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Rte Guide Tv Listings Ten
Rte guide tv listings ten Continue For the radio station RTS, watch Radio RTS 1. RTE1 redirects here. For sister service channel, see Irish television station This article needs additional quotes to check. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Найти источники: РТЗ Один - новости газеты книги ученый JSTOR (March 2020) (Learn how and when to remove this template message) RTÉ One / RTÉ a hAonCountryIrelandBroadcast areaIreland & Northern IrelandWorldwide (online)SloganFuel Your Imagination Stay at home (during the Covid 19 pandemic)HeadquartersDonnybrook, DublinProgrammingLanguage(s)EnglishIrishIrish Sign LanguagePicture format1080i 16:9 (HDTV) (2013–) 576i 16:9 (SDTV) (2005–) 576i 4:3 (SDTV) (1961–2005)Timeshift serviceRTÉ One +1OwnershipOwnerRaidió Teilifís ÉireannKey peopleGeorge Dixon(Channel Controller)Sister channelsRTÉ2RTÉ News NowRTÉjrTRTÉHistoryLaunched31 December 1961Former namesTelefís Éireann (1961–1966) RTÉ (1966–1978) RTÉ 1 (1978–1995)LinksWebsitewww.rte.ie/tv/rteone.htmlAvailabilityTerrestrialSaorviewChannel 1 (HD)Channel 11 (+1)Freeview (Northern Ireland only)Channel 52CableVirgin Media IrelandChannel 101Channel 107 (+1)Channel 135 (HD)Virgin Media UK (Northern Ireland only)Channel 875SatelliteSaorsatChannel 1 (HD)Channel 11 (+1)Sky IrelandChannel 101 (SD/HD)Channel 201 (+1)Channel 801 (SD)Sky UK (Northern Ireland only)Channel 161IPTVEir TVChannel 101Channel 107 (+1)Channel 115 (HD)Streaming mediaVirgin TV AnywhereWatch liveAer TVWatch live (Ireland only)RTÉ PlayerWatch live (Ireland Only / Worldwide - depending on rights) RT'One (Irish : RTH hAon) is the main television channel of the Irish state broadcaster, Raidi'teilif's Siranne (RTW), and it is the most popular and most popular television channel in Ireland. It was launched as Telefes Siranne on December 31, 1961, it was renamed RTH in 1966, and it was renamed RTS 1 after the launch of RTW 2 in 1978. -
Brave Lions Two Alternate Views Hickie & Horgan Fashion - Page 16 Exclusive Interview Rud’S World - Page 22 Sport - Page 26
ISSUE 2 / VOLUME 19 4.10.05 METROSEXUALS BRAVE LIONS TWO ALTERNATE VIEWS HICKIE & HORGAN FASHION - PAGE 16 EXCLUSIVE INTERVIEW RUD’S WORLD - PAGE 22 SPORT - PAGE 26 gone.” Irish Students Destroy J1 Flat JACK CANE The College Tribune has not received any infor- “A PLACE TO CRASH mation as to whether the sub-leasers of the other AND PARTY, THAT’S IT, Some of the destruction caused There are no criminal proceedings in motion on apartments will be paying for damages incurred. WHO CARES ABOUT IT?” by former UCD students either side of the Atlantic. When a number of them were contacted, the stu- Maher’s hope that “the students involved will have dents alleged to have been involved declined to com- “This happens all the time.” These are Irish students are being held responsible some moral feelings to pay up what they owe” ment. the words of UCD Student Advisor Ronan Murphy, a former employee of UC Santa for approximately US$15,000 worth of appears to have had some success. However, the destruction of the Isla Vista apart- Barbara. damages to three apartments in Santa In an email sent to the College Tribune, Maher ments has already had a negative effect on the rep- Barbara, California. Former UCD students reported that the tenants of apartment #8 have paid According to Murphy, the latest reports were involved in the devastation of the utation of Irish students in Santa Barbara. of destruction of three apartments by Irish US$1,800 towards the damages in that residence. Katie Maher confirmed “if BDC do take Irish stu- three apartments. -
Irish Travellers, the Cinema and (Anti-)Traveller Racism
GRUNERT FILM JOURNAL 1 (2010) Between discrimination and glorification: Irish Travellers, the cinema and (anti-)Traveller racism Andrea GRUNERT University of Applied Sciences, Bochum, Germany “There’s a bit of a Traveller in everybody of us,” says John Riley, the male protagonist in Mike Newell’s Into the West (UK/IRL, 1992), to his twelve-year-old son Tito, who has asked him whether the Travellers are Cowboys or Indians. This evasive answer is matched by the film’s happy ending, which masks the fact that the film presents the Travellers as Ireland’s Indians: an excluded and forgotten minority living on the social margins. Today an estimated 23,000 Travellers live in the Republic of Ireland, 15,000 in Great Britain and 7,000 in the United States of America. Their Irish origins have been the object of speculation. Some writers trace them back to landowners made homeless during Cromwell’s campaign in Ireland or during the Great Famine of the mid-nineteenth century; others argue that Travellers have dwelt in Ireland since the Middle Ages. These nomads have their roots in Ireland and must be distinguished from Gypsies, even if they share many similar customs. In the past, they played an important role as messengers in isolated rural areas. The term “tinker,” which today has negative connotations, refers to one of their main occupations, tinkering. Industrialisation and modern technology have destroyed this economic basis of their life. Having been forced to adapt to new social Page 1 GRUNERT FILM JOURNAL 1 (2010) and economic conditions, Irish Travellers or Pavee1, as they now call themselves, have found new occupations such as collecting scrap. -
Irish Travellers' Quest for Ethnic Identity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Saint Louis University School of Law Research: Scholarship Commons Saint Louis University Public Law Review Volume 30 Number 2 General Issue (Volume XXX, No. 2) Article 5 2011 On the Road to Recognition: Irish Travellers’ Quest for Ethnic Identity Kami Kruckenberg [email protected] Follow this and additional works at: https://scholarship.law.slu.edu/plr Part of the Law Commons Recommended Citation Kruckenberg, Kami (2011) "On the Road to Recognition: Irish Travellers’ Quest for Ethnic Identity," Saint Louis University Public Law Review: Vol. 30 : No. 2 , Article 5. Available at: https://scholarship.law.slu.edu/plr/vol30/iss2/5 This Article is brought to you for free and open access by Scholarship Commons. It has been accepted for inclusion in Saint Louis University Public Law Review by an authorized editor of Scholarship Commons. For more information, please contact Susie Lee. SAINT LOUIS UNIVERSITY SCHOOL OF LAW ON THE ROAD TO RECOGNITION: IRISH TRAVELLERS’ QUEST FOR ETHNIC IDENTITY KAMI KRUCKENBERG* This paper explores and defends Irish Travellers’ efforts to push the Republic of Ireland to recognize them as an ethnic minority group under law. Irish Travellers are a small indigenous minority group who have lived primarily in Ireland for centuries. They rank at the bottom of Irish society in rates of poverty, unemployment, life expectancy, infant mortality, health, education levels, political representation and access, and living conditions. Much like the Roma, with whom they share a nomadic tradition, Irish Travellers are in the midst of a movement to improve living conditions, fight widespread discrimination, and gain recognition as an ethnic minority group. -
WHAT DO BROKERS GAIN? BCP Asset Management Identified the Film & Television Sector As an Area for Structural Growth Over a Decade Ago
THE FINANCIAL EXPERTS 2021 SETTING THE ROADMAP Financial Brokers are experts on financial planning matters and work on your behalf giving you a choice of products and providers from across the market. Brokers Ireland mission is to promote, support and protect Insurance FINANCIAL and Financial Brokers so that our members are best positioned to ADVICE FROM offer expert and professional advice and services to their clients. THE EXPERTS Creating your success through Financial Planning 2021 Strategic Brokers Ireland will continuously identify core objectives throughout 2021 which embody the real challenges facing Irish Brokers to ensure that members Priorities at a Glance interests are consistently represented. EVOLVING www.financialbroker.ie THE BRAND FINANCIAL SERVICES GENERAL INSURANCE COMPLIANCE PRIORITIES PRIORITIES PRIORITIES Financial Brokers Insurance Brokers • Challenging over-regulation NEW • CP116 issues/CPC review • Pensions – simplification proposals, • Agency Agreements • CBI expectations - assessing WEBSITE auto-enrolment & IORP II • Differential Pricing financial soundness of insurers WORK IN • Financial Broker –promoting Brokers • Development of Insurance • Brexit Implications • Market Evolution for Financial Brokers Broker brand • Developing members LAUNCHED • Broker technology & software compliance services PROGRESS Financialbroker.ie 2020 Highlights ‘A Year Like No Other’ Implementation New Affinity of the Consumer Launch of new Insurance Financial E-Guide WHAT DOES €25 PER Broker website for members MONTH GET YOU? Contracts -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
IRISH FILM and TELEVISION - 2011 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses, Number 7, 2012, pp. 201-233 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2011 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film 2011. Introduction Roddy Flynn ............................................................................................................................201 “Not in front of the American”: place, parochialism and linguistic play in John Michael McDonagh’s The Guard Laura Canning .........................................................................................................................206 From Rural Electrification to Rural Pornification: Sensation’s Poetics of Dehumanisation Debbie Ging and Laura Canning .............................................................................................209 Ballymun Lullaby Dennis Murphy ........................................................................................................................213 Ballymun Lullaby: Community Film Goes Mainstream Eileen Leahy ............................................................................................................................216 The Other Side of Sleep Tony Tracy...............................................................................................................................220 -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
ICTM Ireland Annual Conference 25-26 February 2017, Maynooth University Keynote Speaker: Jeff Todd Titon Sponsored by the Anthro
ICTM Ireland Annual Conference 25-26 February 2017, Maynooth University Keynote speaker: Jeff Todd Titon Sponsored by the Anthropological Association of Ireland Conference Programme Saturday, 25 February 9.00am Registration 9.30am Welcome address 9.45am 1A. Music Revival Michalis Poupazis 1B. Collections from 19th Century (chair) Ireland Seán McElwain (chair) “Revival or Reclamation” “In Search of ‘Patrick Quin – The John Millar, University College Dublin Armagh Harper’ (1745-1812?)” Sylvia Crawford, Dundalk Institute of Technology “Singing Þjóðtrú: Nordic Folklore in “The Déise Music Archive: An Viking and Folk Metal” exploration of one Irish region’s musical George Nummelin, SOAS, University of legacy” London Christopher Mac Auliffe, Waterford Institute of Technology “Let’s put up a stage: Experiencing “Reimagining Bunting: Belfast’s Lost Speyfest and a Scottish Music Revival” Sounds” Daithí Kearney and Adèle Commins, Conor Caldwell, Queen’s University Dundalk Institute of Technology Belfast 11.15am Tea/coffee 11.30am 2A. Cultural Sustainability (a) Daithí 2B. Music and Memory Steve Coleman Kearney (chair) (chair) “Cultural and Environmental “Antonis’ Wedding: The Moment, The Sustainability in Florianopolis, Brazil” Music and Rites Between Tradition and Jamie Corbett, Brown University Modernity in Cyprus” Michalis Poupazis, University College Cork “The UNESCO resilience-based “Can I walk Beside You? Life Before approach to safeguarding of intangible and After the Woodstock Music and cultural heritage (ICH) in Jordan: a case Arts Fair, 1969” study on audiovisual archiving in the Cormac Sheehan, University College Hashemite Kingdom of Jordan” Cork Sabrina Maria Salis, UNESCO 12.30pm 3A. Film. Singing Hari Bolo in a north east Indian village: A Praise music tradition revived by Jyosna La Trobe, Independent Scholar 1.00pm Lunch 2 2.00pm 4A. -
Irish Travellers and the Transformative Nature of Media Representation Aisling Kearns Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2013 Irish Travellers and the Transformative Nature of Media Representation Aisling Kearns Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Anthropology Commons, and the European History Commons Recommended Citation Kearns, Aisling, "Irish Travellers and the Transformative Nature of Media Representation" (2013). Honors Theses. 687. https://digitalworks.union.edu/theses/687 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Irish Travellers and the Transformative Nature of Media Representation By Aisling Kearns ******** Submitted in partial fulfillment of the requirements for Honors in the Department of Anthropology UNION COLLEGE March, 2013 ABSTRACT Aisling Kearns. Irish Travellers and the Transformative Nature of Media Representation. Department of Anthropology, March, 2013. The Travellers, a nomadic group of people indigenous to Ireland, have long been marginalized in Irish society as a result of discrimination. The Travellers themselves have had a history of working to keep themselves separate from the settled Irish, essentially maintaining their own ethnic identity. Traveller culture has undergone a number of changes since the 1960s, a period of increasing urbanization and economic transformation in Ireland. With the changes in both Traveller culture and Irish society as a whole, there has been a corresponding shift to a more positive relationship between the media (newspapers, documentaries, and commercial films and television) and this marginalized group of people. -
Boundary Crossings
BOUNDARY CROSSINGS New Scholarship in Irish Studies Edited by Michaela Marková, Radvan Markus, Hana Pavelková and Kateřina Jenčová Prague Centre for Irish Studies, Charles University 2012 Copyright ©, Michaela Marková, Radvan Markus, Hana Pavelková and Kateřina Jenčová, 2012 Copyright © of individual works remains with the authors Academic readers: Prof. Hedwig Schwall, Dr Ondřej Pilný, Dr Pádraig Ó Liatháin All rights reserved. This book is copyright under international copyright conventions. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. Requests to publish work from this book should be directed to the publishers. Cataloguing in Publication Data Boundary Crossings: New Scholarship in Irish Studies. Edited by Michaela Marková, Radvan Markus, Hana Pavelková and Kateřina Jenčová.—1st ed. p. cm. ISBN (pb) 978-80-260-0798-2 1. Irish Studies. 2. Irish Literature. I. Marková Michaela, Markus Radvan, Pavelková Hana, Jenčová Kateřina. II. Title. Printed in the Czech Republic by PB Tisk. Cover design by Zuzana Prokopová. Copy editor Linda Jayne Turner. Typeset by OP. ISBN 978-80-260-0798-2 CONTENTS Acknowledgements 5 Introduction 7 Radvan Markus “Bits of Broken Pottery”: Metahistorical Elements in Thomas Flanagan’s Historical Novel The Year of the French 16 Maciej Ruczaj Beyond the Boundaries of the Self: Padraic Pearse’s The Singer 30 David Vichnar From Inheritors to Survivors: Joyce, Kiely, McGahern, Banville and Muldoon 44 Nils Beese “Closed Communities”: Kafka in the Criticism and Late Poetry of Louis MacNeice 62 Florence Impens “A Very European Poet”: European Intertextuality in Derek Mahon’s The Yellow Book 74 Daniela Theinová “My Dream Sister”: Irish Women Poets Deconstructing the Muse 87 Michaela Marková Perspectives of Motherhood in Kate O’Riordan’s Involved: A Privileged Position or an Imposed Social Role? 98 Hana Pavelková “And Yes.. -
Ortha an Ghreama As a Lesser-Known Irish Traveller Narrative: Citation: M
Firenze University Press https://oajournals.fupress.net/index.php/bsfm-sijis Ortha an Ghreama as a Lesser-known Irish Traveller Narrative: Citation: M. Ó hAodha (2020) Ortha an Ghreama as Symbolic Inversion and Resistance a Lesser-known Irish Trav- eller Narrative: Symbolic Inversion and Resistance. Sijis Mícheál Ó hAodha 10: pp. 167-192. doi: http://dx. University of Limerick (<[email protected]>) doi.org/10.13128/SIJIS-2239- 3978-11759 Copyright: © 2020 M. Ó hAodha. This is an open access, peer-re- Abstract: viewed article published by Irish folk tradition includes a long-established discourse whereby the formerly Firenze University Press (https:// nomadic or semi-nomadic group known as Irish Travellers, who comprise oajournals.fupress.net/index.php/ a tiny minority within Irish society are depicted not only as quintessential bsfm-sijis) and distributed under “outsiders” but also as a projective mechanism for the hates and fears of the the terms of the Creative Com- settled (non-Traveller) community. Th is essay examines a counter-tradition in mons Attribution - Non Commer- Irish oral tradition that rejects these essentialist and reductionist representa- cial - No derivatives 4.0 Interna- tional License, which permits tions and constructs Travellers very diff erently. Th is alternative portayal sets use, distribution and reproduc- Travellers within a very diff erent discourse, one where they serve as a coun- tion in any medium, provided ter-hegemonic undercurrent in Irish society that remains symbolically central the original work is properly despite attempts at its suppression. Th is more radical and nuanced discourse, cited as specifi ed by the author one whereby that which is initially deemed lowly or subordinate is inverted or licensor, that is not used for and becomes paramount, is circumscribed within the traditions of symbolic commercial purposes and no inversion and holy wisdom as long-established in other European countries.