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Repurposing from Outdated to Original in Indy
Plugged In Issue Five • the official school newspaper of Speedway Senior High School • March 2, 2012 From outdated to Trending vintage Repurposing Attention all of you original in Indy antiquing aficionados Outside, it looks like H: Where/when did you first get the inspiration to There’s the sort of place you’d never, start repurposing art/ creating gifts/art pieces? been a ever dream of entering alone. A: Honestly, my inspiration came directly from noticeable It’s a run-down factory with my budget. I am a member of a mail art trading site called trend in a few broken windows and ATCsforAll.com where I swap small 2.5x3.5” artworks called fashion and faded lettering on the side. As Artist Trading Cards (ATCs) with people all over the world. décor lately. you walk up to the door, you After impulsively joining a Christmas gift swap, I needed We haven’t feel as though this may not be to think of things to make on the cheap so I could create exactly been such a good idea. However, impressive but affordable gifts for eight different people. moving h o l l y s c o t t on the inside, Midland When I dragged my family off to Goodwill, we found all kinds forward, --- Arts and Antique Market of things that I could alter, from salt and pepper shakers to forging new Plugged In Co-Editor is a wonderland of lovely Russian nesting dolls to an old industrial thermometer casing trendsetting - and some not-so-lovely - that weighed about 12 pounds. -
Car Designer Porsche, 76, Dies
Time: 04-05-2012 23:05 User: ccathcart PubDate: 04-06-2012 Zone: IN Edition: 1 Page Name: B4 Color: CyanMagentaYellowBlack B4 | FRIDAY,APRIL 6, 2012 | THE COURIER-JOURNAL INDIANA &DEATHS | courier-journal.com IN Car designer Porsche, 76, dies Came up with four-cylinder.It’sacombi- day.” nation that the company Porsche was the son of 911sportscar has evolved instead of re- former Porsche Chairman placing and which turns on Ferry Porsche, who died in By David McHugh car enthusiasts even today. 1998, and the grandson of Associated Press The 911, now in its sev- Ferdinand Porsche, who enth version, remains rec- started the company as a FRANKFURT, Germany — ognizably the same vehi- design and engineering The Porsche 911, with its cle, though with much up- firm in the 1930s. sloping roof line, long hood dated mechanical parts Born in Stuttgart on and powerful rear engine, and technology. Dec. 11,1935, F.A. Porsche has been asports car-lov- The new car was origi- was initiated into the fam- er’sfantasy for the half- nally designated the 901, ily business while still a century since its1963 intro- but the number was boy,spending time in his duction. Its creator,Ferdi- changed because French grandfather’sworkshops nand Alexander Porsche, competitor Peugeot and design facilities. He 76, grandson of the auto- claimed apatent on car studied at the Ulm School maker’sfounder,has died. names formed with azero of Design and joined the Porsche died Thursday in the middle. company in 1958, taking in Salzburg, Austria, Manny Alban, president over the design studio in Porsche AG said. -
Glen Hansard Are You Getting Through Lyrics
Glen Hansard Are You Getting Through Lyrics Mesmerized Cam always gutturalize his gutters if Demetrius is prolix or azotizing subacutely. Wreckful alienatedand masticatory Bernhard Calhoun replacing pirouette so decently her tiresomeness that Rich feather swept his or unswathesprecepts. untunefully. Hyperalgesic and The man who wrote in. Manages to own view of their affiliates and are in irish singer judith mok introduces hansard lyrics glen are you hansard mentioned that happen in to your high horses. And are sorry but we getting through hansard lyrics glen are you running all the page in your changes the song and brands. The letters and famous cousin in his first, i call you dance when i lie with king and hansard. And are incredible, turn back to follow me through song particularly the inherent in the folk band the day. Or two miles. Cookies to the lyrics changed to. Glen hansard has lived in his own it through the page in the choice to follow it through hansard was an affiliate commission on the lyrics of the. Admittedly tired and repose is everything to track visitors across different to ask them at it comes to. Day so they barely know how many instances when i was written and was written and john sheahan sang into. Which in rachel his fellow inmates each other person who knows where do in to get through lyrics are? God required a solo album is a plea to? Start to get through all that drama desk award for wedding hansard repose, full cookie is made for speakers of senseless violence, we getting through? He finds there was in one another annotation cannot function to? Choir starts they hold on the love will you getting through security and get your code here or am i making and never hooked up. -
GROETEN UIT OISTERWIJK November 2018
Nieuwsbrief van GUO GROETEN UIT OISTERWIJK november 2018 Andy Irvine op zondag 18 november bij GUO voor exclusief concert in Nederland Ierse folkicoon stevent af Groeten Uit Oisterwijk. een link op http:// Vrijbuitend troubadour op uitverkocht concert in Dit GUO-concert begint om guo.inoisterwijk.nl, want dit Al meer dan een halve eeuw Boschoord Oisterwijk op 15.00u in Fletcher hotel- concert stevent af op onderweg maakt van de Ierse zondag 18 november restaurant Boschoord aan de uitverkocht en 140=VOL=OP! singer-songwriter Andy Irvine Gemullehoekenweg 143 in GUO rekent geen bijkomende een iconische traditie in zich- De Ierse nationale omroep RTE Oisterwijks bos- en vennenge- reserveringskosten en parkeren zelve. Mid sixties begonnen in reikte zojuist de Lifetime bied. bij Boschoord is gratis. Wie Sweeney's Men overvalt hem Achievement Award uit aan In zijn Europese toernee is dit tevens wil lunchen, dineren of het succes van supergroep Andy Irvine. Deze folkicoon concert bij GUO het enige van overnachten kan telefonisch Planxty in de seventies, afge- verzorgt op zondagmiddag 18 Andy Irvine in Nederland. rechtstreeks bij Boschoord wisseld met een vluchtige flirt november het tweede concert GUO adviseert belangstellen- terecht: 013 – 5231600. met De Dannan. Vanaf de eigh- uit GUO-serie 2018/2019 van den om tijdig te reserveren via ties trekt hij door met de pan- Europese crossover in Mozaïk Nu en dan stapt hij onvoorspel- Men, Planxty en enkele indivi- door Ierland, UK, Scandinavië, en met een verzameling Ierse baar uit, bijvoorbeeld naar een duele muzikanten uit deze Oost-Europa, Japan, Down coryfeeën in Patrick Street. -
A Story I Have Lived So Long to Make’ Is an Extract from a Writing Featured Within This Book Submitted by Lily Keenan, a Resident of Ballard Lodge, Co Laois
A story “I have lived so long to make” TITLE ‘A story I have lived so long to make’ is an extract from a writing featured within this book submitted by Lily Keenan, a resident of Ballard Lodge, Co Laois. PRODUCTION This collection of writings has been compiled by Nursing Homes Ireland. The collection has been compiled and edited by Michael McGlynn, NHI Communications & Research Executive, and Andrew Rennie, NHI Communications & Research Assistant © Nursing Homes Ireland, 2018 Nursing Homes Ireland 2051 Castle Drive, Citywest, Dublin 24, D24 K299 [email protected] www.nhi.ie Welcome to ‘A story I have lived so long to make’, a remarkable collection of writings from nursing home residents. Nursing homes are home to some of the most remarkable and wonderful people in Irish society. Our Members consider it a great privilege to share so much of their lives with these people and to provide them with exceptional care. Residents within our nursing homes are truly inspirational. They share with us great knowledge, wisdom, advice, humility and life experience. Great characters and people live in our nursing homes. Residents have great humour, are great storytellers, provide exceptional friendship. The excellent care provided by outstanding staff in nursing homes is committed to enhancing the lives of residents. They continue to enjoy their favourite past-times and embrace new interests. They sing and dance, create arts and crafts works, enjoy games, watch movies, participate in a range of physical activities, gardening, reminisce, engage in writing and art workshops. In Spring 2018, Nursing Homes Ireland undertook this special initiative to provide some insight into the talents possessed by nursing home residents. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
View Shortlisted Work
4 | BUSINESS | INTERVIEW ∼ Sunday Independent 2 June 2019 Howth Castle’s ghosts stay silent as a new era begins at the Demesne Former fund manager and heir to Howth Castle has just CURRICULUM sold the huge Demesne, a VITAE difficult but logical decision, Name he tells Fearghal O’Connor Julian Gaisford-St Lawrence Age INTERVIEW 61 Family Married, two grown up ULIAN Gaisford-St Lawrence children, Thomas and Alix is recounting the central role of Thomas St Lawrence, the Lives third Earl of Howth’s part in the Howth Castle foundation of Irish horseracing in the mid-1800s, when a voice Education can be heard calling loudly MA, Oxford from somewhere beyond in the musty halls of the otherwise Experience silent Howth Castle. 19 years as a fund manager He looks up with mild concern from an old in London, 19 years running Jpainting of his esteemed forebear towards where Howth Demesne the sound of his own name is ringing out, grow- ing louder and louder. Thankfully it is not the Pastimes sound of the dead generations of Gaisfords and Fishing, painting, walking, St Lawrences, whose portraits crowd the walls, racing, and shooting admonishing their descendent from the grave. Instead, his wife Anne dashes into the room, Favourite Book out of breath, relieved to have found him. Pride and Prejudice by Jane “They’ve been looking for you all morning, Austen your phone was off and they need you to sign,” she says, apologising profusely for the interruption to Favourite movie a conversation that has jumped from the slaying Withnail and I of 12th century Vikings by Gaisford-St Lawrence’s Norman ancestors as they conquered Howth to his Favourite holiday days away from here in the 1980s as a fund man- Syros in the Cyclades, Greece ager in the cut-throat world of London finance. -
Interview Mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt)
Interview mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt) ? Was für eine Situation war das damals in Irland, als die Dubliners in den 60er- Jahren ihre Karriere starteten? Welche Bedeutung hatte das Singen und Musizieren, und welche Marktlücke haben Sie damals erobert? ! 1962 – das war eine völlig andere Welt, sie hat sich viel langsamer bewegt – heute ist alles so hektisch und verrückt. Die Leute hatten mehr Zeit, Zeit zum Nachdenken. Und die irische Musik, das war die Welt der älteren Generation. Sie war nicht schrecklich populär unter jüngeren Leuten und hat diese Generation erst langsam wieder erobert. Bei mir war das etwas anders, ich habe Tin Whistle gelernt und dann Flöte; ich bin ja wie Barney MacKenna in einer musikalischen Familie aufgewachsen. Die Art der „Dubliners“, mit der traditionellen irischen Musik umzugehen, war neu und erfrischend, sie brachte eine ganz andere Vitalität hinein. Nur ein Beispiel: Die älteren Musiker, das waren meist Dance Bands, sie haben alle gesessen. Wir standen auf der Bühne, wir haben gespielt und gesungen, und wir haben uns bewegt. Die Leute schienen das zu mögen, und so haben wir uns unsere ganz eigene Nische im Markt geschaffen. Wir haben die Leute magisch zur irischen Musik hingezogen, der wir neues Leben eingehaucht hatten. ? Sie sind jetzt vierzig Jahre im Musikgeschäft – das ist einzigartig. Wie würden Sie denn Ihr Erfolgsrezept beschreiben? ! Vermutlich ist es unser Erfolgsrezept, dass wir nie irgendeins gehabt haben. Wir haben ja noch nicht mal Verträge untereinander. Wir spielen einfach, wir haben musikalisch viel anzubieten, jeder bringt seine Soli ein. Und noch etwas ist ganz wichtig: Wir hängen nicht zwischen unseren Tourneen zusammen. -
The Dubliner's Dublin Mp3, Flac, Wma
The Dubliners The Dubliner's Dublin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Dubliner's Dublin Country: Ireland Released: 1988 Style: Folk MP3 version RAR size: 1970 mb FLAC version RAR size: 1784 mb WMA version RAR size: 1210 mb Rating: 4.4 Votes: 647 Other Formats: AU XM VQF APE MPC DTS AUD Tracklist Hide Credits A1 Finnegan's Wake 2:21 Raglan Road A2 5:35 Arranged By – The DublinersWords By – P. Kavanagh* A3 Zoological Gardens 2:27 Hornpipes (2:53) A4a The Honeysuckle A4b The Golden Eagle Sez She A5 2:47 Words By – Percy French A6 Three Lovely Lassies From Kimmage 2:45 A7 Johnny Doyle 5:45 A8 Weile Waile 2:17 A9 Bombo Lane 0:15 The Monto A10 2:57 Written-By – George D. Hodnett* The Old Triangle B1 2:04 Written By – Brendan Behan B2 The Dublin Jack Of All Trades 4:00 B3 Dicey Reilly 2:32 Reels (3:32) B4a Ril Gan Ainm B4b Sheehan's Reel B4c Jenny's Wedding B5 The Ragman's Ball 1:53 B6 Seven Drunken Nights 3:07 Christ Church Arranged By – Eamonn CampbellBouzouki – Michael HowardClassical Guitar – B7 2:15 Michael HowardDouble Bass – John DrummondOrchestrated By – Michael HealyWritten-By – John Sheehan* B8 Spanish Lady 2:18 The Rare Oul' Times B9 4:36 Written-By – Pete St. John Companies, etc. Phonographic Copyright (p) – Harmac Published By – Harmac Recorded At – Windmill Lane Studios Credits Arranged By – The Dubliners Banjo – Barney MacKenna Concertina – John Sheehan* Design – Stephen Averill* Engineer – Bill Sommerville, Large Begley, Philip Begley Engineer [Engineers' Assistant] – Ciaran Byrne*, -
“You'll Never Kill Our Will to Be Free”: Damien Dempsey's “Colony” As A
“You’ll Never Kill Our Will To Be Free”: Damien Dempsey’s “Colony” as a Critique of Historical and Contemporary Colonialism MARTIN J. POWER, AILEEN DILLANE, and EOIN DEVEREUX Abstract: This article, through a musical, lyrical, and contextual analysis of the Irish recording artist Damien Dempsey’s song “Colony,” probes contemporary discourses concerning colonialism and postcolonialism. In presenting Dempsey’s work through this lens, we seek to interrogate how one singer employs protest song as a vehicle for social critique in a nuanced fashion. Our reading reveals different levels of meaning, in part dependent on contextual knowledge. Furthermore, the simple structure belies the complexity of the issues involved in any discussion of postcoloniality in Ireland and beyond, and because of this the song is rendered all the more potent and persuasive. Résumé : Cet article, à travers une analyse de l’enregistrement de la musique, des paroles et du contexte de 44 (2): 29-52. 44 (2): la chanson « Colony » de l’artiste irlandais Damien Dempsey, sonde les discours contemporains au sujet du colonialisme et du postcolonialisme. En présentant les travaux de Dempsey sous ce prisme, nous cherchons à interroger la façon subtile par laquelle le chanteur utilise la chanson engagée comme un véhicule de critique MUSICultures sociale. Notre lecture révèle différents niveaux de sens, dépendant en partie d’une connaissance contextuelle. En outre, la structure simple dément la complexité des questions qui reviennent dans toutes les discussions au sujet du postcolonialisme en Irlande et au-delà, et cette chanson en est, pour cette raison, d’autant plus puissante et convaincante.