September 29Th

Total Page:16

File Type:pdf, Size:1020Kb

September 29Th 17th Annual National Juried Exhibition September2016 29 - October 30, 2016 Kirkland, Washington Letter from the President Greetings and a warm welcome to beautiful Kirkland, Washington…home of our 17th Annual American Im- pressionist Society National Juried Exhibition, hosted by Howard/Mandville Gallery. This year’s exhibition fea- tures 140 juried works from our members as well as works from our AIS Masters, Founders and Officers, for a total of 160 paintings. This is an exceptional collection of some of the finest Impressionist paintings available today. Sincere congratulations to this year’s juried artists for their outstanding achievement in being selected for this prestigious exhibition. The American Impressionist Society was founded in 1998 by Florida artists William Schultz, Charlotte Dickinson, and Marjorie Bradley of Vero Beach, and Pauline Ney, of Ellenton. Their goal was, and our goal continues to be, to promote the appreciation of American Impressionism and to provide artists working in the Impressionist genre with exhibition, educational and networking opportunities. We are a 501(c)(3) nonprofit corporation. Membership in AIS is open to American Impressionist artists who are legal U.S. residents or U.S. citizens living abroad and anyone who would like to support AIS as a supporting member or patron. Please visit our website, www.americanimpressionistsociety.org or our Facebook page to stay up to date on the lat- est events and opportunities. You will find more information about membership on our website and also on the inside back page of this catalog. Putting together an exhibition of this caliber takes an extraordinary amount of time and hard work, and we would personally like to thank everyone who has had a part in this year’s show. From Pat and Dan Howard, owners of Howard/Mandville Gallery and their wonderful staff, Luanne and Toni, to all of our generous spon- sors, all of our volunteers, our members and donors, all who submitted work for jurying this year, the jury panel, our esteemed AIS Masters, our judge of awards and workshop instructor Calvin Liang (AISM), our AIS Board, Founders, and our officers, Vice President Cheryl St. John, Show Chair Kathryn Riedinger, Educational Program Director Vanessa Rothe, and Social Media Coordinator Becky Joy, sincere thanks to you all. And special thanks to the City of Kirkland for their wonderful hospitality, for promoting our event and for making us feel right at home! This show would not be possible without each and every one of you. Thank you for your time, your hard work and your dedication to AIS. Finally, it’s our pleasure to invite you to enjoy the beautiful collection of Impressionist works of art in this cata- log. We encourage you to contact Howard/Mandville Gallery when you find one that speaks to your heart. On behalf of our Board, Officers, founder Charlotte Dickinson, Chairman Emeritus T.R. Dickinson and Co-founder Pauline Ney, thank you so much for your support of American Impressionism and the American Impressionist Society, Inc. Warmest wishes, Debra Joy Groesser, AIS CEO/President Don Groesser, AIS National Treasurer On the cover: “Ocean View, Carmel” by Calvin Liang, AISM, 18X24 oil, $4,200 Show catalog produced by Tonya Zenin. Printed by Digital Express, La Vista, Nebraska www.AmericanImpressionistSociety.org Juror of Awards Calvin Liang Bio, AISM Calvin Liang was born in Canton, China. He began painting in high school and completed his art education at the Shanghai Academy of Fine Arts, recognized as one of China’s most prestigious and competitive art academies. In China, his skills as a fine artist were applied to the theatrical industry where he designed and created sets for operas and musical dramas for the Canton Opera Institute. Liang moved to the United States in 1987 and continued his profession as a full-time artist. He had a long and successful career creating visual art for the entertainment industry in animation, which included the Walt Disney Studios and Nickelodeon Studio where he worked for the Little Mermaid and Spongebob Squarepants. However he decided to quit working for the studios to pursue a full-time career as a fine art- ist, painting themes of his choosing. Since leaving his animation career in early 2002, Liang “The quality of the painting has definitely been noticed. His accomplishments include winning several top awards in is very important. The com- important exhibitions including Edgar Payne Award for Best Landscape in California Art Club position is a highly regarded 104th Annual Gold Medal Juried Exhibition 2015, Artist Award in Masters of the American element in the painting West Fine Art Exhibition and Sale 2015, Juror’s Best of Show-38th Annual C.M. Russell 2006, process. The ideas behind it “Art-Talk Award of Excellence” Oil Painters of America Juried Exhibition 2005, “People’s can be very creative, but the Choice Award” 6th Annual Laguna Plein Air Painting Event in Bowers Museum 2002, “Best of painting itself has to be up the Show” American Impressionist Society’s 4th Annual Juried Exhibition 2002, thus assuring to par. I appreciate quality his position as one of the nation’s leading artist. National art magazines also took notice. In of color, brushwork, texture, 2004, Liang’s work graced the cover of Art of the West’s special 16th Anniversary Edition; and strong shape, and wonderful in 2006, 2007, and 2008 three years he had a full feature article in American Art Collector edges. And the best painting Magazine. Also he received a full feature article in Southwest Magazine in 2005, American has all of those elements as Artist Magazine in 2005, American Artist Workshop Magazine in 2007, and American Artist well as unity in its visual dia- Magazine in 2010. Again, he had a full feature article in Art of the West Magazine in 2012 and log to connect to the viewer, 2014. In 2012, 2013, 2014, and 2015 he was selected into the Masters of the American West and it doesn’t matter what Fine Art Exhibition and Sale, which was at the Autry National Center in Los Angeles. kind of subject, and what style it is.” Calvin Liang is a Master Member of Oil Painters of America and American Impressionist Soci- – Calvin ety, and a Signature Member of California Art Club and Laguna Plein Air Painters Association. "Fishing Boats in Santa Barbara Harbor" 18x24 oil by Calvin Liang www.AmericanImpressionistSociety.org 1 Letter from the Vice President A warm welcome to all AIS members and to all attendees of the American Impressionist Society’s 17th Annual National Juried Exhibition held at Howard/Mandville Gallery in Kirkland, Washington. This year’s show is nothing short of outstanding! The caliber of artists, the creativity shown and of course the impressionistic style shines through like never before. If you are fortunate enough to be at the exhibit, take the time and enjoy each and every painting in the show, there’s always something to learn and appre- ciate. If you weren’t able to attend this year, I hope this catalog will suffice in bringing you the quality and beauty of each and every painting and if you happen to fall in love with one of these beautiful paintings, be sure and contact Howard/Mandville Gallery to add it to your collection. A big thank goes to Calvin Liang, AISM, for taking on the challenging task of judging this year’s show and for teaching a fabulous workshop. We all appreciate your time and your talent! I also want to thank our President, Debra Joy Groesser, for making AIS what it is today, Kathryn Reidinger, Show Chair, for all of her countless hours organizing volunteers, contacting sponsors and everything else that goes into putting on a successful show! Also, a very special thank you to our sponsors, Howard/ Mandville Gallery and staff and our volunteers for their precious time and efforts! Most importantly, congratulations to all of the artists whose work was selected for this year’s show. You should all be very proud of yourselves and your achievement. The jury process, as always, was very com- petitive with over 1300 entries from very skilled and accomplished professionals so if you’re in the show, give yourself a pat on the back! Enjoy the show!! Warmest wishes, Cheryl St. John Vice President Special thanks to the Kirkland Cultural Arts Commission for their assistance and support. www.AmericanImpressionistSociety.org 2 Letter from the Show Chair Welcome to Kirkland, Washington and the American Impressionist Society’s 17th National Juried Exhibition hosted by the beautiful Howard/Mandville Gallery. I would like to extend a special thanks to the owners, Pat and Dan Howard, and their wonderful staff, Luanne and Toni who have gone out of their way to make this a very special event. Many thanks go out our tireless volunteers, who have worked many hours behind the scenes securing merchandise awards and who will be helping during the wonderful week we have planned beginning September 26th. This includes our AIS President, Debra Groesser and Vice-President, Cheryl St. John who have helped me organize this event every step of the way for the past year - and have been a pleasure to work with! They have spent countless hours to make AIS the organization it is today, representing the finest painters in the country. This show couldn’t happen without the generous donation and sponsorship by our publication partners, American Art Collector, Fine Art Connoisseur, Plein Air Magazine and Southwest Art. In addition we have so many incredible companies sponsoring awards this year - over $60,000 will be awarded at the opening, Thursday, September 29th. We hope you will attend and take advantage of the all the activities: Calvin Li- ang workshop, museum tour, lectures, demonstration by Calvin, cocktail parties and all-member paintout.
Recommended publications
  • Acrylic Supplies
    Nancy MedinaNancy Medina Art Art Acrylic supply lis If you’re just starting with acrylics, size 2 fl. oz tubes (or thereabouts) are fine. I prefer the heavy body acrylics (click here) and open acrylics. Use a fine mister spray bottle and a Sta-wet palette with sponge and acrylic palette paper inserts. I use mostly Golden Artist Colors, but any professional brand of acrylic paint is fine. You may use extenders or mediums with acrylics. I use a fine mist spray bottle of water. You can find all my favorite brands for paints and many of my supplies at: http://www.nancymedina.com/favs CANVAS: » 16X16, 14X14, or any small size. » Your favorite Cotton Canvas or panel. (Treat your cotton canvas in advance with 2 layers of thinly applied acrylic white gesso. Let dry between coats.) There is no need to tint your canvas ahead of time. A white surface is fine. PALETTE: » A wetting spray bottle (fine mist is best) » A wetting palette and paper that keeps your palette surface moist (click here for my favorites) BRUSHES: My favorite brush is about $2 - it is the ¾ inch wide flat Royal Soft Grip SG 700 Order about four of these (they are not expensive) - purchase brushes here. One Royal Sabletek by Langnickel L95010 Number 14 Bright. Here’s a link to purchase them. If the SG 700 Royal softgrip brush is out of stock, you can substitute the #28 Bright – Royal Langnickel SableTek – you can purchase them here. Nancy MedinaCopyright Art LLC protected © Copyright ©Nancy Medina 2017 Art ~ LLCAll 2017Rights Reserved.
    [Show full text]
  • Freeman Ashley a 201309 M
    CHARACTERIZATION OF FILLING MATERIALS FOR EASEL PAINTINGS by ASHLEY AMANDA FREEMAN A thesis submitted to the Department of Art in conformity with the requirements for the degree of Masters of Art Conservation Queen’s University Kingston, Ontario, Canada September, 2013 Copyright © ASHLEY AMANDA FREEMAN, 2013 Abstract Developing appropriate treatments for easel paintings can be complex, as many works are composed of various materials that respond in different ways. When selecting a filling material for these artworks, several properties are investigated including: the need for the infill to react to environmental conditions in a similar manner as the original material; the need for the infill to have good handling properties, adhesion to the original support, and cohesion within the filling material; the ability for the infill to withstand the stress of the surrounding material and; be as flexible as the original material to not cause further damage. Also, changes in colour or mechanical properties should not occur as part of the ageing process. Studies are needed on acrylic-based materials used as infills in conservation treatments. This research examines some of the chemical, physical, and optical changes of eleven filling materials before and after ageing, with the aim to evaluate the overall appropriateness of these materials as infills for easel paintings. The materials examined were three rabbit skin glue (RSG) gessoes, and seven commercially prepared acrylic materials, all easily acquired in North America. Chemical analysis was carried out with Fourier transform infrared (FTIR) spectroscopy and X-ray fluorescence (XRF), pyrolysis gas chromatography-mass spectroscopy (Py-GC/MS), and differential scanning calorimetry (DSC).
    [Show full text]
  • U:\2005-06\CAC Journal\Volume 29\Web Version\Vol 29 Pg 8-25
    The Effects of Water Exposure on Surface Characteristics of Acrylic Emulsion Paints Linda Owen, Rebecca Ploeger and Alison Murray Journal of the Canadian Association for Conservation (J. CAC), Volume 29 © Canadian Association for Conservation, 2005 J.CAC is a peer reviewed journal published annually by the Canadian Association for Conservation of Cultural Property (CAC), PO Box 87028, 332 Bank Street, Ottawa, Ontario K2P 1X0, Canada; Tel.: (613) 231-3977; Fax: (613) 231-4406; E-mail: [email protected]; Web site: http://www.cac-accr.ca. The views expressed in this publication are those of the individual authors, and are not necessarily those of the editors or of CAC. Journal de l'Association canadienne pour la conservation et la restauration (J. ACCR), Volume 29 © l'Association canadienne pour la conservation et la restauration, 2005 Le J.ACCR est un journal révisé par des pairs qui est publié annuellement par l'Association canadienne pour la conservation et la restauration des biens culturels (ACCR), BP 87028, 332, rue Bank, Ottawa (Ontario) K2P 1X0, Canada; Téléphone : (613) 231-3977; Télécopieur : (613) 231-4406; Adresse électronique : [email protected]; Site Web : http://www.cac-accr.ca. Les opinions exprimées dans la présente publication sont celles des auteurs et ne reflètent pas nécessairement celles de la rédaction ou de l'ACCR. 8 The Effects of Water Exposure on Surface Characteristics of Acrylic Emulsion Paints Linda Owen, Rebecca Ploeger and Alison Murray* Art Conservation Program, Art Centre Extension, 15 Queen’s Crescent, Queen’s University, Kingston, Ontario K7L 3N6, Canada; *[email protected] As acrylic emulsion paint is a relatively new artistic medium, much about its properties and conservation remains unknown.
    [Show full text]
  • Door-Prizes • Drawing • Make and Take • Samples
    HANDS–ON DEMONSTRATION SCHEDULE OF EVENTS SANTA CRUZ SCHEDULE CAPITOLA SCHEDULE CAPITOLA SCHEDULE 1407 Pacific Ave Capitola Store 1501 K 41st Ave Capitola Store 1501 K 41st Ave THURSDAY 5/16 THURSDAY 5/16 SATURDAY 5/18 1pm-5pm 1pm-5pm 9:30am-12:30pm Strathmore Card Making with NEW Black Mixed Media Paper, New Liquitex Acrylic Gouache on Prang Kids Art Demo FW Acrylic Inks and Golden Mediums Ampersand Gesso Boards Presented by Johnessa Hernandez Presented by Kari Fote Presented by Steve Gallisdorfer 9:30am -12:30pm FRIDAY 5/17 1pm-5pm Jaquard Pinata Alcohol Inks on Yupo and Clayboard Presented by Annette Pierson 9:30am-12:30pm Caran D’ache and Buddha Boards New Liquitex Acrylic Gouache on Ampersand Gesso Boards Presented by Mary Shirey 9:30am-12:30pm Presented by Steve Gallisdorfer Strathmore Card Making with NEW Black Mixed 1pm-5pm Media Paper, FW Acrylic Inks and Golden Mediums 1pm-5pm Paint a Rock with POSCA Paint Markers Presented by Kari Fote Unleash your own Jackson Pollock! Experience Sennelier Abstract Acrylics on FRIDAY 5/17 9:30am-12:30pm Fabriano Studio Watercolor Paper 9:30am-12:30pm Paint Pouring with Liquitex and Ampersand Presented by Andrew Cook STABILO and Carbothelo Demo Presented by John Mark Eastman 1pm-5pm Presented by George Bethurem 11am-4pm Rembrandt Artists Oil Colors 1pm-5pm Montana Spray Paint and POSCA Demo Presented by Jerey Olson Strathmore Card Making with NEW Black Mixed Media Paper, Presented by The Made Fresh Crew SATURDAY 5/18 FW Acrylic Inks and Golden Mediums 1pm-5pm Presented by Kari Fote 9:30am-12:30pm Experience Sennelier Abstract Acrylics Golden hands on experience with QoR Watercolor, 1pm-5pm on Fabriano Studio Watercolor Paper Williamsburg Oils and Golden Acrylics M.
    [Show full text]
  • Brands and Product Lines & Website Guide
    plus Brands and Product Lines & Website Guide starts on page 56 Last Updated April 5, 2021 CONTACT [email protected] with questions, corrections, additions, updates Page 2 of 67 Product Guide Acetate Sheets Rolls Pads Grafix Jacquard Products / Rupert, Gibbon & Spider, Inc. MacPherson's SLS Arts Texas Art Supply/Art Supply Network Adhesives Alvin & Company Atlas Tape - Channeled Resources Grafix Grex Airbrush H. Schmincke & Co. GmbH & Co. KG HK Holbein, Inc Imagination International Jacquard Products / Rupert, Gibbon & Spider, Inc. Lineco MacPherson's Newell Brands SLS Arts Speedball Art Products Tombow Yasutomo Ziller's, LLC Advertising Art Materials Retailer Magazine Airbrush Equipment and Supplies Armadillo Art & Craft Grafix Grex Airbrush H. Schmincke & Co. GmbH & Co. KG HK Holbein, Inc Iwata-Medea Inc. Jacquard Products / Rupert, Gibbon & Spider, Inc. Page 3 of 67 MacPherson's SLS Arts SINOART Shanghai Co., Ltd Texas Art Supply/Art Supply Network Ziller's, LLC Albums Art and Photo Hahnemuhle USA Lineco MacPherson's SLS Arts Texas Art Supply/Art Supply Network Uchida of America Architectural Supplies ACCO UK. - ACCO Brands, Derwent Alumicolor Alvin & Company Grafix Jack Richeson & CO Inc. MacPherson's SINOART Shanghai Co., Ltd SLS Arts STAEDTLER-Mars Limited Studio Designs Texas Art Supply/Art Supply Network Tombow Artboard MultiMedia Aitoh Co. (WCG Group LLC, dba Aitoh Co.) Alvin & Company Crescent Cardboard, LLC Fredrix Canvas Grafix Heinz Jordan and Company Limited Hilltop Paper LLC Jack Richeson & CO Inc. Lineco Ranger Industries SINOART Shanghai Co., Ltd SLS Arts Texas Art Supply/Art Supply Network Block Printing ABIG GERMANY Armadillo Art & Craft Cranfield Colours Page 4 of 67 Educational Art and Craft Supplies Edward C Lyons Co.
    [Show full text]
  • Markers, Mops, Daubers and GOLDEN High Flow
    Published by Golden Artist Colors, Inc. / Issue 30 From Mark Golden Dear Just Paint readers, We’ve just reached our 30th edition of Just Paint and with it, just a moment of reflection on what we have tried to create with our newsletter. First, a huge thank you to our Editor for the last 20 issues of Just Paint, Jodi O’Dell. Without her dedication to this process, I’d still be on issue #11. The focus of Just Paint has always been to provide artists, material specialists, colleagues and friends with the most updated research, information and GOLDEN High Flow Acrylic navigates easily from brush to refillable marker or from pen to airbrush. happenings here at GOLDEN. Many of our articles have become significant additions for the advancement of research Markers, Mops, Daubers in modern materials. Some are just to inform you of the exciting things and GOLDEN High Flow happening at the facility and with the Golden Foundation. We’ve done our best By Scott Bennett consistency to work with all these new to keep the promotional content at bay, Drawing with pens and ink in tools and more. GOLDEN High Flow but sometimes we just need to shout with artwork is not new. Artists have always Acrylic navigates easily from brush to excitement as we bring on-board new combined drawing with painting, refillable marker or from fountain pen products to share with you. Such is the to airbrush and more. case in this issue as Sarah Sands shares the and the very act of painting itself introduction of the New Williamsburg incorporates drawing as line whenever The unique feature of High Flow Safflower Oil colors as well as Scott one color or value is placed beside Acrylics is that artists can mix and Bennett’s article on using refillable markers another, a thicker passage shows its blend them to make an infinite range with our GOLDEN High Flow Acrylics.
    [Show full text]
  • Paperworld 31
    paperworld 31. Januar. – 3.Februar 2009 Das offizielle Messemagazin NEWS & SERVICES Hallenplan Hall plan Ausstellerliste List of exhibitors Highlights Product News Trends 2009/2010 TOPICS Lebensstil trifft Schreibstil Lifestyles and writing styles unite Das grüne Büro The green office Halle 3.1 / D61 • Halle 4.2 / E61 topfair LIEBE TOP FAIR LESER! Ob Fachgeschäfte für Papier, Fachbesucher aus aller Welt füllen hier die nach der Advents- und Weihnachtszeit leeren Ladenregale Bürobedarf oder Schreibwaren, wieder auf, entdecken die neuesten Trends und las- Papeterien, Spielwarenhandlungen, sen sich inspirieren, treffen ihre Geschäftspartner, knüpfen neue Kontakte und erfahren, was die Hobby- und Kreativmärkte, Branche aktuell bewegt. Eine in Breite und Tiefe einmalige Produktvielfalt, Aussteller aus aller Welt Computerläden, Papeterien, sowie ein umfangreiches Rahmenprogramm mit Grußkartenshops, Geschenkboutiquen, zahlreichen Sonderschauen, Vortragsarealen und Preisverleihungen machen die Paperworld zum ob Großeinkäufer, Facheinzelhändler, Branchenevent Nummer eins – ich freue mich, dass Sie sich dieses Branchenevent nicht entgehen Ruth Lorenz, Grafiker, Produktdesigner oder lassen. Bereichsleiterin Agenturinhaber – sie alle starten mit Messe Frankfurt Besonders ans Herz legen möchte ich Ihnen einen Exhibition GmbH der Paperworld, der internationalen Besuch der Paperworld-Trendschau in Halle 6.1. Vice President Das bora.herke Stilbüro hat die vier maßgeblichen Leitmesse für Papier, Bürobedarf Messe Frankfurt Trendströmungen der kommenden Saison definiert Exhibition GmbH und Schreibwaren, in das neue und diese in Trendwelten anschaulich umgesetzt – lassen Sie sich überraschen und nehmen Sie wert- Geschäftsjahr. volle Tipps und Anregungen für die eigene Laden- und Schaufenstergestaltung mit. Ebenfalls nicht verpassen sollten Sie das PBS-Forum in Halle 3.0. Branchenexperten geben hier wertvolles Wissen für den Berufsalltag weiter, von dem Sie garantiert profitieren werden.
    [Show full text]
  • Postprints Rech 4 | Croatia
    4TH INTERNATIONAL MEETING ON RETOUCHING OF CULTURAL HERITAGE, RECH 4 POSTPRINTS RECH 4 | CROATIA ACADEMY OF ARTS, UNIVERSITY OF SPLIT 20th | 21st OCTOBER 2017 ACKNOWLEDGEMENTS 4th International Meeting on Retouching of Cultural Heritage, RECH4 The Organizing Committee would like to acknowledge the contribution of the the contribution of the members of the Advisory and Scientific Committees Host Venue | Academy of Arts, University of Split who made the selection of the communications and posters for the Meeting. Title | POSTPRINTS RECH4 CROATIA We gratefully acknowledge the financial support and sponsorship of the Editorial Coordinators | Ana Bailão, Sandra Sustic Ministry of Science and Education of Croatia, the Ministry of Culture of the Graphic Design | INEDITAR | Cristina Dordio Republic of Croatia, the University of Split and the Split Student Centre. Special Abstracts Proofreading | Graham McMaster thanks goes to the Tourist board of Split, the City Museum of Split and the City Venue and Date | Split, Croatia, 2017 of Split for their support in organising the social program of the Meeting. We ISBN | 978-953-6617-42-5 express our gratitude to Split University Library and the Faculty of Chemical Engineering and Technology for enabling us with the conference venue. We would also like to thank the Split Department for Conservation for providing Organizing Commitees us with the workshop materials. Special thanks goes to RETES.HR print centre and OPG Mateo Curić. We also express our gratitude to Gabriela Rocha and Support FabLab Lisboa
    [Show full text]
  • The Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings
    NORTHUMBRIA UNIVERSITY An Investigation into the History of the Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings Mohamed Abdeldayem Ahmed Soltan PhD 2015 An Investigation into the History of the Airbrush and the Impact of the Conservation Treatment of Airbrushed Canvas Paintings Mohamed Abdeldayem Ahmed Soltan A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the School of Arts and Social Sciences April 2015 Abstract The research considers whether traditional approaches to easel paintings conservation are appropriate for the treatment of air brush paintings. The objectives were: . To investigate the aesthetic and technical history of the airbrush . To investigate surface changes in paint layers . To investigate the appropriateness of traditional conservation treatments for airbrush paintings and evaluate alternative approaches Although the first airbrush was introduced in 1883 it was initially rejected by many fine art circles as being too ‘mechanical’. Airbrush techniques have been little discussed in the field of fine art and the field of the conservation of fine art. A mixed methodology was followed for this research, qualitative through literature review carried out in line with the interdisciplinary nature of the research, and quantitative through various approaches including surveys. One survey was carried out in order to establish the use of air brush techniques by artists and its eventual acceptance as a fine art technique. A second survey was conducted to discover how well conservators understood the degradation characteristics of air brush paintings and their appropriate treatment.
    [Show full text]
  • Final Docent Booklet.Pub
    2009 Docent Booklet May 2 - July 19, 2009 Celebrating 6060 Years of Fine Art in Florida Purpose: The Florida Artist Group (FLAG) was incorporated in 1949, as a non-profit organization of practicing artists. Made up of artists whose work has attained national or state-wide recognition, the purpose of the group is to stimulate attainment of the highest standards of creative art within the State of Florida. Annual Symposium: Since 1949, the Florida Artist Group has held a symposium and a members' exhibition each year in a different Florida city. Education and other cultural aims are advocated at these meetings through lectures, panel discussions, films and demonstrations. In addition to the symposium and exhibition held in the spring, area exhibitions and meetings are sponsored at other times in various places in the state. The nature of these meetings follows the character of the spring meeting. These meetings also serve to bring the members of the organization closer together. Members' Annual Exhibition: The annual Exhibition is juried for awards (currently nine) that are presented at the awards banquet held as part of the Symposium. The Florida Artist Group hosts an eminent artist, educator, curator or museum professional to act as juror and keynote speaker at the symposium. For more information please visit our web site www.FloridaArtistGroup.org Ahlin Haiku Watercolor on Maja, 60” x 20” Area V Beverlee Ahlin was educated at Boston University, The Corcoran College of Art and Design with Gene Davis of the Washington Color Painters, oriental brushwork with Diana Kan and was sous chef for Julia Child on the French Chef TV series.
    [Show full text]
  • Testing for Your Application
    just paint Published by Golden Artist Colors, Inc. / Issue 13 Testing for Your Application Sarah Sands the initial starting condition of a surface, “Test for your application.” So runs or even a desired result you can judge the common coda that ends many of our other trials against. emails and closes our conversations. At A second feature is record keeping. the most fundamental level, it simply Keeping accurate records is essential so means trying out a new material or tech- tests can be repeated, solutions recreated, nique in a way that closely mimics how or to help us understand your procedures you hope to use it. Other times it requires should you need to contact us. being something of sleuth and a forensic Common items might include: scientist of the fine arts. In the pages that ■ A timeline and accurate description follow we will examine some of the basic of each step in an application concepts behind testing and explain how ■ Precise list of materials, including any it can help plan your procedures, solve relevant batch codes (see illustration on Batch codes are located either on the bottom problems, and increase your knowledge. right) or purchase dates of a container or printed along the side of Perhaps the first question is why we ■ Ratios used in mixtures the product’s bar code. would ask you to test in the first place. ■ Environmental conditions at the need to be extremely focused with a great After all, don’t we already generate Tech time of testing deal of precision? ■ Sheets for almost everything we make? Size of the pieces ■ What are the known variables or And doesn’t our crack Tech Support team ■ Personal observations properties you intend to test? stand ready to answer any question you All too often the essential variable Make sure to write these out, being as might have? The truth is, no matter how will be a small detail the artist has over- exhaustive and thorough as possible.
    [Show full text]
  • Halle 3.0, Stand D85 Liebe Leserin, Lieber Leser
    30. Januar – 02. Februar 2010 Das offizielle Messemagazin NEWS & SERVICES Hallenplan Hall Plan Ausstellerliste List of Exhibitors Highlights Product News Trends 2010/2011 TOPICS Nachhaltige Qualität Sustainable quality Frische Ideen für Kids Fresh ideas for children Halle 3.0, Stand D85 LIEBE LESerIN, LIEBer LESer, wir befinden uns zu Beginn des Jahres in einer Zeit, in der wir Neues anpacken Vom 30. Januar bis 2. Februar 2010 präsentieren rund 2.000 internationale Aussteller ihre wollen und in die Zukunft blicken. Produktneuheiten, werden neue Geschäfts- Diesen Schwung nimmt die Paperworld, kontakte geknüpft und Trends vorgestellt. Das bora.herke Stilbüro spürt die Trends für 2010/11 die internationale Leitmesse für Papier, auf und macht sie sicht- und greifbar. Die krea- tive Trendschau in der Halle 6.1 zeigt aktuelle Bürobedarf und Schreibwaren, auf und Farben, Formen und Materialien, stellt Schau- setzt ihn hier in Frankfurt um. fensterdekorationen vor und lässt die Trends für die Besucher erlebbar werden. Bei dem Blick in die Zukunft sind natürlich auch Nachhaltigkeit und ressourcenschonende Produkte im Fokus. In Michael Reichhold, der PBS-Branche ist dies ein besonders wichtiges Objektleiter Paperworld Dear Readers, Thema, das zahlreiche Firmen auf ihrer Agenda director Paperworld We often start the New Year full of elan, stehen haben. Die Paperworld räumt mit dem „Green Office Day“ bereits seit Jahren dem ready to tackle new challenges and look Umweltschutz einen besonderen Platz ein. Hier informieren Experten in Vorträgen zu grünen Büroprodukten. 2010 wird eine weitere Premiere im Sektor Recycling gefeiert: confidently into the future. Paperworld, die Remax, Europas größte Fachmesse für die Wiederaufbereitung von Druckerzubehör, the foremost international trade fair for siedelt sich in Paperworld Imaging an.
    [Show full text]