A Complete Guide to All Dublin Attractions
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Conservation Plan – Bremore Castle Plean Caomhantas - Caislean Bri-Mor
Conservation Plan – Bremore Castle Plean Caomhantas - Caislean Bri-mor For Fingal County Council Comhairle Contae Fhine Gall CONTENTS EXECUTIVE SUMMARY ..................................................................................... 1 PREFACE ........................................................................................................... 5 OBJECTIVES .......................................................................................................... 5 SUMMARY OF SIGNIFICANCE ......................................................................... 6 SUMMARY OF VULNERABILITIES ................................................................. 7 SUMMARY OF POLICIES ................................................................................... 7 PART I PROCESS AND METHODOLOGY ........................................... 10 1.1 PROCESS ....................................................................................... 11 1.2 SOURCES ....................................................................................... 12 PART II UNDERSTANDING THE MONUMENT – THE RECORD .... 16 2.1 HISTORY AND CHRONOLOGY ............................................... 17 2.2 GENERAL SITE DESCRIPTION OLD AND NEW ................. 39 2.3 THE ARCHAEOLOGICAL RECORD ...................................... 52 2.4 CARTOGRAPHIC SOURCES .................................................... 58 2.5 BUILDINGS DESCRIPTION AND STRUCTURAL CONDITION SURVEY ................................................................ 64 2.6 GEOPHYSICAL SURVEY -
Irland 2014-Druck-Ii.Pdf
F. Higer: Nachlese der Pfarr-Reise 2014 auf die „Grüne Insel“ - - Inhalt 46 Connemara-Fotos 78 Land der Schafe 47 Lough Corrib 79 Killarney 3 Reiseprogramm 48 Croagh Patrick 80 Lady´s View 4 Irland 50 Westport 82 Adare 17 Irland - Geografie 51 Connemara 85 Rock of Cashel 21 Pale 52 Kylemore Abbey 89 Wicklow Montains 22 Röm.-kath. Kirche 56 Burren 91 Glendalough 24 Keltenkreuz 58 Polnabroune Dolmen 94 Dublin 25 Leprechaun / 60 Cliffs of Moher 100 St. Patrick´s Cathedral Rundturm 62 Limerick 103 Phoenix Park 26 Shamrock (Klee) 64 Augustiner / Limerick 104 Guinness Storehause 27 Flughafen Dublin 65 Tralee 106 St. Andrew´s Parish 28 Aer Lingus 66 Muckross Friary 107 Trinity College 31 Hotel Dublin 68 Muckross House 108 Trinity Bibliothek 32 Monasterboice 71 Star Seafood Ltd. 109 Book of Kells 34 Kilbeggan-Destillerie 72 Kenmare 111 Temple Bar 37 Clonmacnoise 73 Ring of Kerry 113 Sonderteil: Christ Church 41 Galway 75 Skellig Michael 115 Whiskey 43 Cong / Cong Abbey 77 Border Collie 118 Hl. Patrick & Hl. Kevin IRLAND-Reise der Pfar- Republik Irland - neben port, der Hl. Berg Irlands, Kerry", einer Hirtenhunde- ren Hain & Statzendorf: Dublin mit dem Book of der Croagh Patrick, Vorführung, Rock of diese führte von 24. März Kells in der Trinity- Kylemore Abbey, die Cashel, Glendalough am bis 1. April auf die "grüne Bücherei, der St. Patricks- Connemara, die Burren, Programm. Dank der guten Insel" Irland. Ohne auch nur Kathedrale und der Guin- Cliffs of Moher, Limerick, Führung, des guten Wetters einmal nass zu werden, be- ness-Brauerei, stand Monas- Muckross House und Friary und einer alles überragen- reiste die 27 Teilnehmer terboice, eine Whiskeybren- (Kloster), eine Räucherlachs den Heiterkeit war es eine umfassende Reisegruppe die nerei, Clonmacnoise, West- -Produktion, der "Ring of sehr gelungene Pfarr-Reise. -
Copyrighted Material
18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
Annual Report 2014
Annual Report 2014 Contents: Chairman’s Statement ii – xvii Financial Statement 1 - 19 Chairman’s Statement Introduction: This report presents a synopsis of activities in the Irish Architectural Archive for the year 2014. Following the extreme difficulties of 2013, the past year has been one of adjustment, stabilisation, and not inconsiderable achievement. Adjustment was required to accustom the organisation to the restructuring which took effect at the end of 2013 when staff numbers were reduced from six to five and new management structures were put in place. I am happy to report that these changes were successfully, even seamlessly, absorbed with minimal effect on performance or services. The principal goal of the restructuring was of course to place the Archive’s finances on a secure footing and 2014 saw a significant measure of stability return to those finances. We absorbed the costs of the restructuring itself, over half of which has to come from internal resources, remained open throughout the year and even emerged with a modest cash surplus as set out below in the audited accounts. This was in itself of great significance, but it stands beside other achievements – a near record number of accessions, a new record for visitor numbers, the expansion of our exhibitions capacity, the delivery of five exhibitions in the Architecture Gallery and one in Australia and, perhaps most important of all, the great strides taken towards the realisation of what has been a long term strategic goal of the Archive for a number of years: the provision of online access to our main catalogue. -
2012-Dubliners-Programme.Pdf
DUBLIN: ONE CITY, ONE BOOK: EVENTS (continued) ABOUT THE BOOK JOYCEAN TOUR OF GLASNEVIN CEMETERY FARMLEIGH, CASTLEKNOCK Dubliners is Joyce at his most direct and his most accessible. Any reader Following upon Dublin’s designation as Glasnevin Cemetery, the heart of the James Joyce in the Phoenix Park may pick it up and enjoy these fifteen stories about the lives, loves, small UNESCO City of Literature, what more Hibernian necropolis, has many links to Area – exhibition of rare books from the triumphs and great failures of its ordinary citizens without the trepidation James Joyce’s life and writing. From the Benjamin Iveagh Library. Wed-Sun & appropriate title could there be for Dublin: Hades Chapter in Ulysses, which takes Bank Holidays from 1 April. 10am-4.30pm that might be felt on opening, say, Ulysses, famed for its impenetrabil- One City, One Book 2012 than James place in the cemetery, to the family grave as part of the guided tour. Further ity and stream-of-consciousness hyperbole. At the same time, although Joyce’s DUBLINERS! which is the final resting place of his information Tel: 01 8155981 Also Joycean simply written, there is great depth and many levels to the stories, in parents; walk through the life, time and exhibition by contemporary Japanese which the characters – young, middle-aged and old – are revealed, to imagination of James Joyce. photographer Motoko Fujita. Admission Joyce is the city’s most celebrated lit- Daily throughout April at 1pm. Tickets free themselves, or sometimes only to the reader, in all their frail humanity. erary son and his masterly collection €10 include a visit to Glasnevin Museum THE JAMES JOYCE CENTRE, 35 NORTH GREAT •The Sisters•An Encounter•Araby•Eveline•After the Race•Two Gallants• of short stories gives a remarkable JOYCEAN WALKING TOURS GEORGE’S STREET insight into the lives of a disparate group of Dublin citizens in the early Echoes of Joyce’s Dublin. -
The Story of a House Kevin Casey
The Story of a House Kevin Casey Everything we know about Nathaniel Clements suggests that he was an archetypal Ascendancy man. Eighteenth century Dublin was a good place in which to be young, rich and of the ruling class. The Treaty of Limerick - the event that marked the beginning of the century as definitively as the Act of Union ended it - provided a minority of the population, the Ascendancy, with status, influence and power. Penal Laws, imposed upon Roman Catholics and Dissenters, made it impossible for them to play an active part in Government or to hold an office under the Crown. Deprived of access to education and burdened with rigorous property restrictions, they lived at, or below, subsistence level, alienated from the ruling class and supporting any agitation that held hope of improving their lot. Visitors to the country were appalled by what they saw: "The poverty of the people as I passed through the country has made my heart ache", wrote Mrs. Delaney, the English wife of an Irish Dean. "I never saw greater appearance of misery." Jonathan Swift provided an even more graphic witness: "There is not an acre of land in Ireland turned to half its advantage", he wrote in 1732, "yet it is better improved than the people .... Whoever travels this country and observes the face of nature, or the faces and habits and dwellings of the natives, will hardly think himself in a land where law, religion or common humanity is professed." For someone like Nathaniel Clements, however, the century offered an amalgam of power and pleasure. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Glimpse of Dublin & Beyond
The Old Anchorage, Lochranza, Isle of Arran, Scotland “Our Britain — Your Choice” USA Cell Phone: 972 877 0082 E-mail: [email protected] Web: www.britainbychoice.com Britain by Choice is your resource for travel in Scotland, England, Ireland, Wales, north- ern France and Italy. With 20 years experience, programs have been developed over the years. We can also customize an itinerary to suit client’s special needs and interests. All itineraries are designed to ensure the minimum number of hotel changes. Glimpse of Dublin & Beyond— 5 days, 4 nights Commencing Daily from April to November Seasonal Pricing from $950 per person Tour #: I-1 HIGHLIGHTS 4 nights with Irish Breakfast 1 Irish Evening with dinner Private Airport transfers Dublin City Sightseeing Tour 3 day Dublin Pass Full day tour to Kilkenny, Wicklow & Glendalough, Dublin Attractions Dublin Castle Castletown House Chester Beatty Library Day 1: Christ Church Cathedral Arrive Dublin Airport. Private transfer to the 4 star Harrington Hall Croke Park Hotel for 4 nights. Full Irish breakfast is included each morning. City Dalkey Castle Heritage Centre – Sightseeing Hop-on-Hop-Off Tour of Dublin, included with the Dub- lin Pass. The tours take 1.5 hours and operates every 15 minutes Dublin City Hall from near the hotel; your ticket is valid all day, so take the tour and Dublin Writers Museum select the farthest attractions to visit on the 2nd circuit later today Dublinia using your Dublin Pass for “Fast-track” entry. EPIC Irish immigration Museum Days 2 & 3: Glasnevin Cemetery Museum At leisure to explore Dublin at your own pace with your 3 day Dublin GPO Witness History Pass. -
Memorable Dublin Houses
MEMORABLE DUBLIN HOUSES BY WIL MOT HAR RISON A HANDY AND DESCR IPTIVE GUI DE WITH TH IRTY - SEVEN I LLUSTRATIONS Printed and Pu blis hed by EC KI E C O 59 BOLT ON STR EET D UBLIN W . L , M CMI& C ON T E N T S . — — U . Trinit o e e RO TE I y C ll g Coll ege Green Dame Street — Cas e ee P ame ee — — tl Str t arli nt Str t Es sex Quay Exchange ee — o d d d — Str t L r E war Street Chris tchurch Place—Corn — ma e d e eet—Thom s — ’ rk t Bri g Str a Street Usher s Quay ’ sh e s Is — A u U r land rran Q ay pp. 1 to 20 OU — — . f o ree R TE II Gra t n St t Pitt Street William Street — Aun gi er ee o de e — o — Str t G l n Lan Y rk Street Digger; eet— Cu ffe ee — ' St. e h — Str Str t St p en s Green Harco urt Street 2 1 pp. to 4 8 O — UT I I I . Daws on ee K R E Str t Molesworth Street— ildar — e ee Lein ste1 ee —C a e — Str t Str t l r Street Merrio n Square~ — H ollee e e Denzille h ee — Str t S t Lower Mou nt Street e c ace— y ppe M ou n ee Me P r Pl U r t Str t rrion S quare — ppe Me on ee El P ce— o e U r rri Str t y la L w r Baggo t Street i w am S u ~ — F q are Lees on S ee Ch em tz illi tr t arl ont Plac e be — Porto llo H arbour Rathmines Road pp . -
Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues. -
Sustainable Management of Tourist Attractions in Ireland: the Development of a Generic Sustainable Management Checklist
SUSTAINABLE MANAGEMENT OF TOURIST ATTRACTIONS IN IRELAND: THE DEVELOPMENT OF A GENERIC SUSTAINABLE MANAGEMENT CHECKLIST By Caroline Gildea Supervised by Dr. James Hanrahan A dissertation submitted to the School of Business and Humanities, Institute of Technology, Sligo in fulfilment of the requirements of a Master of Arts (Research) June 2012 1 Declaration Declaration of ownership: I declare that this thesis is all my own work and that all sources used have been acknowledged. Signed: Date: 2 Abstract This thesis centres on the analysis of the sustainable management of visitor attractions in Ireland and the development of a tool to aid attraction managers to becoming sustainable tourism businesses. Attractions can be the focal point of a destination and it is important that they are sustainably managed to maintain future business. Fáilte Ireland has written an overview of the attractions sector in Ireland and discussed how they would drive best practice in the sector. However, there have still not been any sustainable management guidelines from Fáilte Ireland for tourist attractions in Ireland. The principal aims of this research was to assess tourism attractions in terms of water, energy, waste/recycling, monitoring, training, transportation, biodiversity, social/cultural sustainable management and economic sustainable management. A sustainable management checklist was then developed to aid attraction managers to sustainability within their attractions, thus saving money and the environment. Findings from this research concluded that tourism attractions in Ireland are not sustainably managed and there are no guidelines, training or funding in place to support these attraction managers in the transition to sustainability. Managers of attractions are not aware or knowledgeable enough in the area of sustainability. -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine.