revolutionary Dub­ lin, and in 1925 he left an Ireland suffering from the after­ effects of the Civil War.
  • The Birth of Powered Flight in Minnesota / Gerald N. Sandvick

    The Birth of Powered Flight in Minnesota / Gerald N. Sandvick

    -rH^ AEROPLANE AUTOMOBILE MOTORCYCLE RACES il '^. An Event in the History of the Northwest-Finish Flight by Aeroplanes GLEN H. CURTISS and Seat> for 25,000 People at these Price* 'ml Tu'Wly •nvi>n Bou-a nr Otaod HtiiiKl T(o BARNEY OLDFIELD DON'T MISS IT F IniiiKp at (Irnnd HUnd Bpxti .... UD wbo have tnvclcd fMter than any othrr lium«ii hrintrn A MaKnili'-fi" Pronrtun-.t llinb Spctd F.viutft. Not a I'ull Monn.-iit G :l•"^ <n Mill) ttn rolu diiyi. Jiiiir ^i. 'iX it. Sb $SO.M in k rKRc from Start to Khiifth. Tlie latttt-st Aeropbinf. tlic K.isH-i.t Aiito Car, \ii'imin><-l'». iiineial ulmliminu. lio>, pukMl in ptrblns the Fu.^iest }|orst.' PitTeiJ AKanisi V.ach Otlur In H Gr«siil Triple Kacfl >ii-"lnii pm ant (ocnipim nr iLiii>ri'iiplM) BOC AEROPLANE vs. AUTOMOBaE K(>*prT>-il Urn'a en 8<ila, Hli>ii<Miyo11>, Mctre^llao UvMc Co., 41 OIdfl«i(i. with bu llghlr.inj Ben; r»r. ^nd Kimrbirr. BIKili ttu^'-i nnut). •)• r>U, Wir^ke « DfWTT. PltUl Ud Bohert. wUb bU DuTtcq ckr, bgalnit world t rn^'irds on » iir VxT .-•n.-xil iilnnuti.-n mrtrnr. WnlUr B Wllmot. OMWtkl outar tfftck WALTER R. WILMOT. General Mqr. M.u.k.. %:. iii.i llmi-r, Miiiiif.'MI* T 0 Phooe, ABHM IT*. THE BIRTH OF POWERED FLIGHT IN MINNESOTA Gerald N. Sandvick AVIATION in Minnesota began in the first decade of the Aviation can be broadly divided into two areas: aero­ 20th century.