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1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
Premendra Mitra - Poems
Classic Poetry Series Premendra Mitra - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Premendra Mitra(1904 - 3 May 1988) Premendra Mitra was a renowned Bengali poet, novelist, short story writer and film director. He was also an author of Bangla science fiction and thrillers. <b>Life</b> He was born in Varanasi, India, though his ancestors lived at Rajpur, South 24 Parganas, West Bengal. His father was an employee of the Indian Railways and because of that; he had the opportunity of travelling to many places in India. He spent his childhood in Uttar Pradesh and his later life in Kolkata & Dhaka. He was a student of South Suburban School (Main) and later at the Scottish Church College in Kolkata. During his initial years, he (unsuccessfully) aspired to be a physician and studied the natural sciences. Later he started out as a school teacher. He even tried to make a career for himself as a businessman, but he was unsuccessful in that venture as well. At a time, he was working in the marketing division of a medicine producing company. After trying out the other occupations, in which he met marginal or moderate success, he rediscovered his talents for creativity in writing and eventually became a Bengali author and poet. Married to Beena Mitra, he was, by profession, a Bengali professor at City College in north Kolkata. He spent almost his entire life in a house at Kalighat, Kolkata. <b>As an Author & Editor</b> In November 1923, Mitra came from Dhaka, Bangladesh and stayed in a mess at Gobinda Ghoshal Lane, Kolkata. -
Annual Report 2012-2013 1 IIT Kanpur Publication and Outreach
Annual Report 2012-2013 Publication and Outreach Activities Books 1. ‘Instabilities of Flows and Transition to Turbulence’, Prof. T. K. Sengupta (CRC Press/ Taylor & Francis, USA, April 2012) 2. Tewari, A., Atmospheric and Space Flight Dynamics—Modeling and Simulation, Nov. 2012, National Defense Industry Press, Beijing, China (under contract with Springer (Birkhäuser), Boston, USA). 3. Triphenylbismuthane (Invited) Maddali L. N. Rao Encyclopedia of Reagents for Organic Synthesis (John & Wiley, 2012) 4. Patra, N. R. (July 2012) “Ground Improvement Techniques” Vikash Publishing House Pvt Ltd, Noida, India, ISBN 978-93-259-6001-5 5. Raymahashay, B.C. and Sinha, R. (2012). Popular Book titled “Flood Disasters and Management: Indian Scenario” Bihar State Disaster Management Authority, Patna and Ministry of Earth Sciences, New Delhi, 44p. (both English and Hindi) 6. Sinha, R., Jain, V. and Tandon, S.K. (2012) River Systems and River Science in India: major drivers and challenges. In R. Sinha, R. Rasik (Eds) Earth Systems and Hazards, Springer-Verlag Berlin and Heidelberg, 244p. 7. Power system analysis, Prof. Saikat Chakrabarti 8. Synchrophasor applications in power systems, Prof. Saikat Chakrabarti 9. Philip Roth’s Heroic Ideal in Indignation and Nemesis. Critical Insights: Philip Roth. Ed. Aimee Pozorski. Massachusetts: Salem Press, 2013, 200-19, Prof. Gurumurthy Neelakantan 10. SaxenaK.K. (2012) "Output Growth during Post-liberalized India: An Input-Output Structural Decomposition Analysis" in Recession and Its Aftermath, ed by N M P Verma , Springer ( Co-author Rahul Arora and Srabjit Singh) 11. Mathur Somesh K with Luis Barreno, Maria Isabel and Rene Vasconez(2012), El Commercio De Bienes Amigables Con El Ambiente Y Otros Productos Especializados Del Ecuador(2012), UTE Press, UTE, Quito, Ecuador in Spanish 12. -
The Humanism of Satyajit Ray, His Last Will and Testament Shantanu Ray Chaudhuri
AGANTUK – The Humanism of Satyajit Ray, His Last Will And Testament Shantanu Ray Chaudhuri It’s impossible to record the transition in the socio-political and cultural landscape of India in general and Bengal in particular without taking into account the contribution of Satyajit Ray. As author Peter Rainer says, ‘In Ray’s films the old and the new are inextricably joined. This is the great theme of all his movies: the way the past in India forever bleeds through the present.’ Today, Indian cinema, particularly Bollywood, has found a global market. But it may be useful to remember that if anyone can be credited with putting Indian cinema on the world map, it is Satyajit Ray. He pioneered a whole new sensibility about films and filmmaking that compelled the world to reshape its perception of Indian cinema. ‘What we need,’ he wrote in 1947, before he ever directed a film, ‘is a style, an idiom, a part of the iconography of cinema which would be uniquely and recognizably Indian.’ This Still from the documentary, The Music of Satyajit Ray he achieved, and yet, like all great artists, his films went Watch film here- https://bit.ly/3u8orOD beyond the frontiers of countries and cultures. His contribution to the cultural scene in India is limited not just to his work as a director. He was the Renaissance man of independent India. As a film-maker he handled almost all the departments on his own – he wrote the screenplay and dialogues for his film, he composed his own music, designed the promotional material for his films, designed his own posters, went on to handle the cinematography and editing, was actively involved in the costumes (literally sketching each and every costume in a film). -
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Paran Bandopadhyay ภาพยนตร์ รายà¸à ¸²à¸£ (ผลงานภาพยนตร์) Arshinagar https://th.listvote.com/lists/film/movies/arshinagar-19954324/actors Brake Fail https://th.listvote.com/lists/film/movies/brake-fail-4956021/actors Bhootchakra Pvt. Ltd. https://th.listvote.com/lists/film/movies/bhootchakra-pvt.-ltd.-65047969/actors Open Tee Bioscope https://th.listvote.com/lists/film/movies/open-tee-bioscope-19263869/actors Feluda: 50 Years of Ray's https://th.listvote.com/lists/film/movies/feluda%3A-50-years-of-ray%27s-detective- Detective 65555937/actors Bhoot Bhooturey Samuddurey https://th.listvote.com/lists/film/movies/bhoot-bhooturey-samuddurey-18611352/actors Banchha Elo Phire https://th.listvote.com/lists/film/movies/banchha-elo-phire-27536734/actors Abar Basanta Bilap https://th.listvote.com/lists/film/movies/abar-basanta-bilap-55390488/actors Ashchorjyo Prodeep https://th.listvote.com/lists/film/movies/ashchorjyo-prodeep-16242689/actors Hochheta Ki https://th.listvote.com/lists/film/movies/hochheta-ki-13522751/actors Obhishopto Nighty https://th.listvote.com/lists/film/movies/obhishopto-nighty-15731589/actors Surjo Prithibir Chardike Ghore https://th.listvote.com/lists/film/movies/surjo-prithibir-chardike-ghore-77896615/actors Proloy https://th.listvote.com/lists/film/movies/proloy-20819662/actors Cinemawala https://th.listvote.com/lists/film/movies/cinemawala-24514706/actors Monchora https://th.listvote.com/lists/film/movies/monchora-21998229/actors Abby Sen https://th.listvote.com/lists/film/movies/abby-sen-21426976/actors -
Library Catalogue
Id Access No Title Author Category Publisher Year 1 9277 Jawaharlal Nehru. An autobiography J. Nehru Autobiography, Nehru Indraprastha Press 1988 historical, Indian history, reference, Indian 2 587 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence historical, Indian history, reference, Indian 3 605 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence 4 3633 Jawaharlal Nehru. Rebel and Stateman B. R. Nanda Biography, Nehru, Historical Oxford University Press 1995 5 4420 Jawaharlal Nehru. A Communicator and Democratic Leader A. K. Damodaran Biography, Nehru, Historical Radiant Publlishers 1997 Indira Gandhi, 6 711 The Spirit of India. Vol 2 Biography, Nehru, Historical, Gandhi Asia Publishing House 1975 Abhinandan Granth Ministry of Information and 8 454 Builders of Modern India. Gopal Krishna Gokhale T.R. Deogirikar Biography 1964 Broadcasting Ministry of Information and 9 455 Builders of Modern India. Rajendra Prasad Kali Kinkar Data Biography, Prasad 1970 Broadcasting Ministry of Information and 10 456 Builders of Modern India. P.S.Sivaswami Aiyer K. Chandrasekharan Biography, Sivaswami, Aiyer 1969 Broadcasting Ministry of Information and 11 950 Speeches of Presidente V.V. Giri. Vol 2 V.V. Giri poitical, Biography, V.V. Giri, speeches 1977 Broadcasting Ministry of Information and 12 951 Speeches of President Rajendra Prasad Vol. 1 Rajendra Prasad Political, Biography, Rajendra Prasad 1973 Broadcasting Eminent Parliamentarians Monograph Series. 01 - Dr. Ram Manohar 13 2671 Biography, Manohar Lohia Lok Sabha 1990 Lohia Eminent Parliamentarians Monograph Series. 02 - Dr. Lanka 14 2672 Biography, Lanka Sunbdaram Lok Sabha 1990 Sunbdaram Eminent Parliamentarians Monograph Series. 04 - Pandit Nilakantha 15 2674 Biography, Nilakantha Lok Sabha 1990 Das Eminent Parliamentarians Monograph Series. -
LL.B. Entrance Test, 2009
LL.B. Entrance Test, 2009 1. Name the oil tanker that was hijacked by Somali pirates in November, 2008? (1) MV Elizabeth (2) MV Sirius Star (3) Seabourn Spirit (4) Achille Lauro 2. The Great Fire of Rome is associated with: (1) Maximus Quintus (2) Tacitus (3) Pliny the Elder (4) Lucius Domitius 3. Which of the following is not a wireless data transfer technology? (1) EDGE (2) GPRS (3) Bluetooth (4) 3GP 4. Human saliva contains enzymes necessary for breakdown of: (1) Proteins (2) Starch (3) Cellulose (4) Vitamins 5. Which of the following substance is an anticoagulant? (1) Heparin (2) Tannin (3) Fibrin (4) Thrombin 6. The first metal used by man was: (1) Iron (2) Copper (3) Aluminium (4) Bronze 7. Where is the Large Hadron Collider (LHC) particle accelerator located? (1) Switzerland and France (2) Germany (3) United States of America and Mexico (4) Sweden 8. Which of the following is not a private space tourism venture: (1) Virgin Galactic (2) Intercosmos (3) MirCorp (4) Bigelow Aerospace 9. Where is the world’s highest waterfall located? (1) Canada & United States (2) Argentina (3) Sri Lanka (4) Venezuela 10. The chemicals used in tear gas are known as: (1) Mustard gas (2) Lachrymatory agents (3) Nitrous oxide (4) Nerve agents 11. On what date did Rakesh Sharma launch aboard Soyuz T-11 towards its destination, the Salyut 7 space station? (1) 13 th January 1984 (2) 23 rd April 1984 (3) 2nd April 1984 (4) 26 th January 1982 12. Polio virus is primarily transmitted via: (1) Contaminated food and water (2) Mosquito bite (3) Contaminated air (4) Mother to foetus. -
Satyajit Ray Season Reveals the Enduring Versatility and Masterly Satyajit Ray: Part Two Style of the Indian Director
22 The second part of our major Satyajit Ray season reveals the enduring versatility and masterly Satyajit Ray: Part Two style of the Indian director. But his later output is marked by a darkening mood that reflects Ray’s This second part of Ray’s career begins And his exquisite historical drama about on a sunny note. The Adventures of the British military takeover of Lucknow ambivalence towards the society he lived in, Goopy and Bagha was his most popular in 1856, The Chess Players, was equally argues Andrew Robinson. film in Bengal, with children and adults concerned with individual morality singing its Bengali songs on the streets as with political systems. But his two for months. ‘Maharaja, We Salute You’ detective films, The Golden Fortress was spontaneously sung by the crowds and The Elephant God, based on his at Ray’s funeral in 1992. own Holmes-and-Watson-style Bengali But then his mood darkened, first into the duo, betrayed a declining belief in official wincing irony of Days and Nights in the justice. In Deliverance, a stark attack on Forest, afterwards into a political trilogy: the cruelty of Untouchability, Ray moved The Adversary, Company Limited about as far from the hopefulness of and The Middleman. From 1969, the Pather Panchali as it was possible to go. Naxalite movement inspired by Maoism Ray’s last three films, though not without rocked Bengal through terrorist acts his trademark comedy, were urgent by young Bengalis, followed by horrific warnings to his fellow citizens against police and army reprisals, and a period religious fundamentalism and social of national Emergency declared by Indira corruption. -
Satyajit Ray's the Adventures of Feluda
SATYAJIT RAY’S THE ADVENTURES OF FELUDA SATYAJIT RAY: AN INTRODUCTION SATYAJIT RAY, (BORN MAY 2, 1921, CALCUTTA, INDIA—DIED APRIL 23, 1992, CALCUTTA), BENGALI MOTION-PICTURE DIRECTOR, WRITER, AND ILLUSTRATOR WHO BROUGHT THE INDIAN CINEMA TO WORLD RECOGNITION WITH PATHER PANCHALI (1955; THE SONG OF THE ROAD) AND ITS TWO SEQUELS, KNOWN AS THE APU TRILOGY. AS A DIRECTOR RAY WAS NOTED FOR HIS HUMANISM, HIS VERSATILITY, AND HIS DETAILED CONTROL OVER HIS FILMS AND THEIR MUSIC. HE WAS ONE OF THE GREATEST FILMMAKERS OF THE 20TH CENTURY. In 1940 his mother persuaded him to attend art school at Santiniketan, Rabindranath Tagore’s rural university northwest of Calcutta. There Ray, whose interests had been exclusively urban and Western-oriented, was exposed to Indian and other Eastern art and gained a deeper appreciation of both Eastern and Western culture, a harmonious combination that is evident in his films. Returning to Calcutta, Ray in 1943 got a job in a British-owned advertising agency, became its art director within a few years, and also worked for a publishing house as a commercial illustrator, becoming a leading Indian typographer and book-jacket designer. Among the books he illustrated (1944) was the novel Pather Panchali by Bibhuti Bhushan Banarjee, the cinematic possibilities of which began to intrigue him. (W. Andrew Robinson) The film took two-and-a-half years to complete, with the crew, most of whom lacked any experience whatsoever in motion pictures, working on an unpaid basis. Pather Panchali was completed in 1955 and turned out to be both a commercial and a tremendous critical success, first in Bengal and then in the West following a major award at the 1956 Cannes International Film Festival. -
The Silver Series - 3
DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 6 - 10 JULY 2020 10% SALE PROCEEDS TO 1 DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 100 ARTISTS ² 100 WORKS Modern and Contemporary Indian Art 6 - 10 JULY 2020 FIXED-PRICE ONLINE SALE The Silver Series is DAG’s initiative towards raising funds for charity through its fixed-price online sales For further information please contact us at [email protected] 1 DAG : THE SILVER SERIES - 3 FROM ASHISH ANAND’S DESK Hundreds of great artists have marked every decade of the twentieth century, which is why I have always been surprised at the invisibility of so many of our masters. Painters, sculptors, printmakers, teachers, they have made a name for themselves, but in the absence of their work being shown nationally—rather than regionally, as has been the norm—many have remained outside mainstream discourse. At DAG, it has been our effort to ensure their rediscovery and recognition, something we continue to do with our Silver Series, fixed-price online sales. The outstanding success of the first two editions is an indicator that art-lovers also have an appreciation for lesser-known names, as well as those whose works do not appear frequently in the market. Our endeavour with every edition will be to continue to surprise you with the mix of artists and the quality of their work. I hope the additions in this edition will bring you joy. If you miss any favourites, I assure you that you will find them in subsequent editions. -
Byomkesh Bakshi of Kolkata and the Sleuth on the Baker Street
CONTEMPORARY LITERARY REVIEW INDIA CLRI The journal that brings articulate writings for articulate readers. ISSN 2250-3366 eISSN 2394-6075 ANANDA DAS GUPTA Byomkesh Bakshi of Kolkata and the Sleuth on the Baker Street Abstract For 80 years, Byomkesh has been Bengal’s favourite literary character, his only competition coming from Satyajit Ray’s Feluda who made his debut in 1965. However, there is a crucial difference between the two. The Feluda stories were written for teenagers; whereas Saradindu Bandopadhyay wrote for adults. The mysteries that confront Byomkesh quite often hinge around lust, adultery, promiscuity, even incest. This paper analyses the annals of Byomkesh in the context of the works of the international masters of mature detective fiction, such as Sir Arthur Conan Doyle and Raymond Chandler. Keywords: Byomkesh Bakshi, detective stories, Feluda stories, Satyajit Ray, Saradindu Bandopadhyay, Bengali literature, Indian English literature. Byomkesh Bakshi of Kolkata and the Sleuth on the Baker Street by Ananda Das Gupta I For 80 years, Byomkesh has been Bengal’s favourite literary character, his only competition coming from Satyajit Ray’s Feluda who made his debut in 1965. However, there is a crucial difference between the two. The Feluda stories were written for teenagers; so Ray had to work within a set bandwidth—no crime could have a sexual angle to it (Ray even complained that this significantly restricted his freedom to plot the stories). Saradindu Vol 3, No 4, CLRI November 2016 1 CONTEMPORARY LITERARY REVIEW INDIA CLRI The journal that brings articulate writings for articulate readers. ISSN 2250-3366 eISSN 2394-6075 Bandopadhyay wrote for adults. -
A Journey Through Bengali Culture: Avenues of Kolkata
International Journal of Research in Engineering, Science and Management 39 Volume-2, Issue-8, August-2019 www.ijresm.com | ISSN (Online): 2581-5792 A Journey through Bengali Culture: Avenues of Kolkata Jhoney Barui Project Fellow, UGC, New Delhi, India Abstract: This paper presents an overview on Bengali culture. The meaning of culture in the opinion of great author Mathew Arnold, “It is sweetness and light, it is the best that has Keywords: Culturalism, traditional, Bengali culture been thought and said, it is internal to the human mind and general to the beauty and worth of human nature.” Basically 1. Introduction multiculturalism means the agglomeration of cultures within a In the both underdeveloped and developed countries urban certain space. Some definitions of multiculturalism are given area is confronted with different ethnic communities having below. their own form of landscape. In the colonial period cities of the According to Turner Terence, “Multiculturalism is one different countries are the lucrative opportunities open for manifestation of the postmodernist reaction to the business inertia. Some Indian cities are also not out of them. delegitimization of the state and the erosion of the hegemony of The present Kolkata previously known as Calcutta by the the dominant culture in advanced capitalist countries.” Alex British colonial period made this piece of land as a Thio argues, “The co-existence of numerous sub cultures can cosmopolitan precinct. Different globe tottering Asian develop into Multiculturalism, a state in which all sub-cultures (Chinese), European (Armenian, Greek, Anglo-Indian) as well are equal to one another in the same society.” as provincial communities (Marwari, Gujrati, Punjabi, Bihari, According to Ramakant Sinari, “From a utilitarian point of Oriya, South Indians etc.) of India come over Kolkata mainly view tolerance on the part of everybody is a prerequisite for the for testing their business fortune.