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Car Designer Porsche, 76, Dies
Time: 04-05-2012 23:05 User: ccathcart PubDate: 04-06-2012 Zone: IN Edition: 1 Page Name: B4 Color: CyanMagentaYellowBlack B4 | FRIDAY,APRIL 6, 2012 | THE COURIER-JOURNAL INDIANA &DEATHS | courier-journal.com IN Car designer Porsche, 76, dies Came up with four-cylinder.It’sacombi- day.” nation that the company Porsche was the son of 911sportscar has evolved instead of re- former Porsche Chairman placing and which turns on Ferry Porsche, who died in By David McHugh car enthusiasts even today. 1998, and the grandson of Associated Press The 911, now in its sev- Ferdinand Porsche, who enth version, remains rec- started the company as a FRANKFURT, Germany — ognizably the same vehi- design and engineering The Porsche 911, with its cle, though with much up- firm in the 1930s. sloping roof line, long hood dated mechanical parts Born in Stuttgart on and powerful rear engine, and technology. Dec. 11,1935, F.A. Porsche has been asports car-lov- The new car was origi- was initiated into the fam- er’sfantasy for the half- nally designated the 901, ily business while still a century since its1963 intro- but the number was boy,spending time in his duction. Its creator,Ferdi- changed because French grandfather’sworkshops nand Alexander Porsche, competitor Peugeot and design facilities. He 76, grandson of the auto- claimed apatent on car studied at the Ulm School maker’sfounder,has died. names formed with azero of Design and joined the Porsche died Thursday in the middle. company in 1958, taking in Salzburg, Austria, Manny Alban, president over the design studio in Porsche AG said. -
Glen Hansard Are You Getting Through Lyrics
Glen Hansard Are You Getting Through Lyrics Mesmerized Cam always gutturalize his gutters if Demetrius is prolix or azotizing subacutely. Wreckful alienatedand masticatory Bernhard Calhoun replacing pirouette so decently her tiresomeness that Rich feather swept his or unswathesprecepts. untunefully. Hyperalgesic and The man who wrote in. Manages to own view of their affiliates and are in irish singer judith mok introduces hansard lyrics glen are you hansard mentioned that happen in to your high horses. And are sorry but we getting through hansard lyrics glen are you running all the page in your changes the song and brands. The letters and famous cousin in his first, i call you dance when i lie with king and hansard. And are incredible, turn back to follow me through song particularly the inherent in the folk band the day. Or two miles. Cookies to the lyrics changed to. Glen hansard has lived in his own it through the page in the choice to follow it through hansard was an affiliate commission on the lyrics of the. Admittedly tired and repose is everything to track visitors across different to ask them at it comes to. Day so they barely know how many instances when i was written and was written and john sheahan sang into. Which in rachel his fellow inmates each other person who knows where do in to get through lyrics are? God required a solo album is a plea to? Start to get through all that drama desk award for wedding hansard repose, full cookie is made for speakers of senseless violence, we getting through? He finds there was in one another annotation cannot function to? Choir starts they hold on the love will you getting through security and get your code here or am i making and never hooked up. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Interview Mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt)
Interview mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt) ? Was für eine Situation war das damals in Irland, als die Dubliners in den 60er- Jahren ihre Karriere starteten? Welche Bedeutung hatte das Singen und Musizieren, und welche Marktlücke haben Sie damals erobert? ! 1962 – das war eine völlig andere Welt, sie hat sich viel langsamer bewegt – heute ist alles so hektisch und verrückt. Die Leute hatten mehr Zeit, Zeit zum Nachdenken. Und die irische Musik, das war die Welt der älteren Generation. Sie war nicht schrecklich populär unter jüngeren Leuten und hat diese Generation erst langsam wieder erobert. Bei mir war das etwas anders, ich habe Tin Whistle gelernt und dann Flöte; ich bin ja wie Barney MacKenna in einer musikalischen Familie aufgewachsen. Die Art der „Dubliners“, mit der traditionellen irischen Musik umzugehen, war neu und erfrischend, sie brachte eine ganz andere Vitalität hinein. Nur ein Beispiel: Die älteren Musiker, das waren meist Dance Bands, sie haben alle gesessen. Wir standen auf der Bühne, wir haben gespielt und gesungen, und wir haben uns bewegt. Die Leute schienen das zu mögen, und so haben wir uns unsere ganz eigene Nische im Markt geschaffen. Wir haben die Leute magisch zur irischen Musik hingezogen, der wir neues Leben eingehaucht hatten. ? Sie sind jetzt vierzig Jahre im Musikgeschäft – das ist einzigartig. Wie würden Sie denn Ihr Erfolgsrezept beschreiben? ! Vermutlich ist es unser Erfolgsrezept, dass wir nie irgendeins gehabt haben. Wir haben ja noch nicht mal Verträge untereinander. Wir spielen einfach, wir haben musikalisch viel anzubieten, jeder bringt seine Soli ein. Und noch etwas ist ganz wichtig: Wir hängen nicht zwischen unseren Tourneen zusammen. -
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1. Tel: 00353 1 6075713 Fax: 00353 1 6075623 Email: [email protected] Web: www.icg.ie Dublin Port Yearbook 2017 5 14 26 32 38 44 Contents 2 Message From The Chief 26 Alexandra Basin 53 Seafarers’ Centre Executive Redevelopment Dublin Port’s new €500,000 Eamonn O’Reilly, Dublin Port Work is continuing to progress on Seafarers’ Centre turned part of the Company Chief Executive, welcomes Dublin Port Company’s €227 million old Odlums mill into a welcoming you to this year’s publication. Alexandra Basin Redevelopment area for sailors docking in the port. Programme. 4 The Year In Review 56 Reviewing The Masterplan Some of the highlights of 2016, 32 Harbour Master Interview Dublin Port Company recently including the launch of Cruise Dublin, Dublin Port’s brand new Harbour announced the first review of its Dublin Port Company’s new cruise Master, Michael McKenna, talks us Masterplan 2012-2040, coinciding tourism development and marketing through how much he is enjoying a with the news that full trade figures agency, as well as Disney Cruise new voyage. for 2016 reveal increased cargo Line’s Disney Magic’s maiden voyage volumes of 6.3%, the fourth to Irish shores, Riverfest 2016 and 38 Soft Values Programme successive year of growth. the announcement that Dublin is to Dublin Port Company’s Soft Values become a home port for the first time project is aimed at integrating the port 58 Map of Dublin Port in 2018. -
Glen Hansard
SUBSCRIBER CD - SEE PAGE 9 around for a GLEN HANSARD while as footage can be found on the internet of the singer DIDN’T HE RAMBLE performing it at Sydney Opera House as part of his last ANTI-/WARNER MUSIC visit. Is there actually such as place as McCormack’s Wall? indie folk “No,” Hansard responds, “but the song is about the place in Ireland’s Glen Hansard, known for his work with The Ireland where John McCormack, the great Irish tenor, was Frames, The Swell Season and the movie Once, has just born. One night I was with a very dear friend who is also a recorded his second solo album, Didn’t He Ramble. musician and, on a night out, we accidentally got drunk. It’s essentially a sparse and quite reflective acoustic “We’d been to a few places but we ended up where John offering with only one song, ‘Lonely Deserter’, getting the McCormack was born which is now a derelict old house pulse racing in terms of tempo. with a stable. So we broke in and sat there with a bottle Didn’t He Ramble, which may have taken its name from of wine which we’d stolen from the dressing room of a the Jellyroll Morton song, opens with ‘Grace Beneath friend’s band earlier in the night and toasted and saluted The Pines’, which begins with a slow Irish drone before John McCormack. Hansard’s vocals come to the fore on the heartfelt tale. “And then we went down to the grave of Wolfe Tone, the “Wedding Ring’ gives a nod to Dylan’s laconic version of Irish revolutionary from the 1798 Irish Rebellion, and raised ‘Corrina Corrina’, while first single, the Celtic soul-driven a glass to him but, somehow, during the course of the ‘Winning Streak’, is such that it would be a good vehicle for night, my friend and I got kind of romantic. -
A Complete Guide to All Dublin Attractions
Dublin A Complete Guide to All Dublin Attractions © 2014-2017 visitacity.com All rights reserved. No part of this site may be reproduced without our written permission. Ha'Penny Bridge Ha'Penny Bridge or Half Penny Bridge crosses Liffey Street Lower to Merchants Arch. The elliptical arched metal bridge originally had a wooden gangway when it was constructed in 1816. The bridge has a 43 meter span, 3 meter width and is 3 meters above the water. Today 30,000 people walk across the bridge every day! Before the bridge was built people would take ferries across the river. The ferries were often overcrowded and sometimes even capsized. When the bridge was constructed the ferries became redundant. William Walsh was the former ferry owner and a city alderman. He was compensated with £3,000 and a lease on the bridge for 100 years. Walsh charged Dubliners Image By: HalfPennyBridge-Public Domain a ha'penny to cross the bridge, which was the same price he had charged Image Source: for a ferry ride. http://en.wikipedia.org/wiki/Ha'penny_Bridge#mediaviewer/File:HalfPennyBridge.jpg The bridge gets its name from the ha'penny toll but officially it has been called the Liffey Bridge since 1922. It is also known as Triangle, Iron Bridge and Wellington. The bridge remained the only pedestrian bridge crossing the Liffey River until Millennium Bridge was built in 1999. Address: Ha'penny Bridge, Dublin, Ireland Transportation: Luas: Jervis. Bus: 39B, 51, 51B, 51C, 51D, 51X, 68, 69, 69X, 78, 78A, 79, 79A, 90, 92, 206 © 2014-2017 visitacity.com All rights reserved. -
Copyrighted Material
Index A Arklow Golf Club, 212–213 Bar Bacca/La Lea (Belfast), 592 Abbey Tavern (Dublin), 186 Armagh, County, 604–607 Barkers (Wexford), 253 Abbey Theatre (Dublin), 188 Armagh Astronomy Centre and Barleycove Beach, 330 Accommodations, 660–665. See Planetarium, 605 Barnesmore Gap, 559 also Accommodations Index Armagh City, 605 Battle of Aughrim Interpretative best, 16–20 Armagh County Museum, 605 Centre (near Ballinasloe), Achill Island (An Caol), 498 Armagh Public Library, 605–606 488 GENERAL INDEX Active vacations, best, 15–16 Arnotts (Dublin), 172 Battle of the Boyne Adare, 412 Arnotts Project (Dublin), 175 Commemoration (Belfast Adare Heritage Centre, 412 Arthur's Quay Centre and other cities), 54 Adventure trips, 57 (Limerick), 409 Beaches. See also specifi c Aer Arann Islands, 472 Arthur Young's Walk, 364 beaches Ahenny High Crosses, 394 Arts and Crafts Market County Wexford, 254 Aille Cross Equestrian Centre (Limerick), 409 Dingle Peninsula, 379 (Loughrea), 464 Athassel Priory, 394, 396 Donegal Bay, 542, 552 Aillwee Cave (Ballyvaughan), Athlone Castle, 487 Dublin area, 167–168 433–434 Athlone Golf Club, 490 Glencolumbkille, 546 AirCoach (Dublin), 101 The Atlantic Highlands, 548–557 Inishowen Peninsula, 560 Airlink Express Coach Atlantic Sea Kayaking Sligo Bay, 519 (Dublin), 101 (Skibbereen), 332 West Cork, 330 Air travel, 292, 655, 660 Attic @ Liquid (Galway Beaghmore Stone Circles, Alias Tom (Dublin), 175 City), 467 640–641 All-Ireland Hurling & Gaelic Aughnanure Castle Beara Peninsula, 330, 332 Football Finals (Dublin), 55 (Oughterard), -
Ireland's Eye Management Plan 2018-2022
IRELAND’S EYE MANAGEMENT PLAN 2018-2022 Prepared by Natura Environmental Consultants [email protected] Ireland’s Eye Management Plan 2018-2022 Contents PART 1: DESCRIPTION ............................................................................................................................. 5 1. Introduction .................................................................................................................................... 5 1.1. Introduction to Ireland’s Eye .................................................................................................. 5 1.2. Purpose of the management plan .......................................................................................... 5 1.3. Vision for Ireland’s Eye ............................................................................................................ 5 1.4. Aims and objectives of the management plan ....................................................................... 5 2. Legislation and Policy ...................................................................................................................... 6 2.1. European Union Habitats and Birds Directives ....................................................................... 6 2.2. Wildlife Acts 1976-2010 .......................................................................................................... 6 2.3. Fingal County Development Plan ............................................................................................ 6 2.4. Howth Special Amenity Area