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The Taranta–Dance Ofthesacredspider
Annunziata Dellisanti THE TARANTA–DANCE OFTHESACREDSPIDER TARANTISM Tarantism is a widespread historical-religious phenomenon (‘rural’ according to De Martino) in Spain, Campania, Sardinia, Calabria and Puglia. It’s different forms shared an identical curative aim and by around the middle of the 19th century it had already begun to decline. Ever since the Middle Ages it had been thought that the victim of the bite of the tarantula (a large, non- poisonous spider) would be afflicted by an ailment with symptoms similar to those of epilepsy or hysteria. This ‘bite’ was also described as a mental disorder usually appearing at puberty, at the time of the summer solstice, and caused by the repression of physical desire, depression or unrequited love. In order to be freed from this illness, a particular ritual which included dance, music and the use of certain colours was performed. RITUAL DANCING The first written account of music as an antidote to the bite of the tarantula was given by the Jesuit scientist, Athanasius Kircher, who was also the first to notate the music and rhythm in his book Antidotum Tarantulæ in the 16th century. Among the instruments involved and used, the frame drum plays an important role together with the violin, the guitar or chitarra battente, a ten-string guitar used percussively, and the button accordion or organetto. This form of exorcism consisted in a ritual carried out in the home of the sick person and a religious ritual in the Church of San Paolo (Saint Paolo in Galatina (Lecce)) during the celebrations of the Saints Peter and Paul on the 28th June each year. -
“That's Not Italian Music!”
8 “That’s Not Italian Music!” My Musical Journey from New York to Italy and Back Again John T. La Barbera s a musician with many memorable experiences of a lifelong journey through Asouthern Italian traditional music that has taken me from New York to Italy and back again, I wish here to let my memory speak by sharing my musical auto- biography. How many times have I heard, after my performances of traditional music, “That’s not Italian music!”? I have engaged with this music for over thirty years, and it is time to explain why it is Italian music, why this music has been so misunderstood in America, and most of all, what it means to me. It all began with my first guitar, a fifteen-dollar “Stella” that my father bought for me one Friday night when I was about ten years old. I had merely wanted to play and sing some of the music I had heard around the house. I never expected then that I would be dedicating my entire life to this music, traveling because of it, and reconnecting to the land of my grandparents through it. They had all come from southern Italy by steamship during the period of mass migration in the early twentieth century (ca. 1904) to the lower east side of Manhattan—known today as the East Village. My paternal grandparents, Ciro and Francesca La Barbera, came from Bolognetta (formally known as Agghiasciu), near Palermo, Sicily. My maternal grandparents, Leonardo and Adrianna Mancini, came from Itri, south of Rome, in the region of Lazio. -
The Black Madonna in the Italian American Artistic Imagination 37
The Black Madonna in the Italian American Artistic Imagination 37 ACTA NEOPHILOLOGICA UDK: 27.312.47:7+821(=131.1)(73) DOI: 10.4312/an.50.1-2.37-56 The Black Madonna in the Italian American Artistic Imagination Elisabetta Marino Abstract This essay sets out to explore the image of the black Madonna in Italian American artistic and literary expressions, providing thought-provoking examples of how this holy icon of universal motherhood has been persistently associated with the articulation of em- powering strategies, with antagonism towards any kind of patriarchal restraints, with the healing of deeply ingrained divisions (of gender, class, ethnicity), and with the celebration of diversity in unity. Key words: Black Madonna, Italian Americans, Patriarchy, Otherness Acta_Neophilologica_2017_FINAL.indd 37 13.11.2017 10:14:54 38 ELISABETTA MARINO Over the centuries, considerable scholarly efforts have been devoted to unravel the mystery that surrounds the image of the black Madonna, whose category “appears to be an unstable one,”1 as Melanie Rose Landman has underlined, after stating that “there is no definitive explanation for the blackness of black Madon- nas.”2 Mostly dating back to the Middle Ages, between the Eleventh and the Fourteenth centuries (even though some frescoes, paintings, and even a few sculp- tures can be ascribed to the first centuries of the Christian Era3), Bizantine-style icons as well as wooden, stone, and metal statues of the black Madonna (with Asian, European or African features) are to be found in 35 countries all over the world, according to a survey carried out by Ean Begg (a former Dominican priest and currently a Jungian analyst), who has compiled a valuable but still incomplete list of more than 450 representations of the dark Virgin with her holy infant, all renowned for their miraculous power.4 This rather modest figure is probably underestimated for several reasons: first of all, the elusive definition of what a black Madonna really is (her skin colour ranges from pitch black to lighter hues of brown). -
Music in Motion
Music in Motion 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 1 ) T00_01 schmutztitel - 1074.p 205719821360 The cooperation partners of the ExTra! project are: 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 2 ) T00_02 seite 2 - 1074.p 205719821384 Music in Motion Diversity and Dialogue in Europe. Study in the frame of the »ExTra! Exchange Traditions« project Edited by Bernd Clausen, Ursula Hemetek and Eva SÆther for the European Music Council 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 3 ) T00_03 titel - 1074.p 205719821440 With the support of the Culture 2000 programme of the European Union. This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. The European Music Council is supported by Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- grafie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2009 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: Laura Leante, 2006 Layout & Typeset: Markus Köhler Proofread by Wiebke Pilz, Katja Strube, Anne Thomas, Juliette Powel and Benjamin Perriello Translations by Selma Adlim, Patricia Adkins Chiti, Mike Delaney, Kathrin Matzen, Anne Thomas, Juliette Powel, Mojca Vodusek Printed by Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-8376-1074-1 2009-03-23 15-13-41 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. -
Rothcv Updated Spring 2017
DR. MARJORIE A. ROTH Nazareth College of Rochester, Department of Music Full Professor (2012) Music History and Studio Flute Honors Program Director 15 Eagle Rock Drive, Rochester, NY 14609 Home telephone: (585) 454-7759; Office telephone: (585) 389-2686 email: [email protected] EDUCATION Ph.D Musicology: University of Rochester, Eastman School of Music, Rochester, NY (2005) Dissertation: “The Voice of Prophecy: Orlando di Lasso’s Sibyls and Italian Humanism” Primary Advisor: Dr. Kerala Snyder Dissertation committee: Dr. Patrick Macey, Dr. Massimo Ossi, Dr. Daniel Zager Doctor of Musical Arts in Performance & Literature: University of Rochester, Eastman School of Music (1998) Master of Arts in Musicology: University of Rochester, Eastman School of Music (1990) Master of Music in Performance & Literature: University of Rochester, Eastman School of Music (1986) Bachelor of Arts in Music: University of Wisconsin-Parkside, Kenosha, Wisconsin (1981) PUBLICATION & RESEARCH Publications: “Music as a Liberal Art: Teaching Music to Non-Majors”, in James Davis (ed.), The Music History Classroom, New York: Routledge, 2013, 141-154. “Opportunity Lost: Christian Prophecy, Musical Magic, and the Road Not Taken in Counter-Reformation Rome”, Proceedings for conference on Early Modern Rome: 1341-1667, sponsored by the American Association of College & University Programs in Italy & the Istituto Storico Italiano per il Medioevo, May 13-15, 2010, Rome, Italy. Rome: EDISAI, 2011, 156-175. “The Magic in the Music: Sixteenth-Century Chromaticism in Context”, Proceedings for 11th International Congress on Musical Signification, sponsored by the Krakow Academy of Music, September 27 - October 2, Krakow Poland. Krakow: Krakow Academy of Music, 2011, vol. 2, 156-167. -
Episode 6: Alessandra Belloni and the Black Madonna May 23, 2019
Episode 6: Alessandra Belloni and the Black Madonna 00:00:00 [music] You are not moving, you are being moved. You are not singing, you are being sung. You are not praying, you are being prayed Prayed at the speed of love. 00:01:07 Janet Conner: You are not moving, you are being moved. You are not singing, you are being sung. You are not praying, you are being prayed. Prayed at the speed of love. I'm Janet Conner, Prayer Artist and you have arrived in perfect timing, speed of love timing, to the sixth episode, the sixth conversation in this, my new podcast Praying at the Speed of Love. 00:01:44 Today, we are so blessed to have a very real conversation with a very real mystic, Alessandra Belloni, bringing us the transformative power of the Black Madonna. She who rises in all times and all cultures to remind us that she is the womb of the earth. She is the dark side of the moon. She is the universal mother to all. The Black Madonna is alive, and Alessandra has seen her and learned her love songs. 00:02:29 In this conversation, there is something waiting for you, some nugget of unconditional love of the Goddess. It's here now. It's hovering in the air waiting to enter your heart and transform your life. So let us begin this conversation listening to the call of the Tibetan bowl as she opens our invisible ears so that we may hear what wants to be heard. -
42ND ANNIVERSARY 1976-2018 Sciame Is Pleased to Join the Italian Heritage and Culture Committee of NY in Saluting
ITALIAN HERITAGE AND CULTURE MONTH • MESE DELLA CULTURA ITALIANA 42ND ANNIVERSARY 1976-2018 Sciame is pleased to join the Italian Heritage and Culture Committee of NY in saluting Italian Women in America: Breaking Barriers…. From Ellis Island to the Present 14 Wall Street, 2nd Floor, New York, NY 10005 212.232.2200 | www.sciame.com EVENTS CALENDAR Table of Contents A Message A Message from the President/Chairperson 1 from the Italian Heritage and Culture Month History 3 President/ Mission Statement 4 Chairperson Members of the Board 7 Dear Friends: 2IÀFLDO(YHQWVDQG3URFODPDWLRQ&HUHPRQLHV 8 Welcome to the 42nd annual /HRQDUGRGD9LQFL$ZDUG5HFLSLHQWV 9 celebration of Italian Heritage %RURXJK&RQWDFW3HUVRQV 10 and Culture Month! This year the Board of Directors of the During these challenging &DOHQGDURI (YHQWV 12-55 Italian Heritage and Culture economic times, we are most Letter from the Ambassador of Italy Committee, New York, Inc., has appreciative of the response 13 selected as its theme: by those individuals who have in Washington, DC A Salute to Italian Women in contributed to the development Letter from the Consul General of of our materials and, as well, 14 America: Breaking Barriers…. ,WDO\LQ1HZ<RUN From Ellis Island to the Present. to the overwhelming largesse of our sponsors whose ads are 2IÀFLDO3URFODPDWLRQIURPWKH*RYHUQRURI 15 The IHCC-NY, Inc. recognizes included within. Without their WKH6WDWHRI 1HZ<RUN ÀQDQFLDOVXSSRUWZHPLJKW the tremendous contributions of 2IÀFLDO3URFODPDWLRQIURPWKH*RYHUQRURI Italians with a special tribute to not have been able to produce 16 WKH6WDWHRI 1HZ-HUVH\ actors and directors. The many such a comprehensive view men and women whom we salute of all the many activities for 2IÀFLDO3URFODPDWLRQIURPWKH&RPSWUROOHURI 17 are those who have exhibited Italian Heritage and Culture WKH6WDWHRI 1HZ<RUN Month, 2018. -
Conference Reading, Pa. Nov. 1-2-3 Upcoming Event
NEWSLETIER OF THE ITALIAN FOLK ART FEDERATION OF AMERI CA VOLUME 11 1991 SPRING NO, 1 ----- _ .. __. _- - --_._. Despite the di sa ppotrltment 1991 ;,aused oy having to cancel our UPCOMING EVENT conference In Italy this summer, w e CONFERENCE I Giullari di Piazza take qreat satisfaction If) three ma READING, PA. Traditional Italian jor accomplishments ilt the 1990 Folk Music & Theatre Confere n ce (11 the Essay Contest NOV. 1-2-3 is proud to announce fo: which we wish to acknowledge We regret that due to the Middle the premiere of a ann t hank Victor 'volpe of Cjm East conflict, the 1991 Conference new folk opera rnari !!o, California , for funding; (2) whic h was t e be held in Italy in th<; oV2rwhelming turnout of youth, June, has been cancelled " II Vicggio NfrO"t; pi:Htlcipation rs heartwarm Della Madonna Nera" ''1 9 ar'(l tW isters our resolve to pro T he 1991 Conference, instead, The Voyage of the Black Madonna . v :1E: more and better forums for will be held in Reading, PA . on a musical play dedicated to Moth2f Earth based on the cult of the Black :!If:m i;', the future and (3 ) aI" Novembe r 1, 2, 3 ",(Jitec , profe sslOllaliy recorderJ tap Virgin In southern Italy, is a fTl\IS I,',t ' and ttleatrtcal pageant written tJ\' : r ' ~l Ilf th" confe rence with aCCO I1': M r. 1lJr:C! is Chairperson. More on Alessandra Belloni and Dano Bol;" ' ),H l'/iny r; assette, Vlie thank Jane thi ~ program In o ur next issue. -
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*YǤ8*Ǥ>'Q*YǤ#Ǥ>\8Y\Q=B>Y'Ƈ=T88Ǥ\8Y\QǤ*YǤ8*Ǥ>Ǥ ŗŔÜâǤ>>*gQTǤQnŔŜŚřƠŕœŔŚ ItalianCinema Heritage & Culture Month s Mese della Cultura & Italiana F. Murray Abraham Maria Carta Dom DeLuise Vincent Gardenia Lindsay Lohan Joe Penny Robert Schwartzman Danny Aiello David Caruso Drea de Matteo Janeane Garofalo Justin Long Joe Pesci Annabella Sciorra Alan Alda D. J. Caruso Will de Meo Ben Gazzara Susan Lucci Bernadette Peters Martin Scorsese Emelise Aleandri M Casella William DeMeo Michael V. Gazzo Ida Lupino Angela Pietropinto Brooke Shields Don Ameche Clem Caserta Robert De Niro Peter Gennaro Patti Lupone Ezio Pinza Talia Shire Eva Amurri Kristen Cavallari Brian De Palma Paul Giamatti Ralph Macchio John Polce Tom Signorelli Michael Angarano John Cazale Donna D’Errico Tony Giglio Madonna Ellen Pompeo Frank Sinatra Tina Majorino Jennifer Aniston Mimi Cecchini Danny DeVito Selena Gomez Robert Pulcini Nancy Sinatra John Cena Leonardo DiCaprio Jose Greco Joe Manganiello Armand Assante Zachary Quinto Gary Sinise Frankie Avalon David Chase Joseph D’Onofrio Francesca Gregorini Joe Mantegna Angela Rago Joe Mantello Tony Sirico Michael Bacarella Domenic Chianese Vincent D’Onofrio Lucia Grillo John Rando Hayden Christensen Jimmy Durante Sonny Grosso Rooney Mara Frank Sivero Michael Badalucco Aldo Ray Scott Baio Matt Cimber Vince Edwards Saverio Guerra Gary Marshall Mira Sorvino Nikki Reed Kaye Ballard Michael Cimino Giancarlo Esposito William Hanna Penny Marshall Paul Sorvino Leah Remini Eduardo Ballerini James Coco Jennifer Esposito Paris Hilton Dean Martin -
Folk Dances of the World: Southern Italy’S Tarantella the “Dance of the Spider”
PMS 285 FOLK DANCES OF THE WORLD: Southern Italy’s Tarantella The “Dance of the Spider” Made Possible in Part by a Grant from the City of Los Angeles Cultural Affairs Department FOLK DANCES OF THE WORLD: Southern Italy’s Tarantella The “Dance of the Spider” Table of Contents Overview ..................................................... 2 California Common Core Standards . 3 A history of the Tarantella ................................... 4-6 Discussion questions and activities . 7-8 Folk Dances of the World: Southern Italy’s Tarantella– The Dance of the Spider ©2020 by the Italian American Museum of Los Angeles. May be duplicated for educational use only. Permission to quote, excerpt, or reprint must be obtained from the owner for all other uses. Made Possible in Part by a Grant from the City of Los Angeles Cultural Affairs Department Page 1 • Folk Dances of the World ESSENTIAL QUESTIONS What are folk dances, and how do they reflect the histories, cultures, and experiences of the people who created them? What is the tarantella, and why is it known as the “dance of the spider”? OVERVIEW Folk dances, or dances of a particular country, region, or people, tell stories and reflect a group’s diverse history and culture. The tarantella, which dates to the fifteenth century or earlier, is one of the most famous folk dances of Italy. It began as a cure for a condition called tarantism, which was believed to be caused by the bite of a spider widely thought to be poisonous. The spider’s victim, who was typically a woman, engaged in a frenetic dance, accompanied by musicians playing fast-tempo music, to “expel” the venom from her system. -
View IHCC-NY Calendar and Newsletter
*YǤ8*Ǥ>'Q*YǤ#Ǥ>\8Y\Q=B>Y'Ƈ=T88Ǥ\8Y\QǤ*YǤ8*Ǥ>Ǥ ŗœY'Ǥ>>*gQTǤQnŔŜŚřƠŕœŔř IHCC-NY, INC. 2016 CALENDAR OF EVENTS hhhƎ*YǤ8n\8Y\Q=B>Y'ƎBQ#Ƈlj*YǤ8*Ǥ>'Q*YǤ#DŽ\8Y\Q=B>Y'B==*YYB">hnBQ7Ɖ*>ƎƇřśřNǤQ7Ǥg>\Ɖ>hnBQ7Ɖ>nŕŔŕƎřŗŕƎŕœŕŚƇ*>"Bdž*YǤ8n\8Y\Q=B>Y'ƎBQ# The City University of New York congratulates the Italian Heritage and Culture Committee of New York On the occasion of Celebrating 40 Years of Italian Culture in America October 1, 2016 William C. Thompson Jr. James B. Milliken CHAIRPERSON, BOARD OF TRUSTEES CHANCELLOR 1-800-CUNY-YES CUNY.EDU CUNY TV-Channel 75 EVENTS CALENDAR A Message from Table of Contents the President/ A Message from the President/Chairperson 4 Chairperson Italian Heritage and Culture Month History 6 Dear Friends: Mission Statement 7 Welcome to the 40th annual Acknowledgments 10 celebration of Italian Heritage and Culture Month! This year, the Board Financial Supporters 10 of Directors of the Italian Heritage Members of the Board 12 and Culture Committee, New York, Inc. has selected as its theme: 2IÀFLDO(YHQWVDQG3URFODPDWLRQ&HUHPRQLHV 13 Celebrating 40 Years of Italian Culture in America. our sponsors whose ads are included Leonardo da Vinci Award Recipients 15 ZLWKLQ:LWKRXWWKHLUÀQDQFLDO Borough Contact Persons 16 The IHCC-NY, Inc. recognizes support, we might not have been able the 70th Anniversary Year of the to produce such a comprehensive &DOHQGDURI (YHQWV 17-55 Founding of the Republic of Italy, view of all the many activities Letter from the Ambassador of and the 40th Anniversary Year of for Italian Heritage and Culture 18 the Founding of the Italian Heritage Month, 2016. -
Feminist Music
TaPle of Contents Ordering Information 2 BabySlipper Music 23 Ladyslipper Online! 3 Comedy 24 Order Blank 4 Classical 24 "Women's Music" * Feminist Music 5 Ho * Ho * Holiday Music 25 Compilations for Cool Causes 10 Gift Certificates * Cards 26 Drumming * Percussion 11 Calendars * Books 27 Women's Spirituality * New Age 12 DVD's * Videos 27 African Heritage 16 Songbooks 28 World Music 17 Grab-Bags 29 Native American 18 $6.99 CD's 29 Singer-Songwriter * Folk 19 $5.99 CD's 30 Country * Bluegrass 21 $4.99 CD's 30 Blues * Jazz * R&B * Divas 22 $2.99 Cassettes * $4.99 LP's 31 Choral * Acappella 23 Artist Index 31 Dedication This publication is lovingly dedicated to Kay Gardner 1941-2002 Ordering info CONTACT INFO: BACK-ORDERS AND ALTERNATIVES: If we are U.S. POSTAGE & HANDLING RATES: MAIL: Ladyslipper, PO Box 3124, Durham NC 27715 temporarily out of stock on a title, we will automatical ORDER LINE: 800-634-6044 Mon-Fri 10-5 Eastern ly back-order it unless you include alternatives STANDARD: $2.95 first item, $1.00 each additional INFO: 919-383-8773 Mon-Fri 10-5 Eastern Time (should be same-priced titles). Listing alternatives item. FAX: 919-393-3525 will give you faster service. If we back-order for you, EMAIL: [email protected] you may contact us at any time to cancel or to EXPEDITED: $4.95 first item, $2.00 each additional WEB: www.ladyslipper.org instead choose a substitute, credit or refund. Your item. packing slip will serve as your only back-order notice.