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Remarks by Redstockings Speaker Marisa Figueiredo Shulamith Firestone Memorial September 23, 2012
Remarks by Redstockings speaker Marisa Figueiredo Shulamith Firestone Memorial September 23, 2012 In 1978, at the age of 16, while In high school, I lived in Akron, Ohio. I went to to the public library on weekends and on one shelf were three books in a row that changed my life forever and are the reason I am here today: Simone de Beauvoir's The Second Sex, Shulamith Firestone's The Dialectic of Sex The Case for Feminist Revolution, and Redstockings' Feminist Revolution. With my consciousness raised to the point of passionately identifying myself as a radical feminist in the tradition each book represented, I ardently wanted to connect with Shulamith Firestone and Redstockings , so I wrote to both. I heard back from Redstockings, not Shulamith, and since 1984, I have been active in Redstockings. On May Day in 1986, Redstockings organized a Memorial for Simone de Beauvoir and I felt deeply honored when asked by Kathie Sarachild to read Shulamith's Firestone's tribute she had sent to the Memorial. It was several sentences in Shulamith's beautiful handwriting saying that Simone de Beauvoir had fired her youthful ambitions at age 16 and my heart was pounding as I read it, because Shulamith had fired my youthful ambitions at age 16, too! In the early 1990s, Kathie Sarachild introduced me to Shulamith Firestone, and I remember immediately feeling Shulamith's intensity of observation and perception of details unnoticed by others. All this despite her physical vulnerability that overwhelmed me, which I soon learned from her, resulted from side effects of her medication and a recent hospitalization. -
Cic004 Bowie.Pdf
4 Conversations in Creativity Explorations in inspiration Bowie • 2016 creativelancashire.org Creative Lancashire is a service provided by Lancashire County Council through its economic development company - Lancashire County Developments Ltd (LCDL). They support creative and digital businesses and work with all sectors to realise creative potential. Hemingway Design Lemn Sissay In 2011, Creative Lancashire with local design agencies Wash and JP74 launched ‘Conversations in Creativity’ - a network and series of events where creatives from across the crafts, trades and creative disciplines explore how inspiration from Simon Aldred (Cherry Ghost) around the world informs process. Previous events have featured Hemingway Design, Gary Aspden (Adidas), Pete Fowler (Animator & Artist), Donna Wilson (Designer), Cherry Ghost, I am Kloot, Nick Park (Aardman), Lemn Sissay (Poet) and Jeanette Winterson (Author) - hosted by Dave Haslam & John Robb. Donna Wilson Who’s Involved www.wash-design.co.uk www.jp74.co.uk Made You Look www.sourcecreative.co.uk Pete Fowler THE VERY BEST OF BRITANNIA 1. 2. 3. David Bowie:1947-2016 A wave of sadness and loss rippled through the This provides the context for our next creative world after legendary star man David Conversations in Creativity talk at Harris Bowie (David Robert Jones), singer, songwriter Museum as part of the Best of Britannia (BOB) and actor died on 10 January 2016. North 2016 programme, Bowie’s creative process evolved throughout his As a companion piece to the event we’ve 40+ year career, drawing inspirations from the collaborated with artists and designers including obvious to the obscure. Stephen Caton & Howard Marsden at Source Creative, and Andy Walmsley at Wash and artists; 4. -
The Literacy Practices of Feminist Consciousness- Raising: an Argument for Remembering and Recitation
LEUSCHEN, KATHLEEN T., Ph.D. The Literacy Practices of Feminist Consciousness- Raising: An Argument for Remembering and Recitation. (2016) Directed by Dr. Nancy Myers. 169 pp. Protesting the 1968 Miss America Pageant in Atlantic City, NJ, second-wave feminists targeted racism, militarism, excessive consumerism, and sexism. Yet nearly fifty years after this protest, popular memory recalls these activists as bra-burners— employing a widespread, derogatory image of feminist activists as trivial and laughably misguided. Contemporary academics, too, have critiqued second-wave feminism as a largely white, middle-class, and essentialist movement, dismissing second-wave practices in favor of more recent, more “progressive” waves of feminism. Following recent rhetorical scholarly investigations into public acts of remembering and forgetting, my dissertation project contests the derogatory characterizations of second-wave feminist activism. I use archival research on consciousness-raising groups to challenge the pejorative representations of these activists within academic and popular memory, and ultimately, to critique telic narratives of feminist progress. In my dissertation, I analyze a rich collection of archival documents— promotional materials, consciousness-raising guidelines, photographs, newsletters, and reflective essays—to demonstrate that consciousness-raising groups were collectives of women engaging in literacy practices—reading, writing, speaking, and listening—to make personal and political material and discursive change, between and across differences among women. As I demonstrate, consciousness-raising, the central practice of second-wave feminism across the 1960s and 1970s, developed out of a collective rhetorical theory that not only linked personal identity to political discourses, but also 1 linked the emotional to the rational in the production of knowledge. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Mott the Hoople and Ian Hunter: All the Young Dudes - the Biography Free Download
MOTT THE HOOPLE AND IAN HUNTER: ALL THE YOUNG DUDES - THE BIOGRAPHY FREE DOWNLOAD Campbell Devine | 423 pages | 09 Aug 2007 | Cherry Red Books | 9781901447958 | English | London, United Kingdom Ian Hunter (singer) Jonesy and Coop went and when I finally tracked them down for a full report, their eyes were still ricocheting around like pinballs, all fan-boy struck and gloating more than just a little bit. Hunter and Ronson then parted professionally, reportedly due to Hunter's refusal to deal with Ronson's manager, Tony DeFries. The new lineup toured in lateand the concerts were documented on 's Mott the Hoople Live. No trivia or quizzes yet. Ditto Bender, with a pair of his own with the criminally overlooked and underappreciated Widowmaker not the wanky Dee Snider outfit. Greg Reeves marked it as to-read Nov 29, Jane marked it as to-read Jun 07, Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography they were interviewed extensively for the book, following publication both Dale Griffin and Overend Watts disowned the book and were scathing about it and the Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography. An album of the same name was released on Columbia Records in the fall, and it became a hit in the U. Lauren Griffin marked it as to-read Dec 30, Queenonce an opening act for Mott the Hoople, provided backing vocals on one track. Hunter's entry into the music business came after a chance encounter with Colin York and Colin Broom at a Butlin's Holiday Campwhere the trio won a talent competition performing " Blue Moon " on acoustic guitars. -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Sink Or Swim: Deciding the Fate of the Miss America Swimsuit Competition
Volume 4, Issue No. 1. Sink or Swim: Deciding the Fate of the Miss America Swimsuit Competition Grace Slapak Tulane University, New Orleans, Louisiana, USA ÒÏ Abstract: The Miss America beauty pageant has faced widespread criticism for the swimsuit portion of its show. Feminists claim that the event promotes objectification and oversexualization of contestants in direct contrast to the Miss America Organization’s (MAO) message of progressive female empowerment. The MAO’s position as the leading source of women’s scholarships worldwide begs the question: should women have to compete in a bikini to pay for a place in a cellular biology lecture? As dissent for the pageant mounts, the new head of the MAO Board of Directors, Gretchen Carlson, and the first all-female Board of Directors must decide where to steer the faltering organization. The MAO, like many other businesses, must choose whether to modernize in-line with social movements or whole-heartedly maintain their contentious traditions. When considering the MAO’s long and controversial history, along with their recent scandals, the #MeToo Movement, and the complex world of television entertainment, the path ahead is anything but clear. Ultimately, Gretchen Carlson and the Board of Directors may have to decide between their feminist beliefs and their professional business aspirations. Underlying this case, then, is the question of whether a sufficient definition of women’s leadership is simply leadership by women or if the term and its weight necessitate leadership for women. Will the board’s final decision keep this American institution afloat? And, more importantly, what precedent will it set for women executives who face similar quandaries of identity? In Murky Waters The Miss America Pageant has long occupied a special place in the American psyche. -
Legenden David Bowie Släpper Ny Singel Och Samling
2014-09-09 15:49 CEST LEGENDEN DAVID BOWIE SLÄPPER NY SINGEL OCH SAMLING Nya Deluxe samlingen ”Nothing Has Changed” som släpps den 17 november via Parlophone innehåller den nya singeln ”Sue (Or In A Season Of Crime)”. ALBUM: 3CD, 2CD, DUBBEL VINYL OCH DIGITAL DOWNLOAD SINGEL: LIMITERAD UPPLAGA OM 10" vinyl och digital download Femtio år efter sin första inspelning fortsätter David Bowie att vara i spetsen för samtida kultur som musiker, konstnär och ikon. ”Nothing Has Changed” samlar för första gången all Bowie’s musik från åren 1964-2014. Albumet (uppkallat efter en text från öppningsspåret "Sunday" från albumet "Heathen”) samlar låtarna från varje period av Bowies karriär – allt från hans tidigaste inkarnationer som "Liza Jane" och "Can’t Help Thinking About Me” enda fram till James Murphys "Hello Steve Reich Mix" av "Love Is Lost" från förra året. Albumet innehåller Bowies första nya musik sedan han släppte det kritikerrosade albumet ”The Next Day" förra året. Den nya singeln "SUE (Or In A Season Of Crime) spelades in särskilt för ”Nothing Has Changed” tillsammans med långtida samarbetspartnern Tony Visconti och kommer att släppas i en begränsad upplaga (10" singel och digital nedladdning) samma dag som albumet. Vid sidan av det helt nya spåret innehåller albumet den tidigare outgivna låten "Let Me Sleep Beside You" som togs fram från inspelningarna till mytomspunna albumet "TOY" som aldrig släpptes, låten "Your Turn To Drive" som gör debut på CD samt den fantastiska 2001 nyinspelningen av låten "Shadow Man" från år 1971. DAVID BOWIE -
A New Era of Consciousness-Raising Title: Tools of the Movement: Democracy, Community and Consciousness Raising
A New Era of Consciousness-Raising Title: Tools of the Movement: Democracy, Community and Consciousness Raising. Presented as part of “A Revolutionary Moment: Women’s Liberation in the late 1960’s and 1970’s,” a conference organized by the Women, Gender and Sexuality Studies Program at Boston University on March 27- 29, 2014 Janet Freedman, Resident Scholar, Brandeis University Women’s Studies Research Center Participation in a small consciousness-raising (CR) group was the entry point for many who became involved in the women’s liberation movement in the late 1960s and 1970s. The experience was profound as Vivian Gornick recalls: I stood in the middle of my own experience, turning and turning. In every direction I saw a roomful of women, also turning and turning ….That is a moment of joy, when a sufficiently large number of people are galvanized by a social explanation of how their lives have taken shape and are gathered together in the same place at the same time, speaking the same language, making the same analysis, meeting again and again…for the pleasure of elaborating the insight and repeating the analysis. But CR was not JUST about sharing insight and analysis. It was the process that fueled the activism of “second-wave” feminism. It is for this reason that that I am urging a new era of consciousness-raising – a revitalization of one of the women’s liberation movement’s most effective organizing strategies. Loretta Ross, co-founder and former National Coordinator of the Women of Color Reproductive Justice Collective, describes how insights discovered in CR groups led to action. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17