Satyajit Ray
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1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
Filmmaker Bios, 2008
FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years. -
Premendra Mitra - Poems
Classic Poetry Series Premendra Mitra - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Premendra Mitra(1904 - 3 May 1988) Premendra Mitra was a renowned Bengali poet, novelist, short story writer and film director. He was also an author of Bangla science fiction and thrillers. <b>Life</b> He was born in Varanasi, India, though his ancestors lived at Rajpur, South 24 Parganas, West Bengal. His father was an employee of the Indian Railways and because of that; he had the opportunity of travelling to many places in India. He spent his childhood in Uttar Pradesh and his later life in Kolkata & Dhaka. He was a student of South Suburban School (Main) and later at the Scottish Church College in Kolkata. During his initial years, he (unsuccessfully) aspired to be a physician and studied the natural sciences. Later he started out as a school teacher. He even tried to make a career for himself as a businessman, but he was unsuccessful in that venture as well. At a time, he was working in the marketing division of a medicine producing company. After trying out the other occupations, in which he met marginal or moderate success, he rediscovered his talents for creativity in writing and eventually became a Bengali author and poet. Married to Beena Mitra, he was, by profession, a Bengali professor at City College in north Kolkata. He spent almost his entire life in a house at Kalighat, Kolkata. <b>As an Author & Editor</b> In November 1923, Mitra came from Dhaka, Bangladesh and stayed in a mess at Gobinda Ghoshal Lane, Kolkata. -
POWERFUL and POWERLESS: POWER RELATIONS in SATYAJIT RAY's FILMS by DEB BANERJEE Submitted to the Graduate Degree Program in Fi
POWERFUL AND POWERLESS: POWER RELATIONS IN SATYAJIT RAY’S FILMS BY DEB BANERJEE Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master’s of Arts ____________________ Chairperson Committee members* ____________________* ____________________* ____________________* ____________________* Date defended: ______________ The Thesis Committee of Deb Banerjee certifies that this is the approved version of the following thesis: POWERFUL AND POWERLESS: POWER RELATIONS IN SATYAJIT RAY’S FILMS Committee: ________________________________ Chairperson* _______________________________ _______________________________ _______________________________ _______________________________ Date approved:_______________________ ii CONTENTS Abstract…………………………………………………………………………….. 1 Introduction……………………………………………………………………….... 2 Chapter 1: Political Scenario of India and Bengal at the Time Periods of the Two Films’ Production……………………………………………………………………16 Chapter 2: Power of the Ruler/King……………………………………………….. 23 Chapter 3: Power of Class/Caste/Religion………………………………………… 31 Chapter 4: Power of Gender……………………………………………………….. 38 Chapter 5: Power of Knowledge and Technology…………………………………. 45 Conclusion…………………………………………………………………………. 52 Work Cited………………………………………………………………………... 55 i Abstract Scholars have discussed Indian film director, Satyajit Ray’s films in a myriad of ways. However, there is paucity of literature that examines Ray’s two films, Goopy -
Annual Report 2012-2013 1 IIT Kanpur Publication and Outreach
Annual Report 2012-2013 Publication and Outreach Activities Books 1. ‘Instabilities of Flows and Transition to Turbulence’, Prof. T. K. Sengupta (CRC Press/ Taylor & Francis, USA, April 2012) 2. Tewari, A., Atmospheric and Space Flight Dynamics—Modeling and Simulation, Nov. 2012, National Defense Industry Press, Beijing, China (under contract with Springer (Birkhäuser), Boston, USA). 3. Triphenylbismuthane (Invited) Maddali L. N. Rao Encyclopedia of Reagents for Organic Synthesis (John & Wiley, 2012) 4. Patra, N. R. (July 2012) “Ground Improvement Techniques” Vikash Publishing House Pvt Ltd, Noida, India, ISBN 978-93-259-6001-5 5. Raymahashay, B.C. and Sinha, R. (2012). Popular Book titled “Flood Disasters and Management: Indian Scenario” Bihar State Disaster Management Authority, Patna and Ministry of Earth Sciences, New Delhi, 44p. (both English and Hindi) 6. Sinha, R., Jain, V. and Tandon, S.K. (2012) River Systems and River Science in India: major drivers and challenges. In R. Sinha, R. Rasik (Eds) Earth Systems and Hazards, Springer-Verlag Berlin and Heidelberg, 244p. 7. Power system analysis, Prof. Saikat Chakrabarti 8. Synchrophasor applications in power systems, Prof. Saikat Chakrabarti 9. Philip Roth’s Heroic Ideal in Indignation and Nemesis. Critical Insights: Philip Roth. Ed. Aimee Pozorski. Massachusetts: Salem Press, 2013, 200-19, Prof. Gurumurthy Neelakantan 10. SaxenaK.K. (2012) "Output Growth during Post-liberalized India: An Input-Output Structural Decomposition Analysis" in Recession and Its Aftermath, ed by N M P Verma , Springer ( Co-author Rahul Arora and Srabjit Singh) 11. Mathur Somesh K with Luis Barreno, Maria Isabel and Rene Vasconez(2012), El Commercio De Bienes Amigables Con El Ambiente Y Otros Productos Especializados Del Ecuador(2012), UTE Press, UTE, Quito, Ecuador in Spanish 12. -
The Writing in Goopy Bagha
International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Right(ing) the Writing: An Exploration of Satyajit Ray’s Goopy Gyne Bagha Byne Amrita Basu Haldia Institute of Technology, Haldia, West Bengal, India Abstract The act of writing, owing to the permanence it craves, may be said to be in continuous interaction with the temporal flow of time. It continues to stimulate questions and open up avenues for discussion. Writing people, events and relationships into existence is a way of negotiating with the illusory. But writing falters. This paper attempts a reading of Goopy Gyne Bagha Byne in terms of power politics through the lens of the manipulation of written codes and inscriptions in the film. Identities and cultures are constructed through inscriptions and writings. But in the wrong hands, this medium of communication which has the potential to bring people together may wreck havoc on the social and political system. Writing, or the misuse of it, in the case of the film, reveals the nature of reality as provisional. If writing gives a seal of authenticity to a message, it can also become the casualty of its own creation. Key words: Inscription, Power, Politics, Writing, Social system 1 International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Introduction Goopy Gyne Bagha Byne by Satyajit Ray is a fun film for children of all ages; it ran to packed houses in West Bengal for a record 51 weeks and is considered one of the most commercially successful Ray films. -
A Portrayal of People Essays on Visual Anthropology
A PORTRAYAL OF PEOPLE Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/portrayalofpeoplOOunse A PORTRAYAL OF PEOPLE Essays on Visual Anthropology in India Co-published by ANTHROPOLOGICAL SURVEY OF INDIA INDIAN NATIONAL TRUST FOR ART AND CULTURAL HERITAGE INTACH 71, Lodhi Estate New Delhi-110 003 ANTHROPOLOGICAL SURVEY OF INDIA West Block 2, Wing 6, First Floor R.K. Puram New Delhi 110 066. ©ASI, INTACH, 1987. © For individual contributions with authors. Printed at Indraprastha Press (CBT) 4 Bahadur Shah Zafar Marg, New Delhi 110002. CONTENTS Foreword v Introduction ix An Examination of the 1 Need and Potential for Visual Anthropology in India Rakhi Roy and Jayasinhji Jhala Anthropological Survey of 20 India and Visual Anthropology K.S. Singh History of Visual Anthropology 49 in India K.N. Sahay Perceptions of the Self and Other 75 in Visual Anthropology Rakhi Roy and Jayasinhji Jhala My Experiences as a Cameraman 99 in the Anthropological Survey Susanta K. Chattopadhyay The Vital Interface 114 Ashish Rajadhyaksha The Realistic Fictional Film: 127 How far from Visual Anthropology? Chidananda Das Gupta Phaniyamma and the Triumph 139 of Asceticism T.G. Vaidyanathan Images of Islam and Muslims 147 on Doordarshan Iqbal Masud Man in My Films 161 Mrinal Sen/Someshwar Bhowmick The Individual and Society 169 Adoor Gopalakrishnan/Madhavan Kutty Notes on Contributors 174 FOREWORD It has often been said that India lives in many centuries at the same time. The complex network of diversity that stretches across time and space has made India a paradise for anthropologists. -
Beyond the World of Apu: the Films of Satyajit Ray'
H-Asia Sengupta on Hood, 'Beyond the World of Apu: The Films of Satyajit Ray' Review published on Tuesday, March 24, 2009 John W. Hood. Beyond the World of Apu: The Films of Satyajit Ray. New Delhi: Orient Longman, 2008. xi + 476 pp. $36.95 (paper), ISBN 978-81-250-3510-7. Reviewed by Sakti Sengupta (Asian-American Film Theater) Published on H-Asia (March, 2009) Commissioned by Sumit Guha Indian Neo-realist cinema Satyajit Ray, one of the three Indian cultural icons besides the great sitar player Pandit Ravishankar and the Nobel laureate Rabindra Nath Tagore, is the father of the neorealist movement in Indian cinema. Much has already been written about him and his films. In the West, he is perhaps better known than the literary genius Tagore. The University of California at Santa Cruz and the American Film Institute have published (available on their Web sites) a list of books about him. Popular ones include Portrait of a Director: Satyajit Ray (1971) by Marie Seton and Satyajit Ray, the Inner Eye (1989) by Andrew Robinson. A majority of such writings (with the exception of the one by Chidananda Dasgupta who was not only a film critic but also an occasional filmmaker) are characterized by unequivocal adulation without much critical exploration of his oeuvre and have been written by journalists or scholars of literature or film. What is missing from this long list is a true appreciation of his works with great insights into cinematic questions like we find in Francois Truffaut's homage to Alfred Hitchcock (both cinematic giants) or in Andre Bazin's and Truffaut's bio-critical homage to Orson Welles. -
13Th BTM Film Festival Features World Cinema Previews, Industry
13th BTM Film Festival features World Cinema Previews, Industry Weekend, Special Guests, Slices of Mango, Focus on Partition, Documentaries www.bitethemango.org.uk CONTENT 4 Opening Night Gala: Partition 5 Closing Night: A Winter Tale This year the festival will again be bringing audiences an 6 Previews & Premieres eclectic mix of features, shorts and documentaries from 14 Kultur Cine Club Showcase: Iranian Cinema around the world and an action packed industry weekend 15 Kultur Cine Club Showcase: Latin American Cinema of seminars and masterclasses. 16 Retrospective: Jamil Dehlavi 18 TV Heaven Amongst the films from around the world, we take a 20 Events: Equity AGM. OurLives Project special look at the cinema of Iran and Latin America. With 21 Screen Yorkshire Talks a large number of submissions, Bite the Mango will be showcasing a large selection of short films in Slices of 22 Ousmane Sembene Tribute Screening Mango from countries as far flung as India, Japan and 23 Seminar on the Partition Mexico complemented by a section dedicated to the short 24 60th Anniversary of the Partition film industry of South East Asia. 26 Slices of Mango (+ South East Slices) 40 Industry Weekend Enjoy the festival! 42 Satyajit Ray Short Film Competition 2007 44 Acknowledgements/Thanks Addy Rutter, Festival Director 45 General Information 46 Diary & Index BOOKING The National Media Museum Bradford, West Yorkshire. BD1 1NQ Box Office 0870 70 10 200 10am – 8.30pm Tues–Sun (5pm – 8.30pm Monday) Calls taken 8:30am – 8:30pm daily (charged at national rate) or book online. www.bitethemango.org.uk 2 3 Friday 21 September 7.45pm Pictureville Cinema SPECIAL PRESENTATION SCREENING PARTITION OPENING Dir. -
The 59TH National Film Awards Function by : INVC Team Published on : 2 May, 2012 09:45 PM IST
The 59TH National Film Awards function By : INVC Team Published On : 2 May, 2012 09:45 PM IST [caption id="attachment_41188" align="alignleft" width="300" caption="The Dadasaheb Phalke Awardee, Shri Soumitra Chatterjee, film Producer, Shri Jaaved Jaaferi and Ashvin Kumar, the Producer, Director, Shri Sankalp Meshram, the film Director, Shri Satish Pande and the Director, Directorate of Film Festival, Shri Rajeev Kumar Jain at a Press Conference on the occasion of 59th National Film Awards Ceremony, organized by the DFF, in New Delhi."] [/caption] INVC,, Delhi,, The 59TH National Film Awards function will be held tomorrow at Vigyan Bhawan. The awards will be given away by the Hon’ble Vice President of India. Minister of Information & Broadcasting, Smt. Ambika Soni will also be present on the occasion. The highlights of the 59th National Film Awards are as follows: The top honour in the Feature Film category, the Best Film is shared by films Deool (Marathi) produced by Abhijeet Gholap & directed by Umesh Vinayak Kulkarni and Byari (Byari language) produced by T.H. Althaf Hussain & directed by Suveeram. The award carries Swarna Kamal and cash prize of Rs. 2,50,000/-. In Non- feature film category the top honour , Best Film goes to And We Play On (Hindi & English)directed and produced by Pramod Purswane . The awards carries Swarna Kamal and Cash prize of Rs. 1,50,000/-. In Best Writing on Cinema category the Swarna Kamal goes to the book titled R.D. Burman – The Man, The Music written by Anirudha Bhattacharjee & Balaji Vittal, published by Harper Collins India. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. -
Translation As Transcreation: a Study of Selected Poems of Jibanananda Das
JAST © 2015 M.U.C.Women’s College, Burdwan ISSN 2395-4353 -a peer reviewed multidisciplinary research journal Vol.-01, Issue- 01 Translation as Transcreation: A Study of Selected Poems of Jibanananda Das Joyanta Dangar Department of English M.U.C. Women’s College, Burdwan West Bengal, India E-mail: [email protected] Abstract: Jibanananda Das, a poet of the post-Tagore era in Bengal, composed volumes of poetry, from which some representative poems such as “I have seen the face of Bengal,” “Banalata Sen,” and “One Day Eight Years Ago” have been selected for the present study. To capture the “harmonic cadences” arising from employment of different types of rhyme and figures of speech in Das’s poetry is a challenge for his translators. Besides, considerations of form and the art of conveying Das’s sense of history of India when the target audience is non- Indian are equally challenging. However, some gains in the form of transcreation may be considered compensations for inevitable losses incurred in course of translation. Key words: Mosaic rhyme, hyperbaton, “ambiguity,” target reader, linguistic equivalence, untranslatability, sense of history The act of translation is voluntary, that is the material has been chosen by the translator himself and the prime mover is to recreate it. —Meenakshi Mukherjee, “Transposition of Culture.” Cygnus 2: 2(1981) Jibanananda Das (1899-1954) was a modern Bengali poet writing in the twentieth century. Acknowledged as the leading poet of the post-Tagore era, Das wrote ceaselessly, but only seven volumes of his poetry were published during his lifetime. An introvert, he never came to the limelight: one of his contemporary poets, Buddhadeb Bose called him the “loneliest of poets.” Among major collections of his poetry are Beautiful Bengal (Rupasi Bangla; 1934, Pub.