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Postprints Rech 4 | Croatia 4TH INTERNATIONAL MEETING ON RETOUCHING OF CULTURAL HERITAGE, RECH 4 POSTPRINTS RECH 4 | CROATIA ACADEMY OF ARTS, UNIVERSITY OF SPLIT 20th | 21st OCTOBER 2017 ACKNOWLEDGEMENTS 4th International Meeting on Retouching of Cultural Heritage, RECH4 The Organizing Committee would like to acknowledge the contribution of the the contribution of the members of the Advisory and Scientific Committees Host Venue | Academy of Arts, University of Split who made the selection of the communications and posters for the Meeting. Title | POSTPRINTS RECH4 CROATIA We gratefully acknowledge the financial support and sponsorship of the Editorial Coordinators | Ana Bailão, Sandra Sustic Ministry of Science and Education of Croatia, the Ministry of Culture of the Graphic Design | INEDITAR | Cristina Dordio Republic of Croatia, the University of Split and the Split Student Centre. Special Abstracts Proofreading | Graham McMaster thanks goes to the Tourist board of Split, the City Museum of Split and the City Venue and Date | Split, Croatia, 2017 of Split for their support in organising the social program of the Meeting. We ISBN | 978-953-6617-42-5 express our gratitude to Split University Library and the Faculty of Chemical Engineering and Technology for enabling us with the conference venue. We would also like to thank the Split Department for Conservation for providing Organizing Commitees us with the workshop materials. Special thanks goes to RETES.HR print centre and OPG Mateo Curić. We also express our gratitude to Gabriela Rocha and Support FabLab Lisboa (Portugal) and to Escola Artística e Profissional Árvore (Porto, Portugal) for providing us with the conference badges. 2 3 COMMITTEES ADVISORY COMMITTEE Visnja Bralic | Croatian Conservation Institute, Zagreb, Croatia Sagita Mirjam Sunara | Arts Academy of the University of Split, Croatia ORGANIZING COMMITTEE (alphabetical order) Ana Bailão | CIEBA/ University of Lisbon | Catholic Portuguese University/ CITAR, Portugal Ana Bidarra | Cinábrio, Conservação e Restauro | GeoBioTec Research Centre, Aveiro University, Portugal Francisco Silva | Árvore | Escola Artística e Profissional Árvore, Portugal Frederico Henriques | Catholic Portuguese University/ CITAR, Portugal LOCAL ORGANIZING COMMITTEE (alphabetical order) Jurica Matijevic | Arts Academy of the University of Split, Croatia Lana Kekez | Arts Academy of the University of Split, Croatia Sagita Mirjam Sunara | Arts Academy of the University of Split, Croatia Sandra Sústic | Arts Academy of the University of Split, Croatia Tina Tomsic | Arts Academy of the University of Split, Croatia TECHNICAL COMMITTEE Krešimir Bosnić | Arts Academy of the University of Split, Croatia Nikola Radošević | Arts Academy of the University of Split, Croatia Stjepan Krešić | Arts Academy of the University of Split, Croatia Bernarda Đurić | Arts Academy of the University of Split, Croatia Mateo Curić | Freelancer, Croatia Josip Pašalić | Arts Academy of the University of Split, Croatia Nikolina Drlje | Arts Academy of the University of Split, Croatia Silvija Matas | Arts Academy of the University of Split, Croatia Katarina Strinić | Arts Academy of the University of Split, Croatia Marija Curić | Arts Academy of the University of Split, Croatia Lucija Jolić | Arts Academy of the University of Split, Croatia 4 5 SCIENTIFIC COMMITTEE (alphabetical order) Ana Bailão | CIEBA/ University of Lisbon | Catholic Portuguese University/ CITAR, Portugal REGISTERED AUTHORS ÍNDEX Ana Bidarra | Cinábrio, Conservação e Restauro | GeoBioTec Research Centre, Aveiro, Univ., Portugal Ana Calvo | Complutense University, Madrid, Spain Agnès Le Gac | FCT - New University of Lisbon/LIBPhys-UNL, Portugal Ana Martins | Museum of Modern Art, MoMa, New York, USA Arianne Vanrell | Museo Nacional Centro Reina Sofía, Madrid, Spain Alicia Sanchez Ortiz | Complutense University, Madrid, Spain Alice Nogueira Alves | Fine Arts Faculty of the University of Lisbon/CIEBA, ARTIS, Portugal Antonino Cosentino | Cultural Heritage Science Open Source, Italy Barbka Gosar Hirci | Institute for the Protection of Cultural Heritage of Slovenia Alba Guerrero Kristina Krivec Branko Pavazza | Croatian Conservation Institute, Croatia Amparo Escolano Mena Lana Kekez Cristina Montagner | Centre of Physics, Campus de Gualtar, University of Minho, Braga, Portugal Ana Bailão Leonardo Severini Emmanuelle Mercier | Institut Royal du Patrimoine Artistique, Bruxelles, Belgium Ana Bidarra Leonor Loureiro Estelle De Groote | Institut Royal du Patrimoine Artistique, Bruxelles, Belgium Ana Carolina Rodrigues Ferreira Liliana Querido Cardeira Élia Roldão | Universidade NOVA de Lisboa, Caparica, Portugal Ana Oblak Maja Sučević Miklin Francesca Tonini | Ca´Foscari University in Venice | University of Urbino, Italy Anita Klančar Kavčič Mara Kolić Pustić Fernando Costa | Polytechnic Institute of Tomar, Portugal Antonija Gluhan Marisol Valenzuela Frederico Henriques | Catholic Portuguese University/ CITAR, Portugal Bakonyi Tímea Martina Bagatin Helena Melo | Évora University/HERCULES Lab/Évora University, Portugal Beatriz Doménech García Martina Lesar Kikelj Isabel Argerich | InstItuto del Patrimonio Cultural de España, Madrid, Spain Eve Bouyer Martina Vuga Isabel Tissot | Archeofactu & LIBPhys-UNL, Portugal Branko Pavazza Mladen culic Ilaria Saccani | CESMAR7, Italy Brian Baade Paolo Roma José Manuel de la Roja | Complutense University, Madrid, Spain Clara M. Prieto Pedro Antunes Laura Fuster-López | Polytechnic University of Valencia, Spain Dorotea Krstić Rosa Senserrich-Espuñes Leonor Loureiro | Polytechnic Institute of Tomar, Portugal Nancy von Breska Ficovic Ruben Morales Lorraine Mailho | C2RMF, France Emmanuelle Mercier Sagita Mirjam Sunara Luís Pereira | Água de Cal - Conservação e Restauro, Portugal Erika Rabelo Sandra Šustić Lucija Močnik Ramovš | University of Ljubljana, Slovenia Filip Adrian Petcu Sanela Huzjak Mara Kolic Pustic | Croatian Conservation Institute, Croatia Francesca Tonini Sara Aničić Eterović Ricardo Triães | Polytechnic Institute of Tomar, Portugal Frederico Henriques Serena Francone Rocío Bruquetas | Museo de América, Spain Gabor Erdei Simona Pannuzi Rui Bordalo | Évora University/HERCULES Lab/Évora University, Portugal Ivana Letilović Simona Škorja Rubén Morales | Complutense University, Madrid, Spain Julija Baćak Stefano Scarpelli Silvia García Fernández-Villa | Complutense University, Madrid, Spain Jure Matijević Tina Tomšić Sandra Sústic | Arts Academy of the University of Split, Croatia Katarina Alamat Kusijanovic Vanessa Ubaldi Stefano Scarpelli | Private conservation-restoration studio, Florence Katarina Tomaš Visnja Bralic Kristin deGhetaldi 6 7 FOREWORD The retouching process is one of the last steps of a conservation and restoration intervention. Expectations are normally high and conservators are continuously challenged to acquire innovative techniques and new materials to satisfy this need. One important part of retouching is to use and incorporate materials with long-term durability, but always based on the concept of minimal intervention. The accomplishment of these expectations entails a detailed diagnosis and planning of the treatment with attention to function, to aesthetics and to the stability of the materials. Communication is the key word for a good intervention. Proper communication will not only enhance the conservator– owner relationship but also provide greater acceptance of the treatment planning. The evolution of digital technology has created exciting opportunities for improving this communication process and to facilitate a smooth workflow, from diagnosis to the final treatment and maintenance phase. The International Meetings on Retouching of Cultural Heritage (RECH), initiated in 2013, have gained an international audience, bringing together conservation-restoration professionals, academic members, students and independent researchers from across the world. The conferences aim to promote the exchange of ideas, concepts, terminology, methods, techniques and materials applied during the retouching process in different areas of conservation. This postprints presents the articles of the fourth edition of RECH that took place in Split (Croatia) from October 20th to October 21st, 2017 and was jointly organised by members of the Escola Artística e Profissional Árvore, the Faculty of Fine Arts of the University of Lisbon, the Arts Academy of the University in Split, the Catholic University of Portugal, the Cinábrio and University of Aveiro. The Scientific Committee, consisting of renowned experts 8 9 in the conservation-restoration field, selected 24 abstracts for communications and 16 abstracts for poster sessions, not all publish here. The titles cover a ÍNDEX | COMMUNICATIONS wide range of topics - from digital options for documentation, diagnosis and treatment, to new solutions and materials for filling and retouching of losses. The organizers give their thanks to all the members of the RECH Committees for their diligent work in setting up the programme and to the sponsors for their generous support. Ana Bailão on behalf of the Organizing Committee Sandra Šustić on behalf of the Local Organizing Committee 10 11 22 An opportunity to reflect on differentiated retouching techniques used in Italy: methods and materials. Problem solving in a private practice context. Leonardo Severini 28 The bad reputation of neutral retouching Eve Bouyer 38 Baroque Master Mattia Preti and his workshop: two series of four evangelists from Dubrovnik Maja Kolić Pustić, Carlo Galliano Lalli, Nancy
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