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CONTROL OF THE EFFECTS OF WIND, SAND, AND DUST BY THE CITADEL WALLS, IN CHAN CHAN, PERU bv I . S. Steven Gorin I Dissertation submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Environmental Design and Planning I APPROVED: ( · 44”A, F. Q. Ventre;/Chairman ‘, _/— ;; Ä3“ 7 B. H. Evans E2 i;imgold ___ _H[ C. Miller 1115111- R. P. Schubert · — · December, 1988 Blacksburg, Virginia CONTROL OF THE EFFECTS OF WIND, SAND, AND DUST BY THE CITADEL WALLS IN CHAN CHAN, PERU by S. Steven Gorin Committee Chairman: Francis T. Ventre Environmental Design and Planning (ABSTRACT) Chan Chan, the prehistoric capital of the Chimu culture (ca. A.D. 900 to 1450), is located in the Moche Valley close to the Pacific Ocean on the North Coast of Peru. Its sandy desert environment is dominated by the dry onshore turbulent ' and gusty winds from the south. The nucleus of this large durban community built of adobe is visually and spacially ' dominated by 10 monumental rectilinear high walled citadels that were thought to be the domain of the rulers. The form and function of these immense citadels has been an enigma for scholars since their discovery by the Spanish ca. 1535. Previous efforts to explain the citadels and the walls have emphasized the social, political, and economic needs of the culture. The use of the citadels to control the effects of the wind, sand, and dust in the valley had not been previously considered. -
Lost Languages of the Peruvian North Coast LOST LANGUAGES LANGUAGES LOST
12 Lost Languages of the Peruvian North Coast LOST LANGUAGES LANGUAGES LOST ESTUDIOS INDIANA 12 LOST LANGUAGES ESTUDIOS INDIANA OF THE PERUVIAN NORTH COAST COAST NORTH PERUVIAN THE OF This book is about the original indigenous languages of the Peruvian North Coast, likely associated with the important pre-Columbian societies of the coastal deserts, but poorly documented and now irrevocably lost Sechura and Tallán in Piura, Mochica in Lambayeque and La Libertad, and further south Quingnam, perhaps spoken as far south as the Central Coast. The book presents the original distribution of these languages in early colonial Matthias Urban times, discusses available and lost sources, and traces their demise as speakers switched to Spanish at different points of time after conquest. To the extent possible, the book also explores what can be learned about the sound system, grammar, and lexicon of the North Coast languages from the available materials. It explores what can be said on past language contacts and the linguistic areality of the North Coast and Northern Peru as a whole, and asks to what extent linguistic boundaries on the North Coast can be projected into the pre-Columbian past. ESTUDIOS INDIANA ISBN 978-3-7861-2826-7 12 Ibero-Amerikanisches Institut Preußischer Kulturbesitz | Gebr. Mann Verlag • Berlin Matthias Urban Lost Languages of the Peruvian North Coast ESTUDIOS INDIANA 12 Lost Languages of the Peruvian North Coast Matthias Urban Gebr. Mann Verlag • Berlin 2019 Estudios Indiana The monographs and essay collections in the Estudios Indiana series present the results of research on multiethnic, indigenous, and Afro-American societies and cultures in Latin America, both contemporary and historical. -
Interpreting the Architectonics of Power and Memory at the Late Formative Center of Jatanca, Jequetepeque Valley, Peru
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 INTERPRETING THE ARCHITECTONICS OF POWER AND MEMORY AT THE LATE FORMATIVE CENTER OF JATANCA, JEQUETEPEQUE VALLEY, PERU John P. Warner University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Warner, John P., "INTERPRETING THE ARCHITECTONICS OF POWER AND MEMORY AT THE LATE FORMATIVE CENTER OF JATANCA, JEQUETEPEQUE VALLEY, PERU" (2010). University of Kentucky Doctoral Dissertations. 72. https://uknowledge.uky.edu/gradschool_diss/72 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION John Powell Warner The Graduate School University of Kentucky 2010 INTERPRETING THE ARCHITECTONICS OF POWER AND MEMORY AT THE LATE FORMATIVE CENTER OF JATANCA, JEQUETEPEQUE VALLEY, PERU ____________________________________ ABSTRACT OF DISSERTATION ____________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By John Powell Warner Lexington, Kentucky Co-Directors: Dr. Tom D. Dillehay, Professor of Anthropology and Dr. Chris Pool, Professor of Anthropology Lexington, Kentucky 2010 Copyright © John Powell Warner 2010 ABSTRACT OF DISSERTATION INTERPRETING THE ARCHITECTONICS OF POWER AND MEMORY AT THE LATE FORMATIVE CENTER OF JATANCA, JEQUETEPEQUE VALLEY, PERU This works examines the Late Formative Period site of Jatanca (Je-1023) located on the desert north coast of the Jequetepeque Valley, Peru. -
Bulletin De L'institut Français D'études Andines 39 (2) | 2010
Bulletin de l'Institut français d'études andines 39 (2) | 2010 Varia Edición electrónica URL: http://journals.openedition.org/bifea/1870 DOI: 10.4000/bifea.1870 ISSN: 2076-5827 Editor Institut Français d'Études Andines Edición impresa Fecha de publicación: 1 agosto 2010 ISSN: 0303-7495 Referencia electrónica Bulletin de l'Institut français d'études andines, 39 (2) | 2010 [En línea], Publicado el 01 febrero 2011, consultado el 10 diciembre 2020. URL : http://journals.openedition.org/bifea/1870 ; DOI : https:// doi.org/10.4000/bifea.1870 Les contenus du Bulletin de l’Institut français d’études andines sont mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. ISSN 0303 - 7495 BULLETIN Hecho el Depósito Legal n.° 2006-7434 DE L’INSTITUT FRANÇAIS Ley 26905-Biblioteca Nacional del Perú D’ÉTUDES ANDINES 2010, Tome 39, n.° 2 Directeur : Georges LOMNÉ Responsable de l’édition : Anne-Marie BROUGÈRE Comité Éditorial : Jean-François BOUCHARD (archéologue) Jean-Pierre LAVAUD (sociologue) Steve BOURGET (archéologue) Faviola LEÓN-VELARDE (biologiste) Richard BURGER (archéologue) Clara LÓPEZ BELTRÁN (historienne) Chantal CAILLAVET (ethnohistorienne) Évelyne MESCLIER (géographe) Víctor CARLOTTO (géologue) Christian de MUIZON (paléontologue) Jean-Pierre CHAUMEIL (ethnologue) Frank SALOMON (ethnologue) Philippe DESCOLA (ethnologue) Gonzalo SÁNCHEZ (sociologue) Juan Carlos ESTENSSORO (historien) Michel SÉBRIER (géologue) Pilar GARCÍA JORDÁN (historienne) Jorge -
Cultural Change in the Moche Valley, Peru Considered Within an Environmental Framework
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1982 Cultural Change in the Moche Valley, Peru Considered Within an Environmental Framework Margaret M. Sciscento Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Anthropology Commons Recommended Citation Sciscento, Margaret M., "Cultural Change in the Moche Valley, Peru Considered Within an Environmental Framework" (1982). Master's Theses. 3339. https://ecommons.luc.edu/luc_theses/3339 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1982 Margaret M. Sciscento t I CULTURAL CHANGE IN THE r10CHE VALLEY, PERU, CONSIDERED WITHIN AN ENVIRONMENTAL FRAMEWORK by MARGARET H. SCISCENTO A Thesis Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Master of Arts Hay 1982 ACKNOWLEDGMENTS Many thanks to Patricia Essenpreis, Christine Fry and Michael Moseley for their help in completing this thesis. I am especially indebted to the Programa Riego Antiguo and Loyola University for providing the financial and intellectual assistance which allowed me to undertake research in Peru. ii VITA The author, Margaret M. Sciscento, is the daughter of Mary and Donald Sciscento and was born in New Bedford, Massachusetts on February 3, 1949. Her elementary and secondary education was obtained in parochial school in New Bedford. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Sex, Myth, and Metaphor in Moche Pottery A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Andrew David Turner December 2013 Thesis Committee: Dr. Jason Weems, Chairperson Dr. Stella Nair Dr. Karl Taube Dr. Jeanette Kohl Copyright by Andrew David Turner 2013 The Thesis of Andrew David Turner is approved: Committee Chairperson University of California, Riverside Acknowledgements Although his name does not appear on the previous page, Jeffrey Quilter was an integral member of my committee who graciously met and corresponded with me and took part in the defense. I wish to express my profound gratitude to for his willingness to share his time and expertise, and his kind-natured enthusiasm for assisting young scholars. I would like to thank Stella Nair and Jason Weems, my Co-Chairs, for the vast amount of time they invested into improving the quality of my work, and for continuously challenging me to approach the material in greater depth. I am grateful to Committee Members Karl Taube and Jeanette Kohl, who offered thoughtful critiques and suggestions, and the quality of the finished product is greatly improved thanks to their help and support. I am indebted to Ulla Holmquist, Isabel Collazos T., and Andrés Álvarez Calderón of the Museo Larco for generously sharing their time, resources, and insights. This project would not have been possible without their assistance. Moisés Tufinio at Huaca de la Luna and Régulo Franco Jordán and Viktor Avila at Huaca Cao Viejo were exceptionally gracious hosts, and Julio Ibarrola of San José de Moro kindly shared his skill as an alfarero with me and patiently answered my questions. -
Moche: Archaeology, Ethnicity, Identity Moche: Arqueología, Etnicidad, Identidad Moche: Archéologie, Ethnicité, Identité
Bulletin de l'Institut français d'études andines 39 (2) | 2010 Varia Moche: Archaeology, Ethnicity, Identity Moche: Arqueología, etnicidad, identidad Moche: Archéologie, ethnicité, identité Jeffrey Quilter Electronic version URL: http://journals.openedition.org/bifea/1885 DOI: 10.4000/bifea.1885 ISSN: 2076-5827 Publisher Institut Français d'Études Andines Printed version Date of publication: 1 August 2010 Number of pages: 225-241 ISSN: 0303-7495 Electronic reference Jeffrey Quilter, « Moche: Archaeology, Ethnicity, Identity », Bulletin de l'Institut français d'études andines [Online], 39 (2) | 2010, Online since 01 February 2011, connection on 07 November 2020. URL : http:// journals.openedition.org/bifea/1885 ; DOI : https://doi.org/10.4000/bifea.1885 Les contenus du Bulletin de l’Institut français d’études andines sont mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. IFEA Bulletin de l’Institut Français d’Études Andines / 2010, 39 (2): 225-241 Moche: Archaeology, Ethnicity, Identity Moche: Archaeology, Ethnicity, Identity Jeffrey Quilter* Abstract The two different modes of investigation in Art History and Anthropological Archaeology are discussed. This is followed by a consideration of these issues in relation to the Mochica archaeological culture. The “Mochica” have come to be considered a political or ethnic group and, in particular, considered as a prehistoric state. This essay questions these ideas and suggests that Moche is best considered as primarily a religious system. The ceremonial centers were likely places of pilgrimage with more complicated roles in politics than previous models have considered although changing roles through time must be considered. -
Rrigated Agriculture in the Chicama Valley, Peru
AN HISTORICAL GEOGRAPHY 0F {RRIGATED AGRICULTURE IN THE CHICAMA VALLEY, PERU Thesis for the Degree of M. A. MICHIGAN STATE SNWERSITY JAMES S. KUS 196.7 r—uz.‘uru~.gu fl. vb LIBRA lax/“‘1 ' 1‘ V 1 " ‘blia' ' ' 5. '.l State University , M? "WI/fl '7ng I KIWI/1m WIN/WW mm 696 4294 v ABSTRACT AN HISTORICAL GEOGRAPHY OF IRRIGATED AGRICULTURE IN THE CHICAMA VALLEY, PERU by James S. Kus This thesis constitutes a survey and analysis of irrigated agriculture in the Chicama Valley of northern coastal Peru. This valley is one of many within the region in which a long sequence of occupation has been recognized. By studying the relationships between agricultural patterns of the early cultures and those of the Valley today a better understanding of the region can be achieved. The Chicama River, which originates in the Andes about one hundred miles from the Pacific Ocean,is used ex- tensively for irrigation. The coastal part of its valley is only about thirty miles wide and would be a desert ex- cept for irrigation water from the river. In recent years wells have been used in the coastal areas to increase the amount of water available. The major crop cultivated is sugar cane, which is grown on large haciendas. There are two sugar mills which process the cane from all fields in the valley. The pro— duction of these mills, including several grades of sugar and various by-products, is consumed in the northern coastal region, in other areas of Peru, and in the rest of the world. -
A Virú Outpost at Huaca Prieta, Chicama Valley, Peru
Statecraft and expansionary dynamics: A Virú outpost at Huaca Prieta, Chicama Valley, Peru Jean-François Millairea,1, Gabriel Prietob, Flannery Surettea, Elsa M. Redmondc, and Charles S. Spencerc,1 aDepartment of Anthropology, Social Science Centre, The University of Western Ontario, London ON, N6A 5C2, Canada; bFacultad de Ciencias Sociales, Universidad Nacional de Trujillo, Trujillo, Peru; and cDivision of Anthropology, American Museum of Natural History, New York, NY 10024-5192 Contributed by Charles S. Spencer, July 28, 2016 (sent for review June 20, 2016; reviewed by Joyce Marcus and Charles Stanish) Interpolity interaction and regional control were central features of the rise of a local polity that started “asserting control of regional all early state societies, taking the form of trade—embedded in exchange networks previously held by the intruding core groups” political processes to varying degrees—or interregional conquest (ref.1,p.324). strategies meant to expand the polity’s control or influence over Redmond and Spencer’s work (5, 6, 10–12) has helped docu- neighboring territories. Cross-cultural analyses of early statecraft ment various key aspects of the expansionary dynamics of early suggest that territorial expansion was an integral part of the process states, including annexation strategies, administration practice, of primary state formation, closely associated with the delegation of and issues related to the cooption of indigenous leaders, delega- authority to subordinate administrators and the construction of core tion of authority, and responses to varying conditions of local outposts of the state in foreign territories. We report here on a competition or resistance (see also ref. 7). In a cross-cultural potential case of a core outpost, associated with the early Virú state, comparison of expansionary dynamics in primary state formations, at the site of Huaca Prieta in the Chicama Valley, located 75 km north Spencer (10) highlighted the correspondence in time between the of the Virú state heartland on the north coast of Peru. -
California State University, Northridge Ceramic Firing
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CERAMIC FIRING TECHNOLOGY " IN THE MOCHE VALLEY, PERU A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Anthropology by James Robert Szabo ~ January, 1977 1'"·--~-----.,-··--·---~----"'---· -· -----------..-~~--~---·--"----~----~- .. , l The Thesis of James Robert Szabo is approved, Antonio Gilman (Date) Paul L. K1.rk (Date)/ Carol .;r_.I Mackey Committee Chairperson California State University, Northridge ii ------~--------------,~---------------------~ Dedicated to Janine ACKNOWLEDGMENTS I wish to express sincere appreciation to :carol Mackey. Her contributions to this work have been extensive. To mention just a few: She provided me the opportunity to participate in the Chan Chan .Moche Valley Project; secondly, she shared with me all :or the currently emerging unpublished articles from other scholars working on aspects of the Project; thirdly, for her constructive criticism and desire for this to be a worthy thesis; and finally, for the encouragement she offered when it was needed. I would also like to extend a special thank you to Diana Kamilli_, for her willingness to provide Carol and I with the results of her Thermoluminescence and X-ray Diffraction tests. iii r--, --·~~1 I . They proved to be indispensable to the scope and quality of this study. To my wife Sherry, a deep appreciation for her typing and editing skills so freely offerred throughout the research, and for her patience and understanding. l ___ J iv TABLE OF CONTENTS Page ACKNOWLEDGMENTS -
UNIVERSITY of CALIFORNIA Los Angeles Moche
UNIVERSITY OF CALIFORNIA Los Angeles Moche Marks of Distinction: Time and Politics in Painted Pottery Substyles of the Moche Culture, North Coast, Peru AD 100-900 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Ethan Michael Cole 2012 ABSTRACT OF THE DISSERTATION Moche Marks of Distinction: Time and Politics in Painted Pottery Substyles of the Moche Culture, North Coast, Peru AD 100-900 by Ethan Michael Cole Doctor of Philosophy in Art History University of California, Los Angeles, 2012 Professor Cecelia F. Klein, Chair This dissertation proposes, on the basis of an iconographic and stylistic analysis of Moche fineline painted decorations on ceramic vessels from the Moche, Jequetepeque, and Chicama Valleys in north coastal Peru, a new chronology for, and an enhanced understanding of, the political landscape of Moche culture during the Late Moche period (AD 600-900). I, like others before me, see Moche ceramic vessel paintings as manifestations of the dominant ideology of the polities that created them and as belonging to distinct regional artistic substyles. This dissertation reevaluates these paintings through the lens of regional variation. A formal and iconographic comparison of two previously identified substyles, one called the “Huacas de Moche substyle” and other the “San José de Moro substyle,” as well as a new one, which I label the “Late Chicama substyle,” reveals evidence that the Huacas de Moche fineline painting ii tradition preceded that of the Late Chicama tradition and that the Late Chicama substyle came before the San José de Moro tradition. -
Barker Fariss a Dissertation Submitted to the Faculty of the University of North Carolina at Chapel Hill in Partial Fulfillment
GALLINAZO PHASE MIGRATION IN THE MOCHE VALLEY, PERU Barker Fariss A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of PhD in the Department of Anthropology (Archaeology). Chapel Hill 2012 Approved by: Dr. Brian R. Billman Dr. Carole L. Crumley Dr. Scott L. H. Madry Dr. R. P. Stephen Davis Dr. Patricia A. McAnany © 2012 Barker Fariss ALL RIGHTS RESERVED ii ABSTRACT BARKER FARISS: Gallinazo Phase Migration in the Moche Valley, Peru (Under the direction of Brian R. Billman) This dissertation project is focused on settlement patterns in the Moche Valley, on the North Coast of Peru, during the Gallinazo Phase of Early Intermediate Period (ca. 0-200 CE). Geographic Information Systems (GIS) technology, generalized logistic models (GLM) and Principal Components Analysis (PCA) are used to define architecture and spatial organization unique to nonlocal settlement. This research addresses broad theoretical concepts in anthropology like ethnicity and power, and examines methodological issues of investigating prehistoric culture contact and interaction. The concept of an ethnotone is reintroduced to replace the core/periphery model in a pluralistic society where there is no central place. Nonlocal architecture at a sample of sites is specifically described and settlement patterns are differentiated. The results provide further evidence that nonlocal Gallinazo Phase settlements in the Moche Valley are ethnic-highland. Contrary to conflict- centered theories about culture contact in the Andes, interaction between migrants and locals on the North Coast at this time was probably less violent than previously thought. Among other variables, this research establishes that building on hillsides was common, and communities tended to aggregate into clusters around elite compounds; yet, this pattern is not overtly defensive.