Annual Juried

Total Page:16

File Type:pdf, Size:1020Kb

Annual Juried cat99 10/1/00 9:51 AM Page 1 CCarol AdamsWA MembersCatrina Herrick Jane Roche Carol Adil Linda Horning Margot Rocklen Connecticut Women Artists Phyllis Agne Cora Howard Maureen Rogers Saltbox and Clubhouse Galleries,West Hartford CT Leslye Alexander Carol Hubbard Joan Rosenberg Barbara Allen Barbara Jenkins Margot Rosenthal Charlotte Alling Sheila Kaczmarek Lucille Ryan Ingrid Andrews Barbara Katz JoAnn Savage Marlene Axelrod Cornelia Kavanagh Helen Schink Joanne Barsumian Betty Kern Rachel Schulman Susan Berg Elisa Khachian Rosalind Schwartzberg Barbara Bernstein Blanch Klein Frances Scully Emily Bett Ruth Krantz Glo Sessions June Bisantz-Evans Lillian K. Kreis Nance Shaw Sharon Booma Ann Langdon Ruth Lee Silver Mollie Bornstein Constance Sandra Skodon Elizabeth Boyd LaPolambara Phyllis Small Bea Breck Melody Leary Beverly Smith Patricia Browne Mary Lesser Barbara Joan Solomon Jean Burdo Laura Lille Janet Sorokin Claudine Burns Ann Lindbeck Priscilla Souder E. Joyce Caplan Muriel Lipman Ellin Spadone Caroline Chandler Gigi Horr Liverant Editha Spencer Kate Colpitts Tina Logan Barbara Springer Joyce Colter Janice Loomis Hennie Stargardter Isabel Compasso Marie Hanson MacKinnon Suzanne Howes Stevens Anne Thomas Conklin Layne Marholin Susan Struck Stephany Cousins Diane Marino Lou Carter Sudol Sunni Cretalla Sally Markey Janet Suisman Jean Dalton Cathy Markowitz Barbara Sulavik Denette Dasinger Nancy Marple Ruth Sussler Lois Taylor Davison Jean Mazo Amy Tatro Rita Dawley Margaret McIntosh Majorie Teller d’Ann deSimone Suzanne McWhinnie Lorraine Tercyak Ann P. Devine Natalie Melbardis Kim Tester Janice DiBattista JoAnn Polverari Midolo Joan Thompson Margaret Dossin Inga-Britta Mills Wendy Thornley Ellen Dougan Barbara Mosley Nan Tussing Laura Eden Polly Murray Vicenza Uccello Gail Edmonds Virginia Murray Diane Ursin Nancy Eisenman Donna Namnoum Barbara Van Winkelen Terry Donsen Feder Mary Nason Helen Hayes Veitch Cookie Finn Pam Nelson Carmela Venti Jane Fowler Alice Nicholson-Nicksa Dorothy Wallin Leona Frank Marilyn Noll Oakley Francine Sue Waterman Barbara Frasca Sandra Olenik Elena Watras Merrill French Margaret Olmsted Linda Webber Helen Galick Hilda Ordorica Sonja Weber Helen Garbol Gerry Palmer Penny Weinstein Joan Gardner Marilyn Parkinson-Thrall Dorothy White th Helene Glass Gail Parsons Joan White Janet Cummings Mary-Louise Pech Ann Williams Margaret Greaves Maxine Perry Sandra Williard Nancy Greco Karen Petersen Jane Willoughby Helena Green Sara Prentis Harriet Winograd Ann Grimm Eleanor Provost Woodfin Wood Lucille Davis Grimm Marilyn Rabetz Barbara Wythe Phyllis Guilmet Karen Recor Elizabeth Yarmosh Anne Harris Lois Reed Joan Zamore Jane Harris Ilene Reiner Jean Zaslow Denise Hartz Nancy Reinker Rosalie Zetoff Lucianna Heineman Jean Roberts Florence Zolan Annual Juried Sh o wJ une 10–July 10, 1999 cat99 10/1/00 9:51 AM Page 2 Juror’s Exhibitors1Barbara Allen 27Luciana Heineman 53Clarice Pollack Richard’s Dream Lake Como Wall Next sculpture $2000 watercolor $600 monotype $700 2Barbara Allen 28Allison Hewey 54Sara Prentis StatementMarla Rice Family Survivor Swallow Carib Song sculpture $1500 ac r y l i c / c h a rc o a l silkscreen $250 I want to express my app r eciation for the opportunity to $300 be c o m e acquainted with and rev i e w the artwor k which was 3Lindsay Aromin 55Tamara Priestley Funny Lady 29Barbara Hocker Diabatsu–Japan submitted to me. It was a difficult process to pick and choose mixed $400 Untitled (Leaves) infra red $125 mixed $600 be t w een so many talented artists. 4Audrey Ascenzo 56Gaile Ramey Pair of Shakers 30Carol Hubbard Four Beats watercolor $325 Crop Duster watercolor $125 The criteria for my selection included: the individual artist’s watercolor $4500 5E. Ann Baldwin 57Karen Green Recor grasp of the medium, her pushing past boundaries and Rear View 31Barbara Jenkins Ode To Van Gogh li m i t s , and, what I judged to be quite simply the over a l l Mirror Series Neipsic Wild Flower s mixed $3000 monoprint $1600 pastel $1500 quality of the work . 58Jean Roberts 6Lori Baker 32Susan Jordon Manuscript With Live Oak Morning Reeds and Robin’s Shell I looked for diver sity as well as devel o p m ent of subject, mixed $180 Stained Glass collage $500 watercolor $3000 composition and technique, whether this was achieved throu g h 7Nina Bentley 59JoAnn Savage Service Award 33M. Eleanore Juros Toby sheer virtuosity, or through imagination and innovat i ve n e s s . Bracelet Athens Market mixed $400 sculpture $2500 oil $650 60Martha Savage 8June Bisantz–Evans 34Sheila Kaczmarek untitled You Can’t Szpieg mixed $300 Spell Romance mixed $400 watercolor $500 61Barbara 35Elisa Khachian Scavotto-Earley 9 Best Featured Artists Grumbacher Gold Medallion Award Catherine Bohrman Grandmother’s Dispositions Awards Rhythm Sewing Basket mixed $900 Jane Booth Vollers Terry Oakes Bourret alabaster $3200 mixed $2400 62Barbara Wendy Thornley Jerry’s Artarama 10Terry Oakes Bourret 36Layne Scavotto-Earley Gigi Horr Liverant Greenhouse Flowers Pink Path Puzzled Sheila Kaczmarek oil/canvas $900 oil $18000 mixed $700 First Prize Koenig Art Center 11Caroline Chandler 37Gigi Horr Liverant 63Edith Royce Schade Jan Murdock Betty A. Gerich Tufa Aerial View On The Threshold Second Prize Liquitex Art Award ForA Painting mixed $2000 pastel $1400 photograph $150 Barbara Scavotto–Earley M. Eleanore Juros 12Michelle Clark 38Gigi Horr Liverant 64Sandra Skodon Turning Point Back Door Tree Zephyrs Third Prize Dick Blick prismacolor $450 oil $2500 acrylic $1900 Sylvina von Plachecki Frances R. Drew 13Marisa Cocchiaro 39Nina LoRicco 65Shelly Simon Jurors Award Eastern Arts Connection Noctilucent Forest Romancing Good Lucille monotype $1000 Fortune photography $500 Marisa Taddei Cocchiaro Carol Van Duyn mixed NFS 14Marisa Cocchiaro 66Carol A. Taylor The Jan Riviere Sculpture Award Shortell Framing Award Untitled, Trees 40Brenda Manning Oak In The Wind Nina Bentley monotype $1000 Along The collage $425 Joan Washburn Cole Canal, Venezia Windsor Newton Award Speedball Art Products 15Joan Washburn Cole mixed $425 67Wendy Thorney Near Tesuqué Holy Men Meet The Kimberly Meuse Trish Morales lithograph $300 41Lois McDonald Warrior Queens Artist Alternative Framing Award Larger Than Life mixed NFS Shiva 16Kate Colpitts watercolor NFS Michelle Clark Carol Chandler Mesa I 68Karen Tom oil $750 42Kimberly Meuse Barbie’s Secret III Art Supply Warehouse Moira C. Daniells Blue And Damask photograph Elisa Khachian 17Moira Daniells watercolor $2200 $90 Createx Colors It Ain’t Heavy Alantic Film Works E. Ann Baldwin oil on board $2500 43Trish Morales 69Caroly Van Duyn Peppers #5 Bog Woman Edith Royce Schade Carol deBerry 18Carol deBerry color pencil NFS mixed $2500 Golden Artist Colors About Black and K. Oberhammer White: Still Life #2 44Barbara Mosley 70Carmela Venti Barbara Jenkins Barbara Hocker monotype $100 Still Life With Lemon Walla Walla And Fish relief print $150 19Ellen Dougan pastel $1200 Garden Trellis 71Helene Verglas acrylic $22000 45Jan Murdock Dahlia Fancy Work watercolor $500 20Frances Drew photomontage $400 Talisman 72Jane Booth Vollers mixed $1200 46Jan Murdock Chatham Chairs 19 9 9 Board Window silver print $300 21Peggy Eatherton photomontage $400 Ca n yon de Chelly #2 73Jane Booth Vollers tempera $800 47Linda Bull Neilan Bonnie Morning Mist silver print $300 MembersPresident Publicity 22Patricia Frank pastel $450 Carmela Venti Sue Berg Objects in Past Ten s e 74Sylvina von egg tempera $3500 48Pam J. Nelson Plachecki Vice President Membership Slide Review Nine At Night Hurricane Window 23Betty A. Gerich watercolor $850 oil NFS Ellen Dougan Suzanne Howes–Stevens Talk Show Membership Chair Advisor ceramics $750 75Sylvina von 49Kimberly Pl a c h e c k i z Marilyn Parkinson–Thrall June Bisantz–Evans 24Betty A. Gerich Oberhammer Indian Summer Conspiracy Mardis Gras Shadows Recording Secretary Open Juried Show ceramics $600 monotype $700 oil $400 Ilene Reiner Kate Colpitts 25Helene Glass 50Susan Olin 76Pen n y Wei n s t e i n Corresponding Secretary Barbara Jenkins Silent Outlook Pearls and Chains Seymour watercolor $2000 mixed $175 mixed $1250 Phyllis Small Annual Dinner Chair Treasurer Carol Adams 26Denise Hartz 51Mallorie Ostrowitz 77Adrianna You n g Time Passes Big Sky Snowdrift Soul Shell #29 Merrill French Members Show acrylic photograph $300 clay $400 $1800 Adele Broitman 52Cecilia Payne Diva mixed $600.
Recommended publications
  • Acrylic Supplies
    Nancy MedinaNancy Medina Art Art Acrylic supply lis If you’re just starting with acrylics, size 2 fl. oz tubes (or thereabouts) are fine. I prefer the heavy body acrylics (click here) and open acrylics. Use a fine mister spray bottle and a Sta-wet palette with sponge and acrylic palette paper inserts. I use mostly Golden Artist Colors, but any professional brand of acrylic paint is fine. You may use extenders or mediums with acrylics. I use a fine mist spray bottle of water. You can find all my favorite brands for paints and many of my supplies at: http://www.nancymedina.com/favs CANVAS: » 16X16, 14X14, or any small size. » Your favorite Cotton Canvas or panel. (Treat your cotton canvas in advance with 2 layers of thinly applied acrylic white gesso. Let dry between coats.) There is no need to tint your canvas ahead of time. A white surface is fine. PALETTE: » A wetting spray bottle (fine mist is best) » A wetting palette and paper that keeps your palette surface moist (click here for my favorites) BRUSHES: My favorite brush is about $2 - it is the ¾ inch wide flat Royal Soft Grip SG 700 Order about four of these (they are not expensive) - purchase brushes here. One Royal Sabletek by Langnickel L95010 Number 14 Bright. Here’s a link to purchase them. If the SG 700 Royal softgrip brush is out of stock, you can substitute the #28 Bright – Royal Langnickel SableTek – you can purchase them here. Nancy MedinaCopyright Art LLC protected © Copyright ©Nancy Medina 2017 Art ~ LLCAll 2017Rights Reserved.
    [Show full text]
  • Freeman Ashley a 201309 M
    CHARACTERIZATION OF FILLING MATERIALS FOR EASEL PAINTINGS by ASHLEY AMANDA FREEMAN A thesis submitted to the Department of Art in conformity with the requirements for the degree of Masters of Art Conservation Queen’s University Kingston, Ontario, Canada September, 2013 Copyright © ASHLEY AMANDA FREEMAN, 2013 Abstract Developing appropriate treatments for easel paintings can be complex, as many works are composed of various materials that respond in different ways. When selecting a filling material for these artworks, several properties are investigated including: the need for the infill to react to environmental conditions in a similar manner as the original material; the need for the infill to have good handling properties, adhesion to the original support, and cohesion within the filling material; the ability for the infill to withstand the stress of the surrounding material and; be as flexible as the original material to not cause further damage. Also, changes in colour or mechanical properties should not occur as part of the ageing process. Studies are needed on acrylic-based materials used as infills in conservation treatments. This research examines some of the chemical, physical, and optical changes of eleven filling materials before and after ageing, with the aim to evaluate the overall appropriateness of these materials as infills for easel paintings. The materials examined were three rabbit skin glue (RSG) gessoes, and seven commercially prepared acrylic materials, all easily acquired in North America. Chemical analysis was carried out with Fourier transform infrared (FTIR) spectroscopy and X-ray fluorescence (XRF), pyrolysis gas chromatography-mass spectroscopy (Py-GC/MS), and differential scanning calorimetry (DSC).
    [Show full text]
  • U:\2005-06\CAC Journal\Volume 29\Web Version\Vol 29 Pg 8-25
    The Effects of Water Exposure on Surface Characteristics of Acrylic Emulsion Paints Linda Owen, Rebecca Ploeger and Alison Murray Journal of the Canadian Association for Conservation (J. CAC), Volume 29 © Canadian Association for Conservation, 2005 J.CAC is a peer reviewed journal published annually by the Canadian Association for Conservation of Cultural Property (CAC), PO Box 87028, 332 Bank Street, Ottawa, Ontario K2P 1X0, Canada; Tel.: (613) 231-3977; Fax: (613) 231-4406; E-mail: [email protected]; Web site: http://www.cac-accr.ca. The views expressed in this publication are those of the individual authors, and are not necessarily those of the editors or of CAC. Journal de l'Association canadienne pour la conservation et la restauration (J. ACCR), Volume 29 © l'Association canadienne pour la conservation et la restauration, 2005 Le J.ACCR est un journal révisé par des pairs qui est publié annuellement par l'Association canadienne pour la conservation et la restauration des biens culturels (ACCR), BP 87028, 332, rue Bank, Ottawa (Ontario) K2P 1X0, Canada; Téléphone : (613) 231-3977; Télécopieur : (613) 231-4406; Adresse électronique : [email protected]; Site Web : http://www.cac-accr.ca. Les opinions exprimées dans la présente publication sont celles des auteurs et ne reflètent pas nécessairement celles de la rédaction ou de l'ACCR. 8 The Effects of Water Exposure on Surface Characteristics of Acrylic Emulsion Paints Linda Owen, Rebecca Ploeger and Alison Murray* Art Conservation Program, Art Centre Extension, 15 Queen’s Crescent, Queen’s University, Kingston, Ontario K7L 3N6, Canada; *[email protected] As acrylic emulsion paint is a relatively new artistic medium, much about its properties and conservation remains unknown.
    [Show full text]
  • Door-Prizes • Drawing • Make and Take • Samples
    HANDS–ON DEMONSTRATION SCHEDULE OF EVENTS SANTA CRUZ SCHEDULE CAPITOLA SCHEDULE CAPITOLA SCHEDULE 1407 Pacific Ave Capitola Store 1501 K 41st Ave Capitola Store 1501 K 41st Ave THURSDAY 5/16 THURSDAY 5/16 SATURDAY 5/18 1pm-5pm 1pm-5pm 9:30am-12:30pm Strathmore Card Making with NEW Black Mixed Media Paper, New Liquitex Acrylic Gouache on Prang Kids Art Demo FW Acrylic Inks and Golden Mediums Ampersand Gesso Boards Presented by Johnessa Hernandez Presented by Kari Fote Presented by Steve Gallisdorfer 9:30am -12:30pm FRIDAY 5/17 1pm-5pm Jaquard Pinata Alcohol Inks on Yupo and Clayboard Presented by Annette Pierson 9:30am-12:30pm Caran D’ache and Buddha Boards New Liquitex Acrylic Gouache on Ampersand Gesso Boards Presented by Mary Shirey 9:30am-12:30pm Presented by Steve Gallisdorfer Strathmore Card Making with NEW Black Mixed 1pm-5pm Media Paper, FW Acrylic Inks and Golden Mediums 1pm-5pm Paint a Rock with POSCA Paint Markers Presented by Kari Fote Unleash your own Jackson Pollock! Experience Sennelier Abstract Acrylics on FRIDAY 5/17 9:30am-12:30pm Fabriano Studio Watercolor Paper 9:30am-12:30pm Paint Pouring with Liquitex and Ampersand Presented by Andrew Cook STABILO and Carbothelo Demo Presented by John Mark Eastman 1pm-5pm Presented by George Bethurem 11am-4pm Rembrandt Artists Oil Colors 1pm-5pm Montana Spray Paint and POSCA Demo Presented by Jerey Olson Strathmore Card Making with NEW Black Mixed Media Paper, Presented by The Made Fresh Crew SATURDAY 5/18 FW Acrylic Inks and Golden Mediums 1pm-5pm Presented by Kari Fote 9:30am-12:30pm Experience Sennelier Abstract Acrylics Golden hands on experience with QoR Watercolor, 1pm-5pm on Fabriano Studio Watercolor Paper Williamsburg Oils and Golden Acrylics M.
    [Show full text]
  • Brands and Product Lines & Website Guide
    plus Brands and Product Lines & Website Guide starts on page 56 Last Updated April 5, 2021 CONTACT [email protected] with questions, corrections, additions, updates Page 2 of 67 Product Guide Acetate Sheets Rolls Pads Grafix Jacquard Products / Rupert, Gibbon & Spider, Inc. MacPherson's SLS Arts Texas Art Supply/Art Supply Network Adhesives Alvin & Company Atlas Tape - Channeled Resources Grafix Grex Airbrush H. Schmincke & Co. GmbH & Co. KG HK Holbein, Inc Imagination International Jacquard Products / Rupert, Gibbon & Spider, Inc. Lineco MacPherson's Newell Brands SLS Arts Speedball Art Products Tombow Yasutomo Ziller's, LLC Advertising Art Materials Retailer Magazine Airbrush Equipment and Supplies Armadillo Art & Craft Grafix Grex Airbrush H. Schmincke & Co. GmbH & Co. KG HK Holbein, Inc Iwata-Medea Inc. Jacquard Products / Rupert, Gibbon & Spider, Inc. Page 3 of 67 MacPherson's SLS Arts SINOART Shanghai Co., Ltd Texas Art Supply/Art Supply Network Ziller's, LLC Albums Art and Photo Hahnemuhle USA Lineco MacPherson's SLS Arts Texas Art Supply/Art Supply Network Uchida of America Architectural Supplies ACCO UK. - ACCO Brands, Derwent Alumicolor Alvin & Company Grafix Jack Richeson & CO Inc. MacPherson's SINOART Shanghai Co., Ltd SLS Arts STAEDTLER-Mars Limited Studio Designs Texas Art Supply/Art Supply Network Tombow Artboard MultiMedia Aitoh Co. (WCG Group LLC, dba Aitoh Co.) Alvin & Company Crescent Cardboard, LLC Fredrix Canvas Grafix Heinz Jordan and Company Limited Hilltop Paper LLC Jack Richeson & CO Inc. Lineco Ranger Industries SINOART Shanghai Co., Ltd SLS Arts Texas Art Supply/Art Supply Network Block Printing ABIG GERMANY Armadillo Art & Craft Cranfield Colours Page 4 of 67 Educational Art and Craft Supplies Edward C Lyons Co.
    [Show full text]
  • Markers, Mops, Daubers and GOLDEN High Flow
    Published by Golden Artist Colors, Inc. / Issue 30 From Mark Golden Dear Just Paint readers, We’ve just reached our 30th edition of Just Paint and with it, just a moment of reflection on what we have tried to create with our newsletter. First, a huge thank you to our Editor for the last 20 issues of Just Paint, Jodi O’Dell. Without her dedication to this process, I’d still be on issue #11. The focus of Just Paint has always been to provide artists, material specialists, colleagues and friends with the most updated research, information and GOLDEN High Flow Acrylic navigates easily from brush to refillable marker or from pen to airbrush. happenings here at GOLDEN. Many of our articles have become significant additions for the advancement of research Markers, Mops, Daubers in modern materials. Some are just to inform you of the exciting things and GOLDEN High Flow happening at the facility and with the Golden Foundation. We’ve done our best By Scott Bennett consistency to work with all these new to keep the promotional content at bay, Drawing with pens and ink in tools and more. GOLDEN High Flow but sometimes we just need to shout with artwork is not new. Artists have always Acrylic navigates easily from brush to excitement as we bring on-board new combined drawing with painting, refillable marker or from fountain pen products to share with you. Such is the to airbrush and more. case in this issue as Sarah Sands shares the and the very act of painting itself introduction of the New Williamsburg incorporates drawing as line whenever The unique feature of High Flow Safflower Oil colors as well as Scott one color or value is placed beside Acrylics is that artists can mix and Bennett’s article on using refillable markers another, a thicker passage shows its blend them to make an infinite range with our GOLDEN High Flow Acrylics.
    [Show full text]
  • Paperworld 31
    paperworld 31. Januar. – 3.Februar 2009 Das offizielle Messemagazin NEWS & SERVICES Hallenplan Hall plan Ausstellerliste List of exhibitors Highlights Product News Trends 2009/2010 TOPICS Lebensstil trifft Schreibstil Lifestyles and writing styles unite Das grüne Büro The green office Halle 3.1 / D61 • Halle 4.2 / E61 topfair LIEBE TOP FAIR LESER! Ob Fachgeschäfte für Papier, Fachbesucher aus aller Welt füllen hier die nach der Advents- und Weihnachtszeit leeren Ladenregale Bürobedarf oder Schreibwaren, wieder auf, entdecken die neuesten Trends und las- Papeterien, Spielwarenhandlungen, sen sich inspirieren, treffen ihre Geschäftspartner, knüpfen neue Kontakte und erfahren, was die Hobby- und Kreativmärkte, Branche aktuell bewegt. Eine in Breite und Tiefe einmalige Produktvielfalt, Aussteller aus aller Welt Computerläden, Papeterien, sowie ein umfangreiches Rahmenprogramm mit Grußkartenshops, Geschenkboutiquen, zahlreichen Sonderschauen, Vortragsarealen und Preisverleihungen machen die Paperworld zum ob Großeinkäufer, Facheinzelhändler, Branchenevent Nummer eins – ich freue mich, dass Sie sich dieses Branchenevent nicht entgehen Ruth Lorenz, Grafiker, Produktdesigner oder lassen. Bereichsleiterin Agenturinhaber – sie alle starten mit Messe Frankfurt Besonders ans Herz legen möchte ich Ihnen einen Exhibition GmbH der Paperworld, der internationalen Besuch der Paperworld-Trendschau in Halle 6.1. Vice President Das bora.herke Stilbüro hat die vier maßgeblichen Leitmesse für Papier, Bürobedarf Messe Frankfurt Trendströmungen der kommenden Saison definiert Exhibition GmbH und Schreibwaren, in das neue und diese in Trendwelten anschaulich umgesetzt – lassen Sie sich überraschen und nehmen Sie wert- Geschäftsjahr. volle Tipps und Anregungen für die eigene Laden- und Schaufenstergestaltung mit. Ebenfalls nicht verpassen sollten Sie das PBS-Forum in Halle 3.0. Branchenexperten geben hier wertvolles Wissen für den Berufsalltag weiter, von dem Sie garantiert profitieren werden.
    [Show full text]
  • Postprints Rech 4 | Croatia
    4TH INTERNATIONAL MEETING ON RETOUCHING OF CULTURAL HERITAGE, RECH 4 POSTPRINTS RECH 4 | CROATIA ACADEMY OF ARTS, UNIVERSITY OF SPLIT 20th | 21st OCTOBER 2017 ACKNOWLEDGEMENTS 4th International Meeting on Retouching of Cultural Heritage, RECH4 The Organizing Committee would like to acknowledge the contribution of the the contribution of the members of the Advisory and Scientific Committees Host Venue | Academy of Arts, University of Split who made the selection of the communications and posters for the Meeting. Title | POSTPRINTS RECH4 CROATIA We gratefully acknowledge the financial support and sponsorship of the Editorial Coordinators | Ana Bailão, Sandra Sustic Ministry of Science and Education of Croatia, the Ministry of Culture of the Graphic Design | INEDITAR | Cristina Dordio Republic of Croatia, the University of Split and the Split Student Centre. Special Abstracts Proofreading | Graham McMaster thanks goes to the Tourist board of Split, the City Museum of Split and the City Venue and Date | Split, Croatia, 2017 of Split for their support in organising the social program of the Meeting. We ISBN | 978-953-6617-42-5 express our gratitude to Split University Library and the Faculty of Chemical Engineering and Technology for enabling us with the conference venue. We would also like to thank the Split Department for Conservation for providing Organizing Commitees us with the workshop materials. Special thanks goes to RETES.HR print centre and OPG Mateo Curić. We also express our gratitude to Gabriela Rocha and Support FabLab Lisboa
    [Show full text]
  • The Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings
    NORTHUMBRIA UNIVERSITY An Investigation into the History of the Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings Mohamed Abdeldayem Ahmed Soltan PhD 2015 An Investigation into the History of the Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings Mohamed Abdeldayem Ahmed Soltan A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the School of Arts and Social Sciences April 2015 Abstract The research considers whether traditional approaches to easel paintings conservation are appropriate for the treatment of air brush paintings. The objectives were: . To investigate the aesthetic and technical history of the airbrush . To investigate surface changes in paint layers . To investigate the appropriateness of traditional conservation treatments for airbrush paintings and evaluate alternative approaches Although the first airbrush was introduced in 1883 it was initially rejected by many fine art circles as being too ‘mechanical’. Airbrush techniques have been little discussed in the field of fine art and the field of the conservation of fine art. A mixed methodology was followed for this research, qualitative through literature review carried out in line with the interdisciplinary nature of the research, and quantitative through various approaches including surveys. One survey was carried out in order to establish the use of air brush techniques by artists and its eventual acceptance as a fine art technique. A second survey was conducted to discover how well conservators understood the degradation characteristics of air brush paintings and their appropriate treatment.
    [Show full text]
  • Final Docent Booklet.Pub
    2009 Docent Booklet May 2 - July 19, 2009 Celebrating 6060 Years of Fine Art in Florida Purpose: The Florida Artist Group (FLAG) was incorporated in 1949, as a non-profit organization of practicing artists. Made up of artists whose work has attained national or state-wide recognition, the purpose of the group is to stimulate attainment of the highest standards of creative art within the State of Florida. Annual Symposium: Since 1949, the Florida Artist Group has held a symposium and a members' exhibition each year in a different Florida city. Education and other cultural aims are advocated at these meetings through lectures, panel discussions, films and demonstrations. In addition to the symposium and exhibition held in the spring, area exhibitions and meetings are sponsored at other times in various places in the state. The nature of these meetings follows the character of the spring meeting. These meetings also serve to bring the members of the organization closer together. Members' Annual Exhibition: The annual Exhibition is juried for awards (currently nine) that are presented at the awards banquet held as part of the Symposium. The Florida Artist Group hosts an eminent artist, educator, curator or museum professional to act as juror and keynote speaker at the symposium. For more information please visit our web site www.FloridaArtistGroup.org Ahlin Haiku Watercolor on Maja, 60” x 20” Area V Beverlee Ahlin was educated at Boston University, The Corcoran College of Art and Design with Gene Davis of the Washington Color Painters, oriental brushwork with Diana Kan and was sous chef for Julia Child on the French Chef TV series.
    [Show full text]
  • Testing for Your Application
    just paint Published by Golden Artist Colors, Inc. / Issue 13 Testing for Your Application Sarah Sands the initial starting condition of a surface, “Test for your application.” So runs or even a desired result you can judge the common coda that ends many of our other trials against. emails and closes our conversations. At A second feature is record keeping. the most fundamental level, it simply Keeping accurate records is essential so means trying out a new material or tech- tests can be repeated, solutions recreated, nique in a way that closely mimics how or to help us understand your procedures you hope to use it. Other times it requires should you need to contact us. being something of sleuth and a forensic Common items might include: scientist of the fine arts. In the pages that ■ A timeline and accurate description follow we will examine some of the basic of each step in an application concepts behind testing and explain how ■ Precise list of materials, including any it can help plan your procedures, solve relevant batch codes (see illustration on Batch codes are located either on the bottom problems, and increase your knowledge. right) or purchase dates of a container or printed along the side of Perhaps the first question is why we ■ Ratios used in mixtures the product’s bar code. would ask you to test in the first place. ■ Environmental conditions at the need to be extremely focused with a great After all, don’t we already generate Tech time of testing deal of precision? ■ Sheets for almost everything we make? Size of the pieces ■ What are the known variables or And doesn’t our crack Tech Support team ■ Personal observations properties you intend to test? stand ready to answer any question you All too often the essential variable Make sure to write these out, being as might have? The truth is, no matter how will be a small detail the artist has over- exhaustive and thorough as possible.
    [Show full text]
  • Halle 3.0, Stand D85 Liebe Leserin, Lieber Leser
    30. Januar – 02. Februar 2010 Das offizielle Messemagazin NEWS & SERVICES Hallenplan Hall Plan Ausstellerliste List of Exhibitors Highlights Product News Trends 2010/2011 TOPICS Nachhaltige Qualität Sustainable quality Frische Ideen für Kids Fresh ideas for children Halle 3.0, Stand D85 LIEBE LESerIN, LIEBer LESer, wir befinden uns zu Beginn des Jahres in einer Zeit, in der wir Neues anpacken Vom 30. Januar bis 2. Februar 2010 präsentieren rund 2.000 internationale Aussteller ihre wollen und in die Zukunft blicken. Produktneuheiten, werden neue Geschäfts- Diesen Schwung nimmt die Paperworld, kontakte geknüpft und Trends vorgestellt. Das bora.herke Stilbüro spürt die Trends für 2010/11 die internationale Leitmesse für Papier, auf und macht sie sicht- und greifbar. Die krea- tive Trendschau in der Halle 6.1 zeigt aktuelle Bürobedarf und Schreibwaren, auf und Farben, Formen und Materialien, stellt Schau- setzt ihn hier in Frankfurt um. fensterdekorationen vor und lässt die Trends für die Besucher erlebbar werden. Bei dem Blick in die Zukunft sind natürlich auch Nachhaltigkeit und ressourcenschonende Produkte im Fokus. In Michael Reichhold, der PBS-Branche ist dies ein besonders wichtiges Objektleiter Paperworld Dear Readers, Thema, das zahlreiche Firmen auf ihrer Agenda director Paperworld We often start the New Year full of elan, stehen haben. Die Paperworld räumt mit dem „Green Office Day“ bereits seit Jahren dem ready to tackle new challenges and look Umweltschutz einen besonderen Platz ein. Hier informieren Experten in Vorträgen zu grünen Büroprodukten. 2010 wird eine weitere Premiere im Sektor Recycling gefeiert: confidently into the future. Paperworld, die Remax, Europas größte Fachmesse für die Wiederaufbereitung von Druckerzubehör, the foremost international trade fair for siedelt sich in Paperworld Imaging an.
    [Show full text]