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CATALOGUE 173: INDONESIA Including Books from the Library of Teuku Iskandar (1955- 2012), Professor Acehnese and Malay Literature
GERT JAN BESTEBREURTJE Rare Books Langendijk 8, 4132 AK Vianen The Netherlands Telephone +31 - (0)347 - 322548 E-mail: [email protected] Visit our Web-page at http://www.gertjanbestebreurtje.com CATALOGUE 173: INDONESIA Including books from the library of Teuku Iskandar (1955- 2012), professor Acehnese and Malay literature Illustration on cover no. 66 BOOGMAN, G. Tentoonstelling Oost en West. Arnhem. Park Zijpendaal. 11 juni 28 juli 1928. Original gouache. 1 ABDULLAH, Taufik. Schools and politics: the Kaum Muda movement in West Sumatra (1927-1933). Ithaca, Cornell University, 1971. Folio. Wrappers. 257 pp € 30,00 2 ABENDANON, E(duard) C(ornelius). Midden-Celebes-Expeditie. Geologische en geographische doorkruisingen van Midden-Celebes (1909-1910). Leiden, E.J. Brill, 1915-1918. 4 volumes + atlas. 8vo and folio. Original decorated cloth, atlas volume original half cloth (sl. dam.). With ca. 500 plates and illustrations and atlas volume with 16 folding coloured maps. € 475,00 Account of the scientific expedition in Central-Celebes 1909-1910 organized by the Koninklijk Nederlands Aardrijkskundig Genootschap. Including the history of the discovery of Celebes. Contributions by G.J. Hinde, G.F. Dollfus, W.F. Gisolf, J.H. Kruimel, S.J. Vermaes and M. Weber. 'Gedurende twee jaar doorkruist Abendanon Celebes voor geografisch en geologisch onderzoek. Het resultaat van deze expeditie wordt neergelegd in een prachtig uitgegeven, lijvig vierdelig boekwerk van 1900 bladzijden met veel illustraties en kaarten, de duurste publicatie ooit door het KNAG gefinancierd' (Wentholt, In kaart gebracht met kapmes en kompas, p. 76). - Rare with the atlas volume. 3 ABRAHAMSOHN, H. Tandjong-Priok. (No pl.), Ned.-Ind. -
Cultivated Tastes Colonial Art, Nature and Landscape in The
F Cultivated Tastes G Colonial Art, Nature and Landscape in the Netherlands Indies A Doctoral Dissertation by Susie Protschky PhD Candidate School of History University of New South Wales Sydney, Australia Contents Acknowledgments …………………………………………………………….. iii List of Abbreviations ………………………………………………………….. v List of Plates …………………………………………………………………… vi F G Introduction ……………………………………………………………………. 1 Part I — Two Journeys Chapter 1: Landscape in Indonesian Art ……………………………………….. 36 Chapter 2: Dutch Views of Indies Landscapes …………………………………. 77 Part II — Ideals Chapter 3: Order ………………………………………………………………. 119 Chapter 4: Peace ………………………………………………………………. 162 Chapter 5: Sacred Landscapes ………………………………………………… 201 Part III — Anxieties Chapter 6: Seductions …………………………………………………………. 228 Chapter 7: Identity – Being Dutch in the Tropics …………………………….. 252 Conclusion …………………………………………………………………….. 293 F G Glossary ……………………………………………………………………….. 319 Bibliography …………………………………………………………………... 322 ii Acknowledgments First, I would like to express my gratitude to the Faculty of Arts and Social Sciences at the University of New South Wales for granting me an Australian Postgraduate Award between 2001 and 2005. The same Faculty funded two research trips abroad, one to the Netherlands in 2004 and another to Indonesia in 2005. Without these sources of funding this thesis would not have possible. In the Netherlands, I must thank Pim Westerkamp at the Museum Nusantara, Delft, for taking me on a tour through the collection and making archival materials available to me. Thanks also to Marie-Odette Scalliet at the University of Leiden, for directing me toward more of her research and for showing me some of the university library’s Southeast Asia collection. I also appreciate the generosity of Peter Boomgaard, of the KITLV in Leiden, for discussing aspects of my research with me. Thanks to the staff at the KIT Fotobureau in Amsterdam, who responded admirably to my vague request for ‘landscape’ photographs from the Netherlands Indies. -
The Journal of the Asian Arts Society of Australia
VOLUME 23 NO. VOLUME MARCH 2014 1 THE JOURNAL OF THE ASIAN ARTS SOCIETY OF AUSTRALIA TAASA Review ROYAL COLLECTIONS IN ASIA CONTENTS Volume 23 No. 1 March 2014 3 EDITORIAL: ROYAL COLLECTIONS IN ASIA TAASA REVIEW Melanie Eastburn & Niki van den Heuvel, Guest Editors THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. Abn 64093697537 • Vol. 23 No.1, March 2014 4 PURI AGUNG: PRESERVING KARANGASEM’S ROYAL PALACE IN BALI ISSN 1037.6674 Registered by Australia Post. Publication No. NBQ 4134 Niki van den Heuvel editoriAL • email: [email protected] 7 THE ROYAL ANTIQUITIES COLLECTION OF THE NGUYEN DYNASTY, VIETNAM General editor, Josefa Green Kerry Nguyen-Long PUBLICATIONS COMMITTEE 10 THE JEWELLED WORLD OF BURMESE KINGS Josefa Green (convenor) • Tina burge Charlotte Galloway Melanie Eastburn • Sandra Forbes • Charlotte Galloway William Gourlay • Marianne Hulsbosch 12 THE ROYAL COLLECTIONS IN CIREBON, INDONESIA: A LIVING TRADITION Jim Masselos • Ann Proctor • Sabrina Snow Christina Sumner Joanna Barrkman DESIGN/LAYOUT 14 THE QUEEN SIRIKIT MUSEUM OF TEXTILES, BANGKOK Ingo Voss, VossDesign PRINTING Piyanan (Poom) Petcharaburanin John Fisher Printing 16 The SHOSO-IN TREASURY – a roYAL COLLECTION BOTH EXTRAORDINARY AND EVERYDAY Published by The Asian Arts Society of Australia Inc. Robyn Maxwell PO Box 996 Potts Point NSW 2011 www.taasa.org.au 18 THE HOFFOTOGRAAF: PORTRAIT PHOTOGRAPHER TO ROYALTY IN ASIA Enquiries: [email protected] Gael Newton TAASA Review is published quarterly and is distributed to members of The Asian Arts Society of Australia Inc. TAASA Review welcomes 22 MODEST CONNOISSEUR: INDONESIAN TEXTILES IN THE LIVES OF JOHN YU & GEORGE SOUTTER submissions of articles, notes and reviews on Asian visual and Siobhan Campbell performing arts. -
Oost-Indische Spiegel
Oost-Indische spiegel Wat Nederlandse schrijvers en dichters over Indonesië hebben geschreven vanaf de eerste jaren der Compagnie tot op heden Rob Nieuwenhuys bron Rob Nieuwenhuys, Oost-Indische spiegel. Wat Nederlandse schrijvers en dichters over Indonesië hebben geschreven vanaf de eerste jaren der Compagnie tot op heden. Em. Querido's Uitgeverij, Amsterdam 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/nieu018oost02_01/colofon.htm © 2006 dbnl / erven Rob Nieuwenhuys 5 Aan E. du Perron [...] en heb dezelve de naam van Oost-Indise spiegel gegeven, dewijl daarin niet alleen veel zaken die algemeen zijn worden gevonden en die van anderen zijn beschreven, maar omdat in dezelve veel bijzondere voorvallen en handelingen van bijzondere personen en bijzondere gevallen worden verhaald. Dit is hetgene waarvan in deze O.I. spiegel gehandeld wordt en dat ongeveinsd bij de ander is gesteld, en zonder iemand gelijk men zeit de honing om de mond te smeren. Nicolaus de Graaff in de Voorreden bij zijn Oost-Indise spiegel (1703) Rob Nieuwenhuys, Oost-Indische spiegel 11 Inleiding Je n'aime pas la grande littérature. Je n'aime que la conversation écrite. PAUL LÉAUTAUD in Marly-le-Roy Wie na de Nederlandse letterkunde de Indisch-Nederlandse letterkunde in studie neemt komt een nieuwe wereld binnen. Hij zal er zich in het begin wat onwennig in voelen; hij zal zoeken naar wat hem vertrouwd is maar ziet verschijnselen die hem vreemd zijn en verhoudingen die hij niet kent. Niet alleen blijkt het landschap anders, zijn de mensen anders, zijn de sociale relaties anders, ook de vormen waarin de schrijvers zich uitdrukken zijn anders. -
Raden Saleh (1811-1880), Dutch Indies Now Indonesia
1 The Asian Modern © John Clark, 2013 Raden Saleh (1811-1880), Dutch Indies now Indonesia Apart from other writings, the principal understanding of Raden Saleh has been accomplished by Werner Kraus working chiefly on Indonesian and German sources, and Marie-Odette Scalliet, working on Indonesia and French sources as well as archival documents in Dutch from the court and other government archives in Den Haag. These include the secret briefing reports to the King. Modern knowledge about Raden Saleh, rather than hearsay commentary on handed down rumours, is almost entirely due to their efforts, and much of what follows would have been impossible without their work and the directions for inquiry indicated by it. Precursor discourses domestic 1778 VOC founds the Bataviaasch Genootshcap voor Kunsten en Wettens Chappen Terms related to painting in classical Javanese: Ranggâjiwa painter or decorator Citrakara maker of citra, image that is a painter Citraleka image or painting Prabangkara painter Contemporary Javanese works for painter Penyungging, juru sungging, juru gambar (SY (Sanento Yuliman Hardiwardoyo), 1981, 13-14) Citation from Ma Huan in Yingyai Shenglan, 1416 apparently a description of a wayang-bèbèr or wayang-karèbèt There is a sort of men who paint on paper men, birds, animals. Insects and so on: the paper is like a scroll and is fixed between two wooden rollers three feet high; at one side these rollers are level with the edge of the paper whilst they protrude on the other side. The man squats down on the ground and places the picture -
Fotografi Di Hindia Belanda 121
Daniek Intan | Fotografi di Hindia Belanda 121 Fotografi di Hindia Belanda Daniek Intan Mahasiswa S1 Jurusan Sejarah Universitas Gadjah Mada Abstract This research analyses photography in the Netherlands Indies since the mid-19th century and its development until the early 20th century. The rise of photography in the Netherlands Indies as part of its modernization, is not merely the development of the arts, but photography was also used to explore the colonial territory of the colonial government. European photographers were sent to document archeological artefacts in various expeditions in several places in the archipelago. Photography also began to be commercialized. European, Chinese and even indigenous photographers arose with their photo studios. They have produced a natural and anthropological landscape of the Netherlands Indies, from Europeans and indigenous people living there. The commercialization of photography expanded with a variety of photo subjects, sold to other parts of the world in the form of albums, souvenirs or postcards. This answered the curiosity of the outside world on the Netherlands Indies as a colonial area. Key words: photography, Netherlands Indies, photographer, exploration, commercial, photo studio, landscape and portrait. Abstrak Penelitian ini mengulas mengenai fotografi di Hindia Belanda sejak medio abad ke-19, sampai perkembangannya hingga awal abad ke-20. Kehadiran fotografi di Hindia Belanda sebagai bagian dari modernitas, tidak hanya menggambarkan seni semata, namun fotografi juga digunakan untuk eksplorasi daerah koloni oleh pemerintah kolonial. Datanglah para fotografer Eropa yang diperintahkan untuk mendokumentasikan benda-benda arkeologis, maupun ikut serta dalam ekspedisi di beberapa tempat di Nusantara. Tidak hanya itu, fotografi selanjutnya berkembang ke arah komersial. -
The Worship of Bh½ma
The worship of Bhima Duijker, M. Citation Duijker, M. (2010, April 15). The worship of Bhima. Retrieved from https://hdl.handle.net/1887/15227 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of License: doctoral thesis in the Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/15227 Note: To cite this publication please use the final published version (if applicable). THE WORSHIP OF BH½MA In memory of my father and ‘guru’ Bert Duijker 2 THE WORSHIP OF BH½MA The representations of Bh»ma on Java during the Majapahit Period PROEFSCHRIFT ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof.mr. P.F. van der Heijden, volgens besluit van het College voor Promoties te verdedigen op donderdag 15 april 2010 klokke 15.00 uur door Marijke Duijker geboren te Amsterdam in 1944 Volume I: Text EON Pers Amstelveen 2010 3 Promotiecommissie Promotores: Prof. Dr. A.J.J. Mekking Dr. H.I.R. Hinzler Leden: Prof. Dr. W.R. van Gulik Prof. Dr. J. van Alphen (Universiteit Antwerpen / Bozar Brussel) Dr. E.M. Raven Prof. Dr. B.F.H. Arps Prof. Dr. P.J.M. Nas Dr. P. ter Keurs (Rijksmuseum van Oudheden Leiden) Cover illustration: Detail, Cat. no. 30 The publication of this book has been supported by a grant from the Leiden University Institute for Cultural Disciplines © 2010, Marijke Duijker, Boijl ISBN 978 90 77246 39 9 All rights reserved / alle rechten voorbehouden Vormgeving: Hans Seijlhouwer, Amstelveen Drukwerk: Ridderprint, Ridderkerk 4 -
The Ramayana in the Literature and Visual Arts of Indonesia
FROM LANKA EASTWARDS From Lanka Eastwards Lanka From The Ramayana in the Literature and Visual Arts of Indonesia FROM LANKA EASTWARDS The Ramayana in the Literature and Visual Arts of Indonesia The Ramayana in the Literature and Visual Arts of Indonesia The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th century AD), itself a version of the great Ramayana epic ascribed to Valmiki (circa 6th–1st century BC). The Old Javanese poem is an original and skillful work of re-elaboration that documents a fascinating interaction between cultural elements of the Sanskritic tradition with those indigenous to the Javanese setting. The studies included in this volume, written by experts in a wide range of disciplines, focus on disparate aspects of the Kakawin Ramayana and the constellation of cultural phenomena revolving around it, providing the reader with a key to the understanding of the rich Old Javanese textual heritage and the transcultural intellectual dynamics that contributed to shaping the cultural heritage of Indonesia up to the present. -
Old Sundanese Inscriptions: Renewing the Philological Approach Aditia Gunawan, Arlo Griffiths
Old Sundanese inscriptions: Renewing the philological approach Aditia Gunawan, Arlo Griffiths To cite this version: Aditia Gunawan, Arlo Griffiths. Old Sundanese inscriptions: Renewing the philological approach. Archipel, Revue Archipel, 2021, 101, pp.131-208. 10.4000/archipel.2365. halshs-03275563 HAL Id: halshs-03275563 https://halshs.archives-ouvertes.fr/halshs-03275563 Submitted on 1 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Archipel Études interdisciplinaires sur le monde insulindien 101 | 2021 Varia Old Sundanese Inscriptions: Renewing the Philological Approach* Inscriptions anciennes en soundanais : renouveler l'approche philologique Aditia Gunawan et Arlo Griffiths Édition électronique URL : https://journals.openedition.org/archipel/2365 DOI : 10.4000/archipel.2365 ISSN : 2104-3655 Éditeur Association Archipel Édition imprimée Date de publication : 30 June 2021 Pagination : 131-208 ISBN : 978-2-910513-85-6 ISSN : 0044-8613 Référence électronique Aditia Gunawan et Arlo Griffiths, « Old Sundanese Inscriptions: Renewing the Philological Approach* », Archipel [En ligne], 101 | 2021, mis en ligne le 02 juin 2021, consulté le 30 juin 2021. URL : http:// journals.openedition.org/archipel/2365 ; DOI : https://doi.org/10.4000/archipel.2365 Association Archipel ADITIA GUNAWAN* & ARLO GRIFFITHS** Old Sundanese Inscriptions: Renewing the Philological Approach*** 1. -
Old Sundanese Inscriptions: Renewing the Philological Approach* Inscriptions Anciennes En Soundanais : Renouveler L'approche Philologique
Archipel Études interdisciplinaires sur le monde insulindien 101 | 2021 Varia Old Sundanese Inscriptions: Renewing the Philological Approach* Inscriptions anciennes en soundanais : renouveler l'approche philologique Aditia Gunawan et Arlo Griffiths Édition électronique URL : https://journals.openedition.org/archipel/2365 DOI : 10.4000/archipel.2365 ISSN : 2104-3655 Éditeur Association Archipel Édition imprimée Date de publication : 30 June 2021 Pagination : 131-208 ISBN : 978-2-910513-85-6 ISSN : 0044-8613 Référence électronique Aditia Gunawan et Arlo Griffiths, « Old Sundanese Inscriptions: Renewing the Philological Approach* », Archipel [En ligne], 101 | 2021, mis en ligne le 02 juin 2021, consulté le 01 juillet 2021. URL : http:// journals.openedition.org/archipel/2365 ; DOI : https://doi.org/10.4000/archipel.2365 Association Archipel ADITIA GUNAWAN* & ARLO GRIFFITHS** Old Sundanese Inscriptions: Renewing the Philological Approach*** 1. Introduction Old Sundanese is known to us today thanks to the survival of documents using this language, whether written on leaves of the gebang or lontar palms, on bamboo strips, on tree bark (daluwang), on metal plates or on stone.1 The number of such metal or stone inscriptions in Old Sundanese is quite limited, when * Staff philologist at Perpustakaan Nasional Republik Indonesia (Jakarta), current- ly PhD student at the École Pratique des Hautes Études and associated member of UMR 8170 Centre Asie du Sud-Est (both in Paris). ** Professor of Southeast Asian History at the École française d’Extrême-Orient -
Pakuan Pajajaran Dan Bogor Dalam Pusaran Sejarah Dunia
Ahmad Yanuana Samantho, MA, M.Ud (Et All) PAKUAN PAJAJARAN DAN BOGOR DALAM PUSARAN SEJARAH DUNIA “PAKUAN PAJAJARAN DI TENGAH PUSARAN SEJARAH DUNIA” 3 “PAKUAN PAJAJARAN DAN BOGOR DALAM PUSARAN SEJARAH DUNIA Bab 1 AUSTRONESIA: KEBUDAYAAN DAN PERADABAN SUNDA KUNO (Hal.10) Bab 2 MEMASUKI MASA SEJARAH BOGOR ( Hal .87) Bab 3 JEJAK KERAJAAN PRA PAKUAN PAJAJARAN ( Hal. 102 ) Bab 4 BENARKAH PAJAJARAN KERAJAAN HINDU ? ( Hal. 230 ) BAB 5 KONTROVERSI KEISLAMAN PRABU SILIWANGI (Hal. 260 ) BAB 6 UPAYA PENYELAMATAN SITUS ISTANA PAKUAN PAJAJARAN (Hal. 297 ) Bab 7 PRABU SILIWANGI DAN MITOS MAUNG DALAM MASYARAKAT SUNDA ( Hal. 312 ) Bab 8 ISRA MIRAJ DAN LEGENDA LAYANG SASAKA DOMAS MUNDINGLAYA DIKUSUMAH ( Hal. 334 ) Bab 9 DIMANA DAN APA WARISAN PRABU SILIWANGI PAKUAN PAJAJARAN (Hal. 396 ) Bab 10 KEBANGKITAN PERABAN SUNDALAND? (Hal. 449 ) “PAKUAN PAJAJARAN DI TENGAH PUSARAN SEJARAH DUNIA” 4 Pendahuluan Sebagaimana kita maklumi bersama, perkembangan kehidupan sosial-budaya bangsa Indonesia, saat ini telah mulai memperlihatkan beberapa fenomena kritis yang mengkhawatirkan bagi persatuan dan kesatuan NKRI. Berbagai peristiwa konflik dan kekerasan atas nama agama dan kelompok etnis (SARA) kerap terjadi. Begitu juga tawuran dan kerusuhan antar warga masyarakat, antar kelompok, supporter grup sepak bola dan antar para pelajar sering mudah terjadi tanpa diketahui penyebab sebenarnya secara utuh dan dapat diketemukan solusi rekonsiliasinya secara permanen dan substansial dalam format rekonstruksi dan restorasi kebudayaan. Berbagai potensi konflik SARA yang sudah kerap terjadi di berbagai daerah di Indonesia, tak terkecuali di Propinsi Jawa Barat sebagai lingkungan terdekat Ibukota Jakarta, tentunya perlu diteliti secara mendalam, komprehensif dan holistik. Dengan demikian maka solusi dan resolusi konflik serta rekonsiliasi kerukunannya dapat dilakukan secara tepat dan benar, sesuai dengan cita-cita dan prinsip nilai luhur yang terkandung dalam Pancasila dan doktrin: ―Bhineka Tunggal Ika‖, ―Tan Hanna Dharma Mangrwa‖ (Tidak ada Kebenaran yang mendua). -
Group Portraits and Topographical Photographs in the Photo Albums Of
Faces and Places: Group Portraits and Topographical Photographs in the Photo Albums of the Sugar Industry in Colonial Java in the Early Twentieth Century A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Alexander Supartono August 2010 © 2010 Alexander Supartono. All Rights Reserved. 2 This thesis titled Faces and Places: Group Portraits and Topographical Photographs in the Photo Albums of the Sugar Industry in Colonial Java in the Early Twentieth Century by ALEXANDER SUPARTONO has been approved for the Center for International Studies by William H. Frederick Associate Professor of History John R. Schermerhorn Jr Director, Southeast Asian Studies Daniel Weiner Executive Director, Center for International Studies 3 ABSTRACT SUPARTONO, ALEXANDER, M.A., August 2010, Southeast Asian Studies Faces and Places: Group Portraits and Topographical Photographs in Photo Albums of the Sugar Industry in Colonial Java in the Early Twentieth Century (138 pp.) Director of Thesis: William H. Frederick This thesis is a case study of photographic representations found in the photo albums of Java’s sugar industry. The photographs constitute evidence of the colony‘s industrialization as much as of the development of non-Western photography practice, which both legitimize colonialism by the application of science and technology. By looking at the material I explore the connection between the sugar industry and photography in order to shed new light in both areas. In chapter 1 and 2, I introduce the historical context of the colonial sugar industry and the colonial photography practice in Java.