Appendix a a Glossary of Terms Pertaining to Astrology and Divination
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Alchemy Journal Vol.6 No.2.Pdf
Alchemy Journal Vol.6 No.2 Vol.6 No.2 Summer 2005 CONTENTS ARTICLES Alchemical Art: Blue Gold Alchemical Art: Blue Gold The Gnostic Science by Kattalina M. Kazunas of Alchemy 2 (Note: Large images will take time to load. Hit the "Refresh" button on your browser if no images appear.) The Great Alchemical Work FEATURES From the Fire New Releases Announcements Feedback EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top In the dim pre-history of mankind, a god- like race of beings inter-bred with humanity and taught them creative and generative forms of cultural wisdom. The first human master of this science codified the canon of its knowledge (wrote the book on it we might http://www.alchemylab.com/AJ6-2.htm (1 of 21)7/30/2005 8:06:48 AM Alchemy Journal Vol.6 No.2 say) from which the children of gods and men built an advanced civilization. That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracles of the One Thing. ARTICLES Alchemical Art: Blue Gold The Gnostic Science of Alchemy 2 The Great Alchemical Work FEATURES From the Fire New Releases Announcements Feedback EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top I felt the desire to create a series of broadsides that were http://www.alchemylab.com/AJ6-2.htm (2 of 21)7/30/2005 8:06:48 AM Alchemy Journal Vol.6 No.2 a contemporary interpretation of ancient alchemical ideas. -
FROM MEDIEVAL LEGEND to MAD SCIENTIST Theodore Roszak
Anarchic alchemists: dissident androgyny in Anglo-American gothic fiction from Godwin to Melville Leeuwen, E.J. van Citation Leeuwen, E. J. van. (2006, September 7). Anarchic alchemists: dissident androgyny in Anglo- American gothic fiction from Godwin to Melville. Retrieved from https://hdl.handle.net/1887/4552 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/4552 Note: To cite this publication please use the final published version (if applicable). &+$37(5 7+($/&+(0,67 )5200(',(9$//(*(1'720$'6&,(17,67 Theodore Roszak writes that “magic has not always belonged to the province of the carnival or the vulgar occultist” (Roszak, &RXQWHU&XOWXUH 241). However, magic, alchemy and witchcraft, since the coming into dominance of a scientific rationalist ideology, have been often repressed, sometimes illegitimate and at best marginal practices and modes of thought in Western society. As a consequence, the legendary figures associated with these mystical arts – sorcerers, alchemists, witches and druids – in the course of the eighteenth century, found their most welcome home in cultural productions that deal with the fantastic, the unreal, and the culturally abject. The figure of the alchemist, the subject of this chapter, is a cultural figure in which Hermetic philosophy, folkloric magical practices and a pre-scientific naturalist worldview combine. In cultural productions since the renaissance, the figure has been a powerful cultural symbol for the mystical, supernatural and occult, both on the level of fact and affect, of argument and spectacle.1 It is not so surprising then that during the age of enlightenment the alchemist emerged as a popular stock figure in a genre of fiction that embraced residual cultural elements such as folklore, mysticism, magic and the supernatural: the gothic. -
Renaissance Magic and Alchemy in the Works of Female Surrealist Remedios Varo
RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO ____________ A Thesis Presented to the Faculty of California State University, Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Tammy M. Ngo Fall 2019 THESIS: RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO AUTHOR: TAMMY M. NGO APPROVED: ______________________________ Patricia Gamon, Ph.D Thesis Committee Chair ______________________________ Kirstin Ellsworth, Ph.D Committee Member ______________________________ Kimberly Bohman-Kalaja, Ph.D Committee Member Dedicated to Professor Lawrence Klepper ACKNOWLEDGEMENTS I would like to express my special thanks of gratitude to my advisor Professor Patricia Gamon, Ph.D., Humanities, Art History. In addition, to my family and friends who supported me during my thesis research, thank you. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................................................... IV TABLE OF CONTENTS ................................................................................................................ V LIST OF FIGURES ...................................................................................................................... VI ABSTRACT .................................................................................................................................... X 1. INTRODUCTION ....................................................................................................................1 -
Final Copy 2020 05 12 Leen
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Leendertz-Ford, Anna S T Title: Anatomy of Seventeenth-Century Alchemy and Chemistry General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. ANATOMY OF SEVENTEENTH-CENTURY ALCHEMY AND CHEMISTRY ANNA STELLA THEODORA LEENDERTZ-FORD A dissertation submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Arts, School of Philosophy. -
Al-Kimya Notes on Arabic Alchemy Chemical Heritage
18/05/2011 Al-Kimya: Notes on Arabic Alchemy | C… We Tell the Story of Chemistry Gabriele Ferrario Detail from a miniature from Ibn Butlan's Risalat dawat al-atibba. Courtesy of the L. Mayer Museum for Islamic rt, $erusalem. Note: Arabic words in this article are given in a simplified transliteration system: no graphical distinction is made among long and short vowels and emphatic and non-emphatic consonants. The expression —Arabic alchemy“ refers to the vast literature on alchemy written in the Arabic language. Among those defined as —Arabic alchemists“ we therefore find scholars of different ethnic origins many from Persia who produced their works in the Arabic language. ccording to the 10th-century scholar Ibn l-Nadim, the philosopher Muhammad ibn ,a-ariya l-Ra.i /0th century1 claimed that 2the study of philosophy could not be considered complete, and a learned man could not be called a philosopher, until he has succeeded in producing the alchemical transmutation.3 For many years Western scholars ignored l-Ra.i4s praise for alchemy, seeing alchemy chemheritage.org/…/25-3-al-kimya-not… 1/3 18/05/2011 Al-Kimya: Notes on Arabic Alchemy | C… instead as a pseudoscience, false in its purposes and fundamentally wrong in its methods, closer to magic and superstition than to the 2enlightened3 sciences. Only in recent years have pioneering studies conducted by historians of science, philologists, and historians of the boo- demonstrated the importance of alchemical practices and discoveries in creating the foundations of modern chemistry. new generation of scholarship is revealing not only the e7tent to which early modern chemistry was based on alchemical practice but also the depth to which European alchemists relied on rabic sources. -
Sciences, Humanities and the ‘Scientific Unconscious’ : Gender-Related Images in Alchemy and Chemistry Frietsch, Ute 2013
Repositorium für die Geschlechterforschung Sciences, humanities and the ‘scientific unconscious’ : Gender-related images in alchemy and chemistry Frietsch, Ute 2013 https://doi.org/10.25595/171 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Frietsch, Ute: Sciences, humanities and the ‘scientific unconscious’ : Gender-related images in alchemy and chemistry, in: Götschel, Helene (Hrsg.): Transforming Substance : Gender in Material Sciences ; An Anthology (Uppsala: Uppsala University, Centre for Gender Research, 2013), 85-108. DOI: https://doi.org/10.25595/171. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Transforming subsTance gender in maTerial sciences – an anThology TRANSFORMING SUBSTANCE | 1 Transforming Substance: Gender in Material Sciences – An Anthology Edited by Helen Götschel Crossroads of Knowledge Skrifter från Centrum för genusvetenskap Uppsala universitet Uppsala 2013 ISBN: 978-91-978186-9-8 © Authors and the Centre For Gender Research, Uppsala Printed in Sweden by … 2013 Can be ordered from: Centre for Gender Research, Uppsala University, Box 634, SE-751 26 Uppsala, Sweden Fax 018-471 35 70 E-mail: [email protected] Layout and Typesetting: Camilla Eriksson, Graphic Services 4 | HELEN GÖTSCHEL Ute Frietsch Sciences, humanities and the ‘scientific unconscious’: Gender-related images in alchemy and chemistry Introduction The development of ancient, medieval and early modern alchemy into modern chemistry was a slow and continuous process that was completed between the sixteenth and the late eighteenth cen- tury. -
PDF (Alchemy and Exemplary Narrative In
Durham E-Theses Alchemy and Exemplary Narrative in Middle English Poetry RUNSTEDLER, CURTIS,THOMAS How to cite: RUNSTEDLER, CURTIS,THOMAS (2018) Alchemy and Exemplary Narrative in Middle English Poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12593/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Alchemy and Exemplary Narrative in Middle English Poetry by Curtis Runstedler A thesis submitted in fulfilment for the requirements for the degree of Doctor of Philosophy University of Durham 2017 The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. Runstedler 2 ABSTRACT Alchemy and Exemplary Narrative in Middle English Poetry This thesis examines the role of alchemy in Middle English poetry from fourteenth- and fifteenth-century England, particularly how these poems present themselves as exemplary narratives to raise moral points about human behaviour, fallibility, and alchemical experimentation. -
Lavinia Fontana's Cleopatra the Alchemist
Journal of Literature and Art Studies, August 2018, Vol. 8, No. 8, 1159-1180 doi: 10.17265/2159-5836/2018.08.004 D DAVID PUBLISHING Lavinia Fontana’s Cleopatra the Alchemist Liana de Girolami Cheney SIELE, Universidad de Coruña, Spain The purpose of this essay is to identify and analyze one of Lavinia Fontana’s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra the Alchemist (ca. third century BCE). There are four parts to this study. The first is an iconographical analysis of the painting by Lavinia Fontana’s Cleopatra the Alchemist (1605) at the Galleria Spada in Rome. The second section deals with the origin of the Egyptian Cleopatra the Alchemist as an Egyptian scientist and of her inventions, which include the alembic and the ouroboros motif. The third section consists of an emblematic comparison between the imagery in the painting and alchemical references. The last brief section considers problematic copies of the painting. Keywords: alchemy, art, symbolism, serpent, ouroboros, famous women, alembic, Lavinia Fontana, Egyptian mythology, Plato’s Timaeus, artistic forgery Introduction The representation of famous personages in the history of art is further expanded in the Italian sixteenth century. Artists and humanists continued with the classical and Renaissance traditions of immortalizing uomini famosi and donne famose (famous men and famous women).1 The Italian painter from Bologna, Lavinia Fontana (1552-1614), during the sixteenth century followed this convention of representing donne famose in 2 her depiction of Cleopatra the Alchemist of 1605-1614 at the Galleria Spada in Rome (Figure 1). -
The Story of Alchemy Beginnings of Chemistry
THE STORY OF ALCHEMY AND THE BEGINNINGS OF CHEMISTRY BY M. M. PATTISON MUIR, M.A. Fellow and Proelector in Chemistry o f Gonville and Caius College, Cambridge WITH SEVENTEEN ILLUSTRATIONS “ It is neither religious nor wise to judge that of which you know nothing."— A B rief Guide to the Celestial Ruby, by P hilalbtbbs (17th century) LONDON: GEORGE NEWNES, LTD. SOUTHAMPTON STREET, STRAND ' 1902 A t Ctf-fcf'i y PREFACE. T h e Story of Alchemy and the Beginnings of Chemistry is very interesting in itself. It is also a pregnant example of the contrast between the scientific and the emotional methods of regard ing nature; and it admirably illustrates the differences between well-grounded, suggestive, hypotheses, and baseless speculations. I have tried to tell the story so that it may be intelligible to the ordinary reader. M. M. PATTISON MUIR. Cambridge, November 1902. 6 * t * i ~ 1\ I I V ( » ■ A I » A i. j - r. t f % i >< \ . 7' 1 I > I I* f • t • / • ' if- y : < t i .•• s » # A. i CONTENTS. CHAP. PAGE I. THE EXPLANATION OF MATERIAL CHANGES GIVEN BY GREEK THINKERS . 9 II. A SKETCH OF ALCHEMICAL THEORY . 24 III. THE ALCHEMICAL NOTION OF THE UNITY AND SIMPLICITY OF NATURE . 37 IV. THE ALCHEMICAL ELEMENTS AND PRINCIPLES 45 V. THE ALCHEMICAL ESSENCE .... 58 VI. ALCHEMY AS AN EXPERIMENTAL ART . 79 VII. THE LANGUAGE OF ALCHEMY . 96 VIII. THE DEGENERACY OF ALCHEMY . 105 IX. PARACELSUS, AND SOME OTHER ALCHEMISTS 115 X. SUMMARY OF THE ALCHEMICAL DOCTRINE— THE REPLACEMENT OF THE THREE PRINCIPLES OF THE ALCHEMISTS BY THE SINGLE PRINCIPLE OF PHLOGISTON . -
Mujeres Y Química. Parte I. De La Antigüedad Al Siglo XVII / Women
editorial Educ. quím., 24(1), 2-7, 2013. © Universidad Nacional Autónoma de México, ISSN 0187-893-X Publicado en línea el 22 de octubre de 2012, ISSNE 1870-8404 Mujeres y química Parte I. De la antigüedad al siglo XVII Adela Muñoz Páez1 y Andoni Garritz2 ABSTRACT (Women and Chemistry. Part I. From Antiquity to seventeenth century) Little has been written about the exquisite passion of discovering. This has been the main driving force of the greatest scientists — with the masculine gender — that have been in the world. But what happened with the participation of women? Does science have male gender? It seems it has, but although a careful examination of history reveals not equity, there is certainly an active participation of women in the field of science, despite the open hostility of the majority of their contemporary men. In this editorial we will take a brief walk through the lives of some of the first of them, from BC, until the seventeenth century. We will start with Tapputi, perhaps the first performer of pharmacy, after her we will deal with some alchemists of the early centuries of our era, as Cleopatra and Mary the Jewess, and then we will move to later alchemists, as Isabella Cortese and Mary Sydney Herbert. We will finish with Marie le Jars de Gournay, Margaret Cavendish and Marie Meurdrac, women living before the arrival of modern chemistry with Lavoisier and his wife Marie Anne, that will be the topic of the second part of this study. Marie Meurdrac published the opus La chymie charitable et facile en faveur des dames, a milestone, being the first work devoted to chemistry for women written by a woman. -
Gold the Ideas Behind Alchemy John Tucker Box 1 Henning Brandt
John Tucker Alchemy GCSE key words Alchemy is the study of eternal life, salvation, Gold Distillation and the answers to the ultimate questions Gold was a key material in alchemy. Its colour Scientific method about life, the universe and everything. It suggested the Sun, and its complete resistance to Acids corrosion marked it out as something special. Gold Corrosion flourished for more than 1500 years until, in was the only metal that could not be dissolved away the late 1600s, the beginnings of modern, by ordinary acids. It even resisted concentrated nitric scientific chemistry edged it aside. But what acid. Thus, acids could be used to distinguish between real gold and a mere yellow alloy such as brass. was alchemy and who were the alchemists? Gold also had symbolic significance as the metal of kings, princes and emperors because it represented We still use the ne of the aims of the alchemists was to their nobility — their supposed immunity from the expression ‘the acid discover and use the magical Philosopher’s baser concerns of the common people. Alchemists OStone, which was supposed to change thought that turning the base metal lead into the test’ to mean an especially critical test of worthless metals into gold. The alchemists thought noble metal gold was simply a matter of dissolving genuineness. that this was possible because they believed that every away the unwanted qualities and nourishing the ‘seed’ substance was a combination of the four elements: of gold. Like all metals, gold was thought to be earth, air, fire and water. somehow born from Mother Earth. -
Uncovering the Source of Alchemy's Association With
Portland State University PDXScholar University Honors Theses University Honors College 12-9-2017 Translation and Transformation: Uncovering the Source of Alchemy’s Association with Magic through a Study of its Translation into Latin in the High Medieval Period Morgan Taylor Greer Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Greer, Morgan Taylor, "Translation and Transformation: Uncovering the Source of Alchemy’s Association with Magic through a Study of its Translation into Latin in the High Medieval Period" (2017). University Honors Theses. Paper 513. https://doi.org/10.15760/honors.518 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. i Abstract: Alchemy is one of the longest lived ideas in intellectual history and one of the most habitually misunderstood. Until the 1950s historians of science considered alchemy to be pseudoscience or a facet of magic. Since than historians of alchemy have produced a considerable body of work that is mostly concerned with opposing the pseudo-scientific reputation of alchemy and instead establishing its scientific character. Alchemists made significant contributions to chemistry, theology, and medicine. Alchemy itself influenced art, literature, and pop culture. The current literature on alchemy lacks one component, a study of the source of alchemy’s association with magic and relegation to pseudoscience. This research endeavors to contribute to the growing body of research on the history of alchemy by addressing this void.