Bal Sabha of Columbia, MO May 2000 Summer Issue Volume 3, Issue 2 Welcome New Officers! EDITOR’S NOTE
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1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
Premendra Mitra - Poems
Classic Poetry Series Premendra Mitra - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Premendra Mitra(1904 - 3 May 1988) Premendra Mitra was a renowned Bengali poet, novelist, short story writer and film director. He was also an author of Bangla science fiction and thrillers. <b>Life</b> He was born in Varanasi, India, though his ancestors lived at Rajpur, South 24 Parganas, West Bengal. His father was an employee of the Indian Railways and because of that; he had the opportunity of travelling to many places in India. He spent his childhood in Uttar Pradesh and his later life in Kolkata & Dhaka. He was a student of South Suburban School (Main) and later at the Scottish Church College in Kolkata. During his initial years, he (unsuccessfully) aspired to be a physician and studied the natural sciences. Later he started out as a school teacher. He even tried to make a career for himself as a businessman, but he was unsuccessful in that venture as well. At a time, he was working in the marketing division of a medicine producing company. After trying out the other occupations, in which he met marginal or moderate success, he rediscovered his talents for creativity in writing and eventually became a Bengali author and poet. Married to Beena Mitra, he was, by profession, a Bengali professor at City College in north Kolkata. He spent almost his entire life in a house at Kalighat, Kolkata. <b>As an Author & Editor</b> In November 1923, Mitra came from Dhaka, Bangladesh and stayed in a mess at Gobinda Ghoshal Lane, Kolkata. -
POWERFUL and POWERLESS: POWER RELATIONS in SATYAJIT RAY's FILMS by DEB BANERJEE Submitted to the Graduate Degree Program in Fi
POWERFUL AND POWERLESS: POWER RELATIONS IN SATYAJIT RAY’S FILMS BY DEB BANERJEE Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master’s of Arts ____________________ Chairperson Committee members* ____________________* ____________________* ____________________* ____________________* Date defended: ______________ The Thesis Committee of Deb Banerjee certifies that this is the approved version of the following thesis: POWERFUL AND POWERLESS: POWER RELATIONS IN SATYAJIT RAY’S FILMS Committee: ________________________________ Chairperson* _______________________________ _______________________________ _______________________________ _______________________________ Date approved:_______________________ ii CONTENTS Abstract…………………………………………………………………………….. 1 Introduction……………………………………………………………………….... 2 Chapter 1: Political Scenario of India and Bengal at the Time Periods of the Two Films’ Production……………………………………………………………………16 Chapter 2: Power of the Ruler/King……………………………………………….. 23 Chapter 3: Power of Class/Caste/Religion………………………………………… 31 Chapter 4: Power of Gender……………………………………………………….. 38 Chapter 5: Power of Knowledge and Technology…………………………………. 45 Conclusion…………………………………………………………………………. 52 Work Cited………………………………………………………………………... 55 i Abstract Scholars have discussed Indian film director, Satyajit Ray’s films in a myriad of ways. However, there is paucity of literature that examines Ray’s two films, Goopy -
Smt. Kala Ramnath Concert
presents in association with UC Worldfest 2009 ART at its best Internationally Renowned Hindustani Violinis Smt. Kala Ramnath accompanied by Shri Prithwiraj Bhattacharjee on Tabla Date: 25 th April, 2009 (Saturday) Venue: 4400 Aronoff (DAAP Auditorium) Time: 6 :00 pm Parking: Langsam Garage Artiste Biography Maestro KALA RAMNATH , the contemporary torch bearer of the Mewati Gharana, stands today Prithwiraj Bhattacharjee another young and amongst the most outstanding instrumental musicians in the North Indian classical genre. Born upcoming artist began his initial training under into a family of prodigious musical talent, which his guru Dhiranjan Chakraborty at the tender has given Indian music such violin legends as Prof. age of seven. In the year 1994 his life long T.N. Krishnan and Dr. N. Rajam, Kala's genius with the violin manifested itself from childhood. She ambition of learning under the tabla maestro began playing the violin at the tender age of three Ustad Alla Rakha and Ustad Zakir Hussain came under the strict tutelage of her grandfather true. Blessed with highly cultivated fingers, Vidwan. Narayan Aiyar. Simultaneously she received training from her aunt Dr. Smt. N. Rajam. absorbing all the aspects of his guru’s style For fifteen years she put herself under the training through vigorous riyaz under the ever watchful of Mewati vocal maestro, Sangeet Martand Pandit eyes of his guru have made him progress into a Jasraj. This has brought a rare vocal emotionalism to her art. Kala's violin playing is characterized by very promising upcoming tabla player. Prithwi an immaculate bowing and fingering technique, has performed in many solo concerts and command over all aspects of laya, richness and travelled extensively all over India and abroad clarity in sur. -
Curriculum Vitae June 2015
Curriculum Vitae June 2015 Dr. Maidul Islam BA (Calcutta), MA (JNU), MPhil (JNU), DPhil (Oxon) Institutional Address: Presidency University, 86/1, College Street, Kolkata-700073, India. E-mail: [email protected]; [email protected] Permanent Address: 28/6, Tollygunge Circular Road, P.O.-New Alipore, Kolkata-700053. Current Position: Assistant Professor in Political Science, Presidency University, Kolkata. Date of Birth: 5th February, 1980; Calcutta Citizenship: Indian University Education 2007-2012: DPhil in Politics, Brasenose College and Department of Politics & International Relations, University of Oxford. Dissertation: Limits of Islamism: Ideological Articulations of Jamaat-e-Islami in Contemporary India and Bangladesh. Supervisor: Dr. Nandini Gooptu. (Result: Pass and Awarded) 2005-2007: MPhil in Political Science, Centre for Political Studies, School of Social Sciences, Jawaharlal Nehru University, New Delhi. Dissertation: Understanding Political Islam in India: Ideology and Organisation of Jamaat-e-Islami Hind. Supervisor: Prof. Zoya Hasan. (Result: First Class; FGPA: 7.69/9 [85.44%]) 2003-2005: MA in Political Science, Centre for Political Studies, School of Social Sciences, Jawaharlal Nehru University, New Delhi. (Result: First Class; FGPA: 6.81/9 [75.66%]) 2000-2003: BA (Honours) in Political Science, Presidency College, University of Calcutta; Subsidiary Subjects: Economics & History. Compulsory Subjects: English, Bengali and Environmental Studies. (Result: Upper Second Class; 55.62%) Areas of Research Interest: Political Theory, Political Philosophy, Identity Politics, Contemporary South Asian Politics, Indian Muslims and Cinema. Past Employment Fellow, Indian Institute of Advanced Study, Shimla [28th February, 2013—23rd December, 2013] Assistant Professor, Tata Institute of Social Sciences (Tuljapur campus) [6th August, 2012— 26th February, 2013]. -
Annual Report, 2012-13 1 Head of the Department
Annual Report, 2012-13 1 CHAPTER II DEPARTMENT OF BENGALI Head of the Department : SIBABRATA CHATTOPADHYAY Teaching Staff : (as on 31.05.2013) Professor : Dr. Krishnarup Chakraborty, M.A., Ph.D Dr. Asish Kr. Dey, M.A., Ph.D Dr Amitava Das, M.A., Ph.D Dr. Sibabrata Chattopadhyay, M.A., Ph.D Dr. Arun Kumar Ghosh, M.A., Ph.D Dr Uday Chand Das, M.A., Ph.D Associate Professor : Dr Ramen Kr Sar, M.A., Ph.D Dr. Arindam Chottopadhyay, M.A., Ph.D Dr Anindita Bandyopadhyay, M.A., Ph.D Dr. Alok Kumar Chakraborty, M.A., Ph.D Assistant Professor : Ms Srabani Basu, M.A. Field of Studies : A) Mediaval Bengali Lit. B) Fiction & Short Stories, C) Tagore Lit. D) Drama Student Enrolment: Course(s) Men Women Total Gen SC ST Total Gen SC ST Total Gen SC ST Total MA/MSc/MCom 1st Sem 43 25 09 77 88 17 03 108 131 42 12 185 2nd Sem 43 25 09 77 88 17 03 108 131 42 12 185 3rd Sem 43 28 08 79 88 16 02 106 131 44 10 185 4th Sem 43 28 08 79 88 16 02 106 131 44 10 185 M.Phil 01 01 01 01 02 02 01 03 Research Activities :(work in progress) Sl.No. Name of the Scholar(s) Topic of Research Supervisor(s) 1. Anjali Halder Binoy Majumdarer Kabitar Nirmanshaily Prof Amitava Das 2. Debajyoti Debnath Unishsho-sottor paraborti bangla akhayaner dhara : prekshit ecocriticism Prof Uday Chand Das 3. Prabir Kumar Baidya Bangla sahitye patrikar kromobikas (1851-1900) Dr.Anindita Bandyopadhyay 4. -
The Writing in Goopy Bagha
International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Right(ing) the Writing: An Exploration of Satyajit Ray’s Goopy Gyne Bagha Byne Amrita Basu Haldia Institute of Technology, Haldia, West Bengal, India Abstract The act of writing, owing to the permanence it craves, may be said to be in continuous interaction with the temporal flow of time. It continues to stimulate questions and open up avenues for discussion. Writing people, events and relationships into existence is a way of negotiating with the illusory. But writing falters. This paper attempts a reading of Goopy Gyne Bagha Byne in terms of power politics through the lens of the manipulation of written codes and inscriptions in the film. Identities and cultures are constructed through inscriptions and writings. But in the wrong hands, this medium of communication which has the potential to bring people together may wreck havoc on the social and political system. Writing, or the misuse of it, in the case of the film, reveals the nature of reality as provisional. If writing gives a seal of authenticity to a message, it can also become the casualty of its own creation. Key words: Inscription, Power, Politics, Writing, Social system 1 International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Introduction Goopy Gyne Bagha Byne by Satyajit Ray is a fun film for children of all ages; it ran to packed houses in West Bengal for a record 51 weeks and is considered one of the most commercially successful Ray films. -
(Dr) Utpal K Banerjee
About the Book IGNCA is a treasure-trove of cultural artifacts including a rich repository of Video documentaries (published) and Audio and Video DVDs (unpublished). This book – based on the author’s two-year project -- envisions an on-line A-V cultural archive KALASAMPADA that consists of A-V materials stored at IGNCA for the categories of: Interviews; Ritual Documentation; Archaeological Sites and Walk-through; Events; Festivals; Performances (music-dance-theatre-puppetry-mime); Lectures; Seminars; and Workshops. In order to make such a wide variety of materials available on-line – initially on the Intranet, subsequently on a potential Extranet, and eventually (although very selectively) on the Internet – the following digitisation road-map is observed in the project: Conversion of primary A-V materials from analogue to digital format; Creation of data sheets for metadata tagging, following the international standard of Dublin Core Metadata Element Set (DCMES); Integration of metadata with primary A-V material in IGNCA’s Intranet; Access and retrieval by “simple search” with keywords for casual browsers and “advanced search” for users, researchers and scholars with reference to groups of keywords from the intranet. The objectives of the project of on-line A-V cultural archive are: to bring it into public domain; to make it inter-active for scholars; and to make it internationally compatible. Basic advantages of such a project are really five-fold. First, a digital A-V archive assures the near permanent durability of the A-V material. Secondly, it allows need-based quality enhancement. Thirdly, an archive of this kind makes room for highly economic storage of vulnerable Audio and Video files. -
9312 India Power 2.1.Indd
INDIA: A RISING POWER Dr V Nilakant, Associate Professor Department of Management University of Canterbury Christchurch, New Zealand July 2006 CONTENTS INTRODUCTION 02 INDIA: A PROFILE 04 GEOGRAPHY 04 PEOPLE 04 CULTURE AND HISTORY 05 ECONOMIC DEVELOPMENT 07 HISTORY AND GROWTH 07 INDIAN ECONOMY 08 INDIA AS A REGIONAL POWER 11 INDIA: CHALLENGES AHEAD 16 INDIA: OPPORTUNITIES 18 CONCLUSION 20 APPENDIX 1: BRIEF PROFILE OF INDIA 21 ISBN-13: 978-0-473-11412-1 ISBN-10: 0-473-11412-7 INDIA: A RISING POWER Dr V Nilakant “From a distance, India often appears as a kaleidoscope of competing, perhaps superficial, images. Is it atomic weapons, or ahimsa? A land struggling against poverty and inequality, or the world’s largest middle-class society? Is it still simmering with communal tensions, or history’s most successful melting pot? Is it Bollywood or Satyajit Ray? Swetta Chetty or Alla Rakha? Is it the handloom or the hyperlink?” US President Bill Clinton in an address to the joint session of the Indian Parliament New Delhi, India, 22 March 2000 INDIA: A RISING POWER 01 INTRODUCTION IN LATE MAY 2005, the President of India, A P J Abdul Kalam, was on a state visit to Switzerland. Reportedly, he surprised his Swiss counterpart, Samuel Schmid, by offering him a gift. In itself this was not an unusual incident. It is, after all, expected from the head of state of a developing country like India to bear traditional gifts that reflect its rich and ancient civilization. What made this incident unusual was the nature of the gift. -
Satyajit's Bhooter Raja
postScriptum: An Interdisciplinary Journal of Literary Studies Online – Open Access – Peer Reviewed ISSN: 2456-7507 postscriptum.co.in Volume II Number i (January 2017) Nag, Sourav K. “Decolonising the Eerie: ...” pp. 41-50 Decolonising the Eerie: Satyajit’s Bhooter Raja (the King of Ghosts) in Goopy Gyne Bagha Byne (1969) Sourav Kumar Nag Assistant Professor in English, Onda Thana Mahavidyalaya, Bankura The author is an assistant professor of English at Onda Thana Mahavidyalaya. He has published research articles in various national and international journals. His preferred literary areas include African literature, Literary Theory and Indian English Literature. At present, he is working on his PhD on Ngugi Wa Thiong’o. Abstract This paper is a critical investigation of the socio-political situation of the Indianised spectral king (Bhooter Raja) in Satyajit Ray’s Goopy Gyne Bagha Byne (1969) and also of Ray’s handling of the marginalised in the movie. The movie is read as an allegory of postcolonial struggle told from a regional perspective. Ray’s portrayal of the Bhooter Raja (The king of ghosts) is typically Indianised. He deliberately deviates from the colonial tradition of Gothic fiction and customised Upendrakishore’s tale as a postcolonial narrative. This paper focuses on Ray’s vision of regional postcolonialism. Keywords ghost, eerie, postcolonial, decolonisation, subaltern Nag, S. K. Decolonising the Eerie ... 42 I cannot help being nostalgic sitting on my desk to write on Satyajit Ray‟s adaptation of Goopy Gayne Bagha Bayne (1969). I remember how I gaped to watch the movie the first time on Doordarsan. Not being acquainted with Bhooter Raja (The king of ghosts) before, I got startled to see the shiny black shadow with flashing electric bulbs around and hearing his reverberated nasal chant of three blessings. -
Curriculum Vitae Subhajit Saraswati
Curriculum Vitae Subhajit Saraswati 1. NAME : SUBHAJIT SARASWATI 2. ADDRESS : Construction Engineering Department Jadavpur University, 2nd Campus, Plot-8, Block-LB, Sector-III, Kolkata- 700 098. 3. DATE OF BIRTH : February 07, 1961 4. INSTITUTION’S : Construction Engineering Department nd ADDRESS Jadavpur University, 2 Campus, Plot-8, Block-LB, Sector-III, Kolkata- 700 098. 5. TELEPHONE NO. : 033-26802267 (O) 098303 32621 (M) 6. FAX NO. : 033-23355211 7. E-MAIL ADDRESS : [email protected] 8. NATIONALITY : Indian 9. EDUCATION : Bachelor of Engineering (Civil) University of Calcutta – 1983 M. Tech Indian Institute of Technology, Kharagpur, 1984 Ph.D. , Jadavpur University, 2009 10. LANGUAGE AND : English : Fluent in written and oral use DEGREE OF PROFICIENCY Hindi : Fluent in oral use Bengali : Mother Tongue 11. MEMBERSHIPS OF : President, Indian Concrete Institute PROFESSIONAL SOCIETIES Executive Committee Member of Asian Concrete Federation Member, Institution of Engineers Member, Indian Roads Congress Member, American Concrete Institute Member, fib 12. COUNTRIES OF : India , Qatar WORK EXPERIENCE 1 of 22 Curriculum Vitae Subhajit Saraswati 13. EMPLOYMENT RECORD From 1990 : Till date Employer : Jadavpur University, Kolkata. Position held : Professor & Head, Department of Construction Engineering Description of duties : One of the first faculty members of this Department, actively engaged with its development from the initial days till date. Involved in setting up of Soil Mechanics Laboratory, Concrete Laboratory, Roads and Material Testing Laboratory, Transportation Laboratory, Non-destructive testing facilities. Actively involved in industry – Institute Partnership through Consultancy, Testing and Joint Research work. Prepared Soil Investigation Report of at least 500 different prestigious projects all over India. Teaching Experience of 24 years in addition to 6 years of Professional / Industrial Experience. -
Read Book the Complete Adventures of Feluda Vol. 1
THE COMPLETE ADVENTURES OF FELUDA VOL. 1 PDF, EPUB, EBOOK Satyajit Ray | 804 pages | 20 Apr 2020 | Penguin Random House India | 9780143425038 | English | India The Complete Adventures of Feluda Vol. 1 PDF Book Just a moment while we sign you in to your Goodreads account. Can't wait for your order? Questions and Answers. I am super happy to have come across these gems, guys! Necessary Always Enabled. But opting out of some of these cookies may have an effect on your browsing experience. There is no doubt that Satyajit Ray is regarded as one of the best person in cinema industry in not only In India but in world too and when he was given a task to write murder mystery engljsh intended for children which includes no violence, sex and drugs. Devdutt Pattanaik feels writing for children is challenging, says language needs simplification. Shop on the Go Download the app and get exciting app only offers at your fingertips. India's fastest online shopping destination. Awards, Honors and Recognitions: See all free Kindle reading apps. Want to Read Currently Reading Read. Want to Read saving…. Books by Satyajit Ray. Satyajit Ray also takes you around the country, to the desert, to the mountains and to every nook and corner of Calcutta. Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Certified Buyer , Purnia. The film was an award-winner at the Cannes Film Festival and established Ray as a director of international stature. Q: What is the name of the first chapter.