DR. MARJORIE A. ROTH Nazareth College of Rochester, Department of Music Full Professor (2012) Music History and Studio Flute Honors Program Director

15 Eagle Rock Drive, Rochester, NY 14609 Home telephone: (585) 454-7759; Office telephone: (585) 389-2686 email: [email protected]

EDUCATION

Ph.D Musicology: University of Rochester, Eastman School of Music, Rochester, NY (2005) Dissertation: “The Voice of Prophecy: Orlando di Lasso’s Sibyls and Italian Humanism” Primary Advisor: Dr. Kerala Snyder Dissertation committee: Dr. Patrick Macey, Dr. Massimo Ossi, Dr. Daniel Zager Doctor of Musical Arts in Performance & Literature: University of Rochester, Eastman School of Music (1998) Master of Arts in Musicology: University of Rochester, Eastman School of Music (1990) Master of Music in Performance & Literature: University of Rochester, Eastman School of Music (1986) Bachelor of Arts in Music: University of Wisconsin-Parkside, Kenosha, Wisconsin (1981)

PUBLICATION & RESEARCH

Publications:

“Music as a Liberal Art: Teaching Music to Non-Majors”, in James Davis (ed.), The Music History Classroom, New York: Routledge, 2013, 141-154. “Opportunity Lost: Christian Prophecy, Musical Magic, and the Road Not Taken in Counter-Reformation ”, Proceedings for conference on Early Modern Rome: 1341-1667, sponsored by the American Association of College & University Programs in Italy & the Istituto Storico Italiano per il Medioevo, May 13-15, 2010, Rome, Italy. Rome: EDISAI, 2011, 156-175. “The Magic in the Music: Sixteenth-Century Chromaticism in Context”, Proceedings for 11th International Congress on Musical Signification, sponsored by the Krakow Academy of Music, September 27 - October 2, Krakow Poland. Krakow: Krakow Academy of Music, 2011, vol. 2, 156-167. “Prophecy, Harmony, and the Alchemical Transformation of the Soul: The Secret of Lasso’s Chromatic Sibyls”, in Laurence Wuidar, ed., Music and Esotericism, Leiden: Brill (ARIES Esotericism Book Series, Wouter Hanegraaff, general editor), May 2010, 45-76.

Page 1! “The ‘Why’ of Music: Variations on a Cosmic Theme”, in Mary Natvig, ed., Teaching Music History, Burlington, VT: Ashgate Press 2002, 77-94. “An Annotated Bibliography of Contemporary Flute Techniques”, The Flutist Quarterly 12/3 (Summer, 1987), 63-67.

Ongoing Research:

“Theology and Theatre in the Poems of Orlando di Lasso’s Prophetiae Sibyllarum” (translation of poems by Dr. Amerigo Fabbri, Yale University; Music historical/critical analysis of poems and music, Dr. Marjorie Roth, Nazareth College). Revision completed during sabbatical Spring 2017, awaiting final proofs from editor. Publication in online Festschrift for Kerala Snyder expected in Fall 2017. Dr. Joel Speerstra, editor, Academy of Music and Drama at the University of Göteborg, Sweden. “Early Music Analysis and the Extraordinary Case of Orlando di Lasso’s Carmina Chromatico”, working title of planned analytical monograph with literature review on the Prologue of Orlando di Lasso’s Prophetiae Sibyllarum (update and revision of 2004 conference paper “A Musical Analysis of Orlando di Lasso’s Carmina Chromatico”. Literature review updated and revisions begun during sabbatical, Spring 2017.

CONFERENCE PAPERS READ

“The in the Context of Western Esotericism”, plenary paper scheduled for a Symposium on Western Esoteric Traditions, Sivananda Ashram Yoga Retreat Center, Paradise Island, Bahamas, April 24 - 27, 2018. “Fire & Ice, Sea & Sky: Northern Music as a Mirror of Nature”, plenary paper for An Esoteric Quest for the Mysteries of the North, conference sponsored by the New York Open Center. Hellnar, Iceland, August 24 - 29, 2016. “Harmonies Heard & Unheard: Boethius, Brown, and the Music of the Spheres,” paper read at the first annual Spirit Art Symposium, Lily Dale Assembly, Cassadaga NY, July 28, 2015. “Living Life Harmonically: Harmony & Humility as a Model for Transcendence in Higher Education”, paper read at Symposium on the Humanities of the Transcendent and the Future of Higher Education, sponsored by the Association for the Study of Esotericism. Athens, Greece, June 18 - 22, 2015. “The Language of Love and Longing: Troubadour Poetry and Song in Medieval Languedoc”, plenary paper for An Esoteric Quest in the South of France: Troubadours, Cathars, Templars, & the Grail in Medieval Languedoc, conference sponsored by the New York Open Center. Carcassonne, France, June 4 - 9, 2015. “Once Bitten-Forever Re-bitten: The Tarantella as Music, Magic, and Medicine in (and Today)”, paper read at conference on Ancient, Arabic, and Medieval Sicily, Siracusa, Sicily June 13 - 18, 2013. “From Cave to Cathedral: The Legacy of Greek Oracles in Magna Graecia and Beyond” (co- presenter, Dr. Leonard George, Capilano University, Vancouver, BC). Paper read atconference on Ancient, Arabic, and Medieval Sicily, Siracusa, Sicily June 13 - 18, 2013.

Page 2! “Sibylline Prophecy as Sounding Salvation: New Light on Orlando di Lasso’s Prophetiae Sibyllarum”, paper read at conference on Music and Theology in the European Reformations, sponsored by the Huis van de Polyfonie, KU Leuven/Alamire Foundation, 19-21 September, 2012, Leuven, Belgium. “The Divine Women of Alexandria: Cleopatra and Hypatia”, plenary paper for An Esoteric Quest for Ancient Alexandria, conference sponsored by the Alexandria-Mediterranean Research Center at the Bibliotheca Alexandrina and the New York Open Center. Cairo and Alexandria, Egypt, June 8 – 21, 2012. “Eros, Saturn, & Music History Pedagogy”, paper read as “Guest Master Teacher, 2010”, American Musicological Society Committee on Career-related Issues, joint National meeting of the American Musicological Society and the Society for Music Theory, November 4-7, Indianapolis, Indiana, 2010. “The Song of the Prophets: A Musical Model for Lasso’s Carmina Chromatico”, American Musicological Society, joint National meeting of the American Musicological Society and the Society for Music Theory, November 4-7, Indianapolis, Indiana, 2010. “The Magic in the Music: Chromaticism in Context”, International Congress on Musical Signification, sponsored by the Krakow Academy of Music, Krakow, Poland, September 27 - October 2, 2010. Also served as Early Music session chairperson. “Opportunity Lost: Christian Prophecy, Musical Magic, and The Road Not Taken in Counter-Reformation Rome,” paper read at conference on Early Modern Rome: 1341-1667, sponsored by the American Association of College and University Programs in Rome & the Istituto Medievo, Rome, Italy, May 12-15, 2010. “The Ancient Oracles Revived: Spiritualism and Women’s Rights in 19th- Century Upstate New York”, paper read for An Esoteric Quest for Inner America, conference sponsored by the New York Open Center. Women’s Rights National Historic Park, Seneca Falls NY, August 29, 2009. “Prophecy, Harmony, and the Western Esoteric Tradition: The Secret of Lasso’s Chromatic Sibyls”, paper read at international interdisciplinary conference, Music & Esotericism: Art and Science of Sounds Facing the Occult Knowledge, sponsored by the Academia Belgica, Rome, Italy, April 14-18, 2008. “The Voice of Prophecy: Lasso’s Sibyls and Italian Humanism”, National meeting of the American Musicological Society, Washington, D. C., October 27-30, 2005. “A Musical Analysis of Orlando di Lasso’s Carmina Chromatico”, New York-St. Lawrence Chapter Meeting of the American Musicological Society, Cornell University, Ithaca, NY, April 2-4, 2004. “Chromaticism in Context: A New View of Orlando di Lasso’s Prophetiae Sibyllarum”, New York-St. Lawrence Chapter Meeting of the American Musicological Society, Hamilton, Ontario, April 25-27, 2003.

Page 3! CONFERENCE PRESENTATIONS, PUBLISHED REVIEWS & PREVIEWS

Presentations:

“Dancing the Tarantella!” Workshop scheduled for a Symposium on Western Esoteric Traditions, Sivananda Ashram Yoga Retreat Center, Paradise Island, Bahamas, April 24 - 27, 2018. “Music as Neoplatonic Sympathetic Magic”, workshop scheduled for a Symposium on Western Esoteric Traditions, Sivananda Ashram Yoga Retreat Center, Paradise Island, Bahamas, April 24 - 27, 2018. “Troubadour Poetry & Song”. Presentation for Occitania Revisited, New York Open Center, , October 11 2015. “Teaching Without Technology”, panel discussion participant, Committee on Career-Related Issues “Master Teacher Roundtable III”, National meeting of the American Musicological Society, November 12 -15, 2015. “Beginning in Honors”, session presentation, National Collegiate Honors Council, Annual Meeting, New Orleans, 2013. Presentation on the recently revised Honors Program curriculum at NAZ. “Studying Music as A Liberal Art: Philosophical and Institutional Musings on a Cosmic Theme”. Paper read at panel presentation of the AMS and SMT Pedagogy Study Group Sessions, National joint meeting of the American Musicological Society and the Society for Music Theory, New Orleans, November 2, 2013. “Music History, Music Theory, and World Music: Reflections on “‘Interdisciplinary' Music Pedagogy”, AMS Pedagogy Study Group panel, joint national meeting of the American Musicological Society, the Society for Music Theory, and the Society for Ethnomusicology, New Orleans, November 1- 4, 2012. “Whither the Musicologist?: Teaching Music History in the 21st Century”, AMS Pedagogy Study Group panel, National meeting of the American Musicological Society, Quebec City, November 1- 4, 2007. “A Musical Mystery of the Renaissance Explored”, presentation for New York Open Center conference, An Esoteric Quest in Central Europe: From Renaissance Bohemia to Goethe’s Weimar, sponsored by Lapis Magazine, and The Alchemy Museum at Kutná Hora and the Lumen Foundation, Czech Republic and Germany, August 31- September 8, 2006. “An Example of Curricular Integration in Higher Music Education”, presentation for National meeting of the College Music Society, Quebec City, November 4, 2005. Co-presenter Dr. Mary Carlson (Music Education, Nazareth College). “Academic Careers in Music”, presentation for Annual NYSSMA conference, Rochester, NY, December 2007. Co-presenter Dr. Carl Wiens (Music Theory, Nazareth College).

Published Reviews and Concert Previews:

Page 4! “Pegasus Early Music Salutes Musical & Medical Arts of Rochester”, Concert Preview: City Newspaper, January 2010. “Treble in Triplicate”, Concert Preview: Pegasus Early Music, recital of concerto della donna”repertoire, City Newspaper, October 29, 2009. “That Old-Time Singing”, Concert Preview: Shape-Note Singing Event, City Newspaper, April 26, 2008. “Hearing Voices”, Concert Preview: Rochester Vocal Chamber Ensemble concert, City Newspaper, April 2, 2008. “Voices of Israel”, Concert Preview: Canandaigua Lake Chamber Music Festival, City Newspaper, March 26, 2008. “Dances, Drums, and Deities: Oglunde at Kilbourn Hall,” Concert Preview: Afro-Brazilian Drumming & Dance Ensemble, City Newspaper, March 19, 2008. “Music for the Season of Hope”, Concert Preview: Early Music Ensemble Musica Spei, City Newspaper, December 12, 2007. “Music Among Friends,” Concert Preview: Flutist Göran Marcusson & Pianist Tim Carey, City Newspaper, November 11, 2007. “The Phantom’s Voice”, Concert Preview: Silent Film Accompanist Philip Carli, October 27, 2007. “When Virtuosi Meet: Mozart and Bezuidenhout”, Concert Preview: Solo piano recital, City Newspaper, September 26, 2007. “Opera’s Exotic Vacation Destination”, Concert Preview: Glimmerglass Opera Orfeo series, City Newspaper, June 26, 2007. “A Cure for the Uncommon Cold: La Primavera!”, Concert Preview: Pegasus Early Music Concert, City Newspaper, May 2, 2007. “Drums of Thunder Roll into Rochester”, Concert Preview: Chinese Drumming & Dance Ensemble Jugu!, City Newspaper, May 2, 2007. “Counter)induction: Moving On While Looking Back”, Concert Preview: Canandaigua Lake Chamber Music Festival, contemporary music concert and community workshops, April 17, 2007. “Ossia Celebrates its First Decade”, Concert Preview: New Music Ensemble Ossia, City Newspaper, February 20, 2007. “Six-String Attachment: World-renowned Lutenist is a Renaissance Man”, Concert Preview: Paul O’Dette solo recital, City Newspaper, January 16, 2007. “When is Music More than Music?”, Guest Artist Recital and Master Class Review for Rochester Flute Association, Bonita Boyd, guest artist, March 31 & April 1, 2006, Newsletter of the Rochester Flute Association 11/5 (May/June, 2006). “Harry Potter--I Mean, Gary Schocker!--and the RFA”, Guest Artist Recital and Master Class Review, Newsletter of the Rochester Flute Association, 12/3, (January/February, 2005). “Preparing for a College Audition”, Review of panel discussion presented at the Rochester Flute Association’s annual Flute Fair, October 2, 2004, Newsletter of the Rochester Flute Association 10/2 (November/December, 2004). “Flute Force’s Master Class at Flute Fair”, Guest Artist Master Class Review, New York City’s Flute Force, Newsletter of the Rochester Flute Association 9/2 (November, 2003).

Page 5! “Monson Master Class Breaks the Ice”, Patti Monson Guest Artist Recital and Master Class Review, Newsletter of the Rochester Flute Association 8/5 (May/June, 2003). “Review of Stephanie Jutt Master Class”, Newsletter of the Rochester Flute Association 8/2 (November/December 2002). “The Voice of Experience”, Guest Artist Jim Walker Master Class Review, Newsletter of the Rochester Flute Association 7/5 (May/June, 2002). “Master Class with Rebecca Gilbert”, Recital and Master Class Review, Rebecca Gilbert, guest artist, Newsletter of the Rochester Flute Association 7/2 (November/December, 2001). “Master Class with Alexa Still”, Recital and Master Class Review, Alexa Still guest artist, Newsletter of the Rochester Flute Association 6/5 (May/June, 2001).

OTHER PRESENTATIONS

At Nazareth College:

Public talk on the Tarantella with dance class, Casa Italiana, scheduled for Fall 2017. “ Early Italian Opera as Medical Magic”, guest speaker, Casa Italiana, October 12, 2014. “ Southern Italian Music and Magic”, guest speaker, Casa Italiana, January 25, 2015. “Music as One of the Seven Liberal Arts”, joint presentation with Dr. Scott Campbell (Philosophy department) to the Nazareth Faculty on Liberal Arts Education. Special Focus on our new Enduring Questions NEH grant course (organizer, Dr. Heidi Northwood). “A Virgin Unspotted: The Blessed Virgin in Art, Music, and History”, Pre-concert talk for concert by Anonymous 4, Nazareth College Arts Center, December 15, 2012. “Presenting a Paper at a Scholarly Conference”, Guest speaker for Music Department Academic Music Club Musica Mundana, February 3, 2011. “Attending a Scholarly Conference: Do's and Don’t's”, Guest speaker for Music Department Academic Music Club Musica Mundana, October, 2010. “The Schumann's Song of Love”, Paper read for Music Department series of concerts and lectures celebrating Robert Schumann's birth year, Wilmot Hall, Nazareth College, February 14, 2010. “Music as A Liberal Art: Music and the History of Ideas”, Joint presentation, Dr. Marjorie Roth and Dr. Carl Wiens, Music Department, Dean’s Week Celebration, Nazareth College, March 31, 2008. “Esoteric Ideas & Practices in the Renaissance”, Guest lecturer, Art History class (Dr. Doot Bokelman, professor), February 5, 2008. “Careers in Music History” presentation on career choices for young musicians, Rochester area Piano Teachers Association meeting at Nazareth College (Dr. Beverly Smoker, organizer), October 3, 2008. “Motets & Madrigals of the Renaissance”, Guest lecturer in two Choral Literature class sessions, Nazareth College (Dr. Mark Zeigler, professor), Spring 2007, and 2009. “Music Therapy in History”, Guest lecturer, Creative Arts Therapy class, Nazareth College (Dr. Bryan Hunter, professor), Fall 2006 and 2008.

Page 6! “Putting the Art Back in the Liberal Arts”, Presentation on relationship of Music History to the Liberal Arts, Nazareth College Faculty Supper Seminar (Dr. Lynn Duggan, Art Department, organizer), February 15, 2007. Member of Nazareth faculty panel, New Faculty Orientation Day presentation, Center for teaching Excellence (Dr. Diane Enerson, Director), August 21, 2007. “Orlando di Lasso’s Prophetiae Sibyllarum”, Presentation of Research, with discussion. Faculty Colloquium Series, Nazareth College of Rochester, November 11, 2003.

Off Campus:

Guest on call-in radio show interview Guest Lecturer on Music and Magic for graduate musicology courses at Bowling Green State University, Bowling Green, Ohio, February 6 - 10, 2015. Invited by Dr. Mary Natvig to give three class presentations and coach research projects by musicology students and faculty. “Salamone Rossi, Jewish Composer in Renaissance Mantua”. Guest speaker for Sunday Brunch Lectures, Temple Beth-El, Rochester, NY., March 10, 2013. “Teaching Music as a Liberal Art”, invited as guest speaker for music faculty and student colloquium, SUNY Fredonia, September 23, 2011 (Dr. James Davis, sponsor). “The Unknown Muse: Marsilio Ficino and the Medical/Musical Roots of Opera in Fifteenth- century Florence”, Guest lecturer, Upper-level music history class offered by Bowling Green State University, Summer Study in Italy (Dr. Mary Natvig, professor), Florence, Italy, June 13, 2011. Co-presenter Dr. Leonard George (Psychology, Capilano University, Vancouver, British Columbia). “Preparing for the Academic Music Job Interview”, Guest speaker, Eastman School of Music Graduate Musicology Association, January 20, 2011. “The Song of the Prophets: A Musical Model for Orlando di Lasso's Carmina Chromatico”, Guest speaker, Eastman School of Music Graduate Musicology Association Pre-AMS Paper Sessions, October 28, 2010. “Is there a Career in Music For Me?”, Panel discussion organizer and participant at Rochester Flute Association Annual Flute Fair 2009, October 31, 2009. “What Contest Judges Look For in a Performance”, Panel discussion participant, Rochester Flute Association Annual Flute Fair, Rochester, NY, October 28, 2007. “What Makes Beethoven (and His Hair) So Great?”, Guest speaker, Pittsford Public Library Noontime Book Program for Adults, Pittsford, NY, March 23, 2006. “Lasso’s Prophetiae Sibyllarum: Challenges to Conventional Research Method”, Guest speaker, Graduate Musicology Association, Eastman School of Music, March 17, 2005. “Preparing for a College Audition”, Panel discussion participant, Rochester Flute Association Annual Flute Fair, October 2, 2004. Co-presenters Bonita Boyd (Eastman School of Music), Wendy Mehne (Ithaca College) and Susan Royal (SUNY Fredonia). “Music and the Hermetic Tradition in Renaissance Italy”, Guest speaker, University of British Columbia Continuing Education Course The Tree of Stars: A Seminar on the Alchemical Tradition (Dr. Leonard George, professor), March 16, 2004.

Page 7! CONFERENCE ATTENDANCE & OTHER PROFESSIONAL ACTIVITIES

Rhythm is the Cure: Tarantella Drumming and Dancing Retreat led by Alessandra Belloni (I Giulliari di Piazza, Artist in Residence at Cathedral of St. John the Divine, NYC). Kahumana Organic Farm, Oahu, Hawaii, February 20 - 26, 2017. Workshop participant. Service as Peer Reviewer on Grant Review Panel for NEH Enduring Questions grant applications, Fall 2014. Poster Session Judge, National Collegiate Honors Council, Annual Meeting, New Orleans, Louisiana, 2013. Residency at the Parmenideum, Philosophical Retreat for Scholars, Ascea, Italy, Mary 28 - June 12, 2013. October 19-23, 2011: National Collegiate Honors Council, Annual Meeting, Phoenix, Arizona. Summer/Fall, 2011: Service on the nominating committee of the New York-St. Lawrence chapter of the American Musicological Society. 1990-present: Regular attendance at National and Regional meetings of the American Musicological Society. 2007-2010: Chairperson, Coordinator, and Presenter, Rochester Flute Association Annual Flute Fairs, Rochester, NY. Membership ongoing. April 24-26, 2009: Conference attendance, Society for Seventeenth-Century Music, annual meeting, Eastman School of Music, Rochester, NY. May 29-June 2, 2008: Conference attendance, Association for the Study of Esotericism, College of Charleston, Charleston, South Carolina. May 19, 2006: Performance consultant for interpretation of Orlando di Lasso’s motet cycle Prophetiae Sibyllarum by Musica Transatlantica, Colleen Liggett, director. Concert title: “Music From Before: Songs of Prophecy & Rebirth,” St. Anne Church, Rochester, NY. May 18-22, 2003: Archival research, University of Michigan Graduate Library, Ann Arbor, MI. June 11-15, 2003: Participant in College Music Society Leadership Institute for Curricular Innovation in Higher Music Education, Indiana University, Indianapolis, Indiana. May 9-24, 2000: Dissertation research (Sibylline imagery in churches and manuscripts), Rome, Italy. September 8-13, 2000. Attendance at The Western Esoteric Tradition in the Italian Renaissance, conference sponsored by The New York Open Center, NYC (Ralph White, director), Florence, Italy. August 29-September 2, 1997. Attendance at Prague & The Alchemical Tradition, conference sponsored by The New York Open Center, NYC (Ralph White, director), Prague, Czech Republic. March and June, 1996: Archival assistant to Dr. Kerala Snyder, Gesellschaft für Musikfreunde, , Austria.

PROFESSIONAL MEMBERSHIPS (PAST & PRESENT)

American Musicological Society; New York-St. Lawrence Chapter of the American

Page 8! Musicological Society; Renaissance Society of America; Association for the Study of Esotericism; Societas Magicas; European Society for the Study of Western Esotericism; College Music Society; National Collegiate Honors Council; Council on Undergraduate Research; Pi Kappa Lambda Music Honor Society (past secretary, Theta Lambda Chapter, Nazareth College); National Flute Association; Rochester Flute Association (past Board Member).

AWARDS, FELLOWSHIPS, GRANTS, RECOGNITION

• “Living Life Harmonically”, Focus on Faculty essay, Nazareth College Connections Magazine, December 2015. • Spring, 2012: National Endowment for the Humanities Division of Education Programs “Enduring Questions” new course development grant (with Dr. Scott Campbell, Nazareth College, Philosophy department). • Fall, 2010: Named “Master Teacher” by the American Musicological Society, Committee on Career-Related Issues at the Annual National Meeting of the AMS. • April 18-28, 2008: Nazareth College VPAA grant awarded for research at the Villa D’Este and Villa Gregoriana in Rome and Tivoli (Sibylline themes in the patronage of Ippolito II D’Este). • Spring, 2008: Recipient of Nazareth College “Sigillum” Yearbook dedication (chosen by students of the Senior class). • June, 2008: Nazareth College Center for Teaching Excellence new course development grant awarded, for planning of new Liberal Arts Core course “Music, Art, and Magic in Western Culture” (to be team-taught with Dr. D. Bokelman, Nazareth College, Art History). • March, 2007: Outstanding Fine Arts Alumna, University of Wisconsin-Parkside. • Summer, 2005: Nazareth College Teaching Innovation Grant for new team-taught course development (with Dr. Carl Wiens). “Music History and Theory Since 1900”, for music majors. • Academic Year 1999-2000: Elsa T. Johnson Dissertation Writer’s Fellowship (Eastman School of Music). • Academic year 1998-1999: Fulbright Research Grant for dissertation research in Vienna, Austria. • Spring, 1996: Susan B Anthony Teaching Fellowship, University of Rochester, Rochester, NY. • Spring, 1996: Teaching Assistant Prize for Excellence in Teaching (Eastman School of Music). • Academic Year 1985-1986: Gerald Graue Fellowship in Musicology, Eastman School of Music, Rochester, NY. • 1981: Kenosha Unified Schools Outstanding Teacher Award, Kenosha Wisconsin. • 1981: Outstanding Fine Arts Graduate, University of Wisconsin-Parkside, Kenosha, Wisconsin. • 1979: Ervin G. Wylie Scholarship, University of Wisconsin-Parkside, Kenosha, Wisconsin.

Page 9! TEACHING AT NAZARETH COLLEGE

Courses for music majors:

MUS 099: Freshman Orientation to Careers in Music MUS 121: Music Theory Fundamentals MUS 211: Undergraduate Survey of Western Music Literature from Antiquity to 1600 MUS 212W: Undergraduate survey of Western Music Literature from 1600-1870s; WAC writing credit in the music major MUS 213: Introduction to Music Bibliography MUS 315: Instrumental Music History & Literature MUS 316G: Tutorial, World Music MUS 375G: Music as a Liberal Art MUS 401: Upper-level undergraduate Seminar, Music Research & Writing I MUS 411: Upper-level undergraduate Seminar in Medieval & Renaissance Music Literature MUS 412: Upper-level undergraduate Seminar in Baroque Music Literature MUS 413: Upper-level undergraduate Survey of Classical Period Music MUS 414: Upper-level undergraduate Survey of Romantic Period Music MUS 416: Masterworks of Italian Music History: Upper-level music history class; Pescara, Italy, Summer 2007 MUS 416*30: Music & Gender: upper-level undergraduate music history special topics course MUS 416*40: Music & Culture in Austria, upper-level undergraduate music history special topics course, team-taught with Dr. Michael Malkiewicz (Mozarteum, Salzburg), Salzburg & Vienna, Summer 2010, 2012, 2014, 2016, planned for 2018 MUS 416: Music, Art, & Magic in Western Culture, Spring 2012 (team-taught with Dr. D. Bokelman, Art History; cross listed as AHS, HON, and LST) MUS 471: Music & Magic: upper-level undergraduate music history special topics course MUS 571: Music & Magic: graduate-level music history special topics course MUS 630: Masterworks of Music Literature (graduate-level music literature & analysis) MUP 1F & MED 600s: Flute Studio Lessons, Flute Choir, Chamber Music coaching, degree recital preparation; music majors (undergraduate, graduate, and non-majors) MUS 452: Tutorial, Instrumental Pedagogy (Flute) I & II MUS 400s: Independent Studies and Tutorials, as needed. Topics include: Silent Film Music; Italian Film Music; Music of West Africa; American Influence on Japanese Musical Culture; Modal Affect and Tonal Key Characteristics; Baroque Ornamentation; Greek Music Theory MUX 491: BM Music Theory and BA Music w/Music History concentration Degree Recital/ Project advisement. As required. Student Professional Internships: Arrange Sibley Music Library Internships in Conservation (Alice Carli, on-site supervisor) and Rare Books (Sandra Lemmon, on-site supervisor).

Page 10! Courses for non-music majors:

MUS 101: The Way of Music. PI Survey of Western Classical Music MUSQ 101: Introduction to Western Classical Music MUS 101: Master Composers. PI Survey of Classical Composers & Repertoire FRS 101: Freshman Seminar MUS 205: (P II) PHL 375G: The Liberal Arts

Courses for the Honors Program Interdisciplinary Minor:

HON 099 Honors Orientation HON 484: Honors Program Thesis Proposal HON 485W: Honors Program Thesis Writing (supervision) LST/HON: Music, Art, and Magic in Western Culture (team-taught with Dr. Doot Bokelman, Spring 2012 CME*050*HON: Honors CME/Thesis Proposal

OTHER TEACHING EXPERIENCE

Instructor in Music History, Eastman School of Music

MHS 112: Undergraduate Survey II, Baroque Music History, Spring 1998 (undergraduate music majors) MHS 119: Graduate Music History Review, Autumn 1995 (graduate music majors) MHS 281: Upper-level undergraduate course, Women & Music, Autumn 1996.

Instructor, University of Rochester:

WST 100: Introduction to Women’s Studies (non-majors), Spring 1996.

Teaching Assistantships, Eastman School of Music & University of Rochester, 1992-1995:

MHS 111: Survey I, Medieval/Renaissance Music History (Eastman) MHS 113: Survey III, 19th Century Music History (Eastman) MHS 114: Survey IV, 20th Century Music History (Eastman) MHS 221: Medieval/Renaissance Music History (University of Rochester) MHS 222: Baroque/Early Classical Music History (University of Rochester)

SUNY Brockport, Brockport, New York:

Page 11! Introduction to Music, (undergraduate non-majors). Basic music Fundamentals, Form, Repertoire & Style, exercises in two-part composition, Autumn 1991. Music History Instructor for Summer Music Horizons Program, Eastman School of Music:

Survey of Western Music History, 1988-1998 Music, Analysis, & Meaning, 1996-1998

University of Wisconsin-Parkside:

Music Theory Fundamentals for Gifted Children, 1978-1979

SERVICE TO NAZARETH COLLEGE

Service to the Music Department:

• Create study abroad music history opportunity for music majors (MUS 416*40 Music and Culture in Austria & Italy) • Music Department Chair search, Spring 2017 (participation while on sabbatical) • Work with Dr. Octavio Vazquez on NASM BM Composition proposal (spring 2015) • Work with Dr. John Reef & Dr. Octavio on Academic Area issues, and on “What do yo Hear?” Listening Nights Dr. Vazquez • Serve on search committee for aural skills adjunct (summer 2014) • Chair of Music Theory search committee (2014) • Chair of Music theory/Composition search committee (2014) • Music Department mentor to new faculty member Dr. Octavio Vazquez, 2014-2015 • Attend annual Society of Music Theory meeting, Charlotte, NC, Fall 2013, to conduct pre-interviews potential theory applicants • Chair of Music Theory search committee (2013) • Serve on NAZ Wind Ensemble/Band seating and concert tour audition panel, Spring 2013 • Serve on search committee for music theory adjunct, (summer 2012) • Organize Music Department Closing Convocation and Awards Ceremony, 2006-present • Pi Kappa Lambda Music Honor Society Secretary, 2000-1017 • Adjudication, Community Music Program Honors Recital Auditions, 2009-present • Create Music Department student early-music reading group Musica Arcana, Spring 2011 • Organize presentation of MUS 411 research class at academic music mini-conference, Musica Mundana academic music club, February 3 and 11, 2011 • “Music as Mirror of Human Life & Culture”, (session sponsor and organizer): MUS 401 academic music student research papers presented on Nazareth College Globalization & Culture conference, April 8-9, 2011 (Friday afternoon session, moderated by Dr. Zbigniew Granat, music department) • Volunteer to edit and compile MUS 401 papers for a departmental collection of student research, Spring/Fall, 2011 • Contact and invite Dr. James Davis (SUNY Fredonia) to be guest speaker at lecture

Page 12! sponsored by Musica mundana and the music department of Nazareth College, March 4, 2011 • Supervise preparation of student Fulbright grant project research in MUS 401: Erin Smith, 2011 (Music and the Environment, Simon Fraser University, Vancouver, BC), Kristina Knowles 2011 (Music Cognition, McGill University), and Julia Broman, 2009 (Japanese Culture & American Musical Theatre, Japan) • Faculty advisor: Music Department academic music club Musica Mundana, 2010-present • Accompany eight Nazareth students to National joint meeting of the American Musicological Society and the Society for Music Theory, Indianapolis, Indiana, November 4-7, 2010 • Plan and organize proposal for Music House acquisition and space use, Fall & Spring 2010 • Run Department Opening Convocation in Chair's absence (family emergency), Fall 2010 • Participate in Department NASM Review, 2009-2010 • Submit proposal for Music History presentation (as part of planned series of departmental presentations to the Chatterbox Club, Rochester, NY), November, 2010 • Work with new Faculty: Observe, evaluate and advise Dr. David Sommerville (music theory), March 2010; mentor Dr. Zbigniew Granat (music history), 2007-2008 • Invite and sponsor Guest Artist Rena Sharon (pianist and collaborative artist, University of British Columbia, Vancouver) for on-campus lecture, February 23, 2010 • Invite and sponsor Guest Artist Michael Malkiewicz (music history & dance History, Mozarteum, Salzburg, Austria) for on-campus lectures and Renaissance dance workshop, September 15-18, 2009 • Create document on requirements for Tenure & Promotion for music department faculty in various areas (academic, performance, professional), Spring 2009 • Participate in Music Education position search, 2009-2010 • Serve as Chair of Music Theory Search Committee, 2008-2009 • Design academic music curriculum update with Dr. Carl Wiens (music theory). New course MUS 317: Music Since 1900 as permanent addition to upper level history rotation, proposed to music faculty and accepted, Spring 2008 • Work with academic music faculty to revise and stabilize BA Music degree requirements, and requirements for minors in music history and music theory, 2007-present • Adjudicate Nazareth College Concerto Competition, December 12, 2007 • Serve on Music History Search Committee, 2006-2007 • Teach the Writing Across the Curriculum course required for all music majors, 2000-2013 • Member of Departmental Five-Year Review Team, Spring, 2006 • Participate in Music Therapy faculty search, Spring, 2006 • Supervise syllabus creation (with adjunct faculty member Liisa Grigorov) for new departmental PI “Global” course offering: MUS 104G Intro to World Music. Accepted by the Liberal Studies Sub-Committee in Spring 2006, and now a regular departmental offering • Prepare materials relating to transfer students, music history courses, and core courses offered through the music department, for presentation at departmental curriculum

Page 13! workshop, May 23, 2006 • Participate in Music Department workshop on curriculum revision, June 2005 • Serve on Music Department Chair Search Committee, 2004-2005 • Participate Music Department Music Education faculty Search, Spring 2005 • Create Adjunct Faculty Handbook (with Dr. Beverly Smoker): Guidelines to Policy and Procedures for Part-time Music Faculty, Autumn 2005 • Serve on Music Department Music Theory Search Committee, 2002-2003 • Arranged residence of a set of viols for one year at Nazareth College, with viol specialist Elizabeth Phillips as coach, 2001-2002 • Organize and teach yearly Music Department “Orientation to Careers in Music” course for new students, 2001 • Music Department Performance Committee, 2000-2006 • Music Department Special Recitals Committee, 2001-2006 • Music Department Coordinator of Wind, Brass, and Strings, 2000-2005 • Recruitment and retention: plan and organize Music Department String Festival (concerts, guest lecturers, ensembles, sessions, demonstrations, financial planning). October 14-16, 2004 • Assist judges for Nazareth College Choral Solo Auditions, October 13, 2003 • Continued participation in trouble-shooting meetings with students and parents, writing of student recommendations for jobs, graduate school, research fellowships, and travel grants, as required, 2000-present • Music Department Student Advisory Board, 2004 • Pi Kappa Lambda Music Honor Society Vice President and coordinator of election, inductions, and other activities, 2000-2017 • Regular participation in student advising, 2000-present

Service to the College:

• CME committee 2014-15 • CARS judge in Fine Arts area, 2015-2016 • Serve on planning committee for CARS celebration of student creative activity, scholarship, and research, 2012-1015 • Represent Music Department at annual Freshman convocation, August, 2000-2016 • Advise and propose MUS 401 paper session entitled “Music as Mirror of Human Life & Culture”, for Nazareth College Globalization & Culture conference, April 8-9, 2011 (session moderated by Dr. Zbigniew Granat, music department) • Fall/Spring 2011/12: Work with inter-departmental colleagues on creating a minor in Medieval/Renaissance studies • Attend 2020 Vision Summit meeting, August 23, 2010 • Serve as Honors Program Director, May 2009-present • Member of Scholar’s Day Committee, 2009 • Member of Faculty Grievance Committee, 2009-2012 • Member of Liberal Studies Sub-Committee, 2006-2009

Page 14! • Member of Global Task Force on encouraging global experiences (George Eisen) 2009-2011 • Member of Writing Across the Curriculum Committee, 2000-2008 • “Esoteric Ideas & Practices in the Renaissance”, Guest lecturer, Art History class (Dr. Doot Bokelman, professor), February 5, 2008. • Member of the Faculty Trustee Committee, 2006-2010 • Organize and present ''Our Place on Campus'' (with Janet James and Campus Ministry). Presentation/Discussion on challenges faced by Gay and Lesbian students at Nazareth, March 27, 2006 • Lead new student Orientation Week ''Summer Read'' Sessions, August 2006 and 2007 • Service Learning Task Force Member, 2005-2006 • Nazareth Representative at Workshop on Service Learning in the Arts & Sciences, LeMoyne College, Syracuse, NY, November 7, 2005 • Faculty Advisor to Sim-aissance Student Organization, 2005-2007 • Sexual Assault Response Team Volunteer, 2005-2009 • Involvement in Advising Students for Study Abroad, 2005- present • Volunteered as participant in Dormitory series of ''Alternative Spirituality Workshops’', Paris Hall, Resident Assistant, October 15, 2005 • Member of Nazareth College Academic Civility Task Force, 2004-2005 • Faculty Advisor to Lambda Student Organization, 2004-2007 • Member of Committee for Student Research and Scholarship. Presentation on music student scholarship given for the opening of the Golisano Academic Center, Nazareth College, October 2, 2004 • Continued involvement with the Center for Teaching Excellence, beginning 2003 • Served on the Nazareth College Library Copyright Committee, 2002-2004 • Nazareth College Freshman Seminar: attended planning meetings, taught courses, 2000-2002 • Member First Year Experience team, 2001-2002 • Regular organization of student music groups to play at Nazareth College events (e.g. Dean’s List ceremonies, Arts Center events), 2000-present • Regular participation in Open Houses, Parents’ Weekend concerts and activities, Experience Nazareth activities, and Departmental Audition Days.

Service as Honors Interdisciplinary Minor Program Director:

Honors Administration:

• Honors advising (work with students and faculty (2009-present) • Work with Physical therapy, music education, and music therapy faculty on curriculum challenges regarding student participation in the Honors minor (2016-2017) • Spring, 2012: Complete Honors Program Review Document (submitted 3/16/2012) • October 19-23, 2011: National Collegiate Honors Council, Annual Meeting, Phoenix, Arizona

Page 15! • August 1, 2011: Work with Liz Zapata (Assistant Director, Web Communications) on updating Honors Program Website and creating Facebook page • August 9, 2011: Meet with Paul D'Alessandris, Honors Program Director, Monroe Community College • July, 2011: Work with Mary Anne Parker-Hancock and John Mordaci on incoming Freshman • Honors Program Students (25); write welcome letters to students • April, 2011: Create and distribute Honors Program Assessment materials • April 26, 2011: Organize recognition luncheon and brainstorming session for Spring 201 Faculty Thesis advisors • March 28, 2011: Participate in Experience Nazareth Day, working at the Honors program table • Advise, propose, and moderate Honors Program session comprising two Honors Thesis defenses for Nazareth College Globalization & Culture conference, April 8-9, 2011 • January, 2011: Meet with Heidi Northwood to discuss curricular options for starting a Freshman Seminar section (or other HP section) for Honors Program students • September, 2010-1011: Organize and meet regularly with Honors Program Faculty Advisory Board • September, 2010: Meet with President, VPAA, and CAS Dean to discuss development of Honors Program moving forward • Spring, 2010: Work with John Mordaci on Honors Program Admission issues, updating and reconfiguration of Honors Program invitation letter • Spring, 2010: Meet David Vigren, Honors Program Faculty Trustee, to inform him of program developments and extend invitation to attend all events and Thesis defenses

Honors Teaching:

HON 099 Freshman Honors Orientation HON 485W: Honors Program Thesis Writing (oversee thesis writing and defense) LST/HON: Music, Art, and Magic in Western Culture (team-taught with Dr. Doot Bokelman, Spring 2012 CME*050*HON: Honors CME/Thesis Proposal HON 484: Honors Program Thesis Proposal

Both HON 484 and CME*050*HON are taught by the Honors Program Director as thesis proposal courses. The work involves meeting with each student privately once a week to develop a thesis topic, produce a formal proposal (5 to 8 pages, with bibliography, methodology, draft outline of contents, and working schedule), and identify two writing advisors among the faculty. The thesis topics I have helped students develop since becoming Honors Program Director in August 2009 are as follows:

Page 16! 2009-2010:

• “Shattering the Glass Ceiling: Encouraging Women in Mathematics”, Caitlyn Parmalee (Major: Math) • “21st Century Campaign Systems: A Comparison of Spain and the United States”, Christine Hagen (Majors: Political Science, Spanish)

2010-2011:

• “Roles of Society and Veterinary Education in the Evolution of Veterinary Medical Ethics”, Amber L. Streicher (Major: Biology; Minor: Chemistry; Specializations: Pre-vet and Bioethics) • “Mind, Body, and Soul: An Investigation into the Motivations of Adolescent Cigarette Smoking”, Jennifer Christine Pier (Major: Biochemistry; Minor: Pre-med) • “Human-Directed Human Evolution: The Tightrope Act Between Progress and Ethics”, Brittany M. Krupp (Major: Biochemistry) • “PostSecret: The Changing View of Secrets in Society”, Kaitlyn M. Oudt (Major: Communication & Rhetoric; Minor: Business Administration) • “Guy Culture in Guy Movies: Making or Breaking the Bro?”, Jake Michael Giovanni (Major: Communications & Rhetoric)

2011-2013:

• “Identity Fragmentation Through Social Media & its Ethical Implications” , Carissa Risucci (Major: Communication & Rhetoric) • “Creative Expression in the Deaf Community and its Effects on Professionals in Speech and Hearing Services”, Carly Maldonado (Major: Communication Sciences and Disorders) • “Survival of the Fittest: The Evolution of Cellular Communication”, Mikaela Butler (Major: Psychology; Minor: Pre-Med) • “Heteronormative High Schools and the Adolescent Identity Response”, Rachel Olsen (Majors: English Literature and Education) • “Sex Selecton: The Societal, Ethical, Practical, and Psychosocial Implications of Pre-Natal Genetic Testing”, Sarah McClements (Major: Communication Sciences and Disorders) • “High-Class Flowers: The Role of Flowers in Today’s Society”, Paige Pickering (Major: Studio Art)

2013-2014:

• “The Secular Martyr: Forging the Free Spirit Through Love and Will”, Christian Daniel Anthony Ferrin (Major: Communication and Rhetoric; Minor: Philosophy) • “A Glamorous Reality? How Women’s Magazines Represent the Success of Second Wave Feminism”, Amy E. Gallo (Major: Sociology; Minor: Anthropology)

Page 17! • “The United States’ Crumbling Education System: How We Can Look to Italy for a New Foundation”, Craig R. Marasco (Majors: Adolescent Education and Italian) • “Diversifying Disability: Broadening Perspectives of Ability in Education”, Heather McKnight (Majors: Psychology, Inclusive Education)

2014-2015:

• “An Ethical Analysis of Health Care Delivery Systems”, Meghan Grant (Major: Physical Therapy; Minor: Music) • “Towards a New Interdisciplinary Approach to Forensic Anthropology:A Case Study of the Guatemalan Civil War of Twentieth Century”, Ms. Candice Gage (Major: Anthropology) • Media, Memory, and Meaning: A Look at Four Presidents Through Film”, Ms. Meghan Plate (Major: History) • “Small Town Art: A Case Study of Art Communities in Treadwell, Andes, and Delhi New York”, Kyrra Howard (Major: Studio Art).

2015-2016:

• “Undefined Lines: Children’s Literature and its Use and Abuse in Education”, Melanie Antos (Majors: Inclusive Childhood Education and English Literature). • “My Role in White Privilege: My Journey Guided by the Narratives of African-American Women and Toni Morrison’s The Bluest Eye”, Maria Allocco (Major: Social Work) • “Lessons in Feminist Pedagogy: Women’s Liberation through the Liberal Arts”, Haley Johnson (Major: English) • “Can’t Paint, Can’t Write”: Vanessa Bell and Virginia Woolf’s Gendered Modernist Discourse”, Samantha Strain (Major: English) • “Cross-Cultural Music & Healing”, Victoria Gac (Major: Music Therapy) • “The Banality of Eating: Reading Consumer Manipulation Through Hannah Arendt and George Orwell”, Mary Lawrence (Majors: French & German).

2016-2017:

• “Neoclassical Success or Anti-modernist Failure: A View of Propaganda Art in Nazi Germany”, Lauryn Krebs (Major: International Studies; Minors: German and History) • “An Ethical Analysis of Stem Cells Used in Research and Therapies”, Melissa Wilkinson (Majors: Biology and Toxicology; Minors: Bioethics, Environmental Science) • “Educational, Societal, and Cultural Barriers Experienced by People Who are Deaf: A Focus on South Africa and Ethiopia”, Emily C. Thompson (Major: Communication Sciences & Disorders) • “Beethoven’s Ninth Symphony and the German Identity”, Natalie Burrows (Major: Music; Minor: Music History)

Page 18! • “A Philosophical Investigation of the Meaning of Life as posed by the Empirical Sciences”, Matthew Leverich (Majors: Biochemistry and Philosophy; Minors Biology andPre-Med)

Organization of Honors Events:

• April 17, 2013: Honors Guest Night. Dr. Rob Haskins, “John Cage’s legacy in the Twenty- first century, with selected faculty and students, and Rochester community guests. • Organize and host Dr. Aron Reppmann, outside Honors Program Reviewer from the NCHC, April 7-9, 2013. Work with Dr. Reppmann on Nazareth’s HP, and meet with Sara Varhus, Deb Dooley, George Eisen, and members of the Honors Advisory Board. Work on the new curriculum will continue over the summer upon receiving Dr. Reppmann’s written program review. • November, 2013: Honors Guest Night. Dr. Aaron Allen, University of North Carolina at Greensborough. “A Forest of Violins” (musicology, environmentalism, instrument building). Selected faculty and students, and Rochester community guests. • Organize Distinguished Lecturer events for Fall (Mr. Jeff Liebermann, “Beyond Perception: The Search For Truth in the Arts & Sciences”, October 23 2012, as part of celebration for opening of Peckham Hall math and Science building. • “Honors Program Thesis Defense Session”, (sponsor, organizer, and moderator): Two Honors Program thesis defenses as session for Nazareth College Globalization & Culture conference, April 8-9, 2011 (Friday afternoon session). • Summer, 2011: Schedule Freshman Orientation week reception for incoming class of Honors Program Student (Friday, August 26, 3:00-3:45, Porthole Lounge). • April 8, 2011: Advise, propose, and moderate Honors Program session comprising two Honors Thesis defenses for Nazareth College Globalization & Culture conference, April 8-9, 2011 • March 31, 2011: Honors program Distinguished Lecturer, Amy Stewart; in cooperation with Beverly Brown (Biology), The Teacher Leader Quality Partnerships Program, and the Robert Noyce Scholar Program. • March 8, 2011: Honors Guest Night. Co-sponsor Guest Lecturer Hugo Keesing (Music of the Vietnam War) with Nevan Fisher and Faculty Lecture Committee. Honors Program- sponsored pre-lecture dinner with Keesing, selected faculty and students, and Rochester community guests. • February, 2010: Honors Program Distinguished Lecturer, Rena Sharon; in conjunction with the music department (James Douthit) • November 1, 2010: Honors Program student meeting; interdisciplinary study and study abroad opportunities at Nazareth • September 21, 2010: Honors Program Distinguished Lecturer, Elinor Burkett; in conjucntion with Gaynelle Wethers (Multi-cultural Program) • October 1, 2009: Honors Program Distinguished lecturer, David Anderson (“The Origin of Life On Earth” with Ashé dance troupe); in conjunction with Multi-cultural Studies, Multi- cultural Affairs.

Page 19! Service to the Rochester Community:

• Adjudication, Hochstein School of Music & Dance Honors Recital Auditions, February 6, 2011 • Bay Village Condominium Board of Managers (term length 2010-present). Chair of BVC Garden Committee (2010-2014) • Serve as Chair and Coordinator of the Rochester Flute Association Annual Flute Fairs, 2006-2010 • Serve Rochester Flute Association as concert and class Newsletter reviewer, panel discussion participant, and competition judge, 2000-present • Adjudicate Hochstein School of Music & Dance Solo Recital Competition, February 10, 2008 • Rochester Flute Association Master Class Competition Judge: November 10, 2008 • Adjudicate Rochester Flute Association Annual Flute Fair Competition, November 9, 2007 • Liaison between Nazareth College, Rochester community Tango groups, and College Foreign Language and International Studies departments • Arranged for North American premiere of film Encantango! at Nazareth College, open to the public, Autumn 2006 • Adjudication, David Hochstein Solo Recital Competition, February 12, 2006 • Liaison between Nazareth College Music Department and various community music and theatre organizations regarding use of Nazareth College facilities. Rochester Flute Association (2000-present), Flower City Orchestra (October, 2004), Lambda Project (February, 2005) • Continued participation in Rochester area musical organizations, including Schola Feminarum (Colleen Liggett, director), Eastman Capella Antiqua (Patrick Macey, director), the Rochester Flute Association, Pegasus Early Music (Deborah Fox, director) • Volunteer, mini-lesson teacher at Rochester Flute Association Flute Fairs (2001-2009) • Volunteer at St. Joseph’s House men's shelter (May, 2004-present) • Adjudication, Penfield Symphony Concerto Competition, January, 2001, January 2004 • Adjudication, David Hochstein Solo Recital Competition Judge, February 8, 2004 • Adjudication, Rochester Flute Association Master Class Competition, October, 18, 2003

Graduate Student Service, Eastman School of Music

• Student Representative for the Musicology Department, Eastman Initiatives Steering Committee for the revision of the undergraduate curriculum, 1995-1996 • President of Graduate Musicology Association, 1993-1994 • Graduate Marshall at Eastman School of Music Commencement Ceremony, May 21, 2006

INSTRUMENTAL EDUCATION & PERFORMANCE

Major Teachers: Mr. Frank Suetholz, University of Wisconsin-Parkside, 1976-1983 Ms. Janet Millard, Milwaukee Symphony Orchestra, 1977-1983 Ms. Bonita Boyd, Eastman School of Music, (MM-PRL & DMA PRL degrees) Mr. Julius Baker, Summer Master Classes, 1979-1981

Page 20! Studio Teaching: Rochester, New York and Kenosha, Wisconsin

• Nazareth College, Collegiate and Community Education studio teaching, 1985-present • Eastman School of Music, studio flute lessons for University of Rochester students & Community Education students, 1986-1988 • Rochester private flute studio: 1983-present • Kenosha Unified Schools System: Flute/Piccolo Instructor, Sectional Coach, and Parade Instructor for summer music programs: 1976-1989 • Kenosha private flute studio: 1973-1983 • Carthage College: professor of flute, 1981-1982

Performances: Nazareth College, Rochester, New York

• Performed duet on undergraduate student recital with private studio member Nicole Darling, May 2015. • Easter Sunday, 2014: Guest soloist at Pittsford Presbyterian Church, James Douthit, Music Director. • March 31, 2013: Guest flutist in the orchestra, Edgewood Reformed Methodist Church, Bryan Hunter, Music Director, Easter Sunday Service. • Guest artist on Annette Farrington's “Dynamic Duos” departmental faculty recital, February 3, 2012. • Principal flute, orchestra for Easter Sunday services, Edgewood Methodist Church, Dr. Bryan Hunter director, April 8, 2012. • Principal flute, orchestra for JS Bach Cantata, Nazareth College Chamber Singers concert, Dr. Mark Zeigler, conductor, April 9, 2011 • Performed on graduate student (Nicole Brooker) flute recital: second flute on Doppler Andante & Scherzo duet, December 7, 2007 • Solo flutist in concertino ensemble for “The Many Moods of Christmas;” arrangement of carols (Dr. Carl Wiens), performed by the Nazareth College choir and, December 4th, 2005 • Orchestra member, Flute I, Symposium Ricasoli, 2005; premiere of Tuscan Organ Concertos, Dr. Tom McGary, conductor and editor, April 3, 2005 • Orchestra member, Bach Cantata, Dr. Mark Zeigler, director, Nazareth College Chamber Singers (with members of the Rochester Bach Festival Chamber Ensemble), April 17, 2005 • Solo flute in Jon Turner’s Ostinato Variations, on “An Evening of Marimba Music” with Kristen Shiner-McGuire and Gifford Howarth, April 20, 2004 • Performed on undergraduate Student Senior Recitals: Todd Dennis, April 17, 2004) and Mary Anna Ingjaer (April 24, 2004) • Orchestra member, Hector Berlioz L’Enfance du Christ, Nazareth College Choirs under the direction of Dr. Mark Zeigler, December, 2000 • Solo Faculty Recitals: Fall 1988 and 1992

Off-Campus Performances (Rochester, NY)

Page 21! • Orchestra Member, Easter Sunday and Christmas services, Edgewood Free Methodist Church, Dr. Bryan Hunter, Music Director, 2000-present • Principal flute, Edgewood Free Methodist Church Orchcestra, Dr. Bryan Hunter, Music Director, Sesquicentennial concert, September 12, 2010 • Solo flute part in Kuhnau Cantata chamber orchestra for a Christmas concert at the First Presbyterian Church in Pittsford, NY, Dr. James Douthit, director, December 18th, 2000 • Eastman Capella Antiqua, Dr. Patrick Macey, Director: 1989-2009 • Eastman Capella Antiqua, Co-director of Ensemble: Spring, 1998 • Schola Feminarum, Women’s Chant Ensemble: 2001-present • Rochester Early Music Festival Participant, Schola Feminarum: 2001 & 2002 • Solo Flute performance, Premiere of Rod Moulds Concerto for Flute, Violin, & Harpsichord, Summer 1997 • Solo Flute on J. S. Bach Brandenberg Concerto #5 for Flute, Violin, and Harpsichord: Summer, 1997 • Arianna, free-lance Flute & Guitar Duo, Rochester, N, 1987-2000 • Cambiata Players Woodwind Quintet: 1986 • Young Audiences of Rochester, Woodwind Trio & Quintet: 1984-1988 • Geneseo Chamber Orchestra, Principal flute SUNY Geneseo: Spring, 1988 • Free-lance solo flute work: 1983-present

Performances, Eastman School of Music:

• DMA Flute Recitals: October 21, 1995 and May 9, 1997 • DMA Lecture Recital: “Musical Analysis & Studio Flute Teaching”, September 11, 1998 • Master’s Degree Recital: Summer, 1985 • Eastman Philharmonia and Wind Ensemble: 1983-1985 • Eastman Baroque Ensemble: 1987-1988 • Eastman Collegium Musicum: 1983-1986, Paul O’Dette, director • Eastman Gamelan Lila muni: 1989-91, Ellen Koskoff, director

Performances, Kenosha, Wisconsin:

• Co-Principal Flute, Kenosha Symphony Orchestra: 1977-1983 • Principal Flute, Kenosha Symphony Winds: 1981-1983 • Principal Flute, University of Wisconsin-Parkside Wind Ensemble: 1977-1981 • Featured Soloist with University of Wisconsin-Parkside Wind Ensemble: 1980 (Kent Kennan, “Night Soliloquy”) • Concerto Competition Winner: Featured Soloist with University of Wisconsin-Parkside Orchestra, 1978, (W. A. Mozart, Concerto in D Major, 1st movement) • Concerto Competition Winner (with Ms. Lori Meyer): Features soloists with the University of Wisconsin-Parkside Orchestra, 1979 (D. Cimarosa, Concerto in G Major for Two Flutes, 1st movement)

Page 22!