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Mystical Practices of Alchemy
Mystical Practices of Alchemy The language of secret symbols has always hidden alchemy from the curiosity of the uninitiated. We still do not actually know alchemy’s true nature: for some it is the making of gold from other metals, for others – finding the elixir of immortality, and select groups throughout history have tried to accomplish complete transformation of the human body and soul. Royal art Alchemy is the mother of chemistry. It is in alchemical laboratories that for the first time scientists obtained sulfur, nitric and hydrochloric acid, saltpeter, lead, and many drugs. Medieval alchemists set very specific tasks. One of the European heads of alchemy, Rodger Bacon (13th century) wrote the following: “Alchemy is the science of how to prepare a compound or elixir, which, if added to base metals will transform them into sophisticated metals.” By transforming base metals into precious, alchemy challenges nature itself. Even though in Medieval Europe alchemy was practically illegal, many religious and secular people patronized it depending on hoping to get the “contemptible metal”. Not only did they patronize it, they actually practiced it themselves. Alchemy became a real “royal art”. Augustus II the Strong (1670-1733) whose claim of the Polish crown required significant resources transformed Dresden into the true capital of alchemy. For the purpose of filling the national treasury with gold, he brought the talented alchemist Johann Friedrich Böttger. To what extent did Böttger succeed in filling the treasury with gold, history remains silent. Alchemists in Europe were a lot, but the adepts – the ones who knew the secret of the Philosopher’s stone – were very few. -
Die Edelgeborne Jungfer Alchymia: the Final Stage of European Alchemy
50 Bull. Hist. Chem., VOLUME 25, Number 1 (2000) DIE EDELGEBORNE JUNGFER ALCHYMIA: THE FINAL STAGE OF EUROPEAN ALCHEMY Vladimír Karpenko, Charles University, Czech Republic Introduction followed the Thirty Years War. German titles represent one third out of all alchemical books that appeared over The term “alchemy” encompasses a broad spectrum of the whole studied period (4). This is a witness of the activities that appeared in the Hellenistic world in the live interest paid to alchemy in Central Europe; the first centuries of our era and then, through Arabic me- majority of these books are still awaiting scholarly re- diation, reached Latin Europe by the mid 12thcentury. search. Out of numerous attempts to define this science, that Alchemical literature underwent gradual change, proposed by Sheppard (1) appears the most suitable be- being at the beginning often theoretical explanations of cause it includes the two main goals of alchemy: the the composition of matter and recipes for the prepara- enhancement of matter and the improvement of human tion of philosopher’s stone, elixirs, etc. Yet none of these existence. Concerning the former, it should be achieved miracles was effected; no true transmutation of metals by the transmutation of base metals into precious ones, succeeded. An example of the fate of alchemical claims while the second main direction strove for improvement to cure all illnesses was their failure during epidemics of humans by extending their life, the further stage of of plague that broke out in Europe by the mid 14th cen- which was seen as attaining a higher spiritual level. -
Alchemy Archive Reference
Alchemy Archive Reference 080 (MARC-21) 001 856 245 100 264a 264b 264c 337 008 520 561 037/541 500 700 506 506/357 005 082/084 521/526 (RDA) 2.3.2 19.2 2.8.2 2.8.4 2.8.6 3.19.2 6.11 7.10 5.6.1 22.3/5.6.2 4.3 7.3 5.4 5.4 4.5 Ownership and Date of Alternative Target UDC Nr Filename Title Author Place Publisher Date File Lang. Summary of the content Custodial Source Rev. Description Note Contributor Access Notes on Access Entry UDC-IG Audience History 000 SCIENCE AND KNOWLEDGE. ORGANIZATION. INFORMATION. DOCUMENTATION. LIBRARIANSHIP. INSTITUTIONS. PUBLICATIONS 000.000 Prolegomena. Fundamentals of knowledge and culture. Propaedeutics 001.000 Science and knowledge in general. Organization of intellectual work 001.100 Concepts of science Alchemyand knowledge 001.101 Knowledge 001.102 Information 001102000_UniversalDecimalClassification1961 Universal Decimal Classification 1961 pdf en A complete outline of the Universal Decimal Classification 1961, third edition 1 This third edition of the UDC is the last version (as far as I know) that still includes alchemy in Moreh 2018-06-04 R 1961 its index. It is a useful reference documents when it comes to the folder structure of the 001102000_UniversalDecimalClassification2017 Universal Decimal Classification 2017 pdf en The English version of the UDC Online is a complete standard edition of the scheme on the Web http://www.udcc.org 1 ThisArchive. is not an official document but something that was compiled from the UDC online. Moreh 2018-06-04 R 2017 with over 70,000 classes extended with more than 11,000 records of historical UDC data (cancelled numbers). -
BRIEF HISTORY of CHEMISTRY
BRIEF HISTORY of CHEMISTRY Modern chemistry is about 250 years old as a science (dates back to the end of 18th century) Ancient roots common trades: • mining and metalworking, making alloys • glass making • food processing (wine and beer fermentation, vinegar production) • soap making The word 'chemistry' comes from alchemy, but its origin is ambiguous: it may have arabic, greek or egyptian roots. Greek roots Democritus (460370 BC): philosopher atomic theory (atomism): ‚atomos' = indivisible • everything is composed of "atoms" • atoms are physically indivisible • there are different kinds of atoms, which differ in shape and size. Aristotle (384322 BC): philosopher and scientist fundamental elements and properties: Element Hot/Cold Wet/Dry Modern state of matter Earth Cold Dry Solid Water Cold Wet Liquid Air Hot Wet Gas Fire Hot Dry Plasma Aether divine substance of the heavenly spheres, stars and planets Middle Ages chemical medicine (or iatrochemistry) • seeks to provide chemical solutions to diseases and medical ailments (finding or making medicines) • physiological effects of certain substances Paracelsus (1493-1541) alchemy: Jabir ibn • set of practices including metallurgy, philosophy, Hayyan, astrology, astronomy, mysticism, medicine Geber (721-815) • quest for the philosopher's stone with which one can transform ordinary metals into gold • by performing experiments and recording the results, alchemists set the stage for modern chemistry • Roger Bacon (1214 – 1294), Nicolas Flamel (1340 – 1418), Tycho Brahe (1546–1601), Robert Boyle -
K Or T Á R S M Ű V É S Z E T I F O L Y Ó I R a T • B U Da P E
2013_ 1 Budapest • kortárs művészetifolyóirat ISSN 1216-8890 880 Ft b/2 •• borító tartalom Halász Péter Tamás: Monstrancia 2, 2012, objekt, (pc hulladék; hűtőbordák, alaplapok, stb.) n bicska, p etle en el ge y n „N é : lk s ü ó l” l — k i v M a g k y á a n b r i k e i t n e i v P o n a l 4 társ y: A adalm el at rg á e ta G la i k t ít é ó r m r á ű S v é s inside express z e t 4 • / 1 C i t FKSE_001 t a d e l l Schmied Andi: a r t 2 e . n r 27 m , 2013, installáció T e e d i l n e ä n r u e v n d zali Andre y Imre: A fa rc a: na l h a Im ol el T a T y g e o (t l t u ) 3 d / 6 e C 3 n 3 o s n / v o P y e B t ő e r H l i n u n o r : K ü l d ö m a k é p e m impresszum HU ISSN 1216-8890 Felelős kiadó: Hermann Péter Kiadja és terjeszti a Poligráf Könyvkiadó Levélcím: Balkon, Kállai Ernő Művészeti Alapítvány 2120 Dunakeszi, Keszthelyi István u. 5/a. 1024 Budapest, Fény u. 2. • [email protected] Telefon: +36 27 547 825 • Fax: +36 27 547 826 www.balkon.hu e-mail: [email protected] Főszerkesztő: Hajdu István • [email protected] Szerkesztők: Százados László • [email protected] Szipőcs Krisztina • [email protected] Grafikai terv: Eln Ferenc • [email protected] Fotó: Rosta József • [email protected] ztner Gáb bála: Kozm fis or or os P : A B z ai k rg l éz ik a ik 9 é z ö r S n a y u n v , o m s 2 z a k / 1 e S t t z - a u b n ó i v D e e r z z u s ő m : M / l P a ó g u r a i k a s l u f s e s á s t P í z l l é ü á t l i t e k r s g é jmán jövők sillag Na yi L k és ép / : A c ok m ás lé P se a zl em is e m 0 ó ír zk m ás : S o E n 2 S : s i a P l f s -
Alchemy Journal Vol.6 No.2.Pdf
Alchemy Journal Vol.6 No.2 Vol.6 No.2 Summer 2005 CONTENTS ARTICLES Alchemical Art: Blue Gold Alchemical Art: Blue Gold The Gnostic Science by Kattalina M. Kazunas of Alchemy 2 (Note: Large images will take time to load. Hit the "Refresh" button on your browser if no images appear.) The Great Alchemical Work FEATURES From the Fire New Releases Announcements Feedback EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top In the dim pre-history of mankind, a god- like race of beings inter-bred with humanity and taught them creative and generative forms of cultural wisdom. The first human master of this science codified the canon of its knowledge (wrote the book on it we might http://www.alchemylab.com/AJ6-2.htm (1 of 21)7/30/2005 8:06:48 AM Alchemy Journal Vol.6 No.2 say) from which the children of gods and men built an advanced civilization. That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracles of the One Thing. ARTICLES Alchemical Art: Blue Gold The Gnostic Science of Alchemy 2 The Great Alchemical Work FEATURES From the Fire New Releases Announcements Feedback EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top I felt the desire to create a series of broadsides that were http://www.alchemylab.com/AJ6-2.htm (2 of 21)7/30/2005 8:06:48 AM Alchemy Journal Vol.6 No.2 a contemporary interpretation of ancient alchemical ideas. -
FROM MEDIEVAL LEGEND to MAD SCIENTIST Theodore Roszak
Anarchic alchemists: dissident androgyny in Anglo-American gothic fiction from Godwin to Melville Leeuwen, E.J. van Citation Leeuwen, E. J. van. (2006, September 7). Anarchic alchemists: dissident androgyny in Anglo- American gothic fiction from Godwin to Melville. Retrieved from https://hdl.handle.net/1887/4552 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/4552 Note: To cite this publication please use the final published version (if applicable). &+$37(5 7+($/&+(0,67 )5200(',(9$//(*(1'720$'6&,(17,67 Theodore Roszak writes that “magic has not always belonged to the province of the carnival or the vulgar occultist” (Roszak, &RXQWHU&XOWXUH 241). However, magic, alchemy and witchcraft, since the coming into dominance of a scientific rationalist ideology, have been often repressed, sometimes illegitimate and at best marginal practices and modes of thought in Western society. As a consequence, the legendary figures associated with these mystical arts – sorcerers, alchemists, witches and druids – in the course of the eighteenth century, found their most welcome home in cultural productions that deal with the fantastic, the unreal, and the culturally abject. The figure of the alchemist, the subject of this chapter, is a cultural figure in which Hermetic philosophy, folkloric magical practices and a pre-scientific naturalist worldview combine. In cultural productions since the renaissance, the figure has been a powerful cultural symbol for the mystical, supernatural and occult, both on the level of fact and affect, of argument and spectacle.1 It is not so surprising then that during the age of enlightenment the alchemist emerged as a popular stock figure in a genre of fiction that embraced residual cultural elements such as folklore, mysticism, magic and the supernatural: the gothic. -
Renaissance Magic and Alchemy in the Works of Female Surrealist Remedios Varo
RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO ____________ A Thesis Presented to the Faculty of California State University, Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Tammy M. Ngo Fall 2019 THESIS: RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO AUTHOR: TAMMY M. NGO APPROVED: ______________________________ Patricia Gamon, Ph.D Thesis Committee Chair ______________________________ Kirstin Ellsworth, Ph.D Committee Member ______________________________ Kimberly Bohman-Kalaja, Ph.D Committee Member Dedicated to Professor Lawrence Klepper ACKNOWLEDGEMENTS I would like to express my special thanks of gratitude to my advisor Professor Patricia Gamon, Ph.D., Humanities, Art History. In addition, to my family and friends who supported me during my thesis research, thank you. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................................................... IV TABLE OF CONTENTS ................................................................................................................ V LIST OF FIGURES ...................................................................................................................... VI ABSTRACT .................................................................................................................................... X 1. INTRODUCTION ....................................................................................................................1 -
Final Copy 2020 05 12 Leen
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Leendertz-Ford, Anna S T Title: Anatomy of Seventeenth-Century Alchemy and Chemistry General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. ANATOMY OF SEVENTEENTH-CENTURY ALCHEMY AND CHEMISTRY ANNA STELLA THEODORA LEENDERTZ-FORD A dissertation submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Arts, School of Philosophy. -
Al-Kimya Notes on Arabic Alchemy Chemical Heritage
18/05/2011 Al-Kimya: Notes on Arabic Alchemy | C… We Tell the Story of Chemistry Gabriele Ferrario Detail from a miniature from Ibn Butlan's Risalat dawat al-atibba. Courtesy of the L. Mayer Museum for Islamic rt, $erusalem. Note: Arabic words in this article are given in a simplified transliteration system: no graphical distinction is made among long and short vowels and emphatic and non-emphatic consonants. The expression —Arabic alchemy“ refers to the vast literature on alchemy written in the Arabic language. Among those defined as —Arabic alchemists“ we therefore find scholars of different ethnic origins many from Persia who produced their works in the Arabic language. ccording to the 10th-century scholar Ibn l-Nadim, the philosopher Muhammad ibn ,a-ariya l-Ra.i /0th century1 claimed that 2the study of philosophy could not be considered complete, and a learned man could not be called a philosopher, until he has succeeded in producing the alchemical transmutation.3 For many years Western scholars ignored l-Ra.i4s praise for alchemy, seeing alchemy chemheritage.org/…/25-3-al-kimya-not… 1/3 18/05/2011 Al-Kimya: Notes on Arabic Alchemy | C… instead as a pseudoscience, false in its purposes and fundamentally wrong in its methods, closer to magic and superstition than to the 2enlightened3 sciences. Only in recent years have pioneering studies conducted by historians of science, philologists, and historians of the boo- demonstrated the importance of alchemical practices and discoveries in creating the foundations of modern chemistry. new generation of scholarship is revealing not only the e7tent to which early modern chemistry was based on alchemical practice but also the depth to which European alchemists relied on rabic sources. -
Book of Aquarius by Anonymous
THE BOOK OF AQUARIUS BY ANONYMOUS Released: March 20, 2011 Updated: August 16, 2011 The Book of Aquarius By Anonymous. This web edition created and published by Global Grey 2013. GLOBAL GREY NOTHING BUT E-BOOKS TABLE OF CONTENTS 1. The Book Of Aquarius 2. Foreword 3. What Is Alchemy? 4. How Does It Work? 5. The Powers Of The Stone 6. Disbelief 7. Interpretations 8. Obscurity 9. The Secret 10. Yin-Yang 11. Cycles Of Nature 12. Metallic Generation 13. The Emerald Tablet 14. What Is It Made From? 15. The Time 16. The Heat 17. Different Methods 18. Understanding The Writings 19. Overview 20. Apparatus 21. First Part 22. Second Part 23. Black Stage 24. White Stage 25. Fermentation 26. Contradictions 27. Red Stage 28. Multiplication 29. Projection 30. Appearance 31. Everburning Lamps 32. Takwin 33. Religious References 34. Prehistory 35. History Of The Stone 36. Quotes On History 37. Timeline 38. Nicolas Flamel 39. Paracelsus 40. Rosicrucians 41. Francis Bacon 42. Robert Boyle 43. James Price 44. Fulcanelli 45. Where Did They Go? 46. Shambhala 47. Ufos 48. New World Order 49. Mythology 50. Frequency And Planes 51. Universes In Universes 52. The Alchemists' Prophecy 53. Afterword 54. Help 55. Questions And Answers 56. Bibliography 1 The Book of Aquarius By Anonymous 1. The Book Of Aquarius The purpose of this book is to release one particular secret, which has been kept hidden for the last 12,000 years. The Philosophers' Stone, Elixir of Life, Fountain of Youth, Ambrosia, Soma, Amrita, Nectar of Immortality. These are different names for the same thing. -
HISTORY of ALCHEMY Textbook: Linden, Stanton J. 2003. The
Angela Catalina Ghionea Office Hours: W 3:30 – 5:20 pm, UNIV 008 [email protected] and by appointment HISTORY OF ALCHEMY HIST 302 - Fall 2011 MWF 2:30 – 3:20, UNIV 219 I. ASSIGNED READINGS You are required to purchase a textbook and an i>clicker remote for in-class participation. Both the textbook and the i>Clicker remote are available for purchase/rent at any Purdue University Bookstore. Textbook: Linden, Stanton J. 2003. The alchemy reader: from Hermes Trismegistus to Isaac Newton. New York: Cambridge University Press. One copy for the textbook has also been placed on reserve at Hicks Undergraduate Library, and available only at the library (ask Circulation Services at the front desk). Texts are assigned daily to be discussed in class: some available in the textbook, some to be found in pdf. format, posted on the Blackboard LEARN (the online course website). The texts (primary and secondary sources) must be brought in the class. Discussions of these texts count for participation (see the class schedule below). II. OBJECTIVES: The course investigates the history of alchemy and specific non-rational methods employed by many scientists to promote rational discoveries. The course is mainly focused on European alchemy, with few references to Middle Eastern and Arabic alchemy. It spans the period from Antiquity to Renaissance and Early Modern period, and also touches upon nineteenth-century “occult fever” and obsession with alchemy. The course is interdisciplinary and investigates both history of alchemy as well as the more general history