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Spring 2013 Non Profit Org. 10899 Wilshire Boulevard , California 90024 USA US Postage Spring 2013 Calendar For additional program information: 310-443-7000 PAID Los Angeles, CA www.hammer.ucla.edu Hammer Museum hammer_museum Permit no. 202

IN. (64.8 X 57.2 CM). COLLECTION OF 2 ⁄ 1 X 22 2 ⁄ 1 , 1995. MIXED MEDIUMS. 25

TO UB IWERKS (PORTRAIT OF WALT DISNEY) OF WALT TO UB IWERKS (PORTRAIT COVER: LYNN FOULKES. COVER: LYNN HLADIS. 2008. PHOTO BY IVA THE CHURCH OF ART, FOULKES PERFORMING ON THE MACHINE AT ELINOR AND RUBIN TURNER. BACK COVER: LLYN

25 2 3

news director HAMMER NEWS the 1 RECENT ACQUISITION NANCY GROSSMAN’S UNTITLED (MR158), 1969

from Best known for her intricate, powerful sculptures made of

leather, fabric, metal, and wood, Nancy Grossman creates intensely physical work that is psychologically evocative A MESSAGE FROM THE DIRECTOR and emotionally moving. The gender of Grossman’s tightly

message bound and often masked bodies is disguised, but the artist

a has commented on the autobiographical nature of her work, Last December Otis College of Art and Design, working with Two sixth-grade classes at the UCLA Community School, a referring to the strict routines and rules that governed her the Los Angeles County Economic Development Corporation, LAUSD campus located near Koreatown and MacArthur Park, childhood. More broadly, Grossman’s figures portray the released the sixth edition of its annual report mapping the will receive 33 hours of arts-integrated instruction, and metaphorical bondage of societal marginalization. 1 creative economy of the Los Angeles region. Not many people participating teachers will gain facility in integrating arts realize that one of every eight jobs is in the visual and performing instruction into other subjects. Each class will spend an GRAPHITE arts, design, or entertainment industry and that the creative entire week “in residence” at the Hammer. INTERDISCIPLINARY JOURNAL OF THE ARTS economy generates over $230 billion in Los Angeles and Orange The Hammer Student Association (HSA) is pleased to present counties annually. In this context arts education has a very Though the current project is a small-scale pilot, we hope to the fourth annual edition of the interdisciplinary art journal real and tangible impact on our community. As both a cultural continue to work with the UCLA Visual and Performing Arts GRAPHITE, organized around the theme of “movement.” center and a university museum, we are keenly aware of how Education Program to establish the infrastructure needed to Edited and designed by a staff of UCLA graduate and important the arts are at all levels of education, and we strive expand this program over the next two years. It is a significant undergraduate students and published by the Hammer to provide innovative ways to engage people of all ages. first step that develops arts-integrated curricula, nurtures a Museum, this scholarly journal brings together artwork, growing corps of UCLA students and teachers skilled in arts essays, and interviews from multiple creative disciplines. In addition to our extensive work with UCLA students and our integration techniques, and facilitates an apprenticeship For more information or to preorder, please visit www.graphitejournal.com public programs, which are geared largely to college students structure for undergraduate and graduate students to form or email [email protected]. and adults, we have developed several new programs that reach the core of the next generation of arts education leadership. out to the community and target a younger audience. For CIR@H will integrate hands-on, arts-based experiences LLYN FOULKES AUDIO GUIDE example, we have expanded our list of high school partners, that emphasize the development of creative thinking, critical LLYN FOULKES is accompanied by a free audio guide, now developed richer resources for teachers, and partnered with problem solving, collaborative processes, writing, and literacy available on the free Hammer Museum mobile app (available the HeArt Project, which facilitates extensive art education skills—the building blocks for tomorrow’s creative professionals. for iPhone and Android). Visitors may also check out an iPod classes in alternative high schools based on our exhibitions. —, Director Touch from the Hammer Museum Store to listen to the audio guide while visiting the exhibition. Recorded live in 2013 This spring we introduce a very exciting new program: at the artist’s Brewery Arts Complex studio in downtown Classroom-in-Residence at the Hammer (CIR@H), a Los Angeles, the guide features commentary by Foulkes and collaborative project developed by the Visual and Performing exhibition curator Ali Subotnick. Arts Education Program in the UCLA School of Arts and

Architecture, the UCLA Community School, and the Hammer. NANCY GROSSMAN. UNTITLED (MR158), 1969. BLACK INK AND GRAPHITE ON CARDBOARD.

1 CIR@H is an innovative and ambitious project designed to 40 x 28 ⁄8 IN. (101.6 x 71.4 CM). HAMMER MUSEUM, LOS ANGELES. PURCHASE. strengthen student and teacher learning in the arts through ABOVE: FAMILY DAY GUESTS AND STUDENTS IN THE HAMMER’S NEW EDUCATION LAB. a unique immersive experience at the Hammer Museum. RIGHT: DIRECTOR ANN PHILBIN 1 exhibitions 4 KCRW 89.9FMistheofficial mediasponsor of the exhibition. the NationalEndowment for theArts. The AndyWarhol Foundation for theVisualArts. Generous supporthasalsobeenprovided by The Greenberg Foundation inhonorof Mickey Gribin; Kayne Foundation—Maggie Kayne; and LLYN FOULKES writer Jason Weiss, and curator AliSubotnick. illustrated catalogueincluding essaysbynovelist and artcritic JimLewis, bass, organpercussion, pipes, and more. The exhibition isaccompanied byafully featuringplaying Foulkes hisMachine, aone-man instrument consisting of horns, illusion of depth. Theremarkable show alsoincludesa afilmby Michael Gregory mounds of mixed media, seamlesslyblended into the painted surface tocreate tableaux thatcombine painting withwoodworking, found materials, and thick corporate America (especially Disney), which include hisremarkable narrative late 1970sthrough the present; and hissocial commentary paintings targeting and early1970s;his“bloody head” series of mutilated figures from the paintings of the early1960s;his epic rock and postcard paintings of the late including earlycartoons and drawings; hismacabre, emotionally charged decades. for It exploresseen the entire scopeof the artist’s50-yearcareer, collections inthe United States and Europe, some of which havenot been The exhibition features approximately 150artworksfrom public and private in June 2013and tothe Museum Kurhaus Kleve inGermany inDecember2013. Hammer curator AliSubotnick and willtravel tothe inNew York distinguishing Foulkes asatrulysingular artist. portraits, and wrynarrative tableaux—resists categorization and defies expectations, impeccably painted landscapes, mixed-media constructions, deeply disturbing and unfiltered qualities. His extraordinarily diverse body of work—including of hisgeneration, Foulkes makes workthatstands outfor itsraw, immediate, Yakima, Washington). One of the most influential yetunderrecognized artists the workof the groundbreaking painter and musician LlynFoulkes (b. 1934in The Hammer Museum presents anextensive career retrospective devoted to Continues throughMay19,2013 LLYN FOULKES ismadepossibleby majorgiftsfrom SusanSteinhauserandDanielGreenberg/ LLYN FOULKES isorganized by

THE ACQUISITIONANDCOLLECTION COMMITTEE. LOS ANGELES.PURCHASED WITHFUNDSPROVIDEDBYTHEGRAHAMTRUST AND 84 LLYN FOULKES. See page 17 Sunday, May19,3pm Llyn FoulkesandTheMachine Hammer Presents See page 23 Tuesday, May14,7:30pm Short FilmsStarringLlynFoulkes See page 24 Sunday, APRIL14,11am family flicks: See page 22 Thursday, March28,7:30pm Lights City See page 22 Thursday, March21,7:30pm Band Man One Hammer Screenings Thursday, April18,7:30pm Jason Meadows Saturday, April13,3:30pm Adam Helms Saturday, March9,3:30pm Evan Holloway walkthroughs artist-led Exhibition PROGRAMS EXHIBITION-RELATED x 123 x 3IN.(213.4 POP , 1985–90(DETAIL). MIXED MEDIUMS WITHSOUNDTRACK. x 312.4

The Kid The x 7.6CM).THEMUSEUMOFCONTEMPORARY ART,

1 exhibitions 5 1 exhibitions 6 major supportfrom theFrench Cultural ServicesandtheFlaxFoundation. funding from theNimoy Foundation andissupportedthrough asignificantgrant from TheJamesIrvine Foundation. CyprienGaillard’s residency Artist Residency Program issupportedthrough agenerous grant from theSimms/MannFamily Foundation. Theresidency program was initiatedwith Hammer Projects: CyprienGaillard Affairs; theDecadeFund;andDavidTeigerCultural of Curatorial Travel Fund. Department Susan BayNimoy andLeonard Nimoy. Additional supportisprovided by GoodWorks Foundation andLaura Donnelley; theCityof LosAngeles Generous supportisprovided by theLosAngelesCountyBoard of Supervisors through theLosAngelesCountyArtsCommissionandby Hammer Projects ismadepossibleby amajorgiftfrom TheHorace W. GoldsmithFoundation. PROJECTS HAMMER by AliSubotnick, Hammer curator. his residency. of sculpture and aseries of photographs produced during installation new the a recent past.Thisexhibition features hidden ruins, destroyed landscapes, and other remnants of traveled around Hammer, California the Gaillard discovering monuments, ruins, and artifacts. During hisresidency at time and historical remembrance as demonstrated inforgotten social and cultural transformation. The artistinvestigates have beenerased and replaced bythe effectsof time and meanings and memories of monuments and landscapes that videos, photographs, drawings, and sculptures. He reflects Cyprien Gaillard’s workmanifests inavariety of forms, including April 20–July28,2013 CYPRIEN GAILLARD on the workof emerging artists. Hammer Projects isaseries of exhibitions focusing primarily Hammer Projects: CyprienGaillard and HammerProjects: NeilBeloufa isorganized are presented through residencies attheHammerMuseum.TheMuseum’s

Hammer Projects: Latifa Echakhch Neil Beloufa identification, is the focus of this exhibition. examines the various stereotypes and classifications of as asign of affiliation orcamaraderie. The surreal film,which cowboys, and anarchists—have long adopted the red bandana and subcultures—including gangsters, hippies, rock stars, iconography of the red bandana. Disparate political movements in 2012,Beloufa produced anew film exploring the terrorism, and the future. subjects ranging from extraterrestrials tonationalism, amateurs and professional actorsexplore enigmatic fiction and reality. He setsupsituations inwhich both Neil Beloufa’s films focus onthe slipperyline between May 25–August25,2013 NEIL BELOUFA isorganized by Ali Subotnick, Hammer curator. received supportfrom Stacy andJohnRubeli.

During hisHammer residency Hammer Projects: Hammer Projects: also received

Continues throughJuly18,2013 LATIFA ECHAKHCH Continues throughMay5,2013 ENRICO See page 19 THURSDAY, april11,7:30PM RELATED lecture Continues throughApril14,2013 DARA FRIEDMAN CONTINUING PROJECTS CONTEMPORARY ART/, OCTOBER7,2011–JANUARY 16,2012. TRISHA BROWN. © CYPRIENGAILLARD.NEIL BELOUFA. WORKINPROGRESS, 2012. JENS ZIEHE.COURTESY OFSPRUETHMAGERS,BERLIN LONDON. CITY YOUR BERLIN. SEPTEMBER13–NOVEMBER25,2012. PHOTOGRAPH TO DOES IT WHAT LEFT–RIGHT: INSTALLATION VIEWFROM DANCE/DRAW , INSTALLATION VIEW, INSTITUTEOF AT THESCHINKELPAVILLON, CYPRIEN GAILLARD: GAILLARD: CYPRIEN March 30–April21,2013 FLOOR OFTHEFOREST TRISHA BROWN: SPECIAL PROJECT exceptional bodyof work. UCLA, TheRetrospective Project explores Brown’s Presented by the Centerfor theArtof Performance at choreographer toemerge from thepostmodernera. celebration of Trisha Brown, themostwidelyacclaimed Dance Company: TheRetrospective Project, aweeklong Floor of theForest program will perform three tofour timesadayfor 20minuteseachtime. Sunday eachweek, dancers from theUCLAWorld ArtsandCultures (WAC) the sculpture willbeinstalled inthe Hammer courtyard. acts asacocoonorhammock. Forthe three-week presentation of the work, pausing toallowgravity topulltheir bodies toward the floorwhilethe clothing way across the structure byputting onand then taking off the clothing, occasionally for twodancers tonegotiate. Climbing onto the apparatus, the dancers weavetheir clothing. Placed ateyelevel,thishorizontal plane becomes asoft platform frame holding upawebof ropes thathavebeen threaded withcolorfulused downtown Soho neighborhood, First performed in1970byTrisha Brown and Carmen Beuchat inNew York City’s is presented aspartof theTrisha Brown Floor of theForest

consists of asculptural steel See page 23 wednesday, april10,7:30PM Trisha BrownFilms An Eveningof RELATED screening From Thursday through

1 exhibitions 7 1 exhibitions 8 ASSOCIATION, LOS ANGELES, 1946–1950. PHOTOGRAPH BY JASON SCHMIDT, 2012. COURTESY HAMMER MUSEUM, LOS ANGELES. LOS ASSOCIATION,MUSEUM, LOSANGELES,1946–1950.PHOTOGRAPH BYJASONSCHMIDT,HAMMER 2012.COURTESY A. QUINCYJONES,WHITNEY SMITH,ANDEDGARDOCONTINI,ARCHITECTS ENGINEER.SCHNEIDMANHOUSE,MUTUALHOUSING curator of architecture and design atthe SanFrancisco Museum of Modern Art. The exhibition isorganized byguestcurator Jennifer DunlopFletcher, assistant commissioned photographs bythe New York–based photographer Jason Schmidt. drawings and models, historic JuliusShulmannewly photographs, and architectural Cooper and Frances and Sidney Brody, among others. The exhibition includes in Studio City;Warner Bros. Records inBurbank;and houses for Gary and Veronica Herman MillerinZeeland, Michigan; St.Michael and AllAngel’s EpiscopalChurch of Walter and Leonore Annenberg; headquarters of the furniture manufacturer Housing Association and Eichler Homes, Inc.; Sunnylands, the desert estate design advocate. Projects onview include housing developments for the Mutual commercial facilities, and institutional buildings, and and hisrole asaneducator his design workinhousing communities, large custom-designed residences, Collections, and is organized thematically, providing in-depth vignettes presenting including Jones’s personal and professional archives, housed atUCLA’s Special retrospective of Jones’s work.The exhibition draws from significant design collections, until hisdeath in1979.The Hammer Museum’s exhibition isthe first major museum Quincy Jones (1913–1979),who practiced architecture inLosAngeles from 1937 A. QuincyJones:Buildingfor BetterLiving May 25–September8,2013 BUILDING FOR BETTERLIVING A. QUINCY JONES PRESENTS: IN CONJUNCTION WITH MODERN ARCHITECTUREINL.A. PACIFIC STANDARD TIME will examine the workof Archibald

and ongoingimpactinnew ways. freeway network, revealing thecity’s development from itsfamous residential architecture toitsvast at thepostwar built environment of thecityasawhole, Modern Architecture inL.A.isawide-ranging look Supported by grants from theGettyFoundation, institutions inandaround L.A.startinginApril2013. heritage through exhibitions andprograms atarts in L.A.celebrates thecity’s modernarchitectural Pacific Standard TimePresents: ModernArchitecture for Advanced StudiesintheFineArts. additional supportwas provided by theGraham Foundation of SpecialCollections, Young Research Library, with the Kadima Foundation, andtheUCLADepartment Generous supporthasalsobeenprovided by RonnieSassoon, received majorfundingfrom AliceandNahumLainer. Building for BetterLiving support theresearch andplanningof The GettyFoundation provided leadgrants to . Theexhibition also A. Quincy Jones: A. Quincy Jones:

Grunwald Center for the Graphic Arts, and Anne Ellegood, senior curator. organized byCynthia Burlingham, deputy director, curatorial affairs and director, Mary Weatherford Omer Fast including worksby helped toform these exceptional collections and highlights recent purchases, This exhibition acknowledges the donors and friends whose generosity has in anarray of mediums and indifferent thematic and historical genres. the present. The scope of bothcollections isrich and varied, withstrengths drawings, photographs, and artists’books, dating from the Renaissance to Graphic Arts, established in1955,hasgrown tomore than45,000prints, The collection of the UCLAGrunwald Center forworld. the the around and photography, sculpture, and video made byartistsfrom Southern California Hammer Contemporary Collection comprisesworksindrawing, film,painting, the breadth of mediums engaged bycontemporary artists, the growing of contemporary artthrough both purchases and gifts. Acknowledging In 2005the Hammer launched anexciting initiative tobuildacollection Continues through April 28, 2013 Continues throughApril28,2013 HAMMER CONTEMPORARY COLLECTION THE GRUNWALD CENTERAND THE SELECTIONS FROM See page 23 thursday, may 23,7:30PM ITSOFOMO RELATED screening , Thomas Kovachevich , Carlos Amorales Pae White , and © PEDROMEYER.PHOTO BYBRIANFORREST. FOR THEGRAPHICARTS, HAMMER MUSEUM.PURCHASE.ARTFIGHTER GUERILLA SILVER PRINT. 8 (WOUNDED HERIDO COLLECTION MUSEUM.BRIAN FORREST. PHOTO: PEDROMEYER. CONTEMPORARY HAMMER LEFT–RIGHT: , Charles Long

, David Wojnarowicz SELECTIONS FROM THE GRUNWALD CENTER AND THE THE AND CENTER GRUNWALD THE FROM SELECTIONS 1 ⁄ 2

x 12 7 ⁄ 8 , IN.COLLECTIONUCLAGRUNWALD CENTER Lee Mullican , Jimmie Durham . Thisexhibition is INSTALLATION AT THEHAMMER ), CA.1982–85(DETAIL). GELATIN

, Kori Newkirk EL GUERRILLERO GUERRILLERO EL ,

,

See page 23 TUESDAY, MAY21,7:30PM Way Milky The RELATED screening organized bycurator Allegra Pesenti. Collections. The Houseguest series is Research Library Department of Special at the Hammer and from the CharlesE.Young of the Grunwald Center for the Graphic Arts The exhibition draws from the collection modern LatinAmerican art,and rare books. and drawings, documentary photographs, including Renaissance and Baroque prints encompasses adiverserange of objects, a higher purpose. that itssubjecthasmade asacrifice for of the trauma of war, and the notion subject’s body, itsstatusasadocument are the nudity and concealment of the and disturbing photograph; among them loosely basedonaspectsof thispowerful the early1980s. The selection of worksis taken byPedro Meyer inNicaragua in photograph of a wounded guerillafighter William E.Jones was inspired bya Imitation of Christ collections. Forthis exhibition, titled on the Museum’s and UCLA’s permanent artists tocurate aninstallation based at the Hammer Museum thatinvites Houseguest isaseries of exhibitions May 18–August18,2013 IMITATION OFCHRIST WILLIAM E.JONES CURATED BY , the L.A.-basedartist Imitation of Christ

1 exhibitions 9 1 public engagement 10 linens, towels, and sheets tocontribute tothe effort. Visitors may bring their cleandiscarded clothing, textiles, the waysinwhich localresources are digested into ourdwellings. Integrities focuses onthe interior environments of humans and 2008), initiatives for urbanwildlifearchitecture; Domestic a series of front-yard food gardens; and Animal Estates (est. plant-animal-human trilogywithEdibleEstates(est.2005), us tothoughtfully make ourselves athome. Forming a to the waythatweusewhatresourcefully find around and rituals of interior domestic landscapes, calling attention The project surveyslocal andrug. seasonalthe patterns on offerings of produce and herbal teainfusions, ispresented medicinals, and herbals fresh from hisgarden, including theedibles, traveling of Domestic Integritiesdisplay rug. A volunteers and visitors tocrochet discarded textiles into based artist Over the courseof four marathon days, the LosAngeles– March 21–24,2013 PART A03: LOS ANGELES DOMESTIC INTEGRITIES FRITZ HAEG provided by Karyn Kohl. a majorgrant from TheJamesIrvine Foundation. Additional supportis The HammerMuseum’s PublicEngagementProgram issupportedthrough PUBLIC ENGAGEMENT Fritz Haeg isworking inthe museum lobbywith

THE MUSEUMOFMODERN ART, NEWYORK.PHOTOBYJACK RAMUNNI,MILDRED’SLANE. FRITZ HAEG. and selftobeconsidered anew. of judgment and creating anopportunityfor art,artist, exploration experience byfocusing onthe suspension Collection. Thisguided meditation deepens the art mindful art-viewing experience of the Mindfulness educator Saturday, April6,1–2:15pm CONTEMPLATIVE ART VIEWING 2011 Hammerresidency. Boyle Heights. Itpresented aninterpretation of thelibrary duringa Libros Schmibros isanonprofit lendinglibrary andused-bookshopin California’s paranormal panorama. painterly restoration of details airbrushed outof Southern of Memory We read Sunday, May19,2pm from dingbats togiant donuts. Los Angeles architecture—from bungalows tocasinos, on BuildingProductionintheVernacular John Chase’s Sunday, April14,2pm bottomless novel onthe follies of urbanism. Living, Prefacing the exhibition Sunday, March10,2pm Jaurretche and Kipendescribe their selections below. related tothe museum’s exhibitions and programs. Jaurretche Libros Schmibros co-directors LIBROS SCHMIBROS BOOKCLUB weread Italo Calvino’s The History of Forgetting: Los Angeles and the Erasure The Historyof Forgetting:LosAngelesandtheErasure DOMESTIC INTEGRITIES PART A01: NEW YORK NEW A01: PART INTEGRITIES DOMESTIC (updated edition), the urbanistNorman Klein’s leadmonthly convenings focused onbooks Glitter Stucco and Dumpster Diving: Reflections GlitterStuccoandDumpsterDiving:Reflections Mitra Manesh A. Quincy Jones: Building for Better A. QuincyJones:Buildingfor Better David Kipen Invisible Cities leadsa75-minute , 2012.INSTALLATION VIEWAT

City and , ashort but dissects Colleen

Los Angeles Study from Andrea Bowers May 1 *Anne Ellegood 2013 À chaquestencilunerévolution Latifa Echakhch March 27 *Allison Agsten museum collections. works of artcurrently onview or from 15-minute discussions about insightful curatorial department leadsfree and Wednesday at12:30pm.The Hammer’s Lunchtime ArtTalks take placeevery

ART TALKS LUNCHTIME MayDayMarch, , 2010 ,

*David Rodes Société Anonyme Frans Masereel April 3 *Speaker *Ellen Donnelly d’invenzione Title page from the Giovanni BattistaPiranesi May 8 , 1749–60

, 1954 Carceri *Corrina Peipon Ruby I Mary Weatherford March 6 *Allegra Pesenti c. 1969–1979 Untitled (Studyfor aClamDigger) Willem DeKooning May 15 *Cynthia Burlingham The Flood April 10 Melchior Lorck , 2012 , 1550–51 ,

*David Rodes Sisters Egon Schiele May 22 *Anne Ellegood Floor of theForest Trisha Brown April 17 *Leslie Cozzi Sir HenryTaylor Julia Margaret Cameron March 13 , 1913 , late1860s , 1970 *Brooke Hodge 1975 Warner Bros. Records building, A. Quincy Jones May 29 *Ali Subotnick Hammer Project, 2013 Cyprien Gaillard April 24 *Emily Gonzalez The Awakening Llyn Foulkes March 20 , 1994–2012

1 art talks 11 1 symposium 12 SYMPOSIUM HAMMER Please visithammer.ucla.edu for afullprogram schedule. Andrea Fraser senior curator atthe Hammer; and artists Kristy Edmunds of Education and Public Engagement atthe New Museum; include will giveakeynote address Friday evening. Other participants Allen Professor of ArtHistoryatthe University of Rochester, Art historian and critic and debate itseffectsonartistic and institutional practice. between dance and art,consider itshistorical precedents, curators, and historians toreflect onthe recent interface Dancing withtheArtWorld explosion of dance being presented inanartcontext. visual arts, the past fivetotenyearshavewitnessed an While dance haslong intersected meaningfully withthe Saturday, April27,10am–9pm Douglas Crimpat7pm with akeynoteaddressby Friday, April26,5:30–8:30pm, DANCING WITH TOP-BOTTOM: EDHARRIS, DIANEKEATON, AMYMADIGAN, ANDBELITA MORENO. BACKGROUND: YVONNE RAINERPERFORMING Campus Programs Committeeof thePrograms Activities Board. Institute for Research intheArts(UCIRA),andisfunded by theUCLA by grants from theUCLAArtsInitiative Fundand University of California Museum andtheUCLADepartmentof Art.Thisprogram issponsored Andrea Fraser. Theconference hasbeenco-organized by theHammer Interdisciplinary Studio,UCLADepartmentof Artwithfaculty advisor Organized by Brennan Gerard andRyan Kelly, MFA candidates, Johanna Burton , Mary Kelly , director of CAP-UCLA; , the Keith Haring Director and Curator Douglas Crimp , and

convenes artists, choreographers, THE ART WORLD TRIO A TRIO Yvonne Rainer.

IN1965.PHOTO:JACK MITCHELL.

, the Fanny Knapp Anne Ellegood SimoneForti

, ,

(PHOTO: HANKDELEO), ANDJORIEGRAHAM. TERRANCE HAYES (PHOTO: YONAHARVEY), ALICEFULTON LEFT–RIGHT: BETH HENLEY(PHOTO:MICHAEL CHILDERS), and translated into more thantenlanguages. Her playshavebeenproduced internationally Fraud Sisters of theWinter L-play Abundance The DebutanteBall Contest Crimes of theHeart,TheMissFirecracker from her plays. Henley isthe author of and Ed Harris Beth Henley Pulitzer Prize–winning playwright Tuesday, March12,7:30PM PLAYS OFBETHHENLEY TRUE STORIES FROMTHE are followed bydiscussions withSimpson. Anywhere ButHere Mona Simpson This series of readings isorganized by SOME FAVORITE WRITERS Supported, inpart,by theUCLADepartmentof EnglishandFriendsof English. HAMMER READINGS Belita Moreno , and most recently, , Impossible Marriage , , The Wake of JameyFoster Diane Keaton , Control Freaks isjoined byactors , author of , and toread excerpts

, Madrigal Off Keck Road The LuckySpot , Amy Madigan The Jacksonian , , My Family Week Signature, , Ridiculous . Readings . Readings

,

,

, ,

. ,

back toJohn Quincy Adams. and Language atHarvard University, achairwithanillustrious lineage dating the BoylstonProfessorship inthe Department of English and American Literature Unified Field Jorie Graham Thursday, May16,7:30PM JORIE GRAHAM Pushcart Prizeanthologies. in Fiction. Herin appeared has work Fellowship, aBobbittNational Prizefor Poetry, and the Editors’Prize MacArthur a Cascade Experiment Alice Fulton Thursday, April18,7:30PM ALICE FULTON Book Award inpoetry. Hisnew collection is National Poetry Series Award, Guggenheim and NEAfellowships, and the National His honors include the Whiting Award, the Kate Tufts DiscoveryAward, the Terrance Hayes Thursday, March14,7:30PM TERRANCE HAYES at UCLAand author of This series of readings isorganized and hosted by POETRY , which wonthe PulitzerPrize. Graham is the firstwoman to hold isthe author of numerous poetrycollections, including isthe author of 11collections of poetry, including isthe author of , Felt A BoundlessField:AmericanPoetry atLarge , and The Nightingalesof Troy Wind inaBox Best AmericanShortStories Lighthead Stephen Yenser , Hip Logic . Her honors include . , and , poetand Muscular Music and the and The Dream of the the The Dreamof Blue Guide

professor professor

. .

1 readings 13

14 15

CALENDAR Public programs are made possible by a major gift from the Dream Fund at UCLA. 27 Sat 10am–9pm Hammer Symposium (p. 12) Ticketing Generous support is also provided by Hammer members; Nimoy and ; Dancing with the Art World Assigned seating now available in the Theater! the Simms/Mann Family Foundation; Bronya and Andrew Galef; Good Works Foundation and Free tickets are required and available at the Box Office, one ticket Laura Donnelley; and an anonymous donor. 30 Tue 7:30pm UCLA Department of Art Lectures (p. 19) per person on a first come, first served basis. Hammer Members calendar calendar

Jane & Louise Wilson enjoy priority seating and seat selection, subject to availability. HAMMER MEMBERS HAMMER MUSEUM FREE GROUP TOURS OF HAMMER Membership does not guarantee seating. Arrival at least a half hour PROGRAMS ARE FREE RECEIVE PRIORITY EXHIBITIONS ARE AVAILABLE prior to program time is recommended. TO THE PUBLIC. SEATING AT PROGRAMS. THURSDAYS AT 6:45PM. MAY 1

1 2 Thu 7:30pm Hammer Forum (p. 20) MARCH APRIL Saving Tibet

6 Wed 7:30pm Hammer Lectures (p. 18) 2 Tue 7:30pm Hammer Screenings: (p. 22) 8 Wed 7:30pm Hammer Presents (p. 17) Exploring Creative Longevity Meditation Creativity Peace UCLA Game Arts Festival

7 Thu 7:30pm Hammer Lectures: James Conlon (p. 18) 4 Thu 7:30pm Hammer Screenings (p. 23) 9 Thu 7:30pm UCLA Department of Art Lectures (p. 19) Romantic Opera in Three Acts Open Projector Night Matt Mullican EXHIBITION TOURS

9 Sat 3:30pm Exhibition Walkthrough: Evan Holloway (p. 5)* 5 Fri 7:30pm Hammer Screenings (p. 22) 12 Sun 11am Family Flicks Film Series (p. 24) LLYN FOULKES Follow Me Down Winged Migration 12pm Sunday Afternoons for Kids (p. 24) 10 Sun 2pm Libros Schmibros Book Club (p. 10) STUDENT EDUCATOR-LED 6 Sat 1pm Public Engagement (p. 10) If I Were a King or Queen Invisible Cities Contemplative Art Viewing TOURS OF SPECIAL EXHIBITIONS

14 Tue 7:30pm Hammer Screenings (p. 23) 12 Tue 7:30pm Some Favorite Writers: Plays by Beth Henley (p. 13) Thursdays at 6:45pm (free) 10 Wed 7:30pm Hammer Screenings (p. 23) Short films starring Llyn Foulkes Read by Diane Keaton, Ed Harris, and more An Evening of Trisha Brown Films Saturdays at 2pm (free with museum admission) 16 Thu 7:30pm Hammer Poetry (p. 13) 13 Wed 7:30pm Hammer Forum (p. 20) 11 Thu 7:30pm UCLA Department of Art Lectures (p. 19) Jorie Graham Free 45-minute public tours of special exhibitions are led Helping Haiti Dara Friedman by trained Hammer student educators. 17 Fri 6pm Hammer Presents (p. 16) 14 Thu 7:30pm Hammer Poetry (p. 13) 13 Sat 3:30pm Exhibition Walkthrough: Adam Helms (p. 5)* Bike Night! Terrance Hayes LLYN FOULKES SPECIAL GROUP TOUR RESERVATIONS 17 Sun 2pm Hammer Lectures: (p. 18) 14 Sun 11am Family Flicks Film Series (p. 24) 19 Sun 2pm Libros Schmibros Book Club (p. 10) Private, prebooked tours are available for the Armand Hammer Griselda Pollock & Max Silverman The Kid The History of Forgetting: Los Angeles Collection and current exhibitions. Tours are available in a and the Erasure of Memory 19 Tue 7:30pm Hammer Presents (p. 17) 12pm Sunday Afternoons for Kids (p. 24) 60-minute format, or a 20/20+ tour can be arranged, which LITLAB: Haiku 3pm Hammer Presents (p. 17) Teahouse Arts of China Llyn Foulkes and The Machine includes a 20-minute gallery talk followed by individual viewing 2pm Libros Schmibros Book Club (p. 10) with a student educator on hand. To schedule a tour, call 21 Thu 11am–8pm Public Engagement (p. 10) Glitter Stucco & Dumpster Diving 21 Tue 7:30pm Hammer Screenings (p. 23) 310-443-7041 or visit hammer.ucla.edu/visit/index.html Fritz Haeg’s Domestic Integrities The Milky Way 16 Tue 7:30pm Hammer Presents (p. 16) to fill out an online request form. Please allow two weeks’ notice. 7:30pm Hammer Screenings (p. 22) Bodycast 22 Wed 7:30pm Hammer Screenings (p. 23) One Man Band Flux Screening Series 17 Wed 7:30pm Hammer Conversations (p. 21) 22 Fri 11am–8pm Public Engagement (p. 10) Richard Jackson & Roger Sherman 23 Thu 7:30pm Hammer Screenings (p. 23) LARGE GROUP VISITS Fritz Haeg’s Domestic Integrities ITSOFOMO Reservations are also required for self-guided groups of ten people 18 Thu 7:30pm Hammer Poetry (p. 13) 23 Sat 11am–5pm Public Engagement (p. 10) Alice Fulton or more. Please contact the Academic Programs Department at Fritz Haeg’s Domestic Integrities 7:30pm Exhibition Walkthrough: Jason Meadows (p. 5) JUNE least one week prior to your visit at 310-443-7041. 24 Sun 11am–5pm Public Engagement (p. 10) LLYN FOULKES Fritz Haeg’s Domestic Integrities 1 Sat 2pm Hammer Presents (p. 17) 23 Tue 7:30pm Hammer Forum (p. 20) First Take 11am Family Flicks Film Series (p. 24) Putin’s Russia: Back in the USSR? Harvey 12pm Sunday Afternoons for Kids (p. 24) 26 Fri 5:30–8:30pm Hammer Symposium (p. 12) I Wanna Rock: How to Form an Air Band Dancing with the Art World

28 Thu 7:30pm Hammer Screenings (p. 22) * FREE WITH MUSEUM ADMISSION City Lights 38 1 presents 16 Lisa AnneAuerbach. Guest hosted byartistand bicycle enthusiast/activist bicycle-centric crafts, and free admission to Bandits a screening of the 1983Australian action movie all things bicyclistic! Free festivities include bicycle portraits, Grab some friends and pedal onoverfor anevening celebrating Friday, May17,6PM AT THEHAMMER! FIFTH ANNUAL HAMMER PRESENTS (starring ayoung, not-yet-famous Nicole Kidman), BIKE NIGHT are taught tomake art. rose queens, scoliosis, and the historyof how artists and McDormand weaveataleof Titian, ballet,girls’drill teams, Texas, orthopedic surgery, and classical sculpture, Bocanegra artist talkand performance. Exploring beauty, small town through the actress The New York–based artist Tuesday, April16,7:30pm BODYCAST

LLYN FOULKES BMX Frances McDormand

Suzanne Bocanegra . inthiscombination channels her work

refreshments, and game-inspired artwork. or participate inatournament whileenjoying livemusic, variety of media and modes of expression. Browse the games personal, these ambitious and participatory projects usea from the bombastic and performative tothe intimate and of Design Media Arts gaming curated byGame Labdirector and associate professor Student Association (HSA) presents anevening of innovative The UCLAGame Labincollaboration withthe Hammer Wednesday, May8,7pm UCLA GAMEARTS FESTIVAL drum song ( storytelling, provided bymaster artistsof the Beijing this tradition with anevening of tea,snacks, music, and performances of localartforms. The Hammer recreates friends havegathered tosiptea,share ideas, and watch China’s teahouses havelong beenplaceswhere family and and theUCLAConfuciusInstitute Co-presented by theUCLACenter for ChineseStudies Tuesday, March19,7:30pm TEAHOUSE ARTS OFCHINA| 京韵大鼓 Eddo Stern ) tradition from Tianjin, China. . Withgames ranging 中国茶馆艺术

Ione new collaborations bylegendary works exploring directions for music-theater, including The Industry presented byL.A.-based experimental opera company First Take isaworkshop of new American operas-in-progress Co-presented by TheIndustry Saturday, June1,2–5:30PM FIRST TAKE In conjunctionwith organ pipes, percussion, and more. apparatus created bythe artistfeaturing horns, cowbells, Llyn Foulkes Sunday, May19,3PM LLYN FOULKES ANDTHEMACHINE with poetand cultural critic FRANCES MCDORMAND. BACKGROUND:BIKENIGHTGUEST, 2012. OPPOSITE: LEFT–RIGHT: SUZANNEBOCANEGRA(PHOTO: PETERSERLING)AND ABOVE: LLYN FOULKESPERFORMING ONTHEMACHINE,1985(PHOTO:TOMVERTEBES). and by rising-starcomposer performs onhisrenowned Machine, aone-man . Bethe firstto hear excerpts of six new LLYN FOULKES. Wayne Koestenbaum

Pauline Oliveros Mohammed Fairouz with poet withpoet .

1 presents 17 1 lectures 18 opera composersof the 19thcentury. births of GiuseppeVerdi and Richard Wagner, the two greatest musical examples inhonor of the 200thanniversaries of the 2013 andwith willgivethe lastinaseries of threelectures LA Opera, hasbeennamed Regents’ Lecturer atUCLA for winter Maestro and theRegentsof theUniversity of California Department of Musicology, UCLAOpera, HerbAlpertSchoolof Music, Co-presented by UCLA’s Departmentof Comparative Literature, Thursday, March7,7:30PM of VerdiandWagnerWithMaestroJamesConlon Struggle, Success,andMasteryintheworks ROMANTIC OPERAINTHREEACTS Moderated by work laterinlife, creativity, lifelong learning, and more. phase of life. The conversation focuses oninnovation, sustaining services organizations tomeaningfully engage inthe next adults are contributing tocultural, educational, and social Tim Carpenter Marc Freedman Co-presented withTheActors Fund Wednesday, March6,7:30PM EXPLORING CREATIVE LONGEVITY HAMMER LECTURES James Conlon Joanne Webb , the founder of EngAGE, discusshow older , the founder of Civic Ventures, and , Richard SeaverMusic Director of the of The Actors Fund.

CONTEMPORAIN, VILLEURBANNE/RHÔNE-ALPES. PHOTO:BLAISEADILON. DARA FRIEDMAN,JANEAND LOUISEWILSON,ANDMATT MULLICAN.INSTITUT D’ART ABOVE: JAMESCONLON(PHOTO:TODDROSENBERG). OPPOSITE,TOP-BOTTOM: argue, creates anew form of concentrationary memory. through the prism of concentrationary cinema which, they political aesthetics of resistance might betterbeapproached relation tothe Holocaust topropose, instead, thatthe film’s and of the genocide. Inthispresentation, most criticized for itsfailure toconfront the specificity most often screened films about the Holocaust and the Alain Resnais’s film Sunday, March17,2pm CONCENTRATIONARY MEMORY CONCENTRATIONARY CINEMA/ MaxSilverman shiftthe debate awayfrom the film’s Night andFog (1955) isone of the Griselda Pollock

at the Hochschule fürbildende Künste and isthe 2012–13UCLAArtCouncil Chair. Metropolitan Museum of Art,New York, and MOCA, LosAngeles. He isprofessor participated ingroup exhibitions atthe Museum of Modern Art,New York; the Munich; the , New York; and the Ludwig Museum, Cologne. He has performance, and installation. He hashadsoloexhibitions atthe Haus der Kunst, knowledge, meaning, and language through drawing, collage, video, sculpture, Matt Mullican Thursday, May9,7:30PM MATT MULLICAN of Modern Art,New York. In1999they were nominated for the Turner Prize. the Tamayo Museum, Mexico City;LACMA; the SharjahBiennial; and the Museum Norway. They haveexhibited widely ininternational group shows, including at Musée d’Art Contemporain de Montréal; and the Bergen ArtMuseum, Bergen, Whitworth ArtGallery, Manchester; CGAC, Santiago de Compostela,Spain;the of consciousness and the experience of place. They havehadexhibitions atthe are bestknown for their filmand photographic works, often exploring states The internationally acclaimed London-based artists Tuesday, April30,7:30pm JANE &LOUISE WILSON the Hammer through April14. Museum of American Art,New York. Anew work, Stuttgart, Germany; MoMA PS1,Long Island City, NY; and the Whitney Santa Fe, NM.Her workhasbeenincluded inrecent group shows atthe Künstlerhaus the Museum of Modern Art,New York; the Kitchen, New York; and the subjectof one personexhibitions atvenues such asthe Miami ArtMuseum, in the public sphere inher poetic films and videos. Friedman’s workhasbeen Dara Friedman Thursday, April11,7:30PM DARA FRIEDMAN generous supportof theWilliamD. Feldman Family Endowed ArtLecture Fund. The UCLADepartmentof Art’s visitinglecture ART LECTURES UCLA DEPARTMENT OF hascreated acomplex body of workthatdeals withsystems of explores notions of performativity, urbanspace, and the individual series ismadepossiblethrough the Dancer Jane , iscurrently onview at and Louise Wilson

SITE

Santa Fe,

1 lectures 19 1 forum 20 to earthquake victims. to Haiti toprovide medical assistance the 2010earthquake, Dr. Ford returned Keck School of Medicine atUSC. Following vice dean for Medical Education atthe at Children’s Hospital LosAngeles and doctor From Haiti her latest, a number of booksaboutHaiti including with author crisis inthe hemisphere’s poorest country response tothe ongoing humanitarian we assessthe waning international left overone million Haitians homeless, earthquake thattook300,000livesand Three yearsafterthe devastating Wednesday, March13,7:30pm HELPING HAITI Hammer Forum ismadepossible, inpart,by Bronya and Andrew Galef. This ongoing series of timely, thought-provoking events addresses current social and political issues. HAMMER FORUM Sundays at11AM, and Hammer Forumismoderated by Henri Ford . Joining her isHaitian-born Farewell FredVoodoo: ALetter Amy Wilentz , who ischief of surgery The DailyBriefing, , who has written , who haswritten Ian Masters Monday through Thursday at5PM,onKPFK90.7 FM. , journalist, author, screenwriter, documentary filmmaker, and host of the radio programs

Journey fromGorbachevtoMedvedev He isthe author of specialist onpost-communist Russia. European and Eurasian studies, isa Treisman, director of UCLA’s Center for covering apublicity stunt byPutin. Vokrug sveta, Vladimir Putin Without aFace:TheUnlikely Riseof Russian Service and author of Gessen isthe director of Radio Liberty’s of lawinRussia under VladimirPutin. reversal of democracy and the rule discuss growing concerns aboutthe political scientist Russian journalist tuesday, april23,7:30pm BACK INTHEUSSR? PUTIN’S RUSSIA: she wasfired for not . As editorof Russia’s Masha Gessen Daniel Treisman The

Return: Russia’s

The Man The Man

and and

. also reports for Radio Free Asia. University of BritishColumbia and he the Institute of Asian Research atthe and Contemporary Society inAsia at Canadian Research ChairinReligion NPR, and other media. Shakyaisthe issues inChina for the BBC,CNN, commentator on Tibetand nationality at Columbia University. He isafrequent is director of Modern TibetanStudies Tibetan culture and identity. Barnett explore whatcanbedone tosave Robert Barnett protest of Chinese rule, leading experts Tibetans setthemselves onfire in already strict controls inTibetand As the Chinese government tightens Thursday, May2,7:30PM SAVING TIBET and Background Briefing Tsering Shakya ,

LEFT–RIGHT: RICHARDJACKSONANDROGERSHERMAN. represent anew model of sustainable urbandevelopment. designing anew town inthe Ecuadorean Amazon intendedto Newsweek adjunct professor. Hisworkhasbeenfeatured onCNNand in of cityLAB,anurbanthinktankatUCLA,where he isalso Roger Sherman Architecture and UrbanDesign, and co-director and suburbanareas. health issuesare prioritized inthe construction of urban for the smarter design of communities, inwhich public Healthy Communities his books, lectures, and recent four-part PBSseries, of the Centers for DiseaseControl and Prevention. Through at UCLA’s Fielding School of Public Health and former director and chairof the Department of Environmental Health Sciences Richard Jackson, Wednesday, April17,7:30PM HEALTHIER LIVINGTHROUGH DESIGN & ROGERSHERMAN RICHARD JACKSON CONVERSATIONS HAMMER , Fast Company MD, MPH,FAAP, isapediatrician, professor, , Jackson hasbecome aleading advocate Roger Sherman , and

Metropolis , AIA,isprincipal of

. He iscurrently Designing Designing

Day inthePark as Gun Crazy much more. The festivalopens withthe film noir films, aswell television programs, newsreels, and featuring restored prints of rare and uniqueclassic the latestedition of the UCLAFestival of Preservation, The UCLAFilm&Television Archive proudly presents March 1–30,2013 UCLA FESTIVAL OFPRESERVATION SPRING HIGHLIGHTS STILL FROM Lancaster’s enduring legacyonthe occasion of hiscentennial. The UCLAFilm&Television Archive ispleasedtocelebrate into one of the most influential careers of the postwarera. The Killers aerialist, he rocketed tostardom inRobertSiodmak’s New Yorker who had already been a successful circus Burt Lancaster wasanAmerican original. Anative April –June,2013 A CENTENNIALCELEBRATION BURT LANCASTER: & Television Archive’s renowned cinémathèque. The BillyWilder Theater isalsothe home of the UCLA Film TELEVISION ARCHIVE UCLA FILM& Mantrap GUN CRAZY GUN (1950),and continues withother gems, such (1946)—anovernight success that he transformed (1926),starring Clara Bow, and (1969),directed byRobertAltman. (1950).

That Cold That Cold

1 screenings 21 AN EVENING OF TRISHA BROWN FILMS Wednesday, April 10, 7:30PM 22 23

This selection of films documents the choreographic work

‑‑‑‑‑ of Trisha Brown. Burt Barr’s Aeros (1990) focuses on Brown’s 1989 work Astral Convertible, with set design and costumes by Robert Rauschenberg, while Homemade (1966), Man Walking Down the Side of a Building (1970), and Primary Accumulation (1972) highlight her earlier work. For the duration of Floor screenings screenings

of the Forest, Brown’s It’s a Draw (2002) will be on view on the monitors at Ammo at the Hammer. In conjunction with Trisha Brown: Floor of the Forest. 1 1

SHORT FILMS STARRING LLYN FOULKES TUESDAY, MAY 14, 7:30PM The Hammer presents an evening of short films and film excerpts—dating from the late 1950s to present— featuring the artist and musician Llyn Foulkes. Visit hammer.ucla.edu for a list of films and descriptions. In conjunction with LLYN FOULKES.

HAMMER SCREENINGS THE MILKY WAY tuesday, may 21, 7:30pm ONE MAN BAND DAVID LYNCH: MEDITATION, CREATIVITY, PEACE Luís Buñuel’s The Milky Way follows two pilgrims en route THURSDAY, MARCH 21, 7:30PM tuesday, april 2, 7:30pm to the shrine of St. James in Santiago de Compostela, in A feature documentary work-in-progress screening. Co-presented with the David Lynch Foundation Spain. Despite the setting in politically tumultuous 1969, no Filmmakers Tamar Halpern and Christopher Quilty follow This fascinating documentary follows the renowned director one they encounter mentions politics, only religion. Making the artist and musician Llyn Foulkes for seven years as he David Lynch on a 16-country tour of Europe, the Middle outrageous leaps across space and time—Albigensian heretics struggles to regain his rightful place in art history. This East, and Latin America to promote the individual and global perform secret rites; the pope is assassinated by a group of OPEN PROJECTOR NIGHT documentary work-in-progress illuminates Llyn’s obsessive impact of meditation. With equal parts wit and passion, radicals; in a domestic scene, Mary compliments Jesus on his thursday, april 4, 7:30pm craft and process, delving deep into his psyche, his past, the film reveals Lynch’s commitment to transcendental beard—the film is a provocative turn to theology, produced Equal parts showcase and showdown, the Hammer’s Open and his fight to be remembered as a great American painter. meditation as way of changing the world, starting from within. at a time when filmmaking was focused on political themes. Projector Night is the most raucous independent short A & A with the filmmakers will follow the screening. A Q&A with David Lynch and Russell Brand will follow the (1969, 91 min. Dir. L. Buñuel) film festival around. Films and videos of all genres have garnered praise and wrath—filmmakers are encouraged In conjunction with LLYN FOULKES. screening. (2012, 71 min. Digital projection) In conjunction with Houseguest: William E. Jones. to bring a thick skin! Nationally known and loved comedy CITY LIGHTS FOLLOW ME DOWN ITSOFOMO team the Sklar Brothers emcee, and free popcorn is thursday, march 28, 7:30pm Friday, April 5, 7:30pm THURSDAY, MAY 23, 7:30PM served. Submissions accepted from 7 to 7:30PM, on a first come, first served basis. Work under 10 minutes only. Deep into production of Charlie Chaplin’s City Lights, Co-presented by the Visual and Performing Arts Education Cythnia Carr and Jennifer Doyle explore the work of the Program in UCLA’s School of the Arts and Architecture and the artist David Wojnarowicz from historical, literary, and queer Visit hammer.ucla.edu for accepted formats. Hollywood was overwhelmed by the talkie revolution. UCLA Department of Ethnomusicology After months of anguished contemplation, Chaplin decided perspectives. Carr is the author of Fire in the Belly: The Life Follow Me Down explores the remarkable impact of music FLUX SCREENING SERIES to finish the film as it began—in silence, save for a musical and Times of David Wojnarowicz; Doyle is the author of Hold in Louisiana prisons. Shooting in three prisons over the wednesday, may 22, 7:30pm score and an occasional sound effect. Cast once again course of two years, Georgetown University ethnomusicologist It Against Me: Difficulty and Emotion in Contemporary Art. The Flux Screening Series at the Hammer presents as the Little Tramp, Chaplin makes the acquaintance of Ben Harbert weaves together portraits of extraordinary A screening of Wojnarowicz’s collaboration with Ben Neill, innovative short films, music videos, feature films, and a blind flower girl, who through a series of coincidences inmate musicians. With unprecedented access, the film ITSOFOMO (In the Shadow of Forward Motion), will follow filmmaker retrospectives. For details, visit flux.net. has gotten the impression that the shabby tramp is a reveals music as a powerful tool in struggles with alienation, the discussion. millionaire. (1931, 87 min. Dir. C. Chaplin) criminal justice, race, gender, and privacy. (103 min., color, HD) In conjunction with Selections from the Grunwald Center and the Hammer Contemporary Collection. In conjunction with LLYN FOULKES. ABOVE, LEFT–RIGHT: STILL FROM FOLLOW ME DOWN (2012); DAVID LYNCH. 24

25 1

SAVE THE DATE 1

SUNDAY AFTERNOONS FOR KIDS 1 Family Flicks is co-presented with UCLA Film & Television Archive. The Hammer’s free collaborative workshops, presented with 826LA, are designed for groups of up to 20 students. Reservations are encouraged. Please visit workshops.826LA.org or call 310-305-8418. KIDS’ ART MUSEUM PROJECT SUNDAY, MAY 5, 2013 10AM–2PM HARVEY I WANNA ROCK: SUNDAY, MARCH 24, 11AM Recommended for all ages HOW TO FORM AN AIR BAND James Stewart stars as a grown man whose best friend is Sunday, March 24, 12–2pm Ages 8–13 a six-foot tall, invisible rabbit named Harvey. As people Air guitar can help you become more creative, teach you to HEY KIDS! around him try to make sense of his childlike insistence follow your dreams, and change your life! Students will adopt Make sure to paint Sunday, May 5 on your calendar and plan to bring your family that Harvey exists, some others begin to appreciate his rock-n-roll personas, learn to play air guitar (and drums and to the coolest day ever at the Hammer! Artists, architects, photographers, designers, special and unique perspective, even to the point of keyboards), write songs, form a band, and rock out. Led by and all kinds of creative pros will be leading inventive workshops for kids of all ages “seeing” Harvey too. (1950, Dir. Henry Koster, 35mm, b/w, 103 min.) Dan Crane—journalist, musician, comedian, author, and host at the Hammer’s fourth annual family fundraiser K.A.M.P. (Kids’ Art Museum Project). of the annual U.S. and World Air Guitar Championships. THE KID Tell your parents, grandparents, and best friends that there will be food, fun, story time, Sunday, April 14, 11AM Recommended for ages 6+ LITLAB: HAIKU the Digital PhotoBooth, delicious cupcakes from Sprinkles, and lots of surprises! Charlie Chaplin shares the screen with six-year-old Jackie Sunday, April 14, 12–2pm Ages 10–14 Coogan in this heartwarming and hilarious portrait of LITLAB is a creative laboratory for young writers, so come Participating artists include: Edgar Arceneaux, Cayetano Ferrer, Mark Hagen, a tramp and the orphaned boy he raises into a fun, ready to take risks, explore, and experiment with language Pearl Hsiung, Vishal Jugdeo, Glenn Kaino, T. Kelly Mason, Ruben Ochoa, industrious little tyke. The two stars form a brilliant and writing. Taught by the actor, teacher, and writer Lili Flanders, Monique Prieto, Retna, Fatima Robinson, Ry Rocklen, Brian Sharp, Adam Silverman, team, sharing humble homemaking chores and outrunning a graduate of the Juilliard School of Drama and the MFA John Sonsini, Jennifer Steinkamp, Oscar Tuazon, and Michael Webster. interfering cops with equal enthusiasm. Program for Writers at Warren Wilson College. (1921, Dir. Charles Chaplin, 35mm, b/w, 68 min.) You can also look forward to Story Time at K.A.M.P. where celebrity guests read IF I WERE KING OR QUEEN from their favorite children’s books and share exciting stories. This year’s readers include Dianna Agron, Jason Bateman, Julie Bowen, and . WINGED MIGRATION Sunday, May 12, 12–2pm Ages 8–13 Sunday, May 12, 11AM Recommended for ages 7+ Have you ever wished you could just start your own nation, This thrilling documentary transports audiences to each of republic, state, country, fiefdom, empire, or territory from Early bird tickets are only $125 per person if purchased by April 1 and $150 per the world’s continents as it follows countless birds in their scratch? Attend this workshop and do just that! While person beginning April 2. All proceeds from this exciting event will benefit Hammer natural migratory journeys. Offering scientific insights and we can’t promise U.N. recognition, our trusted staff will Kids’ free public programs. Last year’s event sold out fast, so shake some change out technical wizardry, the film is truly a bird’s eye view of the help you write the laws, draw the maps, and determine of your piggy bank and bring your whole family for an amazing day of art making! spectacle of nature. (2001, Dir. Jacques Perrin, co-directed by Jacques the demographics of your very own sovereign country. Cluzaud; Michel Debats, 35mm, color, 91 min.) Led by writer J. Ryan Stradal. For additional information and to purchase tickets, please contact Conrad Beilharz at 310-443-7073 or [email protected].

Family Flicks and Hammer Kids are made possible, in part, through the generosity of supporters and friends of the Hammer’s Kids’ Art Museum Project (K.A.M.P.), a family fundraiser. Additional support is provided by the Westwood Neighborhood Council.

K.A.M.P. KIDS 2012. PHOTOS BY STEFANIE KEENAN. 49 WWW.HAMMER.UCLA.EDU 27

310-443-7000 26 HAMMER MEMBERSHIP Hours Tue–Fri 11am–8pm Sat and Sun 11am–5pm Closed Mondays

HAMMER STORE Admission information

$10 Adults membership

$5 Seniors (65+) and UCLA Alumni Association Members with ID Parking Available under the museum;

1 Free for Hammer members, $3 with validation. Enter on general students with ID, UC faculty or and staff, active-duty military Glendon Avenue. Parking for personnel, veterans, and people with disabilities is visitors 17 and under.

provided on levels P1 and P3. 1 Free every Thursday for Bikes park free. all visitors.

To request a group tour, visit our website or call the Group Tours line at 310-443-7041.

The Hammer Museum is operated and partially funded by the University of California, Los Angeles. Corporation has partially endowed the Museum and HAMMER EDITIONS: constructed the Occidental Petroleum Cultural Center Building, which houses the Museum. LLYN FOULKES LLYN FOULKES FEBRUARY 3 –– MAY 19, 2013 Board of Directors Board of Overseers Artist Council For more information, please call

1 MUSEUM UCLA 40 x in. (101.6 101.6 cm). on canvas. mounted on wood, acrylic Oil and President , 2006 (detail). Mr. Llyn Foulkes. Urbauer. by Randel Photo Purchase. Art. Museum of Museum Barbara Santa Hammer membership at 310-443-7050. Founder Peter Benedek Edgar Arceneaux Dr. Armand Hammer Ruth Bloom Lisa Anne Auerbach POSTER. LLYN FOULKES. MR. PRESIDENT, 2006. 24 x 30 IN. Susie Crippen $12; MEMBERS RECEIVE 10% OFF. Chairman Emeritus Rosette Varda Delug Meg Cranston Michael A. Hammer George Freeman Teddy Cruz Honorary Directors Bronya Galef Charles Gaines LLYN FOULKES. LAUREY SANTA MONICA PIER 1975, 2012. PHOTOGRAPH ON KODAK METALLIC ENDURA PAPER, 22 ¾ x 25 ¾ IN. EDITION OF 9, 4 ARTIST PROOFS. HOT OFF THE PRESS! Bob Gersh Fritz Haeg David Hoberman Glenn Kaino Viktor Armand Hammer LLYN FOULKES is accompanied by a limited Stanley Hollander Yoshua Okón COMING UP: Chairman HAMMER PATRONS edition poster and a fully illustrated Linda Janger Laura Owens John V. Tunney Hirsch Perlman catalogue with essays by novelist and art Dori Peterman Mostov Alexis Smith The generous commitment and leadership of our Hammer Patron members STUDIO VISIT President represents the Hammer’s highest level of membership and is a significant critic Jim Lewis, writer Jason Weiss, Erik Murkoff Mario Ybarra Jr. On Saturday, March 16 Hammer Patrons Michael Rubel* Susan Bay Nimoy source of support for the Museum. The contributions we receive from the and Hammer curator Ali Subotnick. The will gather at the Brewery Arts Complex, Gene D. Block Director Hammer Patrons directly support our thought-provoking public programs catalogue, designed by Purtill Family Marcy Carsey* Ronnie Sassoon Ann Philbin one of the largest live-and-work artists’ Lloyd E. Cotsen Chara Schreyer and a dynamic schedule of exhibitions and help, in part, to keep our public Business, was published by the Hammer colonies in the world, for our annual Museum and DelMonico Books, an imprint Martin Cozyn Barry Smooke programs free for everyone. We are grateful for their participation and are Samuel P. Dominick Susan Steinhauser Patron Studio Visit. We are thrilled honored to acknowledge and thank our current Hammer Patrons. of Prestel Publishing (hardcover, 200 Eric Esrailian David Teiger that both Llyn Foulkes and Elliott Hundley Frank O. Gehry Bill True pages with 147 color illustrations). have invited the group for an early Erika Glazer* Dean Valentine Dean Anes, Marisa Arango, Colleen and Brad Bell, Philippa Calnan, Aran Cravey, Cecilia Dan, Join at the Contributor Level ($125) Tim Hanlon Jeremy Zimmer Domenica and Andrew Dunlap, Sandra Krause and Bill Fitzgerald, Karen Fox and Harvey Ruben, evening tour of their studios. For more or higher and receive a complimentary Larry Marx* Leslie and Jonathan Fram, Debra Frank, Homeira and Arnold Goldstein, Lenore and Bernard Greenberg, information or to become a Hammer exhibition catalogue of your choice, Steven A. Olsen Anthony N. Pritzker Elliott Hundley and Alphaeus Taylor, Diantha Lebenzon, Burt Levitch, Lauren McCollum and Patron, call Hammer membership at including LLYN FOULKES! Lee Ramer Tatiana Botton, Julie Miyoshi, Marti and Tony Oppenheimer, Amy and George Roland, Barbara Ruben, 310-443-7050. Kevin L. Ratner* Jackie and Charles Schwartz, Leigh Silverton, Manfred Simchowitz, Nancy Stephens and Rick Rosenthal, Catalogue retail price is $60. Nelson C. Rising Heather Skinazi Yui Suzuki and Akio Tagawa, Grazka Taylor, Raun Thorp and Brian Tichenor, Ron Watson, Members receive a 10% discount. Gail and Irv Weintraub, and Pamela West. Kevin Wall* John Walsh Christopher A. Waterman *Sits on Board of Overseers as well 51